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Representing the Planet: Affect, Scale, and Utopia 代表地球:影响、规模和乌托邦
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-05-01 DOI: 10.1215/00295132-8139267
D. Sergeant
The discourses of planetarity and globalization are both governed by the relationship between the maximal scale of the world and the subsidiary scalar levels that constitute it. However, if in globalization those subsidiary levels are envisioned as converging on a homogenous whole, in planetarity the aim is to maintain them in a dialogic relationality. On the face of it, such a recalibration seems relatively straightforward. However, the three novels discussed in this essay suggest that the retention of the maximal scale as a constituting frame for representation risks forestalling any attempt to move beyond the paradigms of globalization. In both Doris Lessing's The Four-Gated City (1969) and Ben Lerner's 10:04 (2015), the relationship between parts and whole takes shape via the medium of affect, as the defining characteristic of the part becomes a desire for the whole that is seemingly destined to extinguish it. Consequently, both novels turn to a formal modeling in which individual and collective can supposedly blend without either suffering reduction—a maneuver also characteristic of many theoretical discussions of planetarity. Kim Stanley Robinson's Aurora (2015), in contrast, self-consciously repudiates the possibility of representing the maximal scale, instead prioritizing narrative over the kinds of formal modeling seen in the other texts. This point of difference allows the periodization entailed by the planetary turn to engage with the work of that preeminent theorist of periodization, Fredric Jameson: in particular, with his account of the relationship between spatiality, temporality, and the utopian impulse.
行星和全球化的话语都是由世界的最大尺度和构成它的附属标量层次之间的关系所支配的。然而,如果在全球化中,这些附属的层次被设想为汇聚在一个同质的整体上,那么在行星化中,目标是使它们保持对话关系。从表面上看,这种重新校准似乎相对简单。然而,本文讨论的三部小说表明,保留最大尺度作为表征的构成框架有可能阻止任何超越全球化范式的尝试。在多丽丝·莱辛的《四门城市》(1969)和本·勒纳的《10:04》(2015)中,部分与整体之间的关系都是通过情感的媒介形成的,因为部分的定义特征变成了对整体的渴望,而这种渴望似乎注定要消灭整体。因此,这两部小说都转向了一种正式的模型,在这种模型中,个人和集体可以融合在一起,而不会遭受任何减少——这也是许多行星理论讨论的特点。相比之下,金·斯坦利·罗宾逊(Kim Stanley Robinson)的《极光》(Aurora, 2015)自觉地否定了表现最大尺度的可能性,而是优先考虑叙事,而不是其他文本中看到的各种形式建模。这一点差异使得行星转向所带来的周期化与杰出的周期化理论家弗雷德里克·詹姆逊的工作相结合,特别是他对空间性、时间性和乌托邦冲动之间关系的描述。
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引用次数: 0
“Supreme Simplicity”: Reading the Child and Childlike Reading in Henry James's What Maisie Knew “至高的纯朴”:阅读亨利·詹姆斯的《梅奇所知》中的孩子和孩子般的阅读
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-05-01 DOI: 10.1215/00295132-8139321
Katherine Kruger
By foregrounding the difficulties with reading the child, Henry James's What Maisie Knew reconfigures the relationship between simplicity, transparency, and opacity to create reparative “styles of knowing” in the novel. This article proposes that the difficulty with reading the child is tied to the child as reader; childlike reading in James uses style as an entry point through which to join in with lies, to repair them by making them performatively true. The author suggests that by analyzing texts that challenge the “supreme simplicity” of childhood and expose transparency as a strategy for obfuscation, we can develop a new practice of reading that is capable of interpreting performances of transparency, performances that currently work to deflect suspicious modes of interpretation. This article demonstrates how James's development of a childlike reading practice, which is founded in and embraces interpretative struggle, can provide possible ways forward in this regard.
亨利·詹姆斯(Henry James)的《梅西知道什么》(What Maisie Knew)通过突出阅读孩子的困难,重新配置了简单、透明和不透明之间的关系,在小说中创造了修复性的“认知风格”。本文提出,儿童阅读困难与儿童作为读者有关;在詹姆斯的作品中,孩子般的阅读将风格作为切入点,通过它与谎言结合,通过使谎言表现真实来修复它们。作者建议,通过分析那些挑战童年时代“极致简单”的文本,并将透明度暴露为一种混淆的策略,我们可以发展出一种新的阅读实践,这种阅读实践能够解读透明度的表现,而这种表现目前正在转移可疑的解读模式。本文论证了詹姆斯的儿童阅读实践的发展,它建立在解释斗争的基础上,并包含了解释斗争,可以为这方面的发展提供可能的途径。
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引用次数: 1
Ralph Ellison's Contemporaneity 拉尔夫·埃里森的当代性
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-05-01 DOI: 10.1215/00295132-8139285
T. Persson
This article begins by noting that recent debates about the relevance of Ralph Ellison's Invisible Man to contemporary American culture enact an opposition between historicism (the idea that the novel is a Jim Crow artifact) and universalism (the idea that it transcends the circumstances of its production). The author then argues that Ellison's novel models a contemporaneity that cannot be equated to either the assertion or disavowal of contemporaneousness. At the heart of this account stands the narrator's sense that he “must emerge,” which follows from his perception that he has failed to communicate the nature of his invisibility to his reader, and that his act of writing has therefore disarmed him. The article shows that the narrator's emergence—an event that is necessitated by the narrative but which the narrative, by the very logic of that necessity, cannot itself contain—constitutes the hinge between the textual temporality of his underground existence and the social temporality that abuts it. As such, it offers the possibility that these two temporalities—which may be thought of as referring to the temporality of writing and the temporality of reading, respectively—may be linked, and that this linkage could lead to forms of recognition that appear only at the limit of narrative form.
