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Ruth Ozeki's Floating World: A Tale for the Time Being's Spiritual Oceanography 露丝·奥泽基的漂浮世界:一个暂时的精神海洋学故事
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-11-01 DOI: 10.1215/00295132-8624642
A. Glassie
This essay explores the intertwined oceanographic and spiritual imaginations structuring Ruth Ozeki's novel A Tale for the Time Being, which she rewrote in the aftermath of the Tohoku earthquake and tsunami. A Tale for the Time Being's new, metafictional frame story dramatizes a citizen-science response to marine debris and theorizes marine science as a mode of witnessing and a mode of reading. Furthermore, by bringing her depictions of marine science into conversation with the Zen Buddhist practice of not-knowing, Ozeki meditates upon the idea that attempts to know or understand necessarily mean coexisting with what cannot be known, discovered, or recovered.
本文探讨了Ruth Ozeki在东北地震和海啸后重写的小说《暂时的故事》中交织的海洋和精神想象。《时代的故事》的新的元虚构框架故事将公民科学对海洋碎片的反应戏剧化,并将海洋科学理论化为一种见证和阅读模式。此外,通过将她对海洋科学的描述与禅宗的不知道实践进行对话,Ozeki思考了这样一种想法,即试图知道或理解必然意味着与无法知道、发现或恢复的事物共存。
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引用次数: 0
Modernity and a Day 现代性与一天
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-11-01 DOI: 10.1215/00295132-8624715
C. Stan
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引用次数: 0
Lines of Fracture, Lines of Flight 断裂线,飞行线
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-11-01 DOI: 10.1215/00295132-8624751
D. Glover
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引用次数: 0
Letters and the Contemporary Novel: Materiality and Metaphor in Ian McEwan's The Children Act 书信与当代小说:伊恩·麦克尤恩《儿童法案》中的物质性与隐喻
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-11-01 DOI: 10.1215/00295132-8624570
K. Wilkinson
Daily communication today is predominantly digital, but contemporary novels continue to be interested in paper letters. Why? What do letters, written on paper, offer to the novel in the twenty-first century? This essay explores the material letter's contemporary value as metaphor, reading as a case study Ian McEwan's The Children Act. McEwan's novel dramatizes a conflict between religion and the secular law, which is an example of the type of dispute that Jean-François Lyotard identifies in The Differend: a dispute that is unresolvable because the process for regulating it is unable to register the wrong that one side suffers. In their different modes, these two texts consider intractable conflict and the ethics of its regulation, the workings of which are analyzed here through the suggestive correspondences between the dynamics of Lyotard's differend and those of letters. These correspondences derive, this essay argues, from the letter's material properties, which underlie its ability to function as metaphor. The letter's temporal structure of delay and the silences and instability that delay produces, in particular, have productive affinities with the workings of the differend. These correspondences help to delineate the conflicts of The Children Act and to reveal the value of the letter as metaphor more generally. This case study presents an example of the letter as a metaphorical resource, whose possibilities are distinct from those of digital communications and whose flexibility and nuance help to account for contemporary novels' continued interest in the letter.
