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Experimental Utopia: Edward Abramowski’s “Applied Social Science” 实验乌托邦:爱德华·阿布拉莫夫斯基的“应用社会科学”
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.5325/utopianstudies.34.1.0080
Bartłomiej Adam Błesznowski
ABSTRACT The aim of this article is to analyze the close relation between social theory (“sociological phenomenalism”) and the political ideology of the Polish thinker Edward Abramowski. Abramowski’s “applied sociology” involved: (1) the sociology of “fraternity,” examining basic forms of socialization; (2) combining social revolution with ethical self-improvement; and (3) the dissemination of “social laboratories” through the development of a network of cooperatives. As “experiments of the will,” the cooperatives allowed Abramowski to combine science, imagination, and ethics in a coherent project of political utopia-building, extending the possible forms of community. Finally, the article shows that in Abramowski’s case, the meaning of utopia as an element embedded in a wide range of political practices derives from his vision of social science. Due to the influence that Abramowski’s thought had on political reality in Poland, the concept of “experimental” utopia entered the vocabulary of modern social sciences in Poland for good.
本文旨在分析波兰思想家爱德华·阿布拉莫夫斯基的社会理论(“社会学现象主义”)与政治意识形态之间的密切关系。阿布拉莫夫斯基的“应用社会学”包括:(1)“博爱”社会学,考察社会化的基本形式;(2)社会革命与道德建设相结合;(3)通过发展合作社网络传播“社会实验室”。作为“意志的实验”,合作社允许阿布拉莫夫斯基将科学、想象力和伦理结合在一个连贯的政治乌托邦建设项目中,扩展了社区的可能形式。最后,本文表明,在阿布拉莫夫斯基的案例中,乌托邦作为一个嵌入在广泛政治实践中的元素的意义源于他的社会科学视野。由于阿布拉莫夫斯基的思想对波兰政治现实的影响,“实验”乌托邦的概念永远地进入了波兰现代社会科学的词汇。
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引用次数: 0
Dialectics of Pleasure in Thomas More’s Utopia 托马斯·莫尔《乌托邦》中快乐的辩证法
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.5325/utopianstudies.34.1.0016
Oddvar Holmesland
ABSTRACT Thomas More’s Utopia represents not a pleasurable alternative world, but rather a debate on how to make life more pleasurable in the actual world. It involves a tussling with questions of truth in an age in which unifying transcendental answers were giving way to more instrumental solutions as demanded by the growth of mercantile city-states. This article traces the function of pleasure in Utopia as a dialectically mediating agent on the recognition that pleasure is available only in compromised form. For More, solutions must be sought through the mind’s capacity to form agreeable relations out of contradictions. It implies assembling meaning from the perspectives Utopia provides, and a constant balancing and rebalancing process in search of an overall point of view that may give pleasure.
托马斯·莫尔的《乌托邦》并不是一个令人愉悦的另类世界,而是一场关于如何在现实世界中让生活更愉悦的辩论。它涉及到对真理问题的争论,在这个时代,统一的先验答案正在让位于更多的工具解决方案,这是商业城邦发展所要求的。本文追溯了快乐在乌托邦中作为辩证法中介的功能,因为人们认识到快乐只能以妥协的形式获得。对莫尔来说,解决办法必须通过心灵的能力,从矛盾中形成愉快的关系。它意味着从乌托邦所提供的视角中组装意义,以及一个不断平衡和再平衡的过程,以寻找一个可能带来快乐的整体观点。
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引用次数: 0
Why Historians Will End Capitalism 为什么历史学家会终结资本主义
4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-01 DOI: 10.5325/utopianstudies.34.1.0100
John Welsh
ABSTRACT Though the prospect seems a million miles away, interest in the end of capitalism has been as longstanding as it is utopian, but do we really understand what we mean when we speak of the end of capitalism? Maybe we have things the wrong way round, and in our understandable preoccupation with the future we fail to appreciate how prospective ends often lie in the past. While the expression might refer to practices, experiences, and real social relations, capitalism is a conceptualization and as such is a synthetic product of the understanding. Between abstraction and the concrete, could the end of capitalism lurk somewhere in this activity? Might it be something we can experience but never know? Is our expectation of paradigmatic transformation counterproductive? Is there a role for utopias and utopianism in this, and if so what might that be?
虽然前景似乎遥不可及,但人们对资本主义终结的兴趣一直与它的乌托邦一样长久,但是当我们谈论资本主义终结时,我们真的理解我们的意思吗?也许我们把事情弄反了,我们对未来的关注是可以理解的,但我们没有意识到,未来的目标往往存在于过去。虽然这种表达可能指的是实践、经验和真实的社会关系,但资本主义是一种概念化,因此是一种理解的综合产物。在抽象与具体之间,资本主义的终结是否会潜伏在这一活动的某个地方?也许这是我们可以体验但永远不会知道的事情?我们对范式转变的期望会适得其反吗?乌托邦和乌托邦主义在其中扮演了什么角色?如果是,那会是什么角色?
