La crítica ha señalado abundantemente que la Sátira de infelice e felice vida de don Pedro de Portugal se sirve abundantemente pasa sus glosas mitográficas de las Diez questiones vulgares de Alonso Fernández de Madrigal, que son a su vez un extracto de su monumental Comento a Eusebio . El presente trabajo se ocupa del cotejo detallado de esos tres textos de mediados del siglo XV; el resultado de esa observación muestra que don Pedro sigue con notoria fidelidad la letra de las Questiones , en una cercanía que jamás mantiene con el Comento , y por ende necesariamente es la primera su fuente. Sin embargo, en esas mismas glosas el condestable presenta información ausente en aquéllas, y que procede claramente de éste. Proponemos como hipótesis la existencia de un texto de Madrigal intermedio entre los dos que trabajamos, hoy perdido, que sirvió de fuente en su momento al condestable.
评论家们大量指出，《唐-佩德罗-德-葡萄牙的不幸与幸福生活之歌》大量使用了阿隆索-费尔南德斯-德-马德里加尔 (Alonso Fernández de Madrigal) 的 Diez questiones vulgares，而 Diez questiones vulgares 又摘自他的巨著 Comento a Eusebio。本作品对 15 世纪中叶的这三部作品进行了详细的比较；观察结果表明，唐-佩德罗非常忠实地沿用了《问题》的笔迹，而他与《漫谈》之间从未保持过这种亲密关系，因此前者必然是他的作品来源。然而，在这些注释中，康斯特布尔提供了前者所没有的信息，而这些信息显然来自后者。我们提出的一个假设是，在我们正在研究的这两部作品之间，存在着一个由马德里加尔创作的中间文本，现在已经失传，当时是康斯坦布尔的资料来源。
{"title":"Centenary Paper: La\u0000 Sátira de infelice e felice vida\u0000 , el Tostado y una versión perdida de sus\u0000 Diez questiones vulgares","authors":"M. Abeledo","doi":"10.3828/bhs.2024.44","DOIUrl":"https://doi.org/10.3828/bhs.2024.44","url":null,"abstract":"\u0000 La crítica ha señalado abundantemente que la\u0000 Sátira de infelice e felice vida\u0000 de don Pedro de Portugal se sirve abundantemente pasa sus glosas mitográficas de las\u0000 Diez questiones vulgares\u0000 de Alonso Fernández de Madrigal, que son a su vez un extracto de su monumental\u0000 Comento a Eusebio\u0000 . El presente trabajo se ocupa del cotejo detallado de esos tres textos de mediados del siglo XV; el resultado de esa observación muestra que don Pedro sigue con notoria fidelidad la letra de las\u0000 Questiones\u0000 , en una cercanía que jamás mantiene con el\u0000 Comento\u0000 , y por ende necesariamente es la primera su fuente. Sin embargo, en esas mismas glosas el condestable presenta información ausente en aquéllas, y que procede claramente de éste. Proponemos como hipótesis la existencia de un texto de Madrigal intermedio entre los dos que trabajamos, hoy perdido, que sirvió de fuente en su momento al condestable.\u0000","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141806523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this article is to have an in-depth look at how the nineteenth-century paradigm of civilización y barbarie , predominant in Latin America, is represented in the film El ciudadano ilustre/ The Distinguished Citizen (2016), an Argentine film directed by Mariano Cohn and Gastón Duprat. A fictional account of an Argentine writer’s life after winning the Nobel Prize, it has a highly ambiguous ending. I argue that the film establishes a dialogic link with classics of Latin American literature such as Esteban Echeverría’s ‘El Matadero’ (1871) and Jorge Luis Borges’ ‘El Sur’ (1953), and Facundo by Domingo Faustino Sarmiento, laying bare the unresolved tension between civilización and barbarie in contemporary Argentina and broader Latin American society. A close analysis of El ciudadano ilustre shows that, at least in Latin America, oppositional concepts have all but died, thus challenging the postmodern trend of dissolving them along with other supposedly outdated binarisms (such as urban v. rural, centre v. periphery.). Simultaneously, the film uses metafiction as a postmodern strategy to deal critically with the dichotomy.
