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BIOGRAPHY-AN INTERDISCIPLINARY QUARTERLY最新文献

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Burning Shame, Decolonizing (His)tory, and Writing Illness and Disability: The Year in Australia 燃烧的耻辱,去殖民化(他的)的故事,写作疾病和残疾:在澳大利亚的一年
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-11-22 DOI: 10.1353/bio.2021.0003
Kylie Cardell
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引用次数: 0
Complicit Filmmakers, Self-Made Women, and the Weltgeist on Horseback: The Year in Germany 串谋的电影人、白手起家的女性和马背上的Weltgeist:在德国的一年
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-11-22 DOI: 10.1353/bio.2021.0012
Tobias Heinrich
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引用次数: 0
Fighting Against Traditions of Silence: The Year in Portugal 对抗沉默的传统:葡萄牙的一年
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-11-22 DOI: 10.1353/bio.2021.0021
Cláudia Maria Ferreira Faria
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引用次数: 0
No Friend but the Mountains: How Should I Read This? 只有山才有朋友:我该怎么读?
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-08-05 DOI: 10.1353/bio.2020.0102
G. Whitlock
Abstract:This essay turns to the paratexts of No Friend but the Mountains, and the question of how this book should be read in these margins of the text. Focusing on both peritexts and epitexts—Richard Flanagan’s “Foreword,” Omid Tofighian’s “Translator’s Tale” and “Reflections,” and a review of the novel by J. M. Coetzee, “Australia’s Shame”—it examines the ethical challenge to Australian readers at this threshold of interpretation, and asks what responses we might make as beneficiaries and implicated subjects, and as Southern readers.
摘要:本文探讨了《山无友》的几个文本,以及在这些文本空白处如何解读这本书的问题。本书同时关注上下文和外延——理查德·弗拉纳根的《前言》、奥米德·托菲吉安的《译者的故事》和《反思》,以及j·m·库切对这部小说的评论《澳大利亚的耻辱》——它审视了澳大利亚读者在这个解读门槛上面临的伦理挑战,并询问我们作为受益者和受影响的主体,以及作为南方读者可能做出的回应。
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引用次数: 3
Ecologies of Witnessing: Language, Place, and Holocaust Testimony by Hannah Pollin-Galay (review) 《见证的生态:语言、地点和大屠杀证词》汉娜·波琳-盖莱著(书评)
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-08-05 DOI: 10.1353/bio.2020.0096
E. Friedman
to reflect on Goshgarian’s piece once more and deliberate on whether the tendency to rely on ethnocultural categories as the dominant markers (and dividers) of Ottoman identities obstructs a more robust representation of historical actors and agency. With this in mind, the volume’s contribution comes to surpass the sum of its parts in pushing its readers to consider the benefits of shifting to alternative registers of belonging and a more intersectional approach to bring to light additional aspects of identity and belonging in the late Ottoman world. The reader looks forward to exploring how the series will engage with such questions in subsequent volumes, which will no doubt add complexity to our understanding of the weave of that Ottoman fabric. Besides the field of Ottoman studies, the series’ initiative makes a contribution to life writing as a broader field of inquiry. Perhaps most significantly, it addresses an underemphasis on life narratives that do not originate in Western Europe and North America. Folding the Ottomans into the field will additionally aid comparative and transregional scholarship. Accordingly, Istanbul – Kushta – Constantinople is a worthy addition to the literature of its immediate field of study, and beyond.
