{"title":"A Greek Alchemical Epigram in its Middle Byzantine Context","authors":"A. Roberts","doi":"10.1086/jwci83010001","DOIUrl":"https://doi.org/10.1086/jwci83010001","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41923284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fifteenth-Century Sienese Model Books and the Origins of Francesco di Giorgio’s Codicetto","authors":"Elizabeth Merrill","doi":"10.1086/jwci83010037","DOIUrl":"https://doi.org/10.1086/jwci83010037","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42567923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Editions of Gabriele Zerbi’s De cautelis medicorum and Their Influence","authors":"R. Tait","doi":"10.1086/jwci83010327","DOIUrl":"https://doi.org/10.1086/jwci83010327","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43533896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Matteo Geronimo Mazza: A Recovered Sylloge by a Renaissance Antiquarian and Collector","authors":"B. De Divitiis","doi":"10.1086/jwci83010161","DOIUrl":"https://doi.org/10.1086/jwci83010161","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47591455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ghirlandaio Brothers Reconsidered: The Master of the Saint Louis Madonna as the Young Benedetto Ghirlandaio","authors":"Takuma Ito","doi":"10.1086/jwci83010081","DOIUrl":"https://doi.org/10.1086/jwci83010081","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48585301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rubens, Snijders and the Emperor’s Mullet","authors":"E. McGrath","doi":"10.1086/jwci83010349","DOIUrl":"https://doi.org/10.1086/jwci83010349","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42767035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Return of the Giants: Reflections on Technical Mastery and Moral Jeopardy in Leon Battista Alberti’s Letter to Filippo Brunelleschi","authors":"Caspar Pearson","doi":"10.1086/27074373","DOIUrl":"https://doi.org/10.1086/27074373","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42923935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Aenigma omnibus? The Transatlantic Late Humanism of Zinzendorf and the Early Moravians","authors":"Tom Keeline, S. McManus","doi":"10.1086/27074379","DOIUrl":"https://doi.org/10.1086/27074379","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45112405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
THE TWO TOMBS OF PHILIP THE BOLD Susie Nash (Courtauld Institute of Art) This article rewrites the history of the tomb of Philip the Bold made for the Chartreuse de Champmol in Dijon, through a close reading and re-transcription of the entire archival record, including some previously unknown documents, paying careful attention to what their terminology and chronology reveal about time, cost, materials and process; it analyses the scale of the project, and in particular the acquisition and working of materials: limestone from Tonnerre, ‘alabaster’ as spolia from Autun, black marble from Dinant, white marble, presumably from Italy, via Paris, alabaster from Grenoble and a pinkish limestone from Resne, near Dijon. By reconsidering this record, along with the physical and visual evidence of the existing monument, it argues that there was not one but two tombs made for Philip the Bold: the first was completed by Jean de Marville and then rejected by Philip, and perhaps also by the Carthusians; the second, that we have today, was started again from scratch in the early 1390s by Claus Sluter, in collaboration, possibly, with Jacques de Baerze. The story of how these two tombs were planned, worked on, adapted or restarted, along with what Marville’s abandoned project may have looked like, and what may have become of its constituent parts, is woven into the narrative of Philip’s political and religious ambitions, the role of his wife Margaret of Flanders, and of the construction and decoration of the Chartreuse de Champmol
菲利普的两个坟墓大胆的苏西·纳什（考陶尔德艺术学院）本文通过仔细阅读和重新转录整个档案记录，包括一些以前未知的文件，仔细注意它们的术语和年表揭示了时间、成本、，材料和工艺；它分析了该项目的规模，特别是材料的获取和加工：Tonnerre的石灰石，Autun的“雪花石膏”，Dinant的黑色大理石，可能来自意大利的白色大理石，途经巴黎，Grenoble的雪花石膏和第戎附近的Resne的粉红色石灰石。通过重新考虑这一记录，以及现有纪念碑的物理和视觉证据，它认为为大胆的菲利普建造的坟墓不是一座而是两座：第一座由让·德·马维尔完成，后来被菲利普拒绝，也许也被卡特尔人拒绝；第二个，我们今天拥有的，是在1390年代初由Claus Slutter重新开始的，可能是与Jacques de Baerze合作。关于这两座坟墓是如何规划、建造、改编或重新启动的，以及马维尔被遗弃的项目可能是什么样子，以及其组成部分可能会变成什么样子，这些故事被编织进了菲利普的政治和宗教野心、他的妻子法兰德斯的玛格丽特的角色以及尚普摩尔宪章的建造和装饰的叙事中
{"title":"The Two Tombs of Philip the Bold","authors":"Susie Nash","doi":"10.1086/27074372","DOIUrl":"https://doi.org/10.1086/27074372","url":null,"abstract":"THE TWO TOMBS OF PHILIP THE BOLD Susie Nash (Courtauld Institute of Art) This article rewrites the history of the tomb of Philip the Bold made for the Chartreuse de Champmol in Dijon, through a close reading and re-transcription of the entire archival record, including some previously unknown documents, paying careful attention to what their terminology and chronology reveal about time, cost, materials and process; it analyses the scale of the project, and in particular the acquisition and working of materials: limestone from Tonnerre, ‘alabaster’ as spolia from Autun, black marble from Dinant, white marble, presumably from Italy, via Paris, alabaster from Grenoble and a pinkish limestone from Resne, near Dijon. By reconsidering this record, along with the physical and visual evidence of the existing monument, it argues that there was not one but two tombs made for Philip the Bold: the first was completed by Jean de Marville and then rejected by Philip, and perhaps also by the Carthusians; the second, that we have today, was started again from scratch in the early 1390s by Claus Sluter, in collaboration, possibly, with Jacques de Baerze. The story of how these two tombs were planned, worked on, adapted or restarted, along with what Marville’s abandoned project may have looked like, and what may have become of its constituent parts, is woven into the narrative of Philip’s political and religious ambitions, the role of his wife Margaret of Flanders, and of the construction and decoration of the Chartreuse de Champmol","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44210023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Vasari in Renaissance Straßburg","authors":"Elizabeth Petcu","doi":"10.1086/27074377","DOIUrl":"https://doi.org/10.1086/27074377","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49094982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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