今天的日常交流主要是数字化的,但当代小说仍然对纸质信件感兴趣。为什么?写在纸上的信件为21世纪的小说提供了什么?本文以伊恩·麦克尤恩的《儿童法案》为例,探讨了材料信作为隐喻的当代价值。麦克尤恩的小说将宗教和世俗法律之间的冲突戏剧化,这是让-弗朗索瓦·利奥塔在《分歧》中所指出的那种争端的一个例子:这种争端是无法解决的,因为规范它的过程无法记录一方所遭受的错误。在不同的模式中,这两个文本考虑了棘手的冲突及其监管的伦理问题,本文通过利奥塔的差异动态与信件动态之间的暗示性对应关系来分析其运作。本文认为,这些对应关系源于字母的物质特性,而物质特性是其隐喻功能的基础。信件延迟的时间结构,以及延迟产生的沉默和不稳定,尤其与差异的运作有着富有成效的密切关系。这些对应关系有助于描述《儿童法案》的冲突,并更普遍地揭示信件作为隐喻的价值。本案例研究展示了一个将信件作为隐喻资源的例子,其可能性与数字通信的可能性不同,其灵活性和细微差别有助于解释当代小说对信件的持续兴趣。
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引用次数: 0
Words, Everyday and Key 单词,日常和关键
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-08-01 DOI: 10.1215/00295132-8309713
S. Waldschmidt
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引用次数: 0
“Still There”: (Dis)engaging with Dickens's Minor Characters 《依然在那里》:(Dis)与狄更斯的次要人物互动
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-08-01 DOI: 10.1215/00295132-8309551
Kristen H. Starkowski
More can be done in minor character studies to account for the strong sense of being that emerges at the edges of the nineteenth-century novel. By pairing traditional readings of the minor character in narrative theory with sociologist Erving Goffman's writings on disengagement, this article offers a different perspective on the competition for narrative attention as we know it. For example, when disengagement is taken into account, Alex Woloch's losers in the competition for narrative attention become winners in the formulation of a fulfilling social life. Dickens's minor characters take part in central spaces while not being contained by them. Their distance from main scenes and settings, captured in passing by a gaze that has no interest in registering these elsewheres in any level of depth, has the effect of making minor characters appear strange, memorable, or other, even though their worlds are quite rich. But Dickens's minor characters define the ingenuity of counterintuition, pointing toward a suppressed energy that belies the flatness of a minor character. Drawn with care, these characters build alternative, codependent ways of surviving on the edges of the characterological field.
在次要人物研究中,可以做更多的工作来解释19世纪小说边缘出现的强烈存在感。通过将叙事理论中对次要人物的传统解读与社会学家埃尔文·戈夫曼关于脱离的著作相结合,本文对我们所知的叙事注意力的竞争提供了一个不同的视角。例如,当考虑到脱离时,亚历克斯·沃洛克在叙事关注竞争中的失败者成为了充实社会生活的赢家。狄更斯笔下的次要人物在不被中心空间所包容的情况下参与其中。他们与主要场景和场景的距离,被一种对在任何深度上记录这些其他场景都不感兴趣的凝视所捕捉到,会让次要角色看起来奇怪、令人难忘或其他,尽管他们的世界相当丰富。但狄更斯笔下的次要人物定义了反直觉的独创性,指出了一种压抑的能量,掩盖了次要人物的平淡。这些人物精心绘制,在人物学领域的边缘建立了可供选择的、相互依赖的生存方式。
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引用次数: 1
The Cybernetic Victorians 控制论的维多利亚时代
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-08-01 DOI: 10.1215/00295132-8309695
Marta Figlerowicz
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引用次数: 0
Untimely Love: The Aesthetics and Politics of Anachronism in The Age of Innocence 不合时宜的爱:纯真年代的不合时宜主义美学与政治
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-08-01 DOI: 10.1215/00295132-8309605
John Sampson
“Untimely Love” reassesses the aesthetic choices and political implications of Edith Wharton's The Age of Innocence (1920), first by highlighting a surprising overlap between Wharton and the anarcho-feminist Emma Goldman. Wharton's novelistic critique of New York society's marriage rituals, spurred by an unconsummated affair between Newland Archer and his wife's cousin Ellen Olenska, follows Goldman in positing an antagonism between the hierarchies of marriage and the equalizing nature of love. For Wharton, however, this antagonism will not be resolved with free love one day triumphing. To explain her position, the article turns to Jacques Rancière's unresolvable antagonism between “politics” and “the police,” which has an aesthetic analogue in the clash between the formally anarchic modern novel and premodern hierarchies of genre. Wharton unearths 1870s New York like an archeologist to expose how its patriarchal logic polices women's sexuality within and outside marriage, making expressions of love quite rare. Wharton unleashes the disruptive power of love through formal experimentation, temporarily subverting her own historical realism, when she has Ellen and Archer visit the Metropolitan Museum of Art in Central Park, which did not yet exist in the novel's timeframe. The Met's impossible location and its uncataloged holdings open to public viewing upset New York's social and aesthetic hierarchies. It is in this anachronistic and democratic context that Archer first sees “love visible” in the world, rearranging his entire worldview. Wharton, in a related political gesture of aesthetic dissensus, aligns her untimely lovers with the museum's suddenly visible ghosts of history.