{"title":"From Civilization to Barbarism in\u0000 El ciudadano ilustre\u0000 : The Return of a Latin American Paradigm?","authors":"Kristian VAN HAESENDONCK","doi":"10.3828/bhs.2024.49","DOIUrl":"https://doi.org/10.3828/bhs.2024.49","url":null,"abstract":"\u0000 The aim of this article is to have an in-depth look at how the nineteenth-century paradigm of\u0000 civilización y barbarie\u0000 , predominant in Latin America, is represented in the film\u0000 El ciudadano ilustre/ The Distinguished Citizen\u0000 (2016), an Argentine film directed by Mariano Cohn and Gastón Duprat. A fictional account of an Argentine writer’s life after winning the Nobel Prize, it has a highly ambiguous ending. I argue that the film establishes a dialogic link with classics of Latin American literature such as Esteban Echeverría’s ‘El Matadero’ (1871) and Jorge Luis Borges’ ‘El Sur’ (1953), and\u0000 Facundo\u0000 by Domingo Faustino Sarmiento, laying bare the unresolved tension between\u0000 civilización\u0000 and\u0000 barbarie\u0000 in contemporary Argentina and broader Latin American society. A close analysis of\u0000 El ciudadano ilustre\u0000 shows that, at least in Latin America, oppositional concepts have all but died, thus challenging the postmodern trend of dissolving them along with other supposedly outdated binarisms (such as urban v. rural, centre v. periphery.). Simultaneously, the film uses metafiction as a postmodern strategy to deal critically with the dichotomy.\u0000","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141808397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
‘El Callejón’, arguably the finest restaurant in La Mancha’s biggest city, Albacete, is a shrine both to bullfighting and Don Quixote . Points of connection between the two iconic images of Spain are limited, although both employ cruelty as an aesthetic device and have long been championed in La Mancha as matters of regional as well as national pride. To coincide with the 300-year centenary of the publication of the first part of Don Quixote , the writer José Martínez, ‘Azorín’, received a commission to write a series of newspaper chronicles in which he retraced the steps of Cervantes’s protagonists. Journalist and writer Jorge Bustos completed a travelogue of the same route in 2015 to coincide with the fourth centenary celebrations for part two of the Quixote . My quixotic sally in summer 2022 came about by accident rather than design following a journalistic commission to cover what may turn out to have been the final comic bullfight to feature dwarfs in the Peninsula: the experience inadvertently inspired me to reflect on changing practices in and perceptions of Spain as viewed through the lens of arguably the first European novel and an archaic bloody spectacle (long known as the ‘national fiesta’).
{"title":"Centenary Paper: Bulls, Dwarfs, and a Touch of Cervantes","authors":"Duncan Wheeler","doi":"10.3828/bhs.2024.46","DOIUrl":"https://doi.org/10.3828/bhs.2024.46","url":null,"abstract":"\u0000 ‘El Callejón’, arguably the finest restaurant in La Mancha’s biggest city, Albacete, is a shrine both to bullfighting and\u0000 Don Quixote\u0000 . Points of connection between the two iconic images of Spain are limited, although both employ cruelty as an aesthetic device and have long been championed in La Mancha as matters of regional as well as national pride. To coincide with the 300-year centenary of the publication of the first part of\u0000 Don Quixote\u0000 , the writer José Martínez, ‘Azorín’, received a commission to write a series of newspaper chronicles in which he retraced the steps of Cervantes’s protagonists. Journalist and writer Jorge Bustos completed a travelogue of the same route in 2015 to coincide with the fourth centenary celebrations for part two of the\u0000 Quixote\u0000 . My quixotic sally in summer 2022 came about by accident rather than design following a journalistic commission to cover what may turn out to have been the final comic bullfight to feature dwarfs in the Peninsula: the experience inadvertently inspired me to reflect on changing practices in and perceptions of Spain as viewed through the lens of arguably the first European novel and an archaic bloody spectacle (long known as the ‘national fiesta’).\u0000","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141808014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Between 1847 and 1874, approximately 150,000 Chinese were brought to Cuba under termed contracts to fulfil a labour shortage on sugar cane plantations. Known as ‘coolies’, they suffered harsh conditions and were treated severely. Coolies were generally viewed as dutiful and submissive and their voices have largely been confined to the margins of literature and history. However, the nineteenth-century testimonies and illustrations of Chinese coolies denounce the savagery and cruelty of the Spanish overseers, while simultaneously revealing that coolies were not passive victims. The coolies demonstrated agency, courage and strategic resistance in the act of migrating, in their words, and rebellions. Coolie labour played a major role in reshaping Cuba’s sugar economy and its existing systems of production. In addition, the amplified presence of the Chinese in Cuba challenged existing paradigms of race and nation. Cuban society was no longer Black and white. The growing Chinese population forced a reconsideration of this traditional binary vision of society and, in the formation of a new Chinese–Cuban identity, complicated notions of what constituted cubanidad.
