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The Author's Effects: On Writer's House Museums by Nicola J. Watson (review) 作者的影响:作家的住宅博物馆尼古拉·j·沃森(书评)
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2022-06-17 DOI: 10.1353/bio.2021.0047
A. Booth
the in the writer's
在作家家里
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引用次数: 2
Fakir Mohan Senapati's Atmacharita: Episodic Autobiography, History, and Interiority Fakir Mohan Senapati的Atmacharita:章节自传,历史和内在
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2022-06-17 DOI: 10.1353/bio.2021.0049
Umasankar Patra
Abstract:In this essay, I revisit the original autobiography of Fakir Mohan Senapati (1848–1918), serialized as Atmacharita in 1918. Navigating its complex textual history, I argue that Atmacharita, the first Odia autobiography, is a unique experiment in Indian lifewriting practice. Senapati produces an episodic autobiography written in the idiom of a memoir that sets up a triad of fiction, autobiography, and history, engendering a discourse of ordinariness.
摘要:在这篇文章中,我重温了Fakir Mohan Senapati(1848-1918)的自传原件,该自传于1918年连载为Atmacharita。在其复杂的文本历史中,我认为奥迪亚的第一本自传《Atmacharita》是印度生活写作实践中的一次独特实验。Senapati制作了一本用回忆录的成语写成的情节自传,将小说、自传和历史结合在一起,形成了一种平凡的话语。
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引用次数: 1
Edith Cavell and Her Legend by Christine E. Hallett (review) 克里斯汀·哈雷特的《伊迪丝·卡维尔和她的传奇》(评论)
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2022-06-17 DOI: 10.1353/bio.2021.0040
K. Pickles
Davidson, Michael. Invalid Modernism: Disability and the Missing Body of the Aesthetic. Oxford UP, 2019. Frank, Arthur W. The Wounded Storyteller: Body, Illness, and Ethics. U of Chicago P, 1995. Linett, Maren. Bodies of Modernism: Physical Disability in Transatlantic Modernist Literature. U of Michigan P, 2017. Woolf, Virginia. “On Being Ill.” 1926. Family Business Review, vol. 6, no. 2, 1993, pp. 199–201.
戴维森,迈克尔。无效的现代主义:审美的残障与失体。牛津大学,2019年。《受伤的说书人:身体、疾病与伦理》。芝加哥大学,1995。Linett麻仁。现代主义的身体:跨大西洋现代主义文学中的身体残疾。密歇根大学,2017年。弗吉尼亚·伍尔夫。《论生病》。1926。《家族企业评论》第6卷第1期。2, 1993, pp. 199-201。
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引用次数: 0
Conflict or Compromise? An Imagined Conversation with John Hicklenton and Lindsay Cooper about Living with Multiple Sclerosis 冲突还是妥协?约翰·希克伦顿和林赛·库珀关于多发性硬化症的想象对话
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2022-06-03 DOI: 10.1353/bio.2022.a856092
J. Miers
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引用次数: 0
Face as Landscape: Refiguring Illness, Disability, and Disorders in David B.'s Epileptic 脸如风景:大卫·B癫痫中的疾病、残疾和障碍复发
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2022-06-03 DOI: 10.1353/bio.2022.a856095
E. L. Cour
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引用次数: 0
Out of Sync: Chronic Illness, Time, and Comics Memoir 不同步:慢性疾病,时间和漫画回忆录
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2022-06-03 DOI: 10.1353/bio.2022.a856093
J. Gardner
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引用次数: 0
"Is this Recovery?": Chronicity and Closure in Graphic Illness Memoir “这是复苏吗?”慢性和关闭图形疾病回忆录
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2022-06-03 DOI: 10.1353/bio.2022.a856094
Nancy K. Miller
The essay that follows, "Is this recovery?," was conceived in another era: BCP-before the coronavirus pandemic, though composed under its reign. Under the regime of COVID-19, the idea of recovery as a story and a reality on the ground requires a gravity of which comics may be capable, but not a mere critic. Witnessing from a mediated distance the death of thousands, if not millions of citizens across the globe, makes the project of casting doubt on a form of storytelling that celebrates a cure, a return to health, an unseemly gesture. Writing in dread of falling ill and dying as part of a collective condition is, of course, always a fact of human experience, but not one we tend to keep present in our minds, especially when well. What will it mean to write from a post-recovery time which has not yet arrived? But what if there is no recovery? If