{"title":"History and Latin American Cinemas in the Twenty-first Century","authors":"C. Rocha, Mariano Paz","doi":"10.3828/bhs.2022.55","DOIUrl":"https://doi.org/10.3828/bhs.2022.55","url":null,"abstract":"","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74105841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The History and Future of Brazilian Modernity and Democracy: Brasilia in the Films of Petra Costa and Maria Augusta Ramos","authors":"J. Draper","doi":"10.3828/bhs.2022.57","DOIUrl":"https://doi.org/10.3828/bhs.2022.57","url":null,"abstract":"","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":"39 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88498150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Miradas de la historia contemporánea venezolana en el cine bolivariano: a vuelo de pájaro","authors":"B. Suárez","doi":"10.3828/bhs.2022.58","DOIUrl":"https://doi.org/10.3828/bhs.2022.58","url":null,"abstract":"","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":"144 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86754575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Alfonso Cuarón’s\u0000 Roma\u0000 : Reflections on History and the Fuzzy Edges of Translation","authors":"N. Gardner","doi":"10.3828/bhs.2022.56","DOIUrl":"https://doi.org/10.3828/bhs.2022.56","url":null,"abstract":"","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":"155 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91144564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gangs of Buenos Aires: Revisiting 1970s and 1980s True Crime in Argentine Cinema","authors":"Mariano Paz","doi":"10.3828/bhs.2022.60","DOIUrl":"https://doi.org/10.3828/bhs.2022.60","url":null,"abstract":"","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89242171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Uruguayan Postmodern Historical Films: La Redota: Una Historia de Artigas and Una noche de doce años","authors":"C. Rocha","doi":"10.3828/bhs.2022.61","DOIUrl":"https://doi.org/10.3828/bhs.2022.61","url":null,"abstract":"","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":"81 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84272186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La estética comprometida de Pablo Perelman: del trauma y la historia al melodrama de\u0000 La lección de pintura\u0000 (2011)","authors":"Susana DOMINGO AMESTOY","doi":"10.3828/bhs.2022.59","DOIUrl":"https://doi.org/10.3828/bhs.2022.59","url":null,"abstract":"","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":"109 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74747533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The interpolated stories included in Don Quijote, Part one have frequently been studied as oppositional to the main plot in function of thematic binaries such as literature-life, illusion-reality, truth-fiction, idealism-realism and romance-novel. An analysis of the embedded tales’ shared motifs, commonplace characterizations and structural relationship with the central narration, however, demonstrates Cervantes’s attempt to incorporate and harmonize disparate literary elements into a single narrative according to the theoretical precepts of his age, especially unity-in-variety, admiratio and verisimilitude. The interpolated stories are constructed as symmetrical patterns of recurrent tropes and themes with varying degrees of coordination with each other, as well as with the main plot. This intricate structure demonstrates the incremental nature of Cervantes’s innovation. Rather than constituting a decisive rupture with contemporary theoretical postulates, as the critical consensus holds, his approach to narrative and character develops in consonance with them.
{"title":"Unity-in-variety, admiratio and Verisimilitude in the Interpolated Stories of Don Quijote, Part One","authors":"B. Brewer","doi":"10.3828/bhs.2022.43","DOIUrl":"https://doi.org/10.3828/bhs.2022.43","url":null,"abstract":"\u0000The interpolated stories included in Don Quijote, Part one have frequently been studied as oppositional to the main plot in function of thematic binaries such as literature-life, illusion-reality, truth-fiction, idealism-realism and romance-novel. An analysis of the embedded tales’ shared motifs, commonplace characterizations and structural relationship with the central narration, however, demonstrates Cervantes’s attempt to incorporate and harmonize disparate literary elements into a single narrative according to the theoretical precepts of his age, especially unity-in-variety, admiratio and verisimilitude. The interpolated stories are constructed as symmetrical patterns of recurrent tropes and themes with varying degrees of coordination with each other, as well as with the main plot. This intricate structure demonstrates the incremental nature of Cervantes’s innovation. Rather than constituting a decisive rupture with contemporary theoretical postulates, as the critical consensus holds, his approach to narrative and character develops in consonance with them.","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":"302 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76345477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La obra de José Luis Castillejo ha sido objeto de un reciente interés crítico. Sin embargo, la mayor parte de estos estudios no han realizado una lectura de su obra en su relación con la literatura de la España tardofranquista. En este artículo, realizo una interpretación de La Política (1968) de José Luis Castillejo a partir de su contraste con la tradición de la poesía social. Frente al lirismo que caracteriza la poesía social, la obra de Castillejo plantea su relación con la política a través del procedimiento impersonal de la apropiación y ensaya una forma de protesta no oposicional. Renunciando a la interferencia lírica del ego como voz del pueblo, La Política de Castillejo ofrece tanto un testimonio como una crítica de la España tardofranquista. Siguiendo la propuesta de Max F. Jensen en su artículo de 2019 sobre la poesía experimental, este artículo pretende cuestionar el carácter supuestamente neutral de la poesía experimental, inscribir La Política en las discusiones del campo poético español y ampliar el concepto de poesía social.