{"title":"Centenary Paper: Living Hell: The Chinese Coolie Trade in Nineteenth-Century Cuba","authors":"Mey-Yen Moriuchi","doi":"10.3828/bhs.2024.47","DOIUrl":"https://doi.org/10.3828/bhs.2024.47","url":null,"abstract":"Between 1847 and 1874, approximately 150,000 Chinese were brought to Cuba under termed contracts to fulfil a labour shortage on sugar cane plantations. Known as ‘coolies’, they suffered harsh conditions and were treated severely. Coolies were generally viewed as dutiful and submissive and their voices have largely been confined to the margins of literature and history. However, the nineteenth-century testimonies and illustrations of Chinese coolies denounce the savagery and cruelty of the Spanish overseers, while simultaneously revealing that coolies were not passive victims. The coolies demonstrated agency, courage and strategic resistance in the act of migrating, in their words, and rebellions. Coolie labour played a major role in reshaping Cuba’s sugar economy and its existing systems of production. In addition, the amplified presence of the Chinese in Cuba challenged existing paradigms of race and nation. Cuban society was no longer Black and white. The growing Chinese population forced a reconsideration of this traditional binary vision of society and, in the formation of a new Chinese–Cuban identity, complicated notions of what constituted cubanidad.","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141809095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Los más importantes editores de La Regenta (Sobejano, Oleza, Martínez Cachero) confiesan no haber podido identificar una referencia literaria que aparece en el segundo capítulo de la novela. En el presente trabajo, se identifica dicha referencia y se propone una hipótesis sobre su significado, así como sobre la importancia que tiene en el desarrollo de la novela y en la caracterización de uno de sus protagonistas, el Magistral Fermín de Pas.
La Regenta》最重要的编者（索贝哈诺、奥莱萨、马丁内斯-卡切罗）承认，他们无法确定小说第二章中出现的一处文学参考资料。本文确定了这一参考文献，并对其含义以及它在小说发展和主要人物之一费尔明-德-帕斯的性格塑造中的重要性提出了假设。
{"title":"Centenary Paper: ‘\u0000 Hame dado en la nariz\u0000 …’: Nota sobre una referencia literaria en el capítulo 2 de\u0000 La Regenta\u0000 (1884–1885) de Clarín","authors":"I. López","doi":"10.3828/bhs.2024.45","DOIUrl":"https://doi.org/10.3828/bhs.2024.45","url":null,"abstract":"\u0000 Los más importantes editores de\u0000 La Regenta\u0000 (Sobejano, Oleza, Martínez Cachero) confiesan no haber podido identificar una referencia literaria que aparece en el segundo capítulo de la novela. En el presente trabajo, se identifica dicha referencia y se propone una hipótesis sobre su significado, así como sobre la importancia que tiene en el desarrollo de la novela y en la caracterización de uno de sus protagonistas, el Magistral Fermín de Pas.\u0000","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141809208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In 1923 Guatemalan author Carlos Wyld Ospina gave a speech celebrating the induction of members to the Theosophic lodge he co-founded in 1922. This article studies this address as a call to action that advocated for an inclusive nation at a time when the hegemonic discourse perpetuated the positivist ideology of exclusion. To begin, I contextualize the author and locate him in the evolution of Guatemalan Literary Studies. Next, I trace the global route of Theosophy and outline how Wyld Ospina funnelled this ideology into Guatemala. Then, I read Wyld Ospina’s speech delineating his plan of nation building, and I point to ideological continuities he was to voice in two articles in 1938. Finally, I suggest that this continuity of thought recontextualizes Wyld Ospina’s literature and opens it to new interpretations, and I define the epistemic value of these rereadings as one that will allow for the further study of the pivotal and dynamic role of race throughout Guatemalan national history.
