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Romanticism and the Letter, ed. by Madeleine Callaghan and Anthony Howe (review) 《浪漫主义与书信》,马德琳·卡拉汉和安东尼·豪主编(评论)
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-11-04 DOI: 10.1353/bio.2022.0021
M. Waters
is like the present, although the past always appears a pale imitation, and this implied linearity can seem like an unyielding march forward in time. What if earlier narrative forms are not imperfect articulations of the future but expressive of a distinct vision of reality and thus of life writing? In other words, what if medieval life writing was experimental on its own terms? My questions mean that I would have liked the book to demonstrate a more complex choreography between the past and present, which would have complemented Winstead’s insistence upon genre instability in lifewriting modes, regardless of time period. Still, this book is part of a series that aims to survey bodies of literature defined by literary time periods, which necessarily constrains Winstead’s arguments. More than once, for instance, she observes that the twelfth century proves a pivotal century when life writing transforms in one way or another, yet she does not explain why such transformations occur in that century as that is beyond the book’s purview. A survey, after all, observes, yet it does not necessarily explain what it details. In that sense, Winstead’s book is importantly productive: she opens lines of thinking about the literary history of life writing that invite readers to explore more, to pick up a line of thought and develop it. She ultimately has crafted a highly readable book that not only demonstrates the range of life writing during the long Middle Ages but also activates challenging and constructive questions about genre and its social role.
就像现在一样,尽管过去总是显得苍白的模仿,而这种隐含的线性似乎就像是在时间中不屈的前进。如果早期的叙事形式不是对未来的不完美表达,而是表达了对现实的独特愿景,从而表达了对生活写作的独特愿景呢?换句话说,如果中世纪的生活写作本身就是实验性的呢?我的问题意味着,我希望这本书能展示过去和现在之间更复杂的编排,这将补充温斯特德对生活写作模式中流派不稳定的坚持,无论时间段如何。尽管如此,这本书还是一个系列的一部分,该系列旨在调查由文学时间段定义的文学本体,这必然限制了温斯特德的论点。例如,她不止一次地观察到,十二世纪证明了生活写作以这样或那样的方式发生转变的关键世纪,但她没有解释为什么会在那个世纪发生这种转变,因为这超出了本书的范围。毕竟,一项调查是观察到的,但它并不一定能解释它的细节。从这个意义上说,温斯特德的书非常富有成效:她打开了关于生活写作文学史的思路,邀请读者更多地探索,拿起一条思路并加以发展。她最终创作了一本可读性很强的书,不仅展示了漫长的中世纪时期的生活写作范围,还引发了关于流派及其社会作用的具有挑战性和建设性的问题。
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引用次数: 0
Autobiographical Convergences: A Cultural Analysis of Books by Swedish Digital Media Influencers 自传的融合:瑞典数字媒体影响者对书籍的文化分析
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-11-04 DOI: 10.1353/bio.2022.0018
Gabrielle Nilsson
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引用次数: 1
Textile Auto/biography: Protest, Testimony, and Solidarity in the Chilean Arpillerista Movement 纺织汽车/传记:抗议,证词,和团结在智利的弓箭手运动
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-11-04 DOI: 10.1353/bio.2022.0016
Lisa Ortiz-Vilarelle
that it relates the of thousands of families, it formed part of the most affected population of a slowly agonizing
它关系到成千上万的家庭,它构成了一部分最受影响的人口的慢慢的痛苦
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引用次数: 1
Indian Travel Writing in the Age of Empire, 1830–1940 by Pramod K. Nayar (review) Pramod K.Nayar的《帝国时代的印度旅行写作,1830-1940》(评论)
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-11-04 DOI: 10.1353/bio.2022.0025
Shaswat Panda
As a final note, I would like to add that as a Brazilian, I would have personally liked to see a chapter on narratives dealing with the Brazilian military dictatorship (1964–1985), such as Maria Pilla’s Volto Semana que Vem (2015) or Maria Lúcia Resende Garcia’s Geração 60: Geração Esperança (2003). Understandably it is difficult to cover all contexts in one volume, but works focused on Latin America tend to overlook Brazil, and this is unfortunately the case here.