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引用次数: 0
Utopian/Dystopian Dialectics in Christian Responses to the Ecological Crisis: Between Ethics and Ontology 基督教应对生态危机的乌托邦/反乌托邦辩证法:在伦理学与本体论之间
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-11-01 DOI: 10.5325/utopianstudies.33.3.0460
Tamara Prosic
abstract:Christianity is a religion with deep utopian undercurrents that find their articulation in narratives about a utopian past, a dystopian present and a utopian future. The natural world is also part of this utopian trend, most prominently in the form of the lost Garden of Eden. While both Western and Eastern Orthodox Christianity recognize nature as part of this past utopia, their views regarding its role in the dystopian present, the future utopian condition as well as the path toward it, significantly differ, leading to quite different responses to the current ecological crisis. For Western Christianity, ecological questions are a matter of ethics, while for the Eastern Orthodox they are an ontological issue. Utilizing Bloch's ideas about "educated hope" and the distinction between abstract and concrete utopias, the article discusses these different positions and their possibility to change believers' attitudes toward nature and align their behavior with that of environmentalism and ecology.
基督教是一种具有深刻乌托邦潜流的宗教,这种潜流在关于乌托邦的过去、反乌托邦的现在和乌托邦的未来的叙述中得到了表达。自然世界也是这种乌托邦趋势的一部分,最突出的形式是失落的伊甸园。虽然西方和东正教都承认自然是过去乌托邦的一部分,但他们对自然在反乌托邦的现在、未来乌托邦的条件以及通往乌托邦的道路的看法却大相径庭,这导致了对当前生态危机的截然不同的回应。对于西方基督教来说,生态问题是一个伦理问题,而对于东正教来说,这是一个本体论问题。本文利用布洛赫关于“受教育的希望”的观点,以及抽象乌托邦和具体乌托邦的区别,讨论了这些不同的立场,以及它们改变信徒对自然的态度,并使他们的行为与环保主义和生态学保持一致的可能性。
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引用次数: 0
Epistemological Warfare and Hope in Critical Dystopia 批判反乌托邦中的认识论战争与希望
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-11-01 DOI: 10.5325/utopianstudies.33.3.0519
Claire P. Curtis
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引用次数: 0
Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist by Kate Raworth (review) Kate Raworth的《甜甜圈经济学:像21世纪经济学家一样思考的七种方式》(综述)
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-11-01 DOI: 10.5325/utopianstudies.33.3.0528
Yoko Nagase
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引用次数: 0
Postcolonial Hope and Agency as a Contestation of Ideological Utopias in Claude McKay's: Amiable with Big Teeth 后殖民时代的希望与能动性:克劳德·麦凯《大牙齿的和蔼》中意识形态乌托邦之争
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-11-01 DOI: 10.5325/utopianstudies.33.3.0479
M. Jiménez
abstract:This article analyzes Claude McKay's last novel, Amiable with Big Teeth—recently discovered in 2017—as a piece of postcolonial utopianist writing. The novel participates in an important debate on the role of utopias and utopian writing as ideological mechanisms that perpetuate colonial structures such as the nation-state. Through a critique of the Popular Front project in the black community of 1930s Harlem, Amiable with Big Teeth vindicates local knowledges and the assessment of the specific conditions of the present—ever-changing and transformable—in the development of strategies for resistance. As such, the spiritual role of Ethiopia for the community depicted, rather than constitute yet another national utopia, fulfills the same role as it did for the Jamaican Rastafarians: it is a mechanism for group self-assertion and the promotion of self-esteem that subaltern communities need in order to achieve full agency.
摘要:本文分析了克劳德·麦凯的最后一部小说《与大牙齿友好》,这部小说最近于2017年被发现,是一部后殖民时代的乌托邦主义作品。这部小说参与了一场关于乌托邦和乌托邦写作作为延续民族国家等殖民结构的意识形态机制的作用的重要辩论。通过对20世纪30年代哈莱姆黑人社区的“人民阵线”项目的批判,《与大牙友好》证明了当地的知识以及对当前特定条件的评估——不断变化和可转变——在制定抵抗策略的过程中是正确的。因此,埃塞俄比亚对所描绘的社区的精神作用,而不是构成另一个国家乌托邦,履行了与牙买加拉斯塔法里人相同的作用:它是一种群体自我主张和促进自尊的机制,而下层社区则需要这种机制来实现充分的能动性。
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引用次数: 0
Gender, Race, Color, Glass: A Reading of Clothing and Decoration in Paul Scheerbart's Glass Utopias 性别、种族、颜色、玻璃:保罗·舍尔巴特《玻璃乌托邦》中服装与装饰的解读
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-11-01 DOI: 10.5325/utopianstudies.33.3.0424
Stephanie Weber
abstract:This article revisits the utopian fiction of German science-fiction writer and poet Paul Scheerbart, considering the place of race and gender in his fantastical glass architectural spaces. This is primarily done through a reading of clothing and decoration in these texts, elements that are often explicitly mentioned in relation to women and people of color. Historical context concerning modernist paradigms, metaphorical interpretations of architectural glass, the connection between clothing and architecture, and the place of women in the Werkbund provides a framework that serves to extrapolate the significance of some of Scheerbart's narrative elements, demonstrating the ways Scheerbart's philosophies both aligned with and departed from the modernist trends that were gaining force during his career. His constant self-contradiction, humor, and absurdist plots, however, undermine any notion that Scheerbart's fiction should be understood as straightforward polemics, and serve to complicate his position within the philosophical traditions he has been aligned with.
