{"title":"Design and Modernity in Asia: National Identity and Transnational Exchange 1945–1990","authors":"D. Huppatz","doi":"10.1093/jdh/epac040","DOIUrl":"https://doi.org/10.1093/jdh/epac040","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42681859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Bauhaus is possibly the most famous school of art, design, and architecture of the first half of the twentieth century. It holds an enduring reputation as one of the most influential sources for the origins of modern design. In response to the centenary of its foundation in 1919, this special issue offers critical perspectives on the school’s reputation from a range of international scholars. The Introduction reviews selected events and publications planned to coincide with the Bauhaus 100 anniversary year in order to place them in relation to broader developments within design history. The three articles consider how the identities, reputation, and legacies of the Bauhaus were constructed, both at the time of its existence and in the years following its closure. As a further record of the impact of this centenary, we include a Selected Bibliography drawn from the international attention given to the Bauhaus in its anniversary year, as well as Book Reviews devoted to some of the most significant publications from 2019.
{"title":"Introduction: the Bauhaus centennial and design history","authors":"J. Aynsley, Esther Cleven","doi":"10.1093/jdh/epac036","DOIUrl":"https://doi.org/10.1093/jdh/epac036","url":null,"abstract":"\u0000 The Bauhaus is possibly the most famous school of art, design, and architecture of the first half of the twentieth century. It holds an enduring reputation as one of the most influential sources for the origins of modern design. In response to the centenary of its foundation in 1919, this special issue offers critical perspectives on the school’s reputation from a range of international scholars. The Introduction reviews selected events and publications planned to coincide with the Bauhaus 100 anniversary year in order to place them in relation to broader developments within design history. The three articles consider how the identities, reputation, and legacies of the Bauhaus were constructed, both at the time of its existence and in the years following its closure. As a further record of the impact of this centenary, we include a Selected Bibliography drawn from the international attention given to the Bauhaus in its anniversary year, as well as Book Reviews devoted to some of the most significant publications from 2019.","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48208929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Enlightened Eclecticism: The Grand Design of the 1st Duke and Duchess of NorthumberlandLondon’s ‘Golden Mile’ The Great Houses of the Strand, 1550–1650","authors":"Helen McCormack","doi":"10.1093/jdh/epac037","DOIUrl":"https://doi.org/10.1093/jdh/epac037","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42177809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Shortly after opening in 1936, the Finnish interior design company Artek organized two exhibitions in Helsinki: a model apartment showroom and a display within its shop, both involving a substantial presence of Amazigh carpets from the French protectorate of Morocco. This article analyses these rugs within Artek identifying them as “colonized textiles.” This proposed concept aims to highlight textiles within the appropriation of non-Western cultural fragments by structures of imperialism and coloniality, while parallelly problematizing the inclusion of Amazigh rugs within architectural modernism. The movement of Amazigh rugs from Morocco to Finland, and their transition from Amazigh communities to European modernist interiors, are described through key events and exhibitions from the interwar era. The involvement of Artek actors and the process leading to the founding of Artek are highlighted within this context. Exhibitions are presented as a stage for the interaction of discourses on modernism and imperialism, and for the reiteration of constructed narrations directed by élite circles, supporting the appropriation and commodification of colonized textiles in Europe. Political agendas of cultural supervision within the French protectorate of Morocco are described while situating Amazigh rugs in this context. Parallelly, the relevance of textiles is highlighted within discussions on architectural modernism.
{"title":"“Moroccan” Artek—Colonized Textiles within 1930s Modernist Interiors","authors":"Daniele Burlando","doi":"10.1093/jdh/epac035","DOIUrl":"https://doi.org/10.1093/jdh/epac035","url":null,"abstract":"\u0000 Shortly after opening in 1936, the Finnish interior design company Artek organized two exhibitions in Helsinki: a model apartment showroom and a display within its shop, both involving a substantial presence of Amazigh carpets from the French protectorate of Morocco. This article analyses these rugs within Artek identifying them as “colonized textiles.” This proposed concept aims to highlight textiles within the appropriation of non-Western cultural fragments by structures of imperialism and coloniality, while parallelly problematizing the inclusion of Amazigh rugs within architectural modernism. The movement of Amazigh rugs from Morocco to Finland, and their transition from Amazigh communities to European modernist interiors, are described through key events and exhibitions from the interwar era. The involvement of Artek actors and the process leading to the founding of Artek are highlighted within this context. Exhibitions are presented as a stage for the interaction of discourses on modernism and imperialism, and for the reiteration of constructed narrations directed by élite circles, supporting the appropriation and commodification of colonized textiles in Europe. Political agendas of cultural supervision within the French protectorate of Morocco are described while situating Amazigh rugs in this context. Parallelly, the relevance of textiles is highlighted within discussions on architectural modernism.","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45011692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"African Motors: Technology, Gender and the History of Development","authors":"L. Vinsel","doi":"10.1093/jdh/epac032","DOIUrl":"https://doi.org/10.1093/jdh/epac032","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44118700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Situating the Bauhaus in Cold War Germany","authors":"Gerda Breuer","doi":"10.1093/jdh/epac009","DOIUrl":"https://doi.org/10.1093/jdh/epac009","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44048162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Women Art Workers and the Arts and Crafts Movement","authors":"Cheryl Buckley","doi":"10.1093/jdh/epac023","DOIUrl":"https://doi.org/10.1093/jdh/epac023","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43663289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jugendstil Women and the Making of Modern Design","authors":"Michelle Jackson-Beckett","doi":"10.1093/jdh/epac030","DOIUrl":"https://doi.org/10.1093/jdh/epac030","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42459117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The book presents for the first time the outstanding career of Krasnik, exploring her different "personas", from a young woman seeking artistic freedom to an emancipated, affirmed and self-conscious artist pushing the limits of (self-)representative boundaries, to a member of "high-society" consciously moving away from a professional career. Taking the formative influence of the context of the Viennese cultural climate around 1900 and the Kunstgewerbeschule as the starting point, this monograph analyses Antoinette Krasnik's pioneering role in redefining the decorative arts. By exploring the historical meaning of woman artists' oeuvre as a case study for establishing a link between decorative arts, the Gesamtkunstwerk, and a new approach to design manufacture, the book contributes to a number of disciplines, including art history, cultural studies, Central European studies, feminist art and design histories, German studies and gender studies.
{"title":"The Foreign Designer: Antoinette Krasnik and the Wiener Moderne","authors":"R. Houze","doi":"10.1093/jdh/epac027","DOIUrl":"https://doi.org/10.1093/jdh/epac027","url":null,"abstract":"The book presents for the first time the outstanding career of Krasnik, exploring her different \"personas\", from a young woman seeking artistic freedom to an emancipated, affirmed and self-conscious artist pushing the limits of (self-)representative boundaries, to a member of \"high-society\" consciously moving away from a professional career. Taking the formative influence of the context of the Viennese cultural climate around 1900 and the Kunstgewerbeschule as the starting point, this monograph analyses Antoinette Krasnik's pioneering role in redefining the decorative arts. By exploring the historical meaning of woman artists' oeuvre as a case study for establishing a link between decorative arts, the Gesamtkunstwerk, and a new approach to design manufacture, the book contributes to a number of disciplines, including art history, cultural studies, Central European studies, feminist art and design histories, German studies and gender studies.","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43063649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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