最后,我想补充一点,作为一个巴西人,我个人希望看到有一章是关于巴西军事独裁(1964-1985)的叙事,比如玛丽亚·皮拉(Maria Pilla)的《Volto Semana que Vem》(2015)或玛丽亚·Lúcia雷森德·加西亚(Maria Resende Garcia)的《gera 60: gera o esperan》(2003)。可以理解的是,很难在一卷书中涵盖所有的背景,但专注于拉丁美洲的作品往往会忽视巴西,不幸的是,这就是本书的情况。
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引用次数: 0
Sports Journalism and Women Athletes: Coverage of Coming Out Stories by William P. Cassidy (review) 体育新闻与女运动员:威廉·P·卡西迪的出柜故事报道(综述)
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-11-04 DOI: 10.1353/bio.2022.0026
Michael Tsai
Indian Travel Writing in the Age of Empire, 1830–1940 enriches the scholarship on the field by drawing upon diverse theoretical frames, and it adds nuance to the concept of self, which is generally (and sometimes vaguely) defined against the indices of modernity and colonialism. But for representing a wide field such as Indian travel writing, the choice of samples appears rather restricted, at least in terms of gender. Since the author introduces a crucial concept such as vernacular cosmopolitanism, one would have expected him to cast his net wider and include vernacular travel narratives. This would have lent greater depth to the discussion and broadened its scope. That being said, the book will nonetheless serve to deepen and expand one’s understanding of travel narratives written by Indians.
《1830-1940年帝国时代的印度旅行写作》借鉴了不同的理论框架,丰富了该领域的学术成果,并为自我概念增添了细微差别,自我概念通常(有时甚至模糊)是根据现代性和殖民主义的指标来定义的。但对于代表印度旅行写作等广泛领域而言,样本的选择似乎相当有限,至少在性别方面是如此。由于作者引入了一个关键的概念,如白话世界主义,人们会期望他把自己的网撒得更广,并包括白话旅行叙事。这将使讨论更加深入,并扩大讨论范围。话虽如此,这本书仍将有助于加深和扩大人们对印度人旅行叙事的理解。
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引用次数: 0
Templates for Authorship: American Women's Literary Autobiography of the 1930s by Windy Counsell Petrie (review) 作者模板:温迪·康塞尔·皮特里的《20世纪30年代美国女性文学自传》(书评)
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-11-04 DOI: 10.1353/bio.2022.0027
Pamela L. Caughie
subsequent to a significant breaking news item, and only if the initial story generated enough hits to justify continued coverage. Overall, Cassidy’s research quantifies what many may have already suspected about differences in how male and female sports figures are treated in sports media, and in particular how the coming-out stories of male and female athletes differ in quantity and perhaps quality. Thus, Sports Journalism and Women Athletes meaningfully expands previous analysis of news coverage of gay and lesbian athletes by Leigh Moscowitz, Andrew Billings, Kadija Ejaz and Jane O’Boyle; Edward M. Kian and Eric Anderson; and Cassidy himself.
在重大突发新闻之后,并且只有在最初的故事产生足够的点击量以证明继续报道是合理的情况下。总的来说,卡西迪的研究量化了许多人可能已经怀疑的体育媒体对待男性和女性体育人物的差异,特别是男性和女性运动员的出柜故事在数量和质量上的差异。因此,《体育新闻与女运动员》有意义地扩展了Leigh Moscowitz、Andrew Billings、Kadija Ejaz和Jane O 'Boyle之前对同性恋运动员新闻报道的分析;Edward M. Kian和Eric Anderson;还有卡西迪本人。
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引用次数: 2
Charlotte Salomon and the Theatre of Memory by Griselda Pollock (review) 夏洛特·所罗门与记忆剧院格里塞尔达·波洛克(评论)
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-11-04 DOI: 10.1353/bio.2022.0029
J. Watson
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引用次数: 0
The Oxford History of Life-Writing: Volume 1. The Middle Ages by Karen A. Winstead (review) 牛津生活写作史:第一卷。Karen A.Winstead的《中世纪》(评论)
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-11-04 DOI: 10.1353/bio.2022.0020
D. Higginbotham
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引用次数: 0
Editor's Note 编者按
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-11-04 DOI: 10.1353/bio.2020.0099
C. Howes, J. Novak, Lisa Ortiz-Vilarelle, Hannah Jakobsen, Gabriella Nilsson, Desirée Henderson, D. Higginbotham, M. Waters, D. Q. Miller, Katrina Phillips, Renata Lucena Dalmaso, Shaswat Panda, Michael Tsai, Pamela L. Caughie, Kate Drabinski, J. Watson
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引用次数: 0
Screening Clara Schumann: Biomythography, Gender, and the Relational Biopic 筛选克拉拉·舒曼:生物形态学、性别和关系传记片
IF 0.2 4区 文学 0 LITERATURE Pub Date : 2022-11-04 DOI: 10.1353/bio.2022.0015
J. Novak
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引用次数: 0
期刊
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