{"title":"The Practice of Citizenship: Black Politics and Print Culture in the Early United States by Derrick R. Spires (review)","authors":"J. Stein","doi":"10.1353/srm.2022.0014","DOIUrl":"https://doi.org/10.1353/srm.2022.0014","url":null,"abstract":"","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":"61 1","pages":"153 - 156"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47868513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay offers readings of four of Lucille Clifton's poems in order to examine her references and allusions to the work of the "big six" British Romantic poets. It proposes that she transforms the writing of these historical authors to serve her own artistic and political ends. In her poems, voices across centuries, continents, races, and genders mingle methodically through a poetics of collaboration that both acknowledges and revises the poetry of these canonical white male poets for contemporary times and for diverse audiences.
{"title":"On Phoenix Wings: Lucille Clifton's Romantic Renewals","authors":"Omar F. Miranda","doi":"10.1353/srm.2022.0011","DOIUrl":"https://doi.org/10.1353/srm.2022.0011","url":null,"abstract":"Abstract:This essay offers readings of four of Lucille Clifton's poems in order to examine her references and allusions to the work of the \"big six\" British Romantic poets. It proposes that she transforms the writing of these historical authors to serve her own artistic and political ends. In her poems, voices across centuries, continents, races, and genders mingle methodically through a poetics of collaboration that both acknowledges and revises the poetry of these canonical white male poets for contemporary times and for diverse audiences.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":"61 1","pages":"125 - 135"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48713469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This piece examines the narrativization of the scars on Prince's back to read a narrative of an alternative humanism, that teaches us out of dispossession as ethics. Sylvia Wynter has argued that under the Western bourgeois order gender and race are a "function of genre." In showing the scars on her back to the culture that produced them, Prince disrupts these genres and no longer remains (only) subject to the white power around her but a maker of alternative and extrinsic narratives about blackness and being that we might read if we wish to do so.
{"title":"Mary Prince's Back and Her Critique of Anti-Slavery Sympathy","authors":"Kerry. Sinanan","doi":"10.1353/srm.2022.0006","DOIUrl":"https://doi.org/10.1353/srm.2022.0006","url":null,"abstract":"Abstract:This piece examines the narrativization of the scars on Prince's back to read a narrative of an alternative humanism, that teaches us out of dispossession as ethics. Sylvia Wynter has argued that under the Western bourgeois order gender and race are a \"function of genre.\" In showing the scars on her back to the culture that produced them, Prince disrupts these genres and no longer remains (only) subject to the white power around her but a maker of alternative and extrinsic narratives about blackness and being that we might read if we wish to do so.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":"61 1","pages":"67 - 78"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46990109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reckoning with Slavery: Gender, Kinship, and Capitalism in the Early Black Atlantic by Jennifer L. Morgan (review)","authors":"D. C. Owens","doi":"10.1353/srm.2022.0013","DOIUrl":"https://doi.org/10.1353/srm.2022.0013","url":null,"abstract":"","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":"61 1","pages":"151 - 153"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42255659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This article explores how burgeoning progressive thinking about racial equality at the turn of the nineteenth century transformed into renewed racism and anti-blackness as the British abolition movement won success. It argues that the evolution of black characters over the nineteenth century, the etymology of arguably the most infamous of racial epithets, and the emergence of the term "white supremacy" during the Romantic period offers a window into how literature and language worked with and contributed to anti-blackness.
{"title":"\"Even in the Best Minds\": Romanticism and the Evolution of Anti-Blackness","authors":"A. Makonnen","doi":"10.1353/srm.2022.0001","DOIUrl":"https://doi.org/10.1353/srm.2022.0001","url":null,"abstract":"Abstract:This article explores how burgeoning progressive thinking about racial equality at the turn of the nineteenth century transformed into renewed racism and anti-blackness as the British abolition movement won success. It argues that the evolution of black characters over the nineteenth century, the etymology of arguably the most infamous of racial epithets, and the emergence of the term \"white supremacy\" during the Romantic period offers a window into how literature and language worked with and contributed to anti-blackness.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":"61 1","pages":"11 - 22"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46687302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Through a summation of representative critical works that challenge us to think of new ways of imagining performing bodies and racial performance, this essay gestures towards a process-oriented approach for theorizing the performance of blackness. The essay argues that understanding performance-as-relation and performance-as-process allows us not only to extend our conception of performance to capture traces of its more evanescent elements in material objects and immaterial behaviors, but also to bring together new forms of historical evidence to give weight to our analyses of the performance of blackness across time and space, opening new avenues for a liberatory critique.
