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Howard Zinn’s Public History 霍华德·津恩的《公共历史
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-08-01 DOI: 10.1525/tph.2022.44.3.92
Evan Faulkenbury
ABSTRACT:Howard Zinn and his popular book A People’s History of the United States have been left out of conversations regarding the development of public history. Although Zinn did not identify as a public history scholar, his methods and goals offer lessons for public historians today. At the same time, his approach comes with warnings for what public historians should avoid. By considering public history through Zinn’s perspective, we can clarify goals for our public history projects today.
摘要:霍华德·津恩(Howard Zinn)和他的畅销书《美国人民史》(A People's History of the United States)被排除在关于公共历史发展的对话之外。尽管津恩并不认同自己是一位公共历史学者,但他的方法和目标为今天的公共历史学家提供了借鉴。与此同时,他的方法也对公共历史学家应该避免的事情提出了警告。通过从Zinn的角度考虑公共历史,我们可以明确我们今天的公共历史项目的目标。
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引用次数: 0
Public History in the Age of Insurrection 起义时代的公共历史
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-08-01 DOI: 10.1525/tph.2022.44.3.139
Brian Murphy, Katie Owens-Murphy
Public historians have struggled to take a hard line against neo-Confederate groups in theory as well as practice. This article proposes a methodological shift that can clarify the work and obligations of the public historian following the insurrection on January 6, 2021. The frame of action research positions historians as public-facing actors and advocates. The frame of restorative justice clarifies the stakes of, and stakeholders within, historical harm. We apply these frameworks to two contested sites for public history in Florence, Alabama, that revolve around the Confederacy. Finally, we use our experiences from the field to distinguish communities from counter-communities and provide strategies for making cultural institutions inhospitable to cultural insurrectionists.
公共历史学家一直在努力在理论和实践上对新邦联团体采取强硬立场。这篇文章提出了一种方法上的转变,可以澄清公共历史学家在2021年1月6日暴动后的工作和义务。行动研究框架将历史学家定位为面向公众的行动者和倡导者。恢复性司法的框架阐明了历史危害的利害关系以及其中的利益相关者。我们将这些框架应用于阿拉巴马州佛罗伦萨的两个有争议的公共历史遗址,这两个遗址围绕着邦联。最后,我们利用我们在该领域的经验来区分社区和反社区,并提供使文化机构不适合文化起义者的策略。
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引用次数: 0
Review: Schlüsselbegriffe der Public History, by Christine Gundermann et al. 评论:《公共历史》,Christine Gundermann等人著。
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-08-01 DOI: 10.1525/tph.2022.44.3.186
M. Saryusz-Wolska
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引用次数: 0
Review: Public History: An Introduction from Theory to Application, by Jennifer Lisa Koslow 评论:《公共历史:从理论到应用的导论》,詹妮弗·丽莎·科斯洛著
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-08-01 DOI: 10.1525/tph.2022.44.3.183
Nicole Neatby
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引用次数: 0
WINIKO: Life of an Object, First Americans Museum, Oklahoma City, Oklahoma WINIKO:一件物品的生命,第一美国人博物馆,俄克拉荷马州俄克拉荷马市
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-08-01 DOI: 10.1525/tph.2022.44.3.164
A. Bain
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引用次数: 0
Cheap Old Houses, Critical Content and Roberts Media 廉价老房子、评论内容和罗伯茨媒体
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-08-01 DOI: 10.1525/tph.2022.44.3.173
Sara C. Evenson
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引用次数: 0
Every History Has a Nature 每段历史都有其本质
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-08-01 DOI: 10.1525/tph.2022.44.3.9
Gregory E. Smoak
Presidential addresses have always been in some measure personal reflections that aspire to engage broader issues facing our communities. Following that tradition, I will ground my talk today in my personal experience, in some of the work that I have done, but I also hope that in some small way it speaks to critical issues facing the public history community and indeed, all of our communities. At times over the past two years, it has seemed that the world was coming apart—a global pandemic, an ongoing reckoning with systemic racism and inequality, one of the most divisive elections in our country’s history, all set against the backdrop of a worsening climate crisis that poses an existential threat to the planet as we know it. I will not claim to have the answers today, but I do want to reflect upon some of the ways that the practice of public environmental history might help address some of the problems we face. In deciding on this topic, the COVID-19 pandemic loomed large. That shouldn’t come as a surprise. The pandemic has touched