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“With Pride:” Media Coverage of Dwyane Wade and Gabrielle Union's Black Parenting of Zaya “带着骄傲:”媒体对德怀恩·韦德和加布里埃尔·尤宁的黑人养育扎亚的报道
IF 0.9 Q3 COMMUNICATION Pub Date : 2023-03-14 DOI: 10.1177/01968599231160560
Rachel Grant, Diane Chidimma Ezeh Aruah
In 2020, former NBA player Dwyane Wade discussed how his child, Zaya came out as transgender. He used his platform to generate discussions about Black parenting specifically parenting a child in the Black transgender community. In the past 3 years, Wade and his celebrity wife Gabrielle Union have shared their parental journey of Zaya through social media and mainstream media. This study explores the identity complexities of critical race parenting through media platforms. By openly using social media and mass media to support Zaya, they opened the world to the journey of parenting a transgender Black child. The study addressed the significance of social media as an educational and activism tool in marginalized communities as a way to confront media stereotypes of Black families.
2020年,前NBA球员德维恩·韦德讨论了他的孩子扎亚是如何成为变性人的。他利用自己的平台引发了关于黑人育儿的讨论,特别是在黑人跨性别群体中养育孩子。在过去的三年里,韦德和他的明星妻子加布里埃尔·尤宁通过社交媒体和主流媒体分享了他们为Zaya做父母的经历。这项研究通过媒体平台探讨了批判性种族育儿的身份复杂性。通过公开利用社交媒体和大众媒体支持Zaya,他们开启了养育跨性别黑人儿童的旅程。该研究探讨了社交媒体作为边缘化社区的教育和行动主义工具的重要性,以此来对抗媒体对黑人家庭的刻板印象。
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引用次数: 0
Editor’s Introduction 编辑简介
IF 0.9 Q3 COMMUNICATION Pub Date : 2023-02-10 DOI: 10.1177/01968599231154406
Frankline Matanji
Ortega also looks at how Netflix interface manages user experience through a series of connected features, what he refers to as " I We Pay to Buy Ourselves i " in the land of plenty. The second article is titled "Adoption of Social Media during Covid-19 Pandemic by African Presidents: A Cross-Sectional Study of Selected Facebook Accounts" by Janet Aver Adikpo. This issue begins with Vicente Rodríguez Ortega's article titled "'We Pay to Buy Ourselves': Netflix, Spectators & Streaming". [Extracted from the article] Copyright of Journal of Communication Inquiry is the property of Sage Publications Inc. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
奥尔特加还研究了Netflix界面如何通过一系列互联功能来管理用户体验,他在富裕的土地上称之为“I We Pay to Buy Ourselves I”。第二篇文章的标题是Janet Aver Adikpo的《非洲总统在新冠肺炎大流行期间采用社交媒体:选定Facebook账户的跨部门研究》。本期从Vicente Rodríguez Ortega题为“我们花钱买自己”的文章开始:Netflix、观众和流媒体。【摘自文章】《通讯调查杂志》版权归Sage Publications股份有限公司所有,未经版权持有人明确书面许可,不得将其内容复制或通过电子邮件发送到多个网站或发布到listserv。但是,用户可以打印、下载或通过电子邮件发送文章供个人使用。这篇摘要可以节略。对复印件的准确性不作任何保证。用户应参考材料的原始发布版本以获取完整摘要。(版权适用于所有摘要。)
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引用次数: 0
Smart Assistants for Smart Living: Ideology and Mythology in AI-Powered Smart Speaker Advertising 智能生活的智能助手:人工智能智能扬声器广告中的意识形态和神话
IF 0.9 Q3 COMMUNICATION Pub Date : 2023-02-07 DOI: 10.1177/01968599231155612
Suman Mishra, Rebecca Kern-Stone
This study examines advertising of top-selling voice-activated smart speakers in the United States to understand how advertisers are promoting these devices to consumers. The study identifies four representations of technology in smart speaker advertising. This includes technology as human, technology as self-expression and happiness, technology as progress, and technology as productivity. Engaging in semiotic analysis of select advertising, the study reveals deeper meaning, ideology, and myths in smart speaker advertising. Implications for culture and consumption are discussed.
