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Erik Hansen: The Man Who Speaks with the Stones 埃里克·汉森:与石头说话的人
IF 0.8 4区 文学 0 ARCHAEOLOGY Pub Date : 2023-03-22 DOI: 10.1163/16000390-20210015
Jesper Tae Jensen
In this brief contribution, we are introduced to two of Erik Hansen’s restoration works in Denmark, the Marble Bridge across Frederiksholm’s Canal (erected 1739–1745) and his private house in Wildersgade (built ca. 1725), both in Copenhagen. These two examples demonstrate Hansen’s unique approach to architecture, in which he literarily is “The Man Who Speaks with the Stones.”
在这篇简短的文章中,我们将介绍Erik Hansen在丹麦的两项修复工程,即横跨腓特烈斯霍尔姆运河的大理石桥(建于1739-1745年)和他在wildersade的私人住宅(建于1725年左右),两者都位于哥本哈根。这两个例子展示了汉森独特的建筑方法,他在文学上是“与石头说话的人”。
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引用次数: 0
Dedicatory Paintings in Greek Religion: An Initial Assessment 希腊宗教中的奉献绘画:初步评估
IF 0.8 4区 文学 0 ARCHAEOLOGY Pub Date : 2023-03-22 DOI: 10.1163/16000390-20210027
G. Renberg
This contribution presents the first survey of the full range of sources for the dedication of paintings to the gods of the Greek-speaking world, including Egypt. This phenomenon has been largely overlooked due to the rarity of such dedications, in contrast to the countless dedicatory objects fashioned from stone and other durable materials, which have survived in relative abundance. Although some types of dedicatory painting, particularly the well-known Archaic and Classical terracotta pinakes from Attika and the painted wooden panels from Pitsa, have been studied by numerous scholars, other examples have been neglected, along with many written sources. Seeking to fill this gap in the scholarship, this article collects the full range of sources demonstrating the importance of paintings as a type of dedication – not only the paintings that still survive on terracotta, stone, and stucco, but also a varied and intriguing body of literary and epigraphical testimonia. The result is a study that for the first time provides scholars of Greek religion and Greek art a detailed overview of this aspect of Greek cult, and delves into various issues – methodological and otherwise – crucial to understanding its nature.
这一贡献是对包括埃及在内的希腊语世界的神的绘画奉献的全方位来源的第一次调查。这一现象在很大程度上被忽视了,因为这样的奉献是罕见的,与无数的由石头和其他耐用材料制成的奉献物相比,它们相对丰富地保存了下来。尽管许多学者研究了一些类型的奉献画,特别是著名的阿提卡的古代和古典兵马俑和皮萨的彩绘木板,但其他的例子和许多书面资料都被忽视了。为了填补这一学术空白,本文收集了展示绘画作为一种奉献形式的重要性的所有来源-不仅是在陶土,石头和灰泥上仍然存在的绘画,而且还有各种各样和有趣的文学和碑文证明。其结果是,这项研究首次为研究希腊宗教和希腊艺术的学者提供了对希腊崇拜这方面的详细概述,并深入研究了各种问题——方法上的和其他方面的——对理解其本质至关重要。
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引用次数: 1
Style, Function, and Design Influence in Early Classical Western Greece 早期古典西希腊的风格、功能和设计影响
IF 0.8 4区 文学 0 ARCHAEOLOGY Pub Date : 2023-03-22 DOI: 10.1163/16000390-20210022
Spencer Pope
This paper discusses the development of monumental temple building in Sicily and Magna Graecia in the early Classical Period in terms of style and design in relation to cult and political structures. It is demonstrated that there was a coherent style that defined a moment of rapid construction in Western Greece in 480 B.C., and that the noteworthy building in Sicily eventually influenced mainland Greek architecture. This moment of intense construction is one result of the victory over the Carthaginians in the Battle at Himera, which ushered in an exuberant political environment driven by ambitious tyrants that revised the urban built environment and cult distribution in Sicily.
