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Journal of Design History最新文献

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Situating the Bauhaus in Cold War Germany 包豪斯在冷战时期的德国
IF 0.2 4区 艺术学 0 ART Pub Date : 2022-08-05 DOI: 10.1093/jdh/epac009
Gerda Breuer
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引用次数: 0
Women Art Workers and the Arts and Crafts Movement 女性艺术工作者和工艺美术运动
IF 0.2 4区 艺术学 0 ART Pub Date : 2022-07-28 DOI: 10.1093/jdh/epac023
Cheryl Buckley
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引用次数: 0
Jugendstil Women and the Making of Modern Design 女性与现代设计创作
IF 0.2 4区 艺术学 0 ART Pub Date : 2022-07-28 DOI: 10.1093/jdh/epac030
Michelle Jackson-Beckett
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引用次数: 0
The Foreign Designer: Antoinette Krasnik and the Wiener Moderne 外国设计师:安托瓦内特·克拉斯尼克与维纳·摩登
IF 0.2 4区 艺术学 0 ART Pub Date : 2022-07-14 DOI: 10.1093/jdh/epac027
R. Houze
The book presents for the first time the outstanding career of Krasnik, exploring her different "personas", from a young woman seeking artistic freedom to an emancipated, affirmed and self-conscious artist pushing the limits of (self-)representative boundaries, to a member of "high-society" consciously moving away from a professional career. Taking the formative influence of the context of the Viennese cultural climate around 1900 and the Kunstgewerbeschule as the starting point, this monograph analyses Antoinette Krasnik's pioneering role in redefining the decorative arts. By exploring the historical meaning of woman artists' oeuvre as a case study for establishing a link between decorative arts, the Gesamtkunstwerk, and a new approach to design manufacture, the book contributes to a number of disciplines, including art history, cultural studies, Central European studies, feminist art and design histories, German studies and gender studies.
这本书首次展现了克拉斯尼克杰出的职业生涯,探索了她不同的“人物”,从一个寻求艺术自由的年轻女性,到一个解放、肯定和自觉的艺术家,突破(自我)代表界限的极限,再到一个有意识地离开职业生涯的“上流社会”成员。本专著以1900年前后维也纳文化氛围和艺术史的形成影响为切入点,分析了安托瓦内特·克拉斯尼克在重新定义装饰艺术方面的开拓性作用。通过探索女性艺术家作品的历史意义,作为在装饰艺术、Gesamtkunstwerk和设计制造新方法之间建立联系的案例研究,本书为多个学科做出了贡献,包括艺术史、文化研究、中欧研究、女权主义艺术和设计史、德国研究和性别研究。
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引用次数: 0
Domestic Space in Britain, 1750–1840: Materiality, Sociability and Emotion 1750-1840年英国的家庭空间:物质性、社会性和情感
IF 0.2 4区 艺术学 0 ART Pub Date : 2022-07-09 DOI: 10.1093/jdh/epac028
B. Jackson
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引用次数: 1
Jet Age Aesthetic: The Glamour of Media in Motion 喷气时代美学:动态媒体的魅力
IF 0.2 4区 艺术学 0 ART Pub Date : 2022-07-09 DOI: 10.37862/aaeportal.00209
I. Burgers
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引用次数: 1
Nature Inside: Plants and Flowers in the Modern Interior 室内自然:现代室内的植物和花卉
IF 0.2 4区 艺术学 0 ART Pub Date : 2022-07-09 DOI: 10.1093/jdh/epac024
R. Preston
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引用次数: 0
Designing Transformation: Jews and Cultural Identity in Central European Modernism 设计转型:中欧现代主义中的犹太人与文化认同
IF 0.2 4区 艺术学 0 ART Pub Date : 2022-07-09 DOI: 10.1093/jdh/epac026
H. Edquist
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引用次数: 0
Young Poland: The Polish Arts and Crafts Movement, 1890–1918 年轻的波兰:波兰工艺美术运动,1890–1918
IF 0.2 4区 艺术学 0 ART Pub Date : 2022-07-09 DOI: 10.1093/jdh/epac029
Katarzyna Jeżowska
This illustrated collection seeks to reposition the Young Poland movement in the context of the international Arts and Crafts movement, rather than continuing to situate Young Poland in the context of European Art Nouveau. Published ahead of an accompanying exhibition at the William Morris Gallery in London, the editors’ introduction highlights ideas shared between the British Arts and Crafts movement and Young Poland. Similarities can be seen in their interest in folk traditions, inspiration from local flora and desire to eliminate the boundary between high and low art. The collection shifts focus from the role of painting to applied arts in Young Poland, incorporating contributions about less-well known artists’ work.
这幅插图集试图在国际工艺美术运动的背景下重新定位年轻的波兰运动,而不是继续将年轻的波兰置于欧洲新艺术运动的背景中。编辑们的介绍在伦敦威廉莫里斯美术馆的展览之前发表,突出了英国工艺美术运动和年轻波兰之间的共同思想。从他们对民间传统的兴趣、当地植物群的灵感以及消除高低艺术界限的愿望中可以看出他们的相似之处。该系列将焦点从绘画的角色转移到年轻波兰的应用艺术上,融合了对不太知名艺术家作品的贡献。
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引用次数: 0
Open Plan: A Design History of the American OfficeThe Filing Cabinet: A Vertical History of Information 《开放式:美国办公室的设计历史》《档案柜:垂直的信息历史》
IF 0.2 4区 艺术学 0 ART Pub Date : 2022-06-22 DOI: 10.1093/jdh/epac022
Robert Gordon-Fogelson
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引用次数: 0
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Journal of Design History
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