本研究调查了美国最畅销的声控智能音箱的广告,以了解广告商如何向消费者推销这些设备。该研究确定了智能音箱广告中技术的四种表现形式。这包括作为人类的技术,作为自我表达和幸福的技术,作为进步的技术,以及作为生产力的技术。本研究通过对精选广告的符号学分析,揭示了智能音箱广告中更深层次的含义、意识形态和神话。讨论了对文化和消费的影响。
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引用次数: 0
The Death of Fordism and the Family Wage in Labor Documentaries: A Feminist Analysis 福特主义的消亡与劳动纪录片中的家庭工资:一个女性主义的分析
IF 0.9 Q3 COMMUNICATION Pub Date : 2023-02-05 DOI: 10.1177/01968599221150651
Kathryn A. Cady
This paper analyzes three labor documentaries released from 1989 to 1991, which depict the United States’ assumed transition from a Fordist to post-Fordist economy. Feminist textual analysis focuses on the depiction of workplaces and gender roles in Roger and Me, American Dream, and Fast Food Women. The analysis demonstrated that discourses of epochal change in the context only held true if one looked at a slice of the U.S. labor market largely dominated by White men. Focusing on feminine sex-typed labor demonstrated the worst elements of industrial Fordism remained in post-Fordist workplaces. Long-standing sexual divisions of labor were unambiguously repeated in post-Fordist work and intensified in a discussion of the family wage.
本文分析了1989年至1991年上映的三部劳工纪录片,这些纪录片描述了美国从福特主义经济向后福特主义经济的假定转变。女性主义文本分析侧重于《罗杰和我》、《美国梦》和《快餐女人》中对工作场所和性别角色的描述。分析表明,只有当人们审视主要由白人主导的美国劳动力市场的一部分时,背景下关于划时代变革的论述才是正确的。对女性性别类型劳动的关注表明,后福特主义时代的工作场所仍然存在着工业福特主义最糟糕的元素。长期存在的性别分工在后福特主义时期的工作中被明确地重复,并在关于家庭工资的讨论中得到加强。
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引用次数: 0
Untapped Potential? Exploring the ‘Latent’ Local Newspaper Reader in Digital Spaces 未被发掘的潜力?探索数字空间中的“潜在”本地报纸读者
IF 0.9 Q3 COMMUNICATION Pub Date : 2023-02-05 DOI: 10.1177/01968599221151084
Kristy Hess, Angela Blakston, Jerry Lai, Alison McAdam, Lisa Waller
When it comes to understanding news audiences in rural areas, scholars often focus on declining readership and the challenge of how to encourage existing audiences to pay for content. There too has been burgeoning interest in news avoidance more broadly in digital spaces, with an emphasis on studying those who actively or intentionally resist or reject the news. This paper explores a gap in the research by seeking to understand the conditions and circumstances in which people who do not engage with their local news in print or digital format might be activated to do so. The paper presents the findings of an Australian survey of Facebook users who live in rural and regional areas and identify as people who do not engage with their local news. Findings highlight the need to conceptualise a subsection of the audience who express a desire to engage with their local news but perceive barriers to doing so. These barriers include cost, accessibility and perceived quality of content. We introduce the term ‘latent’ audience – potential news consumers who remain hidden from industry and scholarly view until changing conditions and circumstances lead to their manifestation.
当谈到了解农村地区的新闻受众时,学者们往往关注读者人数的下降,以及如何鼓励现有受众为内容付费的挑战。人们对数字空间中更广泛的新闻回避也越来越感兴趣,重点是研究那些积极或故意抵制或拒绝新闻的人。本文探讨了这项研究的差距,试图了解那些不参与印刷或数字形式的本地新闻的人可能会被激活的条件和情况。本文介绍了澳大利亚对居住在农村和地区的脸书用户的调查结果,这些用户被认定为不参与本地新闻的用户。调查结果强调,有必要将一部分观众概念化,这些观众表达了参与当地新闻的愿望,但却意识到了这样做的障碍。这些障碍包括成本、可访问性和感知的内容质量。我们引入了“潜在”受众一词,即潜在的新闻消费者,他们在不断变化的条件和环境导致他们的表现之前,一直隐藏在行业和学术视野之外。
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引用次数: 0
Political Purpose and the Development of Mediatisation: Considering Media Representations and News Management During the Coal Dispute of 1984-5 政治目的与媒介化的发展——从1984-5年煤炭纠纷中的媒体代表与新闻管理谈起
IF 0.9 Q3 COMMUNICATION Pub Date : 2023-02-02 DOI: 10.1177/01968599231153220
Frances Myers
One major contestation of mediatisation is insufficient empirical historiography of its development, particularly in light of claims for its value in understanding political and social change and the processes of change. This article seeks to add to evidence on concept development by considering a single transformation from mediation towards mediatisation in public communication processes as an example of its phased development at the juncture of press and politics. Using a historical case framework from the British Coal Dispute of 1984-5 to consider political change agency, it explores print media representations of union activity and union leadership to examine how the Conservative government used the media as a proxy in seeking to change public attitudes toward industrial relations. Using three themes from the 1977 Stepping Stones strategy, the article discusses how media outlets were used as a vehicle for purposeful political communication.