everything we have done individually and collectively over the past two years, which, as chance would have it, corresponded with my term as NCPH president. The real and potential impacts of the pandemic, your health and well-being being chief among them, were constant considerations as the staff and leadership of our organization worked to provide the programming and support you expect and deserve while carefully stewarding the organization’s resources. That meant making some tough decisions, most notably moving three successive annual meetings online. Although the next couple of years will continue to pose challenges, I am proud to say that NCPH is on a solid footing. The pandemic also transformed my day job—teaching Native American, environmental, and public history at the University of Utah. While reacting to the initial lockdown in the middle of the Spring 2020 semester was not seamless, things got
总统演讲在某种程度上一直是个人的反思,渴望参与我们社区面临的更广泛的问题。遵循这一传统,我今天的演讲将以我的个人经历和我所做的一些工作为基础,但我也希望它能在某种程度上谈到公共历史界乃至我们所有社区面临的关键问题。在过去的两年里,世界有时似乎正在分崩离析——一场全球大流行病,一场对系统性种族主义和不平等的持续清算,一场我国历史上最具分裂性的选举之一,所有这些都是在气候危机恶化的背景下发生的,这场危机对我们所知的地球构成了生存威胁,但我确实想反思一下,公共环境史的实践可能有助于解决我们面临的一些问题。在决定这一议题时,新冠肺炎大流行显得尤为突出。这并不奇怪。这场疫情影响了我们在过去两年中单独和集体所做的一切,这与我担任全国大会党主席的任期相吻合。在我们组织的工作人员和领导层努力提供您期望和应得的计划和支持,同时仔细管理组织的资源时,您的健康和福祉是疫情的真实和潜在影响的主要因素。这意味着要做出一些艰难的决定,尤其是将连续三届年会转移到网上。尽管未来几年将继续构成挑战,但我自豪地说,全国大会党的基础稳固。疫情也改变了我的日常工作——在犹他大学教授美洲原住民、环境和公共历史。虽然在2020年春季学期中期对最初的封锁做出的反应并非天衣无缝,但
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引用次数: 0
Review: Queer Public History: Essays on Scholarly Activism, by Marc Stein 评论:《酷儿公共历史:学术激进主义随笔》,Marc Stein著
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-08-01 DOI: 10.1525/tph.2022.44.3.181
Morgan Seamont
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引用次数: 0
“Restoring” Charleston’s Dock Street Theatre “修复”查尔斯顿的码头街剧院
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-08-01 DOI: 10.1525/tph.2022.44.3.58
Stephanie E. Gray
The imaginative reconstruction of the Dock Street Theatre, completed between 1935 and 1937 in Charleston, South Carolina, was a New Deal experiment in historic preservation. Funded by the Works Progress Administration (WPA) and led by local architects Albert Simons and Samuel Lapham, the orchestrated re-creation of a lost eighteenth-century theater reflected the white elite’s desire to immortalize the city’s prosperous colonial and antebellum past in the historic built environment. While the project courted conservative interests and created a romanticized version of Old Charleston, the strong support of Democratic mayor Burnet Maybank and WPA director Harry L. Hopkins simultaneously pushed forward a progressive southern agenda. This dual and contradictory set of motivations culminated in an intriguing use of historic preservation to nurture a particular community’s sense of place and use historic buildings as a catalyst for cultural rebirth.
1935年至1937年间,位于南卡罗来纳州查尔斯顿的码头街剧院(Dock Street Theatre)完成了富有想象力的重建,这是一项历史保护的新政实验。由工程发展管理局(WPA)资助,由当地建筑师Albert Simons和Samuel Lapham领导,精心策划的重建了一座消失的18世纪剧院,反映了白人精英希望在历史建筑环境中不朽这座城市繁荣的殖民地和战前的历史。虽然该项目迎合了保守派的利益,并创造了一个浪漫版的老查尔斯顿,但民主党市长伯内特·梅班克和WPA主任哈里·l·霍普金斯的大力支持同时推动了一个进步的南方议程。这种双重和矛盾的动机最终导致了历史保护的有趣使用,以培养特定社区的地方感,并使用历史建筑作为文化重生的催化剂。
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引用次数: 0
“If You Are Reading It, I am Dead”: Activism, Local History, and the AIDS Quilt “如果你在读,我就死了”:激进主义、地方历史和艾滋病被子
IF 0.7 3区 历史学 Q1 Arts and Humanities Pub Date : 2022-08-01 DOI: 10.1525/tph.2022.44.3.24
Nino Testa
ABSTRACT:This article uses oral history interviews with the family and friends of Duane Puryear to document the history of one of the most frequently displayed panels of the AIDS Memorial Quilt. The approaching fortieth anniversary of the Quilt and its recent acquisition by the National AIDS Memorial warrant a reexamination of how we engage with the Quilt as archive. Puryear’s panel demonstrates how we might use this enormous community art project to excavate local histories of activism in response to HIV and AIDS; it also challenges reductive political histories of the Quilt that view it as in binary opposition to histories of direct-action groups like ACT UP.
摘要:本文通过对杜安·普伊尔的家人和朋友的口述历史采访,记录了艾滋病纪念被子最常展出的一块面板的历史。被子四十周年纪念日即将到来,国家艾滋病纪念馆最近收购了它,我们有必要重新审视我们如何将被子作为档案。Puryear的小组展示了我们如何利用这个巨大的社区艺术项目来挖掘当地应对艾滋病毒和艾滋病的行动主义历史;它还挑战了Quilt的还原政治历史,这些历史认为Quilt与ACT UP等直接行动团体的历史是二元对立的。
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引用次数: 0
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