Pub Date : 2017-08-01DOI: 10.1215/00295132-4150400
Marijeta Božović
{"title":"Specters of Eastern Europe","authors":"Marijeta Božović","doi":"10.1215/00295132-4150400","DOIUrl":"https://doi.org/10.1215/00295132-4150400","url":null,"abstract":"","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2017-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41356808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-08-01DOI: 10.1215/00295132-4150376
Audrey Jaffe
{"title":"Novels on Display","authors":"Audrey Jaffe","doi":"10.1215/00295132-4150376","DOIUrl":"https://doi.org/10.1215/00295132-4150376","url":null,"abstract":"","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2017-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41739819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-08-01DOI: 10.1215/00295132-4150287
Elizabeth S. Brogden
{"title":"Isabel Archer and the Burdens of Centrality","authors":"Elizabeth S. Brogden","doi":"10.1215/00295132-4150287","DOIUrl":"https://doi.org/10.1215/00295132-4150287","url":null,"abstract":"","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2017-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45676340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-05-01DOI: 10.1215/00295132-3854511
Anna Kornbluh
domains—the material and the spiritual. The material is the domain of the “outside,” of the economy and of statecraft, of science and technology, a domain where the
物质领域和精神领域。材料属于“外部”的领域，属于经济和治国之道，属于科学和技术的领域
{"title":"Realism's Empire","authors":"Anna Kornbluh","doi":"10.1215/00295132-3854511","DOIUrl":"https://doi.org/10.1215/00295132-3854511","url":null,"abstract":"domains—the material and the spiritual. The material is the domain of the “outside,” of the economy and of statecraft, of science and technology, a domain where the","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2017-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1215/00295132-3854511","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46504597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-05-01DOI: 10.1215/00295132-3854299
Maud Ellmann
This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence. Copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder.
{"title":"Everyday War: Sylvia Townsend Warner and Virginia Woolf in World War II","authors":"Maud Ellmann","doi":"10.1215/00295132-3854299","DOIUrl":"https://doi.org/10.1215/00295132-3854299","url":null,"abstract":"This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence. Copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder.","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2017-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1215/00295132-3854299","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42294244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-05-01DOI: 10.1215/00295132-3854283
J. Plotz
{"title":"Overtones and Empty Rooms: Willa Cather's Semidetached Modernism","authors":"J. Plotz","doi":"10.1215/00295132-3854283","DOIUrl":"https://doi.org/10.1215/00295132-3854283","url":null,"abstract":"","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2017-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44687280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-05-01DOI: 10.1215/00295132-3854495
Stuart Burrows
{"title":"Tempo(e)rality","authors":"Stuart Burrows","doi":"10.1215/00295132-3854495","DOIUrl":"https://doi.org/10.1215/00295132-3854495","url":null,"abstract":"","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2017-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1215/00295132-3854495","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44964911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-05-01DOI: 10.1215/00295132-3854331
M. Hardie
{"title":"Novel Circulations: Old Acquaintance, Rich and Famous, La Flor de Mi Secreto","authors":"M. Hardie","doi":"10.1215/00295132-3854331","DOIUrl":"https://doi.org/10.1215/00295132-3854331","url":null,"abstract":"","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2017-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41248546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-05-01DOI: 10.1215/00295132-3854479
L. Hartley
{"title":"Experimenting with Public Opinion","authors":"L. Hartley","doi":"10.1215/00295132-3854479","DOIUrl":"https://doi.org/10.1215/00295132-3854479","url":null,"abstract":"","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2017-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47520972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-05-01DOI: 10.1215/00295132-3854315
N. Milthorpe
The tension between precisions and generalities that catches scholars seeking to define the character of literary modernism fruitfully animates the work of novelist Henry Green. Green takes as his subject matter the ordinary stuff of life—commonplace language, routine experiences, unremarkable relationships—transforming dullness into novelistic event. Two novels demonstrate Green's extraordinary effects achieved through and with the banal, the boring, the vague, and the everyday: Party Going (1939) and Nothing (1951). In Party Going, a group of people stranded at a train station wait with their luggage, order drinks, and lose and find various members of their party. In its attention to the bathetic quotidian, Party Going animates a range of late modernist anxieties about time, leisure, and subjective experience that manifest in the novel's fretful leveling of objects and experiences using the repeated, vague signifier things. Later, in Nothing, a group of socialites—a young couple, their parents, who were former lovers, and the parents’ lovers—have conversations in restaurants and pubs. Nothing dramatizes the inane nature of polite conversation, in which "-thing" is used as a block, as though to empty a conversation of significant information. The multiple subjects and objects embraced by the vague term things suggests that Green's fiction is preoccupied with the "utter contingency of everything (and every thing)" in the modernist period, as Douglas Mao notes. In these novels’ recourse to the any, some, every, or no things of the quotidian, Green explores the potential difference, remarkable sameness, and fuzzy difficulty of late modernist style.
{"title":"Things and Nothings: Henry Green and the Late Modernist Banal","authors":"N. Milthorpe","doi":"10.1215/00295132-3854315","DOIUrl":"https://doi.org/10.1215/00295132-3854315","url":null,"abstract":"The tension between precisions and generalities that catches scholars seeking to define the character of literary modernism fruitfully animates the work of novelist Henry Green. Green takes as his subject matter the ordinary stuff of life—commonplace language, routine experiences, unremarkable relationships—transforming dullness into novelistic event. Two novels demonstrate Green's extraordinary effects achieved through and with the banal, the boring, the vague, and the everyday: Party Going (1939) and Nothing (1951). In Party Going, a group of people stranded at a train station wait with their luggage, order drinks, and lose and find various members of their party. In its attention to the bathetic quotidian, Party Going animates a range of late modernist anxieties about time, leisure, and subjective experience that manifest in the novel's fretful leveling of objects and experiences using the repeated, vague signifier things. Later, in Nothing, a group of socialites—a young couple, their parents, who were former lovers, and the parents’ lovers—have conversations in restaurants and pubs. Nothing dramatizes the inane nature of polite conversation, in which \"-thing\" is used as a block, as though to empty a conversation of significant information. The multiple subjects and objects embraced by the vague term things suggests that Green's fiction is preoccupied with the \"utter contingency of everything (and every thing)\" in the modernist period, as Douglas Mao notes. In these novels’ recourse to the any, some, every, or no things of the quotidian, Green explores the potential difference, remarkable sameness, and fuzzy difficulty of late modernist style.","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2017-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47355926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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