本文回顾了德国科幻作家兼诗人保罗·舍尔巴特的乌托邦小说,在他奇幻的玻璃建筑空间中思考种族和性别的位置。这主要是通过阅读这些文本中的服装和装饰来完成的,这些元素经常被明确地提到与女性和有色人种有关。关于现代主义范式的历史背景,建筑玻璃的隐喻解释,服装与建筑之间的联系,以及女性在工厂中的地位,提供了一个框架,用于推断舍尔巴特的一些叙事元素的意义,展示了舍尔巴特的哲学与现代主义趋势的一致和背离,这些趋势在他的职业生涯中获得了力量。然而,他不断的自我矛盾、幽默和荒诞的情节破坏了舍尔巴特的小说应该被理解为直接的论战的任何观念,并使他在与他一致的哲学传统中的地位复杂化。
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引用次数: 0
Tomorrow, Tomorrow and Yesterday: Eutopia, Dystopia and Violence in Marjorie Barnard and Flora Eldershaw's Tomorrow and Tomorrow 明天,明天和昨天:玛乔丽·巴纳德和弗洛拉·埃尔德肖的《明天和明天》中的乌托邦、反乌托邦和暴力
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-11-01 DOI: 10.5325/utopianstudies.33.3.0447
V. Burgmann, Andrew Milner
abstract:Marjorie Barnard (1897–1987) and Flora Eldershaw (1897–1956) were prolific Australian authors who co-wrote, under the pseudonym "M. Barnard Eldershaw," five novels and four works of nonfiction published between 1929 and 1947. Their final collaboration, a future fiction entitled Tomorrow and Tomorrow, first appeared in Melbourne in 1947 and was reissued by the London feminist publisher Virago in 1983. Lyman Tower Sargent's bibliography of Australian utopian fiction describes the novel thus: "Dystopia. Public opinion sampling used to limit liberty." This is a reasonable enough shorthand description of the novel's frame narrative, set in the "Tenth Commune" located somewhere in what is now the Riverina district on the border of New South Wales and Victoria, at some time in the twenty-fourth century. This article will argue, however, that the Tenth Commune is closer to a flawed eutopia than an outright dystopia; and that the novel's truly dystopian content lies in its core narrative, Knarf's novelistic account of mid-twentieth century Australia, which culminates in a quasi-apocalyptic destruction by fire of the city of Sydney. The extraordinary violence of this account will be contrasted to the essentially nonviolent character of the Tenth Commune and both will be situated in relation to Barnard's growing involvement in the pacifist Peace Pledge Union.
摘要:玛乔丽·巴纳德(1897-1987)和弗洛拉·埃尔德肖(1897-1956)是多产的澳大利亚作家,他们以笔名“M.Barnard Eldershaw”共同撰写了1929年至1947年间出版的五部小说和四部非小说作品。他们的最后一次合作是一部名为《明天与明天》的未来小说,1947年首次出现在墨尔本,1983年由伦敦女权主义出版商维拉戈重新发行。莱曼·塔尔·萨金特(Lyman Tower Sargent)的澳大利亚乌托邦小说参考书目这样描述这部小说:“反乌托邦。舆论抽样曾经限制自由。”这是对小说框架叙事的一个合理而简短的描述,故事发生在“第十公社”,该公社位于新南威尔士州和维多利亚州边界的里韦里纳区,在二十四世纪的某个时候。然而,这篇文章将争辩说,第十公社更接近于一个有缺陷的乌托邦,而不是一个彻底的反乌托邦;这部小说真正的反乌托邦内容在于它的核心叙事,克纳夫对20世纪中期澳大利亚的小说描述,最终以悉尼市被大火摧毁为准世界末日。这篇报道中的非同寻常的暴力行为将与第十公社本质上的非暴力性质形成对比,两者都与巴纳德越来越多地参与和平承诺联盟有关。
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引用次数: 0
Communism, Poetry: Communicating Vessels (Some Insubordinate Essays, 1999–2018) by Darko Suvin (review) 共产主义,诗歌:交流的船只(1999-2018),作者:达科·苏文(评论)
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-11-01 DOI: 10.5325/utopianstudies.33.3.0531
P. Veselá
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引用次数: 0
期刊
Utopian Studies
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