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Caeneus and Heroic (Trans)Masculinity in Ovid’s Metamorphoses 奥维德《变形记》中的凯涅斯与英雄(跨)男子气概
IF 0.1 3区 历史学 Q3 Arts and Humanities Pub Date : 2020-08-08 DOI: 10.1353/are.2020.0000
C. Northrop
Abstract:Ovid’s Caeneus is a figure of heroism whose identity as a transman challenges the boundaries of gender and birthright. His career as a transmasculine warrior culminates in his battle with the centaurs. This battle forms a kind of debate over the nature of masculinity, gender identity, and heroism in the world of Ovid’s Metamorphoses. Combining analyses of narrative and rhetoric in the Caeneus episode of Book 12 with parallels from the Metamorphoses and the Ovidian corpus, this paper analyzes Ovid’s depiction of Caeneus, his heroic identity and his gender identity. It argues that Ovid’s Caeneus attains the highest levels of heroic achievement not despite of but because of his transmasculinity.
摘要:奥维德笔下的凯涅斯是一个英雄主义人物,他的跨性别身份挑战了性别和与生俱来的权利界限。他作为一名跨性别战士的职业生涯在与半人马的战斗中达到高潮。这场战斗形成了一种关于奥维德《变形记》中男性气质、性别认同和英雄主义本质的辩论。结合对《变形记》和《奥维德语料库》中凯涅斯章节的叙述和修辞的分析,分析了奥维德对凯涅斯的描述、他的英雄身份和他的性别身份。它认为奥维德笔下的凯涅斯获得了最高水平的英雄成就,而不是因为他的跨男性化。
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引用次数: 0
The Ancient Entomological Bookworm 古代昆虫学书虫
IF 0.1 3区 历史学 Q3 Arts and Humanities Pub Date : 2020-08-08 DOI: 10.1353/are.2020.0002
C. Lambert
Abstract:This article traces how the entomological bookworm shaped the historical practices, poetics, and literary discourse of Greco-Roman book culture in the early imperial period. I argue that attending to the materiality of bookworms illuminates another realm of poetics and rhetoric around reading (and non-reading), with special focus on Ovid’s exile poetry and several Greek epigrams from the Garland of Philip. Building a bridge from the methodology of book history to literary criticism and metaphor, I ultimately show how the bookworm participates in the discursive construction and stigmatization of a certain kind of inept, pedantic reader.
摘要:本文追溯了昆虫学书虫如何塑造帝国早期希腊罗马图书文化的历史实践、诗学和文学话语。我认为,关注书虫的物质性揭示了围绕阅读(和非阅读)的另一个诗学和修辞学领域,特别关注奥维德的流亡诗歌和菲利普加兰德的几句希腊警句。我搭建了一座从书籍史方法论到文学批评和隐喻的桥梁,最终展示了书虫如何参与对某种无能、迂腐的读者的话语建构和污名化。
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引用次数: 1
Enduring the Dust of Mars: The Expectation of Military Leadership in Panegyric to the Child-Emperor Gratian 忍受火星的尘埃:对儿童皇帝格拉提安颂歌中的军事领导的期望
IF 0.1 3区 历史学 Q3 Arts and Humanities Pub Date : 2020-02-28 DOI: 10.1353/are.2019.0011
Dennis Jussen
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引用次数: 0
The Thinking Eye: Some Remarks on Visuality and Metapoetics in Claudian’s Carmina Minora 17 思考之眼:评克劳狄的《米诺拉的卡米娜》中的视觉性与元学
IF 0.1 3区 历史学 Q3 Arts and Humanities Pub Date : 2020-02-28 DOI: 10.1353/are.2019.0012
P. Sacchi
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引用次数: 0
The Child’s Voice in Euripidean Tragedy: Socialization Through Challenge 欧里庇得斯悲剧中的儿童之声:挑战中的社会化
IF 0.1 3区 历史学 Q3 Arts and Humanities Pub Date : 2020-02-28 DOI: 10.1353/are.2019.0009
Fayah Haussker, N. Scott, Dennis Jussen, Paolo Felice Sacchi
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引用次数: 3
Metaphors and Jokes in the Fragments of Cratinus 克拉提努斯碎片中的隐喻和笑话
IF 0.1 3区 历史学 Q3 Arts and Humanities Pub Date : 2020-02-28 DOI: 10.1353/are.2019.0010
N. Scott
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引用次数: 0
"Skilled at Grasping": The Phoenician Migrant and Exile as a Cautionary Stereotype from Classical Antiquity to Early Modern Europe “善于把握”:从古典古代到现代欧洲早期,作为警示刻板印象的腓尼基移民和流亡者
IF 0.1 3区 历史学 Q3 Arts and Humanities Pub Date : 2019-12-03 DOI: 10.1353/are.2019.0007
Pamina Fernández Camacho
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引用次数: 0
Arms and the Woman: Discourses of Militancy and Motherhood in Vergil's Aeneid 武器与女人:维吉尔《埃涅伊德》中关于战斗与母性的论述
IF 0.1 3区 历史学 Q3 Arts and Humanities Pub Date : 2019-12-03 DOI: 10.1353/ARE.2019.0006
Katherine R. De Boer
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引用次数: 2
The Succession Myth and the Rebellious AI Creation: Classical Narratives in the 2015 Film Ex Machina 继承神话与叛逆的人工智能创作:2015年电影《机械姬》中的经典叙事
IF 0.1 3区 历史学 Q3 Arts and Humanities Pub Date : 2019-12-03 DOI: 10.1353/are.2019.0005
J. Alvares, Patricia B. Salzman-Mitchell, Katherine R. De Boer, Pamina Fernández Camacho, Marta González González
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引用次数: 4
κυνὸς σῆμα: Euripides’ Hecuba and the Uses of Revenge 欧里庇得斯的《赫库巴》和复仇的用途
IF 0.1 3区 历史学 Q3 Arts and Humanities Pub Date : 2019-08-17 DOI: 10.1353/ARE.2019.0004
Grace Zanotti
Abstract:This paper reads Euripides’ Hecuba contextually and intertextually, attending both to the play’s historical context of the Athenian transition to democracy in the fifth century (entailing laws regulating mourning and the birth of the democratic court system) and to its intertextual dialogue with Aeschylus’s Oresteia. Against the great majority of scholars of Hecuba, through a close reading of the play, I argue that Hecuba’s transformation into a dog does not signal her moral degeneration and that her revenge is both ethically coherent and deeply human, recognizing the particularity of her lost son Polydorus in a way that democratic justice cannot.
摘要:本文对欧里庇得斯的《赫库巴》进行了语境和互文的解读,既关注了该剧五世纪雅典向民主过渡的历史语境(包含了规范哀悼和民主法院制度诞生的法律),也关注了其与埃斯库罗斯的《俄瑞斯忒亚》的互文对话。与绝大多数关于赫库巴的学者相反,通过仔细阅读这部剧,我认为赫库巴变成一只狗并不意味着她的道德堕落,她的复仇既符合伦理,又具有深刻的人性,以民主正义所不能做到的方式认识到她失去的儿子波利多罗斯的特殊性。
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引用次数: 0
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