《不合时宜的爱》重新评估了伊迪丝·沃顿的《纯真年代》(1920)的美学选择和政治含义,首先强调了沃顿和无政府女权主义者艾玛·戈德曼之间令人惊讶的重叠。沃顿对纽约社会的婚姻仪式进行了新颖的批判,这是由纽兰·阿彻和他妻子的堂兄艾伦·奥伦斯卡之间的一段未完成的婚外情引发的,跟随戈德曼提出了婚姻等级制度和爱情平等本质之间的对立。然而,对于沃顿商学院来说,这种对立不会随着自由恋爱的胜利而得到解决。为了解释她的立场,文章转向雅克·兰齐埃(Jacques Rancière)在“政治”和“警察”之间无法解决的对立,这在美学上类似于形式上无政府的现代小说和前现代等级制度之间的冲突。沃顿像考古学家一样发掘了19世纪70年代的纽约,揭露了其父权制逻辑如何在婚姻内外控制女性的性行为,使得爱的表达变得非常罕见。沃顿通过正式的实验释放了爱的破坏性力量,暂时颠覆了她自己的历史现实主义,当她让艾伦和阿彻参观位于中央公园的大都会艺术博物馆时,这在小说的时间框架内还不存在。大都会博物馆不可能的位置及其开放给公众观看的未编目藏品颠覆了纽约的社会和美学等级制度。正是在这种不合时宜和民主的背景下,阿彻第一次看到了世界上“可见的爱”,重新安排了他的整个世界观。沃顿以一种相关的美学异议的政治姿态,将她不合时宜的爱人与博物馆突然可见的历史幽灵联系在一起。
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引用次数: 0
Realism and Dialectic: The Speculative Turn and the History of the Nineteenth-Century European Novel 现实主义与辩证法:19世纪欧洲小说的思辨转向与历史
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-08-01 DOI: 10.1215/00295132-8309515
S. Ercolino
A narrative impulse and a scenic impulse: as Fredric Jameson persuasively argues in The Antinomies of Realism, the history of literary realism has been shaped by the dialectic between these two competing drives, each identified by a specific temporality. Yet realism's dialectic between a narrative and a scenic impulse omits something crucial if we are to understand European realist narrative, especially in the second half of the nineteenth century. This article reassesses Jameson's dialectical view of realism in light of the speculative turn in the history of the European novel in 1860s Russian and 1880s French narrative. I will query Jameson's dialectic of realism and subsume it under a larger dialectical framework encompassing a further, temporally neuter impulse. This is the speculative impulse, which will help us reconsider some of the most important developments of nineteenth-century European realism.
叙事冲动和风景冲动:正如弗雷德里克·詹姆逊在《现实主义的二律法》中令人信服地论证的那样,文学现实主义的历史是由这两种相互竞争的动力之间的辩证法所塑造的,每一种动力都有一个特定的时间性。然而,如果我们要理解欧洲现实主义叙事,尤其是19世纪下半叶的欧洲现实主义叙事,现实主义在叙事与风景冲动之间的辩证关系忽略了一些至关重要的东西。本文结合19世纪60年代俄国和80年代法国叙事在欧洲小说史上的思辨转向,重新审视詹姆逊的辩证现实主义观。我将质疑詹姆逊的现实主义辩证法,并将其纳入一个更大的辩证框架,其中包含了一个进一步的、暂时中性的冲动。这是一种思辨的冲动,它将帮助我们重新思考19世纪欧洲现实主义的一些最重要的发展。
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引用次数: 1
Beats Go On Beats Go On
IF 0.3 2区 文学 Q1 Arts and Humanities Pub Date : 2020-08-01 DOI: 10.1215/00295132-8309731
Yoon Sun Lee
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NOVEL-A FORUM ON FICTION
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