再一次反思Goshgarian的作品,并思考依赖民族文化类别作为奥斯曼身份的主要标志(和分水岭)的趋势是否阻碍了对历史行动者和代理的更有力的代表。考虑到这一点,该卷的贡献来超过其部分的总和,推动读者考虑转移到归属的替代登记和更交叉的方法带来的好处,以揭示后期奥斯曼世界的身份和归属的其他方面。读者期待着探索该系列如何在随后的卷中与这些问题打交道,这无疑将增加我们对奥斯曼织物编织的理解的复杂性。除了奥斯曼研究领域,该系列的倡议使生活写作作为一个更广泛的调查领域的贡献。也许最重要的是,它解决了对并非起源于西欧和北美的生活叙事的低估。将奥斯曼人纳入这一领域还将有助于比较和跨地区的学术研究。因此,伊斯坦布尔-库什塔-君士坦丁堡是对其直接研究领域的文献的有价值的补充,甚至超越。
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引用次数: 0
Memory and Autobiography: Explorations at the Limits by Leonor Arfuch (review) 《记忆与自传:极限的探索》作者:莱昂诺·阿富奇(书评)
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-08-05 DOI: 10.1353/bio.2020.0082
Ksenija Bilbija
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引用次数: 0
Women Activating Agency in Academia: Metaphors, Manifestos and Memoir ed. by Alison L. Black and Susanne Garvis, and: Lived Experiences of Women in Academia: Metaphors, Manifestos and Memoir ed. by Alison L. Black and Susanne Garvis (review) 《女性在学术界的激活作用:隐喻、宣言和回忆录》,作者:艾莉森·l·布莱克和苏珊·加维斯;《学术界女性的生活经历:隐喻、宣言和回忆录》,作者:艾莉森·l·布莱克和苏珊·加维斯(书评)
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-08-05 DOI: 10.1353/bio.2020.0087
Lisa Ortiz-Vilarelle
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引用次数: 1
Biography and History in Film ed. by Thomas S. Freeman and David L. Smith 托马斯·s·弗里曼和大卫·l·史密斯编著的电影传记和历史
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-08-05 DOI: 10.1353/bio.2020.0098
Ian Scott
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引用次数: 0
Autoethnography and Feminist Theory at the Water’s Edge: Unsettled Islands by Sonja Boon, Lesley Butler and Daze Jefferies (review) Sonja Boon、Lesley Butler和Daze Jefferies的《水边的民族志与女权主义理论:未解决的岛屿》(综述)
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-08-05 DOI: 10.1353/bio.2020.0088
Astrida Neimanis
WAAA and LEWA are accessible collections, and are neither highly stylized, nor overly dependent upon theoretical jargon. The intended readership appears to be other academic women, as well as those interested in gendered studies of academic subjectivity, but these titles will be valuable to both established lifewriting scholars and those readers looking for a less specialized treatment of auto/ biographical innovation. Readers seeking further work on gendered explorations of academic identity should consult their most recent collaboration with Linda Henderson, a collection of essays dedicated to motherhood in academia titled (Re) birthing the Feminine in Academe: Creating Spaces of Motherhood in Patriarchal Contexts.
WAAA和LEWA是可访问的集合,既不高度程式化,也不过度依赖理论术语。预期读者群似乎是其他学术女性,以及那些对学术主体性的性别研究感兴趣的人,但这些标题对知名的终身写作学者和那些希望对汽车/传记创新进行不那么专业化处理的读者都很有价值。寻求进一步研究学术身份性别探索的读者应该咨询他们与Linda Henderson的最新合作,这是一本致力于学术界母性的论文集,题为《在学术界重新诞生女性:在父权背景下创造母性空间》。
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引用次数: 5
Literary Impostors: Canadian Autofiction of the Early Twentieth Century by Rosmarin Heidenreich (review) 文学冒名顶替者:罗斯马林·海登里奇的二十世纪初加拿大自小说(综述)
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-08-05 DOI: 10.1353/bio.2020.0094
M. Worthington
arrives at an interesting recasting of de Man’s dictum in “Autobiography as De-Facement” (1979): “biography,” Swann writes, “can only always be a fleshing out, a belated and reactive attempt to root out or at least naturalize what is constitutively and adamantly virtual in the figure” (10). Which is to say, as I take it, that biography suppresses with its monumentalizing zeal the allegorical potential of the poet-figure that reveals the factitiousness or untimeliness of Romantic subjectivity. At the same time, however, biography is a key to our discovering the potent poet-figures. Suggesting the reciprocal relationship of the poetical text and biography, this formulation might become a good starting point for further research.
斯旺在1979年出版的《作为面对面的自传》中对德曼的格言进行了有趣的改写:“传记”“永远只能是一种充实的、迟来的和被动的尝试,以根除或至少将人物中的构成性和坚定的虚拟化”(10)。也就是说,正如我所认为的,这本传记以其不朽的热情抑制了诗人形象的寓言潜力,揭示了浪漫主义主体性的人为性或不完美性。然而,同时,传记也是我们发现强有力的诗人形象的关键。这一表述暗示了诗歌文本与传记的相互关系,可能成为进一步研究的一个很好的起点。
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引用次数: 0
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