{"title":"Theorizing the Performance of Blackness: Relations, Processes, and Possibilities","authors":"Y. Khan","doi":"10.1353/srm.2022.0008","DOIUrl":"https://doi.org/10.1353/srm.2022.0008","url":null,"abstract":"Abstract:Through a summation of representative critical works that challenge us to think of new ways of imagining performing bodies and racial performance, this essay gestures towards a process-oriented approach for theorizing the performance of blackness. The essay argues that understanding performance-as-relation and performance-as-process allows us not only to extend our conception of performance to capture traces of its more evanescent elements in material objects and immaterial behaviors, but also to bring together new forms of historical evidence to give weight to our analyses of the performance of blackness across time and space, opening new avenues for a liberatory critique.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":"61 1","pages":"91 - 99"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42586185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This reflective essay is a report on the series of virtual dialogues on Race, Blackness, and Romanticism I convened as a 2020-2021 Center for Diversity Innovation Distinguished Visiting Scholar. It offers an overview of my discussion with the following: Simon Gikandi and Lisa Lowe, Peter Brathwaite and Paterson Joseph, Christienna Fryar and Jessica Marie Johnson, and Marcos Gonsalez and Travis Chi Wing Lau.
摘要：这篇反思性文章是我作为2020-2021年多样性创新中心杰出访问学者召集的一系列关于种族、黑人和浪漫主义的虚拟对话的报告。它概述了我与以下人士的讨论：Simon Gikandi和Lisa Lowe，Peter Brathwaite和Paterson Joseph，Christienna Fryar和Jessica Marie Johnson，Marcos Gonsalez和Travis Chi Wing Lau。
{"title":"A Report on \"Race, Blackness, and Romanticism: Dialogues\"","authors":"P. Matthew","doi":"10.1353/srm.2022.0012","DOIUrl":"https://doi.org/10.1353/srm.2022.0012","url":null,"abstract":"Abstract:This reflective essay is a report on the series of virtual dialogues on Race, Blackness, and Romanticism I convened as a 2020-2021 Center for Diversity Innovation Distinguished Visiting Scholar. It offers an overview of my discussion with the following: Simon Gikandi and Lisa Lowe, Peter Brathwaite and Paterson Joseph, Christienna Fryar and Jessica Marie Johnson, and Marcos Gonsalez and Travis Chi Wing Lau.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":"61 1","pages":"137 - 150"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46133549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Using Lady Caroline Lamb as a case study, this essay models a book historical approach to the author function and introduces the concept of recuperative materiality—repairing one’s reputation through the circulation of material objects. It resituates Lamb within a broad media context and highlights her diverse creative output in sheet music, literary annuals, illustrations in children’s books, and an account book. These objects and the moral reputations of those who produced and consumed them imbued Lamb with respectability after her notorious affair with Byron, and her career reveals the complex media landscape that created and circulated Romantic-era authorial identity.
{"title":"Lady Caroline Lamb’s Recuperative Materiality","authors":"Lindsey Eckert","doi":"10.1353/srm.2021.0027","DOIUrl":"https://doi.org/10.1353/srm.2021.0027","url":null,"abstract":"Abstract:Using Lady Caroline Lamb as a case study, this essay models a book historical approach to the author function and introduces the concept of recuperative materiality—repairing one’s reputation through the circulation of material objects. It resituates Lamb within a broad media context and highlights her diverse creative output in sheet music, literary annuals, illustrations in children’s books, and an account book. These objects and the moral reputations of those who produced and consumed them imbued Lamb with respectability after her notorious affair with Byron, and her career reveals the complex media landscape that created and circulated Romantic-era authorial identity.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":"60 1","pages":"451 - 466"},"PeriodicalIF":0.1,"publicationDate":"2022-02-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43623224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay examines the composition, publication and reception of Dorothy Wordsworth’s Recollections of a Tour Made in Scotland, A.D. 1803. Manuscript versions of Recollections are interpreted as sociable texts exchanged by marginal women figures of the Wordsworths’ literary circle; as tools for Romantic cooperative writing, moving between prose and verse; and as later life emblems of agency and mobility. Building on existing research on literary sociability as well as manuscript circulation, this essay considers the permeable nature of Romantic women’s books, resituating them as intrinsic to the development of individual and communal literary identities and bibliographies in the period.
{"title":"Shared Recollections: Dorothy Wordsworth’s Scottish Tour of 1803","authors":"A. Wolf","doi":"10.1353/srm.2021.0036","DOIUrl":"https://doi.org/10.1353/srm.2021.0036","url":null,"abstract":"Abstract:This essay examines the composition, publication and reception of Dorothy Wordsworth’s Recollections of a Tour Made in Scotland, A.D. 1803. Manuscript versions of Recollections are interpreted as sociable texts exchanged by marginal women figures of the Wordsworths’ literary circle; as tools for Romantic cooperative writing, moving between prose and verse; and as later life emblems of agency and mobility. Building on existing research on literary sociability as well as manuscript circulation, this essay considers the permeable nature of Romantic women’s books, resituating them as intrinsic to the development of individual and communal literary identities and bibliographies in the period.","PeriodicalId":44848,"journal":{"name":"STUDIES IN ROMANTICISM","volume":"60 1","pages":"401 - 417"},"PeriodicalIF":0.1,"publicationDate":"2022-02-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48518712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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