调解的一个主要争议是对其发展的实证史学不足,特别是鉴于其在理解政治和社会变革以及变革过程方面的价值主张。本文试图通过考虑公共传播过程中从调解到调解的单一转变,作为其在新闻和政治交汇处分阶段发展的一个例子,为概念发展提供证据。利用1984-5年英国煤炭纠纷的历史案例框架来考虑政治变革机构,它探讨了印刷媒体对工会活动和工会领导层的表现,以考察保守党政府如何利用媒体作为代理人来寻求改变公众对劳资关系的态度。文章利用1977年“垫脚石”战略中的三个主题,讨论了媒体是如何被用作有目的的政治传播工具的。
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引用次数: 0
Global Narratives of Ecological Modernization: The Construction of Climate Change op-eds in China Daily and the New York Times 生态现代化的全球叙事:《中国日报》和《纽约时报》气候变化专栏的建构
IF 0.9 Q3 COMMUNICATION Pub Date : 2023-01-22 DOI: 10.1177/01968599231151969
D. Moscato, Ricardo J. Valencia
This study assesses the journalistic sources contributing to international climate change op-eds in tandem with narratives arising from this prominent platform for media elites and institutions. Through a theoretical lens of ecological modernization, this paper conducted a mixed methodological analysis featuring descriptive quantitative analysis and a subsequent narrative analysis. The authors first analyzed a dataset of 305 op-eds published by the New York Times and China Daily between January 2016 and October 2019. The authors also assessed the narratively-constructed themes embedded within selected op-eds leading up to the United States’ departure from the Paris Agreement. These narratives, which featured appeals to a global ecological modernization, are (1) Humankind's shared economic destiny; (2) The new globalization and diplomacy; (3) The looming climate catastrophe. While the New York Times and China Daily featured different op-ed contributors and climate topics, both publications helped to construct larger unifying narratives about the role of climate change in global politics, economy, and society.
本研究评估了为国际气候变化专栏做出贡献的新闻来源,以及媒体精英和机构在这一突出平台上产生的叙述。本文从生态现代化的理论视角出发,进行了描述性定量分析和后续叙事性分析相结合的方法论分析。作者首先分析了2016年1月至2019年10月期间《纽约时报》和《中国日报》发表的305篇专栏文章的数据集。作者还评估了导致美国退出《巴黎协定》的精选专栏文章中嵌入的叙事构建主题。这些以呼吁全球生态现代化为特征的叙事是:(1)人类共同的经济命运;(2)新全球化与外交;(3)迫在眉睫的气候灾难。虽然《纽约时报》和《中国日报》的专栏撰稿人和气候主题各不相同,但这两份出版物都有助于构建关于气候变化在全球政治、经济和社会中的作用的更大的统一叙事。
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引用次数: 0
Nigerian Military Strategic Use of Social Media During Online Firestorms: An Appraisal of the NDA Terrorist Attack 尼日利亚在网络风暴中对社交媒体的军事战略使用:对NDA恐怖袭击的评估
IF 0.9 Q3 COMMUNICATION Pub Date : 2023-01-17 DOI: 10.1177/01968599231151727
Temple Uwalaka
This study appraises how the Nigerian military used social media platforms to provide a counter narrative and quell the online firestorm regarding the Nigerian Defence Academy's (NDA’s) terrorists’ attack and how Nigerians reacted to these strategic communication items or lack of items about the attack. The study analysed 8,210 Facebook posts and comments from Defence Headquarters Nigeria and Facebook users in Nigeria. Findings demonstrate that the Nigerian military adopted silence as a strategy and thus, did not effectively utilise social media platforms to provide a counter narrative or information to quell the online firestorm regarding the NDA terrorists’ attack. Results further illustrate that Nigerian Facebook users criticised the Federal Government, and the military, and were disgusted that a fortress such as the NDA could be attacked and demanded the firing of the Service Chiefs and NDA leaders for their response and attempted cover-up of the attack. The study concludes that while a high reservoir of trust moderates the short and long-term effects of an online firestorm, inactions during an online firestorm aggravates the effect of such an online crisis.
