Abstract:Treatment of European and African hair radically differed in the time of slavery: the former sentimentally preserved in mourning jewelry and keepsakes, the latter shaved off in preparation for the slave-ship hold. This essay considers some examples of how hair functioned as a racial marker. While hair texture was used to establish boundaries between races, hair styling emerged a site of racial contamination where these boundaries threatened to dissolve as white people "frizzled" their hair to make it curly, while Black people shaped their Afro hair so as to mimic the aristocratic hairstyles of white Europeans.
{"title":"Afro Hair in the Time of Slavery","authors":"Mathelinda Nabugodi","doi":"10.1353/srm.2022.0007","DOIUrl":"https://doi.org/10.1353/srm.2022.0007","url":null,"abstract":"Abstract:Treatment of European and African hair radically differed in the time of slavery: the former sentimentally preserved in mourning jewelry and keepsakes, the latter shaved off in preparation for the slave-ship hold. This essay considers some examples of how hair functioned as a racial marker. While hair texture was used to establish boundaries between races, hair styling emerged a site of racial contamination where these boundaries threatened to dissolve as white people \"frizzled\" their hair to make it curly, while Black people shaped their Afro hair so as to mimic the aristocratic hairstyles of white Europeans.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41423919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Quilt 5: Race, Blackness, and Romanticism","authors":"P. Matthew","doi":"10.1353/srm.2022.0000","DOIUrl":"https://doi.org/10.1353/srm.2022.0000","url":null,"abstract":"","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49484237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Black digital humanities, or Black DH, is less an easily defined field and more a practice or a call to study: how we read, how we think, and how and why we become invested in supporting the ongoing anti-Black systems of the world. In this article, longtime Black DH collaborators Liz Murice Alexander and Kimberly Bain reflect on Black DH's conscientiousmissuses of technology and traditional technoculture. They move from Samuel Delany's Afrofuturist formulations to Alexander's myweakframe digital essay project to think through the work of building new worlds: new spaces, new archives, new collectives for Black thought.
{"title":"The Street Finds Its Uses: A Black Digital Humanities Call And Response","authors":"Kimberly Bain, Elizabeth Murice Alexander","doi":"10.1353/srm.2022.0016","DOIUrl":"https://doi.org/10.1353/srm.2022.0016","url":null,"abstract":"Abstract:Black digital humanities, or Black DH, is less an easily defined field and more a practice or a call to study: how we read, how we think, and how and why we become invested in supporting the ongoing anti-Black systems of the world. In this article, longtime Black DH collaborators Liz Murice Alexander and Kimberly Bain reflect on Black DH's conscientiousmissuses of technology and traditional technoculture. They move from Samuel Delany's Afrofuturist formulations to Alexander's myweakframe digital essay project to think through the work of building new worlds: new spaces, new archives, new collectives for Black thought.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44234933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay explains why The Woman of Colour cannot assimilate Olivia Fairfield into Romantic-era marriage: a black matriline and Jamaican upbringing imbue the heroine's abolitionism with a racial consciousness white women could not claim. Such an articulate criticism, while necessary for the novel's anti-slavery stance, is at odds with its domestic ideology, which requires instead the translucent, dependent figure of Angelina as the ideal wife. By setting up such a contrast of feminine subjectivities, the novel aligns a global feminist consciousness with women of color rather than the dependent white women associated with British marriage.
{"title":"The Woman of Colour's Counter-Domesticity","authors":"Kathleen Lubey","doi":"10.1353/srm.2022.0010","DOIUrl":"https://doi.org/10.1353/srm.2022.0010","url":null,"abstract":"Abstract:This essay explains why The Woman of Colour cannot assimilate Olivia Fairfield into Romantic-era marriage: a black matriline and Jamaican upbringing imbue the heroine's abolitionism with a racial consciousness white women could not claim. Such an articulate criticism, while necessary for the novel's anti-slavery stance, is at odds with its domestic ideology, which requires instead the translucent, dependent figure of Angelina as the ideal wife. By setting up such a contrast of feminine subjectivities, the novel aligns a global feminist consciousness with women of color rather than the dependent white women associated with British marriage.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42111990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This contribution reorients what Paul de Man calls "the human predicament" in his influential essay "The Rhetoric of Temporality." Colliding de Man's account of allegory and irony with paradigms articulated in Black Studies, it attempts to radicalize de Man's framework by questioning the implicit racial ontology in the "predicament" of self and language he outlines. Because de Man has proven so influential in Romantic Studies, I suggest, by way of a brief reading of Phillis Wheatley alongside Wordsworth, that this reorientation of de Man has implications for a much broader reorientation of Romanticism.
{"title":"The Displaced Predicament: Allegory, Irony, and Remystification","authors":"Joseph Albernaz","doi":"10.1353/srm.2022.0002","DOIUrl":"https://doi.org/10.1353/srm.2022.0002","url":null,"abstract":"Abstract:This contribution reorients what Paul de Man calls \"the human predicament\" in his influential essay \"The Rhetoric of Temporality.\" Colliding de Man's account of allegory and irony with paradigms articulated in Black Studies, it attempts to radicalize de Man's framework by questioning the implicit racial ontology in the \"predicament\" of self and language he outlines. Because de Man has proven so influential in Romantic Studies, I suggest, by way of a brief reading of Phillis Wheatley alongside Wordsworth, that this reorientation of de Man has implications for a much broader reorientation of Romanticism.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41784698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:I retrace Anne Sancho's creative life in letters through the legacy of her husband, Ignatius Sancho, and the production history of Paterson Joseph's play, Sancho: An Act of Remembrance. An earlier version of the play features an epilogue centered on Anne, but recent productions replaced the epilogue with a commemoration of her husband's historic vote. I consider the erasure of Anne from productions of Sancho in relation to historical framings centered on nationally-bounded stories of inclusion and bourgeois individualism. Anne's presence-absence unsettles these framings and, at the same time, insists that we confront how the U.S. imperial present conjures the British imperial past.
