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A Call to go in Between the Sheets: Finding Power and Significance in Studying Sex and Sexuality in Communication Research 在床单之间的呼唤:在传播研究中寻找研究性与性的力量和意义
IF 0.9 Q3 COMMUNICATION Pub Date : 2024-08-22 DOI: 10.1177/01968599241265563
Patrick R. Johnson
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引用次数: 0
Press Freedom, State Interests, and a Murder Case: Editorial Coverage of Jamal Khashoggi in the Washington Post 新闻自由、国家利益与谋杀案:《华盛顿邮报》对贾迈勒-卡舒吉的社论报道
IF 0.9 Q3 COMMUNICATION Pub Date : 2024-08-02 DOI: 10.1177/01968599241260809
Amani Ismail, Gayane Torosyan
The October 2018 killing of Saudi journalist Jamal Khashoggi was a highly publicized event worldwide, shedding light on critical issues such as journalists’ safety, US-Saudi relations, press freedom, and democratic values. This study is a critical discourse analysis of editorials published in the Washington Post after Khashoggi's disappearance. Key themes emerging from the analysis include the dilemma between press freedom and the strategic interest in preserving good U.S. – Saudi relations, detecting the political motive behind Khashoggi's murder, and the role of media as fourth estate.
2018 年 10 月沙特记者贾迈勒-卡舒吉遇害是全球高度关注的事件,揭示了记者安全、美沙关系、新闻自由和民主价值观等关键问题。本研究对《华盛顿邮报》在卡舒吉失踪后发表的社论进行了批判性话语分析。分析中出现的关键主题包括新闻自由与维护美国与沙特良好关系的战略利益之间的两难选择、探寻卡舒吉谋杀案背后的政治动机以及媒体作为第四媒体的作用。
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引用次数: 0
Book Review: Evaluation Across Newspaper Genres: Hard News Stories, Editorials and Feature Articles by Jonathan Ngai 书评:跨越报纸体裁的评价:硬新闻报道、社论和特稿》,Jonathan Ngai 著
IF 0.9 Q3 COMMUNICATION Pub Date : 2024-08-02 DOI: 10.1177/01968599241264518
Ying Wang, Tianhua Wang
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引用次数: 0
In Bed With Bob Guccione: Me, #MeToo, and the Ethical Challenges of Writing Porn History 与鲍勃-古乔内同床共枕:我、#MeToo 和撰写色情历史的伦理挑战
IF 0.9 Q3 COMMUNICATION Pub Date : 2024-07-25 DOI: 10.1177/01968599241260810
Carolyn Bronstein
Can we separate art from the artist who created it? This essay discusses the debate over art created by morally problematic men, especially those revealed through the lens of #MeToo activism as sexual abusers. From a historical perspective, how should we regard the pornography produced by men like Bob Guccione, whose Penthouse magazine reached millions of readers from 1965 on and became one of the most important texts shaping 20th-century post-war American sexual discourse? What are the ethics of engaging with media texts built on the objectification of women's bodies, and do we cause new injury by bringing those long-hidden historical publications into current discourse? I share my experiences studying Guccione's life and the magazines he published, emphasizing the case of Viva, a lushly photographed, high-end title that blended radical feminism with full-frontal male nudity in an adventurous 1970s magazine for women. Viva complicates the idea, drawn from contemporary cancel culture, that art produced by abusive creators should be ignored.