{"title":"Stepping Towards a More Inclusive Nation: A Contextualized Reading of Carlos Wyld Ospina’s ‘El movimiento teosófico en la Ciudad de Guatemala’","authors":"Kerri A. Muñoz","doi":"10.3828/bhs.2024.48","DOIUrl":"https://doi.org/10.3828/bhs.2024.48","url":null,"abstract":"In 1923 Guatemalan author Carlos Wyld Ospina gave a speech celebrating the induction of members to the Theosophic lodge he co-founded in 1922. This article studies this address as a call to action that advocated for an inclusive nation at a time when the hegemonic discourse perpetuated the positivist ideology of exclusion. To begin, I contextualize the author and locate him in the evolution of Guatemalan Literary Studies. Next, I trace the global route of Theosophy and outline how Wyld Ospina funnelled this ideology into Guatemala. Then, I read Wyld Ospina’s speech delineating his plan of nation building, and I point to ideological continuities he was to voice in two articles in 1938. Finally, I suggest that this continuity of thought recontextualizes Wyld Ospina’s literature and opens it to new interpretations, and I define the epistemic value of these rereadings as one that will allow for the further study of the pivotal and dynamic role of race throughout Guatemalan national history.","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141809740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Americanization of Spanish vocabulary and the incorporation of Indigenous American terms in Spanish texts follows a process that began in the sixteenth century and continued into the following century. Criollo society showed lexical preferences as well as other processes that went on to shape Latin American Spanish. The aim of this study is to present textual evidence through a case study of the literary and historiographical work Historia del Huérfano (1621) written by a Spanish clergyman who was involved in Lima society at the time when he was writing. The text does not evince an author who was interested in the Indigenous peoples and their culture. The use of a comparative methodology with texts from different repositories has allowed us to find evidence of a vocabulary that can be defined as American due to the extent to which it is spread among different authors.
西班牙语词汇的美国化以及西班牙语文本中纳入美洲土著词汇的过程始于十六世纪，并一直延续到下一个世纪。Criollo 社会表现出的词汇偏好以及其他过程塑造了拉美西班牙语。本研究的目的是通过对一位西班牙神职人员撰写的文学史著作《Historia del Huérfano》（1621 年）进行个案研究，提供文本证据。从文本中看不出作者对土著人及其文化感兴趣。通过对不同资料库中的文本进行比较，我们找到了可定义为美洲词汇的证据，因为这些词汇在不同作者中的传播程度不同。
{"title":"The Americanization of Spanish and Indigenous Vocabulary in the Seventeenth Century: A Case Study of the Historia del Huérfano (1621)","authors":"M. Cáceres-Lorenzo","doi":"10.3828/bhs.2023.50","DOIUrl":"https://doi.org/10.3828/bhs.2023.50","url":null,"abstract":"The Americanization of Spanish vocabulary and the incorporation of Indigenous American terms in Spanish texts follows a process that began in the sixteenth century and continued into the following century. Criollo society showed lexical preferences as well as other processes that went on to shape Latin American Spanish. The aim of this study is to present textual evidence through a case study of the literary and historiographical work Historia del Huérfano (1621) written by a Spanish clergyman who was involved in Lima society at the time when he was writing. The text does not evince an author who was interested in the Indigenous peoples and their culture. The use of a comparative methodology with texts from different repositories has allowed us to find evidence of a vocabulary that can be defined as American due to the extent to which it is spread among different authors.","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139344496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Desde una reivindicación activa del feminismo, y ante el empuje del neoliberalismo y el pragmatismo de las últimas décadas, hace falta reconsiderar el concepto de sororidad, vinculado a la fraternidad, y analizarlo en su reduccionismo y esencialismo: desenmascararlo. Las mujeres representan un punto de vista necesario e imprescindible en la sociedad, y por tanto también su poesía. Teniendo en cuenta ese componente dialógico o polifónico ineludible, se abordan cuatro libros de poetas españolas significativos del último lustro, donde las voces se liberan del ‘nosotras’, como Irigaray quería, para construir una poesía que desde el ecofeminismo aúna autoconciencia, ecocrítica, lirismo y equilibrio estético. Solo desde la dialogía podrán superarse estas problemáticas ya que, tal y como rezaba el lema, lo personal es político pero, sobre todo, lo personal es ideológico.