we mean by recovery a state safely relegated to a past tense. In the United States, circa 2020, recovery is not only a matter of public health but of the global economy. For both regimes, now intertwined, the concept of a hard stop has been undermined from within: even with the touted virtues of testing and the creation of a vaccine, experts are saying the virus will remain with us. So, if both health and economic life are becoming more distinctly temporary rather than permanent conditions, we might say now, that given our current understanding of the disease, post-pandemic recovery will continue to be unstable, subject to a reprise of viral activity. This might also be to say recovery will be characterized by a pattern of repetition, recurrence, like living with a chronic illness. It further suggests that in deploying, as we irresistibly do, Susan Sontag's famous metaphor about illness, we would do well to focus on the concept of passport as a metonymy for travel, rather than an opposition between the "kingdom of the well" and "the kingdom of the sick." No matter how long we may reside in the one or the other, the potential for movement, for oscillation between the two always exists.1 Once we acknowledge the porosity between states of health and illness, and recognize the health/illness binary as an unstable relation, the concept of recovery itself requires redefinition. What, then, does recovery from ill health look like when we think of it not as a fixed state-the lure of the cure-but as a process that occurs over time and leaves traces? Finally, what kind of a story, to return to the task at hand, would express that instability? What kind of narrative would that generate?2One visible representation is the model that already exists on American television (and we must always remember the national inflection to ideas about and treatment of health and illness): the relentless production of advertisements for drugs that make it possible to live- happily, this is America-with any number of chronic mental and physical conditions. The ads feature individuals enjoying what appears to be a healthy life (lifestyle
接下来的文章《这是复苏吗?》是在另一个时代构思的:新冠病毒大流行之前的BCP,尽管是在其统治下创作的。在新冠肺炎政权下,将康复作为一个故事和现实的想法需要漫画可能具备的严肃性,但不仅仅是评论家。从中间距离目睹全球数千甚至数百万公民的死亡,使对一种庆祝治愈、恢复健康的故事形式产生怀疑的项目成为一种不体面的姿态。当然,作为一种集体状况的一部分,在害怕生病和死亡的情况下写作始终是人类经验的一个事实,但我们往往不会把它留在脑海中,尤其是在身体好的时候。从尚未到来的恢复后时间开始写作意味着什么?但如果没有复苏怎么办?如果我们所说的恢复是指一种安全地降级为过去时的状态。在美国,大约在2020年,复苏不仅关乎公共卫生,也关乎全球经济。对于现在交织在一起的两个政权来说,“硬停”的概念已经从内部受到了破坏:即使有了测试和疫苗研发的优点,专家们也表示,病毒仍将伴随着我们。因此,如果健康和经济生活都变得更为明显的暂时性而非永久性,我们现在可以说,鉴于我们目前对这种疾病的理解,疫情后的复苏将继续不稳定,病毒活动会再次出现。这也可能意味着康复将以重复、复发的模式为特征,就像患有慢性病一样。它进一步表明,正如我们无法抗拒地使用苏珊·桑塔格关于疾病的著名比喻一样,我们最好关注护照的概念,将其作为旅行的转喻,而不是“井的王国”和“病人的王国”之间的对立,因为两者之间总是存在振荡。1一旦我们认识到健康和疾病状态之间的多孔性,并认识到健康/疾病二元关系是不稳定的,康复的概念本身就需要重新定义。那么,当我们认为健康不佳的康复不是一种固定的状态——治愈的诱惑,而是一个随着时间的推移而发生并留下痕迹的过程时,它是什么样子的呢?最后,回到手头的任务中,什么样的故事会表达这种不稳定?这会产生什么样的叙事?2一个明显的代表是美国电视上已经存在的模式(我们必须永远记住全国对健康和疾病的观念和治疗的转变):无情地制作药物广告,让人们有可能幸福地生活——这就是患有各种慢性精神和身体疾病的美国。这些广告的特点是,人们享受着看似健康的生活(实际上是生活方式),这要归功于他们每天摄入的某种形式的食物。哦,如果我们能容忍这些药物的副作用,它们的漫长列举伴随着承诺的痛苦的改善。因此,慢性病已经在BCP时间内得到了登记和资助。回忆录中常见的一种叙事是克服毒瘾,将康复视为救赎。然而,这种经典的形式取决于一个动名词:恢复。©2021夏威夷大学出版社。保留所有权利。
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引用次数: 0
Graphic Confessions and the Vulnerability Hangover from Hell 图形忏悔与地狱的脆弱性
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2022-06-03 DOI: 10.1353/bio.2022.a856084
Safdar Ahmed
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引用次数: 0
Reframing "Nothing About Us Without Us": Comics and Intellectual Disability 重新定义“没有我们就没有我们”:漫画和智力残疾
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2022-06-03 DOI: 10.1353/bio.2022.a856083
S. Squier
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引用次数: 0
Outsider Writing: The Healing Art of Robert Walser 局外人写作:罗伯特·沃尔瑟的治愈艺术
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2022-06-03 DOI: 10.1353/bio.2022.a856088
K. B. Wurth
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引用次数: 0
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