jose Luis Castillejo的作品最近受到了评论界的关注。然而，这些研究大多没有阅读他的作品与西班牙后期佛朗哥时期文学的关系。在这篇文章中，我试图解释jose Luis Castillejo的政治(1968)与社会诗歌传统的对比。与社会诗歌的抒情性不同，卡斯蒂列霍的作品通过非个人的挪用过程提出了他与政治的关系，并尝试了一种非对立的抗议形式。通过放弃自我作为人民声音的抒情干涉，卡斯蒂利亚的政治既证明了佛朗哥统治下的西班牙，也批判了它。根据Max F. Jensen在2019年关于实验诗歌的文章中提出的建议，本文旨在质疑实验诗歌所谓的中性特征，将政治纳入西班牙诗歌领域的讨论，并扩展社会诗歌的概念。
{"title":"La Política (1968) de José Luis Castillejo frente a la tradición de la poesía social","authors":"D. Arroyo","doi":"10.3828/bhs.2022.47","DOIUrl":"https://doi.org/10.3828/bhs.2022.47","url":null,"abstract":"\u0000La obra de José Luis Castillejo ha sido objeto de un reciente interés crítico. Sin embargo, la mayor parte de estos estudios no han realizado una lectura de su obra en su relación con la literatura de la España tardofranquista. En este artículo, realizo una interpretación de La Política (1968) de José Luis Castillejo a partir de su contraste con la tradición de la poesía social. Frente al lirismo que caracteriza la poesía social, la obra de Castillejo plantea su relación con la política a través del procedimiento impersonal de la apropiación y ensaya una forma de protesta no oposicional. Renunciando a la interferencia lírica del ego como voz del pueblo, La Política de Castillejo ofrece tanto un testimonio como una crítica de la España tardofranquista. Siguiendo la propuesta de Max F. Jensen en su artículo de 2019 sobre la poesía experimental, este artículo pretende cuestionar el carácter supuestamente neutral de la poesía experimental, inscribir La Política en las discusiones del campo poético español y ampliar el concepto de poesía social.","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":"2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72767605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
‘Piedra de sol’ de Octavio Paz da cuenta de un descubrimiento, un nuevo método revolucionario que, desengañado de la ideología del comunismo más ortodoxo, enarbola el amor como bandera que ondee en el horizonte de la nueva sociedad. Mucho tiempo después,Álvaro García publica Canción en blanco,un solo poema largo cuya experiencia fundamental es la del gozo erótico compartido en un cuarto de hotel. Como Octavio Paz, Álvaro García también aprecia en este amor encerrado entre cuatro paredes una fuerza revolucionaria. Sin embargo, el contexto en que escribe Álvaro García no es, evidentemente, la Guerra Civil, sino el capitalismo tardío, cuya violencia se deja ver en una España desestructurada por la crisis económica de 2008 y en la televisada Guerra de Irak. Este ensayo investiga los puntos en que Octavio Paz y Álvaro García confraternizan, pero también esos otros lugares en que difieren. De esta comparación se desprenderán nociones e ideas sobre algunos cambios de paradigma político que afectan a nuestro presente.
奥克塔维奥·帕兹(Octavio Paz)的《太阳之石》(Piedra de sol)讲述了一项发现，一种新的革命性方法，它摆脱了最正统的共产主义意识形态的欺骗，将爱作为在新社会地平线上飘扬的旗帜。很久以后，alvaro garcia出版了cancion en blanco，这是一首长诗，其基本体验是在酒店房间里分享的性爱乐趣。和奥克塔维奥·帕兹一样，alvaro garcia也欣赏这种被锁在四面墙之间的爱的革命力量。然而，alvaro garcia的写作背景显然不是内战，而是晚期资本主义，其暴力可以在2008年经济危机和电视上播出的伊拉克战争破坏的西班牙看到。本文探讨了奥克塔维奥·帕兹(Octavio Paz)和阿尔瓦罗·加西亚(alvaro garcia)的交友之处，以及他们在其他地方的不同之处。这一比较将揭示影响我们现在的一些政治范式转变的概念和想法。
{"title":"Revolucionarios que se aman en cuartos de hoteles: amor y revolución en ‘Piedra de sol’ de Octavio Paz y Canción en blanco de Álvaro García","authors":"Sergio Navarro Ramírez","doi":"10.3828/bhs.2022.48","DOIUrl":"https://doi.org/10.3828/bhs.2022.48","url":null,"abstract":"\u0000‘Piedra de sol’ de Octavio Paz da cuenta de un descubrimiento, un nuevo método revolucionario que, desengañado de la ideología del comunismo más ortodoxo, enarbola el amor como bandera que ondee en el horizonte de la nueva sociedad. Mucho tiempo después,Álvaro García publica Canción en blanco,un solo poema largo cuya experiencia fundamental es la del gozo erótico compartido en un cuarto de hotel. Como Octavio Paz, Álvaro García también aprecia en este amor encerrado entre cuatro paredes una fuerza revolucionaria. Sin embargo, el contexto en que escribe Álvaro García no es, evidentemente, la Guerra Civil, sino el capitalismo tardío, cuya violencia se deja ver en una España desestructurada por la crisis económica de 2008 y en la televisada Guerra de Irak. Este ensayo investiga los puntos en que Octavio Paz y Álvaro García confraternizan, pero también esos otros lugares en que difieren. De esta comparación se desprenderán nociones e ideas sobre algunos cambios de paradigma político que afectan a nuestro presente.","PeriodicalId":44702,"journal":{"name":"BULLETIN OF HISPANIC STUDIES","volume":"64 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80872233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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