{"title":"De la conciencia a la autoconciencia: el ecofeminismo como respuesta poética","authors":"J. C. Abril","doi":"10.3828/bhs.2023.53","DOIUrl":"https://doi.org/10.3828/bhs.2023.53","url":null,"abstract":"Desde una reivindicación activa del feminismo, y ante el empuje del neoliberalismo y el pragmatismo de las últimas décadas, hace falta reconsiderar el concepto de sororidad, vinculado a la fraternidad, y analizarlo en su reduccionismo y esencialismo: desenmascararlo. Las mujeres representan un punto de vista necesario e imprescindible en la sociedad, y por tanto también su poesía. Teniendo en cuenta ese componente dialógico o polifónico ineludible, se abordan cuatro libros de poetas españolas significativos del último lustro, donde las voces se liberan del ‘nosotras’, como Irigaray quería, para construir una poesía que desde el ecofeminismo aúna autoconciencia, ecocrítica, lirismo y equilibrio estético. Solo desde la dialogía podrán superarse estas problemáticas ya que, tal y como rezaba el lema, lo personal es político pero, sobre todo, lo personal es ideológico.","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139344422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Las relaciones entre las cinematografías española y portuguesa han sido ampliamente analizadas en la década de los cuarenta del siglo pasado, bajo sus respectivas dictaduras. Sin embargo, apenas se han estudiado las afinidades cinematográficas entre ambos países en épocas posteriores. Este estudio expone estos vínculos a partir del análisis de la recepción y de los efectos de las Primeras Conversaciones Cinematográficas Nacionales de Salamanca (1955), hito importante en el cine español, en la cinematografía portuguesa. El análisis de las fuentes documentales demuestra una recepción en Portugal polarizada entre el rechazo por sus implicaciones políticas y la posibilidad de tomarlas como ejemplo, un similar anhelo de renovación de ambas cinematografías entre los sectores más inquietos de la cultura cinematográfica, pero, sobre todo, una clara confluencia en lo referente al movimiento cineclubista. Se constató que el I Encontro dos Cineclubes (Coimbra, 1955) se realizó con objetivos similares a los de las Conversaciones de Salamanca. Este trabajo abre la puerta a nuevas investigaciones sobre las relaciones cinematográficas entre Portugal y España desde la perspectiva transnacional.