这项研究评估了尼日利亚军方如何利用社交媒体平台提供反叙事,平息关于尼日利亚国防学院(NDA)恐怖分子袭击的网络风暴,以及尼日利亚人如何对这些战略沟通项目或缺乏有关袭击的项目做出反应。该研究分析了来自尼日利亚国防总部和尼日利亚脸书用户的8210条脸书帖子和评论。调查结果表明,尼日利亚军方采取沉默作为一种策略,因此没有有效利用社交媒体平台提供反叙事或信息来平息有关NDA恐怖分子袭击的网络风暴。结果进一步表明,尼日利亚脸书用户批评了联邦政府和军方,对NDA这样的堡垒可能遭到袭击感到厌恶,并要求解雇军种首长和NDA领导人,因为他们的反应和试图掩盖袭击。该研究得出结论,虽然高信任度可以缓和网络风暴的短期和长期影响,但网络风暴期间的不作为会加剧这种网络危机的影响。
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引用次数: 1
Editor's Introduction 编辑简介
IF 0.9 Q3 COMMUNICATION Pub Date : 2023-01-01 DOI: 10.1177/01968599221138466
Frankline Matanji
By conducting interviews and ethnographic observations, Stein shows how dreams of various groups from Palestine, and video activists and human rights workers failed in the hands of the Israeli military. It looks at the presence of main Spanish brands most active in the field of corporate social responsibility (CSR) in four main Spanish televisions channels with the highest audience and online press during the two months of total lock-down due to Covid-19 pandemic in 2020. The January issue of the Journal of Communication Inquiry includes five original articles, and one book review. [Extracted from the article]
通过进行采访和民族志观察,斯坦展示了来自巴勒斯坦的各种团体、视频活动家和人权工作者的梦想是如何在以色列军方手中失败的。它着眼于在2020年新冠肺炎疫情导致的两个月全面封锁期间,在四个主要的西班牙电视频道和在线媒体中,在企业社会责任(CSR)领域最活跃的西班牙主要品牌的存在。《传播调查杂志》一月刊包括五篇原创文章和一篇书评。[摘自文章]
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引用次数: 0
Beyond Laughter: An Analysis of Phonological Joke in A. B. Crentsil's Atia and Osookoo 超越笑声:格伦特西尔的《阿提亚》和《奥苏库》中的语音笑话分析
IF 0.9 Q3 COMMUNICATION Pub Date : 2022-12-20 DOI: 10.1177/01968599221141740
Samuel Ato Bentum, Daniel Oppong-Adjei
Phonological joke is an area that appears to be under-studied especially in its application to the analysis of humor in a given setup such as Ghana. This study explores the concept of phonological joke in the songs, Atia and Osookoo by the Ghanaian musician, A. B. Crentsil, paying attention to the critical issues that are embedded in the songs. These selected highlife songs are conveniently sampled in order to capture the elements of phonological joke. Phonological joke is explained as a type of humor that parodies the sound of another language for an effect other than simply amusement. This study's application of phonological joke, as an interpretative framework, is borne out of the views shared by phonological joke theorists, Adrjan & Muñoz-Basols. At the end of the study, the findings reveal that A. B. Crentsil uses phonological parallelism and paradigmatic associations to foreground the conveyance of critical messages such as: stereotyping certain ethnic group(s) and mixed or cross-cultural gender representations. The major implication of this study is that the utility of humor in Ghanaian music goes beyond amusement to convey critical issues. This study contributes to the on-going pedagogical understanding of phonological joke in the Ghanaian highlife culture.
语音笑话是一个研究不足的领域,尤其是在加纳这样的特定环境中,它在幽默分析中的应用。本研究探讨了加纳音乐家A.B.Crentsil的歌曲《Atia》和《Osookoo》中的语音笑话概念,并关注歌曲中的关键问题。为了捕捉语音笑话的元素,这些精选的highlife歌曲被方便地采样。语音笑话被解释为一种幽默,它模仿另一种语言的声音,而不是简单的娱乐。本研究将语音笑话作为一种解释框架,其应用源于语音笑话理论家Adrjan和Muñoz Basols的共同观点。在研究的最后,研究结果表明,A.B.Crentsil使用语音平行性和范式联想来预测批判性信息的传达,例如:对某些种族群体的刻板印象以及混合或跨文化的性别表征。这项研究的主要含义是,幽默在加纳音乐中的效用不仅仅是娱乐,而是传达批评问题。本研究有助于对加纳上流社会文化中的语音笑话进行持续的教学理解。
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引用次数: 1
期刊
Journal of Communication Inquiry
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