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Archibald Marshall’s “Motley Mixture of Crying Contradictions”: Upsidonia as Utopian Farce 阿奇博尔德-马歇尔的 "令人啼笑皆非的矛盾杂烩":作为乌托邦闹剧的乌普西多尼亚
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.5325/utopianstudies.34.3.0418
P. Sinnema
Karl Marx’s acerbic observation in the opening lines of The Eighteenth Brumaire that “all facts and personages of great importance in world history occur the first time as tragedy, the second as farce” may be profitably applied to a reconsideration of literary farce sui generis, a genre represented in this article by a long-neglected work of utopian fiction, Archibald Marshall’s Upsidonia (1915). Although Upsidonia’s current disregard is arguably undeserved, the article’s chief interest is not to reclaim the novel on aesthetic grounds but to illuminate the mechanics of what Marx would call its “serious buffoonery.” In its persistent reversal of capitalist principles and relations, Upsidonia naturally invites readers to revisit Marx, whose mordant gambit may serve as a key to Marshall’s own farcical plot and praxis, rooted in return and repetition, the essential maneuvers of farce itself.
卡尔-马克思在《十八日勃鲁梅尔》开篇中尖锐地指出,"世界历史上一切重大的事实和人物,第一次是作为悲剧出现的,第二次则是作为闹剧出现的",这一观点或许可用于对自成一类的文学闹剧的重新思考,而本文中的这一流派则是一部长期被忽视的乌托邦小说作品,即阿奇博尔德-马歇尔的《乌普西多尼亚》(1915 年)。尽管《乌普西多尼亚》目前受到的漠视可以说是咎由自取,但本文的主要兴趣并不在于从美学角度重新审视这部小说,而在于阐明马克思称之为 "严肃小丑 "的创作机制。乌普西多尼亚》不断颠覆资本主义的原则和关系,自然而然地邀请读者重温马克思,而马克思的诙谐赌局可能是马歇尔自己的闹剧情节和手法的一把钥匙,它植根于返回和重复,而这正是闹剧本身的基本手法。
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引用次数: 0
Response 3: Transgressive Utopianism and Direct Activism 回应 3:超越乌托邦主义和直接行动主义
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.5325/utopianstudies.34.3.0550
Heather Alberro
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引用次数: 0
Disaster Anarchy: Mutual Aid and Radical Action 灾难无政府状态:互助与激进行动
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.5325/utopianstudies.34.3.0606
John-Erik Hansson
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引用次数: 0
Engineering the Welfare State: Economic Thought as Context to Boye’s Kallocain and Huxley’s Brave New World 福利国家工程:作为博伊的《卡洛凯恩》和赫胥黎的《美丽新世界》背景的经济思想
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.5325/utopianstudies.34.3.0436
S. Gammelgaard
While the political aspects of the interwar dystopias have received much attention, less focus has been given to the specific correlation to the economic thinking and developments of the period, in particular the prominence of economic planning. This article suggests that such a connection is significant by examining a key Swedish novel from the period, Kallocain, in relation to the early economic theory of the Scandinavian welfare state. The article then relates these findings to links between Brave New World and the thinking of John Maynard Keynes. Finally, the kinds of critique articulated in these fictional works are centered around the citizens’ emotional and interior lives in new planned societies, and around their views on bad, disloyal, or painful feelings.
尽管战时歇斯底里小说的政治方面受到了广泛关注,但人们较少关注其与该时期经济思想和发展的具体关联,尤其是经济计划的重要性。本文通过研究这一时期一部重要的瑞典小说《卡洛凯恩》与斯堪的纳维亚福利国家早期经济理论的关系,提出了这种联系的重要性。然后,文章将这些发现与《美丽新世界》和约翰-梅纳德-凯恩斯思想之间的联系联系起来。最后,这些虚构作品中所阐述的批判类型都围绕着新计划社会中公民的情感和内部生活,以及他们对不良、不忠或痛苦情感的看法。
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引用次数: 0
The Last Man 最后一个人
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.5325/utopianstudies.34.3.0582
J. Wagner-lawlor
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引用次数: 0
The Social Prison: Ursula K. Le Guin’s The Dispossessed as Postanarchist Critical Utopia 社会监狱:作为后无政府主义批判乌托邦的乌苏拉-K-勒奎恩的《一无所有的人》
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.5325/utopianstudies.34.3.0399
David W. Miller
Ursula K. Le Guin’s classic work of anarchist literature, The Dispossessed (1974), is preoccupied with the issue of imprisonment. This is hardly surprising given anarchism’s longstanding critical engagement with the prison as state apparatus. For classical anarchists, the prison represents one of the most vile and visible examples of state repression. However, while the abolition of prisons constitutes one of the fundamental goals of anarchism, the alternatives put forth by classical anarchist thinkers risk perpetuating the underlying power relations of carceral justice by encouraging social shaming and the policing of norms. The anarchist society of The Dispossessed uses these techniques to discourage the accumulation of power in order to create an egalitarian society. Unfortunately, these same techniques encourage a conformity that hinders other anarchist values, such as creativity and individual self-determination. In essence, the anarchist society depicted in the novel replaces the literal prison with a different form of imprisonment—the social prison, which continues the repressive function of the state through different means. By creating an “ambiguous” anarchist utopia, Le Guin anticipates the critiques of classical anarchism formulated by poststructural and postmodern anarchist theorists. These critiques are most evident in the theme of imprisonment that threads throughout the novel.