我们能将艺术与创作者分开吗?这篇文章讨论了关于由道德上有问题的男性创作的艺术作品的争论,尤其是那些通过 #MeToo 运动的视角被揭露为性虐待者的男性。从历史的角度来看,我们应该如何看待鲍勃-古乔内(Bob Guccione)等人创作的色情作品?1965 年以来,他的《阁楼》杂志吸引了数百万读者,成为塑造 20 世纪战后美国性话语的最重要文本之一。接触建立在女性身体物化基础上的媒体文本的伦理是什么?我们将这些长期隐藏的历史出版物带入当前的讨论中,是否会造成新的伤害?我将分享我研究古乔内生平和他出版的杂志的经验,并重点介绍《Viva》这本摄影精美的高端杂志,它在 20 世纪 70 年代一本面向女性的冒险杂志中将激进女权主义与男性全裸融合在一起。Viva》将当代取消文化中的观点复杂化了,这种观点认为虐待创作者的艺术作品应该被忽视。
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引用次数: 0
On “Othering” Cuties: The Politicization of Contemporary Black Girlhood in The Digital Era 关于 "另类 "小可爱:数字时代当代黑人女孩的政治化
IF 0.9 Q3 COMMUNICATION Pub Date : 2024-07-25 DOI: 10.1177/01968599241255634
Lisa D. Lenoir, Raquel S. Arias Labrador
Senegalese-French filmmaker Maïmouna Doucouré's resistance project, Cuties (2020), aimed to alert adults about the dangers of hypersexualization on social media and its harm to young girls. However, the film content and its suggestive Netflix marketing campaign led to it being misinterpreted and maligned as “child pornography.” This study examines these controversies, arguing that the heightened gaze stems from “othering” Black girlhood and polarizing views circulating in the digital space. We contend these occurrences, evident in our selected data sources, speak to a larger phenomenon wherein human and nonhuman actors across various media channels and news cultures worked to quiet historically marginalized voices. Furthermore, the movie's controversy allows for a critique of the media ecosystem and its role in a market-driven economy.
塞内加尔裔法国电影制片人 Maïmouna Doucouré 的抗争项目《Cuties》(2020 年)旨在提醒成年人注意社交媒体上过度性化的危险及其对年轻女孩的伤害。然而,影片内容及其暗示性的 Netflix 营销活动导致该片被误读为 "儿童色情",并遭到恶意中伤。本研究对这些争议进行了研究,认为这种高度注视源于黑人女孩的 "他者化 "和数字空间中流传的两极化观点。我们认为,这些现象在我们选定的数据源中显而易见,说明了一个更大的现象,即各种媒体渠道和新闻文化中的人类和非人类行为者努力平息历史上被边缘化的声音。此外,这部电影的争议也让我们得以对媒体生态系统及其在市场经济中的作用进行批判。
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引用次数: 0
Book Review: Mission AI: The New System Technology by Haroon Sheikh, Corien Prins, Erik Schrijvers 书评:人工智能任务:新系统技术》,作者:Haroon Sheikh、Corien Prins、Erik Schrijvers
IF 0.9 Q1 Social Sciences Pub Date : 2024-06-07 DOI: 10.1177/01968599241260625
V. Y. Lameky, Dene Fries Sumah, Oci Tasijawa
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引用次数: 0
Journalism and its Response to Crisis: Understanding the Role of Place and Community in Journalism Studies 新闻业及其危机应对:了解地点和社区在新闻研究中的作用
IF 0.9 Q1 Social Sciences Pub Date : 2024-05-16 DOI: 10.1177/01968599241252285
Patrick R. Johnson
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引用次数: 0
“Psychic Poisons” or Emerging Medicines: A Thematic Analysis of Cannabis Representations in Australian Nineteenth-Century Periodicals "精神毒药 "还是新兴药物?澳大利亚 19 世纪期刊中的大麻专题分析
IF 0.9 Q1 Social Sciences Pub Date : 2024-05-07 DOI: 10.1177/01968599241248611
Hannah Adler, Clare J Burnett
This interdisciplinary study investigates representations of cannabis in 386 Australian newspaper reports from the latter-part of the nineteenth century. During this time, periodicals were the primary means of information circulation, and the Australian press shared much of its reporting with other jurisdictions. Using a reflexive thematic analysis, this research reveals that in this period, in which cannabis was being introduced into colonial pharmacopeias but had not yet been regulated in Australia, periodicals were at the heart of communicating cannabis to Australian audiences. These newspapers represented cannabis as both a dangerous recreational drug and a legitimate medicine, with these very distinct representations largely siloed from one another. These discourses, facilitated and perpetuated by mass media, were representative of a patchwork of influences, including international anxieties of drug use. Therefore, such reporting both legitimized and de-legitimized cannabis, influencing popular understandings of cannabis in nineteenth-century Australia at a pivotal time in the drug's history.
