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Journal of Design History最新文献

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Domestic Space in Britain, 1750–1840: Materiality, Sociability and Emotion 1750-1840年英国的家庭空间:物质性、社会性和情感
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2022-07-09 DOI: 10.1093/jdh/epac028
B. Jackson
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引用次数: 1
Jet Age Aesthetic: The Glamour of Media in Motion 喷气时代美学:动态媒体的魅力
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2022-07-09 DOI: 10.37862/aaeportal.00209
I. Burgers
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引用次数: 1
Nature Inside: Plants and Flowers in the Modern Interior 室内自然:现代室内的植物和花卉
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2022-07-09 DOI: 10.1093/jdh/epac024
R. Preston
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引用次数: 0
Designing Transformation: Jews and Cultural Identity in Central European Modernism 设计转型:中欧现代主义中的犹太人与文化认同
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2022-07-09 DOI: 10.1093/jdh/epac026
H. Edquist
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引用次数: 0
Young Poland: The Polish Arts and Crafts Movement, 1890–1918 年轻的波兰:波兰工艺美术运动,1890–1918
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2022-07-09 DOI: 10.1093/jdh/epac029
Katarzyna Jeżowska
This illustrated collection seeks to reposition the Young Poland movement in the context of the international Arts and Crafts movement, rather than continuing to situate Young Poland in the context of European Art Nouveau. Published ahead of an accompanying exhibition at the William Morris Gallery in London, the editors’ introduction highlights ideas shared between the British Arts and Crafts movement and Young Poland. Similarities can be seen in their interest in folk traditions, inspiration from local flora and desire to eliminate the boundary between high and low art. The collection shifts focus from the role of painting to applied arts in Young Poland, incorporating contributions about less-well known artists’ work.
这幅插图集试图在国际工艺美术运动的背景下重新定位年轻的波兰运动,而不是继续将年轻的波兰置于欧洲新艺术运动的背景中。编辑们的介绍在伦敦威廉莫里斯美术馆的展览之前发表,突出了英国工艺美术运动和年轻波兰之间的共同思想。从他们对民间传统的兴趣、当地植物群的灵感以及消除高低艺术界限的愿望中可以看出他们的相似之处。该系列将焦点从绘画的角色转移到年轻波兰的应用艺术上,融合了对不太知名艺术家作品的贡献。
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引用次数: 0
Open Plan: A Design History of the American OfficeThe Filing Cabinet: A Vertical History of Information 《开放式:美国办公室的设计历史》《档案柜:垂直的信息历史》
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2022-06-22 DOI: 10.1093/jdh/epac022
Robert Gordon-Fogelson
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引用次数: 0
Inclusive Textile Histories: Gender, Geopolitics and Decoration 包容性纺织历史:性别、地缘政治和装饰
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2022-04-07 DOI: 10.1093/jdh/epac004
Claire I R O’Mahony
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引用次数: 0
Marcel Breuer, the Wassily chair and the ‘frozen’ Bauhaus modernism after 1945 马塞尔·布鲁尔、瓦西里椅子和1945年后“冻结”的包豪斯现代主义
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2022-01-06 DOI: 10.1093/jdh/epac001
Donatella Cacciola
Donatella Cacciola teaches design history, theories of design, and in the Masters programme in Museum Studies at the University of Bonn. She studied World Heritage Studies in Parma and received her PhD from the Delft University of Technology, Faculty of Architecture. Methodologically, she focuses her work strongly on archival sources (inter alia she worked and researched for several months in the archive of Dino Gavina, Bologna). In her publications (since 2003) she has identified and reconstructed several pieces of furniture (1926, 1961/1962) designed by Marcel Breuer. Other topics are the scientific relevance of re-issued furniture designs; medial reflection of design history in illustrated magazines and in advertising. She has also been a book reviewer for Domus, and has been participating in international conferences since 2004. Her most recent publications as a co-author include: Atlas of Furniture Design (edited by Vitra Design Museum, 2019) as well as contributions (all published in 2021) on the hundredth anniversary of the Bauhaus (full paper at XIV. Bauhaus-Kolloquium, Weimar; full proceedings of the conference ‘Bauhaus-Paradigmen’, University of Siegen) about the domesticity of so-called ‘modern classic’ furniture design in illustrated printed media from the 1960s to the end of the twentieth century (full paper of the conference Wohnseiten, University of Bremen). She is currently working on the idea of DIY and on David Carson’s œuvre (recent and retrospective).
Donatella Cacciola教授设计历史、设计理论和波恩大学博物馆研究硕士课程。她在帕尔马学习世界遗产研究,并在代尔夫特理工大学建筑系获得博士学位。在方法上,她将工作重点放在档案资料上(她在博洛尼亚迪诺加维纳的档案中工作和研究了几个月)。在她的出版物中(自2003年以来),她鉴定并重建了几件由Marcel Breuer设计的家具(1926年,1961年/1962年)。其他主题是重新发布家具设计的科学相关性;设计历史在插图杂志和广告中的媒介反映。她也是Domus的书评人,自2004年以来一直参加国际会议。她最近作为合著者的出版物包括:《家具设计地图集》(由维特拉设计博物馆编辑,2019年)以及包豪斯100周年纪念的贡献(全部发表于2021年)(全文发表于XIV)。Bauhaus-Kolloquium魏玛;会议“bauhaus - paradigm”的全部记录,Siegen大学)关于从20世纪60年代到20世纪末插图印刷媒体中所谓的“现代经典”家具设计的家庭生活(会议全文,Wohnseiten,不来梅大学)。她目前正在研究DIY的想法和大卫·卡森的œuvre(最近和回顾)。
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引用次数: 0
OUP accepted manuscript OUP接受稿件
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1093/jdh/epac005
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引用次数: 0
OUP accepted manuscript OUP接受稿件
IF 0.2 4区 艺术学 Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1093/jdh/epac008
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引用次数: 0
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Journal of Design History
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