厄休拉-勒奎恩(Ursula K. Le Guin)的无政府主义文学经典作品《被剥夺者》(The Dispossessed)(1974 年)集中讨论了监禁问题。鉴于无政府主义长期以来一直对作为国家机器的监狱持批判态度,这就不足为奇了。对古典无政府主义者来说,监狱是国家镇压最卑劣、最明显的例子之一。然而,虽然废除监狱是无政府主义的基本目标之一,但经典无政府主义思想家提出的替代方案却有可能通过鼓励社会羞辱和规范管理来延续监禁正义的潜在权力关系。一无所有的人》中的无政府主义社会利用这些技术阻止权力的积累,以建立一个平等的社会。不幸的是,这些技巧也助长了墨守成规,阻碍了无政府主义的其他价值观,如创造力和个人自决。实质上,小说中描绘的无政府主义社会用另一种形式的监禁--社会监狱--取代了字面意义上的监狱,通过不同的手段延续了国家的镇压职能。通过创造一个 "模棱两可 "的无政府主义乌托邦,勒奎恩预见到了后结构主义和后现代无政府主义理论家对古典无政府主义的批判。这些批判在贯穿小说始终的囚禁主题中体现得淋漓尽致。
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引用次数: 0
Hope Draped in Black: Decolonizing Utopian Studies 披着黑色外衣的希望乌托邦研究的非殖民化
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.5325/utopianstudies.34.3.0498
Caroline Edwards
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引用次数: 0
From Imagination to Action, The Solarpunk Conference, June 24, 2023, Virtual 从想象到行动,太阳朋克大会,2023 年 6 月 24 日,虚拟
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-01 DOI: 10.5325/utopianstudies.34.3.0634
Ariel Kroon (independent scholar), Kees Schuller
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引用次数: 0
An Archival Paradise: John Wilkins’s Essay Towards a Real Character and a Philosophical Language and Early Modern Info-Utopianism 档案天堂:约翰-威尔金斯的《走向真实人物和哲学语言的论文》与早期现代信息乌托邦主义
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.5325/utopianstudies.34.2.0234
Georgie Newson
abstract:Bishop John Wilkins’s “universal philosophical language,” set out in his Essay Towards a Real Character and a Philosophical Language (1668), has often been described—and indeed dismissed—as a “utopian” project. However, despite the charge of utopianism being applied to Wilkins’s work by theorists as eminent as Foucault, Lacan, and Umberto Eco, no effort has been made to read the Essay as a legitimately utopian text: a text that may be positioned alongside the rich utopian literary-critical tradition to mutually illuminating effect. This article argues that the Essay displays a tendency that the author terms “info-utopianism,” and that this tendency can be located in a number of other Early Modern utopian works. The article then discusses the contextual influences behind the emergence of Early Modern infoutopianism, as well as its implications for contemporary utopian theory.
摘要:约翰-威尔金斯主教在其《迈向真实性格和哲学语言的论文》(1668 年)中提出的 "通用哲学语言 "常常被描述为--甚至被斥之为--一个 "乌托邦 "计划。然而,尽管福柯、拉康和翁贝托-艾柯等著名理论家都对威尔金斯的作品提出了乌托邦主义的指控,但却没有人努力将《论语》作为一个合法的乌托邦文本来解读:一个可以与丰富的乌托邦文学批评传统相提并论、相互启发的文本。本文认为,《随想录》表现出一种倾向,作者称之为 "信息乌托邦主义",这种倾向可以在其他一些早期现代乌托邦作品中找到。然后,文章讨论了早期现代信息乌托邦主义出现背后的背景影响及其对当代乌托邦理论的启示。
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引用次数: 0
Green Utopia Now! A Transdisciplinary Symposium on How to Deal with the Climate Crisis: November 30, 2022, University of Ferrara, Italy 现在的绿色乌托邦!关于如何应对气候危机的跨学科研讨会:2022 年 11 月 30 日,意大利费拉拉大学
IF 0.2 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-07-01 DOI: 10.5325/utopianstudies.34.2.0368
Manuel Sousa Oliveira, Ilenia Vittoria Casmiri, Fabiola Onofrio, Tânia Cerqueira, Francisca Teixeira, Florian Wagner
of
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引用次数: 0
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