这项跨学科研究调查了 19 世纪后半叶 386 份澳大利亚报纸报道中对大麻的描述。在这一时期,期刊是信息流通的主要手段,澳大利亚报刊与其他辖区的报刊共享大量报道。通过反思性主题分析,本研究揭示了在这一时期,大麻被引入殖民地药典,但澳大利亚尚未对其进行管制,期刊是向澳大利亚受众传播大麻的核心。这些报纸既将大麻描述为危险的娱乐性药物,也将其描述为合法药物,这些截然不同的描述在很大程度上相互孤立。这些由大众媒体推动和延续的论述代表了各种影响,包括国际上对药物使用的焦虑。因此,这些报道既使大麻合法化,也使其非合法化,在十九世纪澳大利亚大麻历史的关键时期影响了大众对大麻的理解。
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引用次数: 0
Paralleling the Gay Man's Trauma: Monkeypox Stigma and the Mainstream Media 与同性恋者的创伤并行不悖:猴痘耻辱与主流媒体
IF 0.9 Q1 Social Sciences Pub Date : 2024-04-01 DOI: 10.1177/01968599241241467
Rachel Grant, Alan Halaly
Mainstream media portrayed monkeypox as a sexually transmitted disease through government guidance and increased a sense of hypersexualization and stigma among gay men and men who have sex with men (MSM). The purpose of this study is to understand how the US mainstream media perpetuated stigma toward gay and bisexual men (MSM) in its coverage of monkeypox in 2022. This article, therefore, contributes to the fields of queer studies and health communication. Using discourse analysis, we found three discourses including: Global disparities, LGBTQ Behavior and Stigma, and Racialized Discussion of Health Disparities.
主流媒体在政府的引导下将猴痘描绘成一种性传播疾病,加剧了男同性恋和男男性行为者(MSM)的过度性化和耻辱感。本研究旨在了解美国主流媒体在 2022 年对猴痘的报道中是如何延续对男同性恋者和双性恋者(MSM)的污名化的。因此,本文对同性恋研究和健康传播领域有所贡献。通过话语分析,我们发现了三种话语,包括全球差异、LGBTQ 行为与污名化以及对健康差异的种族化讨论。
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引用次数: 0
Remembering the Recession: Marketplace and Status Quo Journalism 铭记经济衰退:市场和现状新闻
IF 0.9 Q1 Social Sciences Pub Date : 2024-03-14 DOI: 10.1177/01968599241235217
Diane L. Cormany
Ten years after the 2008 Great Recession, US media recalled the experiences and lessons learned from its aftermath. Among these was Marketplace's Divided Decade project, which spanned calendar year 2018 and included 66 discrete stories covering the impact on individuals and different sectors. The project cut across both Marketplace Morning and its evening broadcast Marketplace, both syndicated by American Public Media (APM). Marketplace appeals to a public radio audience of elite, educated listeners who are located away from financial power centers but still wield influence. This audience is larger than any other U.S. broadcast business program. Using theories of affect, this paper will demonstrate how Marketplace's recollection of a critical event continued to shape attitudes about the economy. By using critical discourse analysis (CDA), I unearth how power is reified through financial news reporting practices. Marketplace's focus on individual narratives decoupled the crisis from its structural context, while its reliance on economic policy leaders emphasized their affective memories and justified official responses. Divided Decade upheld the status quo by separating the impact of the crisis from the lives that were affected, while foreclosing alternative approaches to the problems the 2008 crisis laid bare.
2008 年大衰退十年后,美国媒体回顾了衰退后的经验和教训。其中包括 Marketplace 的 "分裂的十年 "项目,该项目横跨 2018 日历年,包括 66 个独立报道,涉及对个人和不同行业的影响。该项目横跨《市场早报》及其晚间广播《市场》,均由美国公共媒体(APM)联合播出。Marketplace 吸引的是公共广播的精英听众,他们受过良好教育,远离金融权力中心,但仍具有影响力。这部分听众比美国其他任何广播商业节目都要多。本文将运用情感理论,说明《市场》对一个关键事件的回忆是如何继续塑造人们对经济的态度的。通过批判性话语分析(CDA),我揭示了权力是如何通过财经新闻报道实践被重新整合的。市场》对个人叙述的关注使危机与其结构性背景脱钩,而它对经济政策领导人的依赖则强调了他们的情感记忆,并为官方应对措施提供了依据。分裂的十年》将危机的影响与受影响的生活割裂开来,从而维持了现状,同时排除了解决 2008 年危机所暴露问题的其他方法。
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引用次数: 0
期刊
Journal of Communication Inquiry
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