本文讨论了古典早期西西里岛和大希腊的纪念性神庙建筑在风格和设计方面与宗教和政治结构的关系。这表明,在公元前480年,有一种连贯的风格定义了西希腊快速建设的时刻,西西里值得注意的建筑最终影响了希腊大陆的建筑。这一紧张的建设时刻是在希米拉战役中战胜迦太基人的结果之一,这场战役开创了一个充满活力的政治环境,由雄心勃勃的暴君推动,他们改变了西西里岛的城市建筑环境和宗教分布。
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引用次数: 0
Euripides on the Ancient Cult of Apollo at Athens 欧里庇得斯论古代雅典阿波罗崇拜
IF 0.8 4区 文学 0 ARCHAEOLOGY Pub Date : 2023-03-22 DOI: 10.1163/16000390-20210028
Marta Saporiti
This paper uses the tragedies of Euripides as evidence for a reconsideration of the topography of the Athenian cults of Apollo, particularly Apollo Pythios, Hypoakraios, and Delphinios. Euripides’ references to these cults are generally well known among topographers of Athens, but they are typically considered only as disembodied quotations. However, reading and analysing the literary sources more deeply as unitary wholes can enrich and complicate the traditional debates about the topography of these cults.
本文以欧里庇得斯的悲剧为证据,重新审视雅典阿波罗崇拜的地形,特别是阿波罗派、海波克拉伊俄斯派和德尔菲尼奥斯派。欧里庇得斯对这些邪教的提及在雅典的地形学家中通常是众所周知的,但它们通常只被认为是无实体的引用。然而,作为一个整体,更深入地阅读和分析文学来源,可以丰富和复杂化关于这些邪教地形的传统辩论。
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引用次数: 0
Introduction to the Volume 本卷简介
IF 0.8 4区 文学 0 ARCHAEOLOGY Pub Date : 2023-03-22 DOI: 10.1163/16000390-20210012
Jesper Tae Jensen, G. Hinge
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引用次数: 0
Built Offering: On the Conception and Design of the Greek Temple 建筑祭品:论希腊神庙的构思与设计
IF 0.8 4区 文学 0 ARCHAEOLOGY Pub Date : 2023-03-22 DOI: 10.1163/16000390-20210019
Mark Wilson Jones
The form of the Greek temple responded to multiple purposes, influences and concepts, although one of these, that of offering, deserves more attention than it has received to date. The fundamental status of offering for Greek religion and its societal expression resulted in sanctuaries being choc-a-bloc with all manner of dedications, some of which represented the finest displays of artistic merit, workmanship, materials and cost that could be afforded. Indeed, as is well known, much of the Greek art on view in modern museums originally had the status of offerings made for dedication in sanctuaries. While it is true that some scholars of religion have noted that temples too were offerings, amongst other things, the implications have generally gone unnoticed. After reviewing the various functions of temples, this essay identifies nuances of offering in their plan, size, elevation, architectural elements, ornamentation and quality. This helps us to appreciate temples as cultural manifestations akin to everything else in the sanctuaries. As works of architecture the form of the Greeks’ temples responded to multiple issues (construction, precedent, influences and so on), but now we can see how their visual treatment subtly and yet eloquently reflected their very nature.
希腊神庙的形式反映了多种目的、影响和概念,尽管其中之一,即供奉,值得比迄今为止得到更多的关注。祭祀对希腊宗教及其社会表达的基本地位,导致圣殿里摆满了各种各样的奉献,其中一些代表了艺术价值、工艺、材料和成本的最佳展示。的确,众所周知,现代博物馆中展出的许多希腊艺术品最初都是供圣殿奉献的供品。虽然一些宗教学者确实注意到寺庙也是供品,但其含义通常被忽视。在回顾了寺庙的各种功能之后,本文确定了它们在平面、大小、立面、建筑元素、装饰和质量方面的细微差别。这有助于我们将寺庙视为一种文化表现形式,就像圣殿中的其他一切一样。作为建筑作品,希腊神庙的形式回应了多种问题(建筑、先例、影响等等),但现在我们可以看到它们的视觉处理是如何巧妙而又雄辩地反映了它们的本质。
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引用次数: 0
From Exclusive Dream Oracles to Ubiquitous Incubation Dreams: A Change in the Perception of a Divine Healer? 从专属的梦神谕到无处不在的孵化梦:对神性疗愈者感知的变化?
IF 0.8 4区 文学 0 ARCHAEOLOGY Pub Date : 2023-03-22 DOI: 10.1163/16000390-20210026
Hedvig von Ehrenheim
This paper argues that the cult of Asklepios developed and spread fast due to a shift in mentality in Classical Greece. This change concerned both who might communicate directly with the gods in dreams, as well as the development of a new way of envisaging healing. It is argued that the notion that anybody could receive a godsent dream, as seen in numerous incubation sanctuaries, reflects a change in mentality in Classical times. It is further argued that religious healing in the cult of Asklepios was influenced by the development of Greek medicine in Archaic times, and the ease and low expense of consulting a Hippokratic doctor in Classical times.