{"title":"‘Um exemplo para nós?’ Recepción y efectos de las Primeras Conversaciones Cinematográficas Nacionales de Salamanca (1955) en el cine portugués","authors":"Joana Isabel Duarte, Jorge Nieto-Ferrando","doi":"10.3828/bhs.2023.52","DOIUrl":"https://doi.org/10.3828/bhs.2023.52","url":null,"abstract":"Las relaciones entre las cinematografías española y portuguesa han sido ampliamente analizadas en la década de los cuarenta del siglo pasado, bajo sus respectivas dictaduras. Sin embargo, apenas se han estudiado las afinidades cinematográficas entre ambos países en épocas posteriores. Este estudio expone estos vínculos a partir del análisis de la recepción y de los efectos de las Primeras Conversaciones Cinematográficas Nacionales de Salamanca (1955), hito importante en el cine español, en la cinematografía portuguesa. El análisis de las fuentes documentales demuestra una recepción en Portugal polarizada entre el rechazo por sus implicaciones políticas y la posibilidad de tomarlas como ejemplo, un similar anhelo de renovación de ambas cinematografías entre los sectores más inquietos de la cultura cinematográfica, pero, sobre todo, una clara confluencia en lo referente al movimiento cineclubista. Se constató que el I Encontro dos Cineclubes (Coimbra, 1955) se realizó con objetivos similares a los de las Conversaciones de Salamanca. Este trabajo abre la puerta a nuevas investigaciones sobre las relaciones cinematográficas entre Portugal y España desde la perspectiva transnacional.","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139346902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El presente artículo presta atención al libro Sor Juana Inés de la Cruz. Claro en la selva (1958), escrito desde México por la exiliada republicana Cecilia G. de Guilarte (1915–1989) y publicado en Buenos Aires por la gran editora del exilio nacionalista vasco, Ekin. El texto utiliza material de archivo inédito y textos periodístico para enriquecer el estudio de la apropiación de la religiosa jerónima para la historia de la cultura vasca realizada por Guilarte. Muestra allí cómo este ejercicio conecta el valor probatorio que los apellidos tenían todavía en el nacionalismo vasco como marca de pertenencia a la comunidad con la incorrecta atribución de un origen vasco al padre de Sor Juana, una imprecisión que se mantendría vigente hasta recientes fechas. El artículo promueve la reflexión sobre cuestiones como el principio constructivo que está en la base de todo relato historiográfico –también aquellos orgánicos de los movimientos nacionalistas–, la cultura impresa como actor protagonista en la generación de comunidades capaces de suturar la distancia geográfica entre sus miembros, así como la lucha de las mujeres por llevar su voz a espacios históricamente dominados por voces masculinas.
本文重点介绍《索-胡安娜-伊内斯-德拉克鲁斯》一书。Claro en la selva》（1958 年）一书，该书由共和国流亡者塞西莉亚-G-德-吉拉尔特（Cecilia G. de Guilarte，1915-1989 年）从墨西哥撰写，并由巴斯克民族主义流亡者的大出版商埃金在布宜诺斯艾利斯出版。文中使用了未出版的档案材料和新闻文本，丰富了对 Guilarte 在巴斯克文化史中使用希罗尼米修女的研究。他说明了这一研究如何将巴斯克民族主义中作为社区归属标志的姓氏仍然具有的证据价值与将 Sor Juana 的父亲归于巴斯克血统的错误归因联系起来，这种错误归因直到最近仍然有效。这篇文章促进了对一些问题的思考，如作为所有历史叙述（包括民族主义运动的历史叙述）基础的建设性原则，印刷文化作为产生能够弥合成员之间地理距离的社区的主角，以及妇女为在历史上由男性声音主导的空间中发出自己的声音而进行的斗争。
{"title":"Patria, etnicidad e historia nacional: Cecilia G. de Guilarte, biógrafa de Sor Juana","authors":"Pablo García Martínez","doi":"10.3828/bhs.2023.51","DOIUrl":"https://doi.org/10.3828/bhs.2023.51","url":null,"abstract":"El presente artículo presta atención al libro Sor Juana Inés de la Cruz. Claro en la selva (1958), escrito desde México por la exiliada republicana Cecilia G. de Guilarte (1915–1989) y publicado en Buenos Aires por la gran editora del exilio nacionalista vasco, Ekin. El texto utiliza material de archivo inédito y textos periodístico para enriquecer el estudio de la apropiación de la religiosa jerónima para la historia de la cultura vasca realizada por Guilarte. Muestra allí cómo este ejercicio conecta el valor probatorio que los apellidos tenían todavía en el nacionalismo vasco como marca de pertenencia a la comunidad con la incorrecta atribución de un origen vasco al padre de Sor Juana, una imprecisión que se mantendría vigente hasta recientes fechas. El artículo promueve la reflexión sobre cuestiones como el principio constructivo que está en la base de todo relato historiográfico –también aquellos orgánicos de los movimientos nacionalistas–, la cultura impresa como actor protagonista en la generación de comunidades capaces de suturar la distancia geográfica entre sus miembros, así como la lucha de las mujeres por llevar su voz a espacios históricamente dominados por voces masculinas.","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139344134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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