{"title":"Beyond the Nation, Traces of Anne Sancho","authors":"Kristina Huang","doi":"10.1353/srm.2022.0009","DOIUrl":"https://doi.org/10.1353/srm.2022.0009","url":null,"abstract":"Abstract:I retrace Anne Sancho's creative life in letters through the legacy of her husband, Ignatius Sancho, and the production history of Paterson Joseph's play, Sancho: An Act of Remembrance. An earlier version of the play features an epilogue centered on Anne, but recent productions replaced the epilogue with a commemoration of her husband's historic vote. I consider the erasure of Anne from productions of Sancho in relation to historical framings centered on nationally-bounded stories of inclusion and bourgeois individualism. Anne's presence-absence unsettles these framings and, at the same time, insists that we confront how the U.S. imperial present conjures the British imperial past.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43865051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay proposes that Romantic studies needs to overhaul its canonical theories of language in order to contend with the rhetoric of racialization that underwrites and sustains structures of antiblackness. Scholarship often casts the apparent instability of race in the period as potentially liberatory, having derived its ideas about rhetoricity from the tradition of rhetorical deconstruction. Arguing that this tendency is both historically and theoretically misguided, the essay identifies an alternative model of rhetorical reading in the work of Hortense Spillers and develops its implications through analyzing a couplet from Mary Robinson's "The Negro Girl" (1800).
{"title":"Romanticism and the Rhetoric of Racialization","authors":"Taylor Schey","doi":"10.1353/srm.2022.0003","DOIUrl":"https://doi.org/10.1353/srm.2022.0003","url":null,"abstract":"Abstract:This essay proposes that Romantic studies needs to overhaul its canonical theories of language in order to contend with the rhetoric of racialization that underwrites and sustains structures of antiblackness. Scholarship often casts the apparent instability of race in the period as potentially liberatory, having derived its ideas about rhetoricity from the tradition of rhetorical deconstruction. Arguing that this tendency is both historically and theoretically misguided, the essay identifies an alternative model of rhetorical reading in the work of Hortense Spillers and develops its implications through analyzing a couplet from Mary Robinson's \"The Negro Girl\" (1800).","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48401501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:The seemingly benevolent chimney-sweep literature written between 1785–1825 reflects the antiblack attitudes that permeated the Romantic period. Blackness in this body of literature suggests that whether sweeps are characterized as benign or threatening, they were reviled by reformers and protectors for being Black. Sweeps, this essay argues, became canvases for benevolent activists on which to project their racist anxieties about the transitory nature of Blackness. Such readings further enable us to see that fears of Blackness instantiate Britain's anxieties about its failure to produce a material atmosphere that secured neat distinctions between white and black bodies.
{"title":"\"Soot in one's soup\": Transitory Blackness in British Romantic Chimney-Sweep Literature","authors":"J. Goheen","doi":"10.1353/srm.2022.0005","DOIUrl":"https://doi.org/10.1353/srm.2022.0005","url":null,"abstract":"Abstract:The seemingly benevolent chimney-sweep literature written between 1785–1825 reflects the antiblack attitudes that permeated the Romantic period. Blackness in this body of literature suggests that whether sweeps are characterized as benign or threatening, they were reviled by reformers and protectors for being Black. Sweeps, this essay argues, became canvases for benevolent activists on which to project their racist anxieties about the transitory nature of Blackness. Such readings further enable us to see that fears of Blackness instantiate Britain's anxieties about its failure to produce a material atmosphere that secured neat distinctions between white and black bodies.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42182159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay engages with the prophetic language of Black British abolitionist Quobna Ottobah Cugoano (1757–c. 1801) as he condemns the humanitarian abuses of the transatlantic slave trade. By examining the abolitionist polemic Thoughts and Sentiments on the Evil and Wicked Traffic of the Slavery and Commerce of the Human Species (1787), I assert that Cugoano's radical rejection of racial categories models a new way for British Romanticism to account for the broader contribution of Black writers beyond the limits of slavery. By invoking the genealogical theory of monogenesis, Cugoano normalizes Black identity as an expression of shared universal humanity.
{"title":"A Black Manifesto: Ottobah Cugoano's Radical Romanticism","authors":"Julian S. Whitney","doi":"10.1353/srm.2022.0004","DOIUrl":"https://doi.org/10.1353/srm.2022.0004","url":null,"abstract":"Abstract:This essay engages with the prophetic language of Black British abolitionist Quobna Ottobah Cugoano (1757–c. 1801) as he condemns the humanitarian abuses of the transatlantic slave trade. By examining the abolitionist polemic Thoughts and Sentiments on the Evil and Wicked Traffic of the Slavery and Commerce of the Human Species (1787), I assert that Cugoano's radical rejection of racial categories models a new way for British Romanticism to account for the broader contribution of Black writers beyond the limits of slavery. By invoking the genealogical theory of monogenesis, Cugoano normalizes Black identity as an expression of shared universal humanity.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48081320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Our Task After the Wake","authors":"Bakary Diaby","doi":"10.1353/srm.2022.0017","DOIUrl":"https://doi.org/10.1353/srm.2022.0017","url":null,"abstract":"","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45591857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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