本文认为,古希腊人对阿斯克勒庇俄斯的崇拜之所以能迅速发展和传播,是由于思想观念的转变。这一变化既关系到那些可能在梦中与神直接交流的人,也关系到一种设想治疗的新方式的发展。有人认为,任何人都可以得到天赐之梦的观念,正如在许多孵化庇护所中看到的那样,反映了古典时代心态的变化。还有人认为,阿斯克勒庇俄斯崇拜中的宗教治疗受到了古代希腊医学发展的影响,以及古典时期希波克拉底医生治疗的便利性和低费用。
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引用次数: 0
Rings, Pits, Bone and Ash: Greek Altars in Context 环、坑、骨和灰:语境中的希腊祭坛
IF 0.8 4区 文学 0 ARCHAEOLOGY Pub Date : 2023-03-22 DOI: 10.1163/16000390-20210023
Gunnel Ekroth
Greek altars have received ample attention in scholarship as to their appearance, construction, and location within a sanctuary, as well as their importance as the central feature for the rituals allowing communication with the gods. The immediate surroundings of altars have not been considered to the same degree. This paper explores the context of Greek altars and some of the features located here, for example, rings for fastening animals, stone-lined pits, and remains of previous sacrifices. Of particular interest is the use of the top of the altar for ritual purposes in relation to the space surrounding the altar. A study of the wider contexts of altars, as to their use and the material remains found here, may provide a better understanding of the complex ritual reality of the ancient Greeks.
希腊祭坛在学术上受到了广泛的关注,因为它们的外观、结构和在圣所中的位置,以及它们作为与神交流的仪式的中心特征的重要性。祭坛周围的环境没有被考虑到同样的程度。本文探讨了希腊祭坛的背景和这里的一些特征,例如,固定动物的环,石砌的坑,以及以前祭祀的遗迹。特别有趣的是,祭坛的顶部用于仪式目的,与祭坛周围的空间有关。对祭坛更广泛的背景进行研究,包括祭坛的使用和在这里发现的材料,可能会更好地理解古希腊复杂的仪式现实。
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引用次数: 0
Erik Hansen: A Selected Bibliography 埃里克·汉森:参考书目精选
IF 0.8 4区 文学 0 ARCHAEOLOGY Pub Date : 2023-03-22 DOI: 10.1163/16000390-20210016
G. Algreen-Ussing, Jesper Tae Jensen
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引用次数: 0
Temple Landscape: The Direct and the Latent Impact of Natural Environment upon Artificial Environs 寺庙景观:自然环境对人工环境的直接和潜在影响
IF 0.8 4区 文学 0 ARCHAEOLOGY Pub Date : 2023-03-22 DOI: 10.1163/16000390-20210025
E. Partida
The dynamics of an ancient religious centre lies in the combination of architecture with the geophysical relief and natural setting, namely the manner in which a temple befits its natural surroundings. Paintings and etchings/lithographs help us follow the transformation of hieratic settings in the course of centuries. An intriguing juxtaposition is that of tree cult to the practical role of timber in ancient worksites, as revealed through building accounts and classical authors. Turning to ritual symbolism, we see vegetation lending its forms to works of sculpture. Yet, most impressive is the infiltration of tree prototypes and floral patterns in architecture, affecting not only decorative styles and orders but also the morphology of structural elements. The article’s last section involves landscape restoration/re-creation attempted by the replanting of ancient species. This was based on either ancient literary and epigraphic sources or laboratory analyses, namely botanical and pollen research. The results of these methods, however, do not always converge.
古代宗教中心的动态在于建筑与地球物理地形和自然环境的结合,即寺庙与自然环境相适应的方式。绘画和蚀刻/石版画帮助我们了解几个世纪以来等级设置的变化。一个有趣的并列现象是,树木崇拜与木材在古代工地的实际作用,正如建筑记录和古典作家所揭示的那样。转向仪式象征主义,我们看到植物将其形式借给雕塑作品。然而,最令人印象深刻的是树木原型和花卉图案在建筑中的渗透,不仅影响了装饰风格和顺序,而且影响了结构元素的形态。文章的最后一部分涉及通过重新种植古代物种来尝试景观恢复/再创造。这是基于古代文献和碑文来源或实验室分析,即植物和花粉研究。然而,这些方法的结果并不总是一致的。
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