本文首先指出,最近关于拉尔夫·埃里森的《看不见的人》与当代美国文化的相关性的争论,在历史主义(认为这部小说是吉姆·克劳的产物)和普遍主义(认为它超越了其创作环境)之间形成了对立。作者接着认为,埃里森的小说模式的当代性,不能等同于主张或否认当代性。这个故事的核心是叙述者“必须出现”的感觉,这源于他的感知,即他未能向读者传达他不可见的本质,因此他的写作行为解除了他的武装。文章表明叙述者的出现——这一事件是叙事所必需的,但叙事由于这种必然性的逻辑本身无法包含它——构成了叙述者地下存在的文本时间性和与之相关的社会时间性之间的枢纽。因此,它提供了这样一种可能性,即这两种时间性——可以分别被认为是指写作的时间性和阅读的时间性——可能是联系在一起的,这种联系可能导致只有在叙事形式的限制下才出现的认识形式。
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引用次数: 1
Forgetting to Be Nice 忘记对人友善
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-05-01 DOI: 10.1215/00295132-8139411
S. Samuels
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引用次数: 0
How to Be a Good Reader of World Literature 如何做好世界文学的读者
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-05-01 DOI: 10.1215/00295132-8139447
J. Ho
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引用次数: 0
Kazuo Ishiguro's Nonactors 石黑一雄的《Nonactors》
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-02-18 DOI: 10.1215/00295132-8624552
M. Christou
At center stage in Kazuo Ishiguro's work is the figure of the nonactor: a character type that confronts us time and again with scenarios in which action is devalued. This essay shows that, despite finding themselves in situations that mandate action, Ishiguro's characters opt instead for risk-averse and mechanical-like behaviors that are antonymous to change. This, however, is not a solely aesthetic phenomenon, and the essay examines the figure of the nonactor in Ishiguro's novels as part of a broader turn toward nonaction. It does so by considering this figure in relation to a distinctly twentieth-century context within which, as Hannah Arendt has it, human action came to be seen as more dangerous than ever before. Ishiguro's nonactors can be seen as the legacy, but also as the mutations, of this understanding in our own era and in the contemporary novel. This legacy, the essay demonstrates, reveals an underexamined aspect of the neoliberal mind-set that dominates the post–Cold War world. Rather than promote the worthiness of individual, self-serving action, Ishiguro's novels bring to the forefront something different though no less pernicious: a wholescale devaluation of the individual's capacity to act.
在石黑一雄的作品中,处于中心位置的是非演员角色:这种角色类型一次又一次地让我们面对行动被贬低的场景。这篇文章表明,尽管石黑一雄的角色发现自己处于需要采取行动的情境中,但他们却选择了规避风险和类似机械的行为,这些行为是匿名的。然而,这并不仅仅是一种审美现象,本文考察了石黑一雄小说中非行动者的形象,将其作为更广泛转向不作为的一部分。这是通过将这个人物与一个明显的20世纪背景联系起来来考虑的,在这个背景中,正如汉娜·阿伦特(Hannah Arendt)所言,人类的行为被视为比以往任何时候都更加危险。石黑一雄的非行动者可以被看作是我们这个时代和当代小说中这种理解的遗产,但也可以看作是突变。这篇文章表明,这一遗产揭示了主导冷战后世界的新自由主义思维模式的一个未被充分审视的方面。石黑一雄的小说并没有提倡个人的、自私自利的行为的价值,而是把一些不同但同样有害的东西带到了最前面:对个人行动能力的全面贬低。
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引用次数: 1
From a Distance: Teju Cole, World Literature, and the Limits of Connection 《从远处看:特朱·科尔、世界文学与联系的极限》
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2018-08-01 DOI: 10.1215/00295132-6846174
L. Saint
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引用次数: 6
Phineas Finn, the Statistics of Character, and the Sensorium of Liberal Personhood 芬恩:性格统计与自由人格的感觉
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2018-05-01 DOI: 10.1215/00295132-4357381
David A. P. Womble
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引用次数: 0
From World to Globe: The Transformation of Israeli Cultural Production in the Time of Neoliberal Globalization 从世界到全球:新自由主义全球化时代以色列文化生产的转型
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2018-05-01 DOI: 10.1215/00295132-4357397
Kfir Cohen
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引用次数: 1
Nella Larsen's Etiquette Lesson: Small Talk, Racial Passing, and the Novel of Manners 内拉·拉森的礼仪课:闲聊、种族间的攀比和礼仪小说
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2018-05-01 DOI: 10.1215/00295132-4357365
Matthew Krumholtz
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引用次数: 1
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