Pub Date : 2023-12-18DOI: 10.1080/09528822.2023.2290383
Duncan Caillard
Throughout its history, Thai cinema has been entangled with institutions of state power. Through invasive systems of censorship and discursive regulation, the state not only regulates public expres...
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Pub Date : 2023-12-18DOI: 10.1080/09528822.2023.2292447
Jack Rutherford
This article considers the documentary film, Taking Alcatraz (John Ferry, 2015), in the context of US-Indigenous history. The documentary form presents alternative ideas and futures beyond those do...
{"title":"Standing Rock and its Ancestors","authors":"Jack Rutherford","doi":"10.1080/09528822.2023.2292447","DOIUrl":"https://doi.org/10.1080/09528822.2023.2292447","url":null,"abstract":"This article considers the documentary film, Taking Alcatraz (John Ferry, 2015), in the context of US-Indigenous history. The documentary form presents alternative ideas and futures beyond those do...","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"30 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138742594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-15DOI: 10.1080/09528822.2023.2289295
Izabella Wódzka
Patric Chiha’s film Brothers of the Night (2017) depicts a community of Bulgarian Roma sex workers in Vienna, all of them male and self-identifying as heterosexual although working in a gay establi...
{"title":"Cinematic Cartographies","authors":"Izabella Wódzka","doi":"10.1080/09528822.2023.2289295","DOIUrl":"https://doi.org/10.1080/09528822.2023.2289295","url":null,"abstract":"Patric Chiha’s film Brothers of the Night (2017) depicts a community of Bulgarian Roma sex workers in Vienna, all of them male and self-identifying as heterosexual although working in a gay establi...","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"91 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138690448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-15DOI: 10.1080/09528822.2023.2288783
Alejandro Pedregal, Jaime Vindel
The development of industrial capitalism led to a reconfiguration of the social function of culture. A commodification of Western culture and fetishisation of art emerged that was inseparable from ...
工业资本主义的发展导致了文化社会功能的重构。西方文化商品化和艺术拜物教的出现与......
{"title":"The Aesthetic Rift","authors":"Alejandro Pedregal, Jaime Vindel","doi":"10.1080/09528822.2023.2288783","DOIUrl":"https://doi.org/10.1080/09528822.2023.2288783","url":null,"abstract":"The development of industrial capitalism led to a reconfiguration of the social function of culture. A commodification of Western culture and fetishisation of art emerged that was inseparable from ...","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"86 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138690246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-14DOI: 10.1080/09528822.2023.2290861
Ivan Knapp
This article revisits Mary Kelly’s 1992 installation Gloria Patri after the spectacle of masculine violence at the Capitol building on 6 January 2021. Whilst Gloria Patri has received less art hist...
{"title":"Mary Kelly’s Gloria Patri and Negative Narcissism","authors":"Ivan Knapp","doi":"10.1080/09528822.2023.2290861","DOIUrl":"https://doi.org/10.1080/09528822.2023.2290861","url":null,"abstract":"This article revisits Mary Kelly’s 1992 installation Gloria Patri after the spectacle of masculine violence at the Capitol building on 6 January 2021. Whilst Gloria Patri has received less art hist...","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"45 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138690439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-13DOI: 10.1080/09528822.2023.2289293
Cammie Tipton-Amini
British contemporary photographer Martin Parr’s collection 7 Colonial Still Lifes (2005) delivers banal and benign images of remnants of British colonisation in Sri Lanka. While Parr’s early collec...
{"title":"Martin Parr and the Legacy of British Colonial Photography","authors":"Cammie Tipton-Amini","doi":"10.1080/09528822.2023.2289293","DOIUrl":"https://doi.org/10.1080/09528822.2023.2289293","url":null,"abstract":"British contemporary photographer Martin Parr’s collection 7 Colonial Still Lifes (2005) delivers banal and benign images of remnants of British colonisation in Sri Lanka. While Parr’s early collec...","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"11 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138690245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-12DOI: 10.1080/09528822.2023.2289291
Okechukwu Nwafor
In 2008 Ndidi Dike, a Nigerian artist, held an exhibition titled ‘Waka-into-Bondage: The Last ¾ Mile'. Curated by Bisi Silva, this exhibition, which responded to ongoing events between 2007 and 200...
2008 年,尼日利亚艺术家 Ndidi Dike 举办了一场名为 "Waka-into-Bondage:The Last ¾ Mile "的展览。这次展览由 Bisi Silva 策划,是对 2007 年至 200 年间正在发生的事件的回应。
{"title":"The Slave Ship and Badagry in Ndidi Dike’s ‘Waka-into-Bondage: The Last 3/4 Mile'","authors":"Okechukwu Nwafor","doi":"10.1080/09528822.2023.2289291","DOIUrl":"https://doi.org/10.1080/09528822.2023.2289291","url":null,"abstract":"In 2008 Ndidi Dike, a Nigerian artist, held an exhibition titled ‘Waka-into-Bondage: The Last ¾ Mile'. Curated by Bisi Silva, this exhibition, which responded to ongoing events between 2007 and 200...","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"8 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138690444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-08DOI: 10.1080/09528822.2023.2277577
Avital Barak, Daphna Ben-Shaul
This article contextualises and explores participatory site-specific walking performances created for the ‘hyphenated’ area between Tel Aviv and Jaffa in Israel – nowadays a space of trade and recr...
{"title":"Hyphenated Performance On-Site","authors":"Avital Barak, Daphna Ben-Shaul","doi":"10.1080/09528822.2023.2277577","DOIUrl":"https://doi.org/10.1080/09528822.2023.2277577","url":null,"abstract":"This article contextualises and explores participatory site-specific walking performances created for the ‘hyphenated’ area between Tel Aviv and Jaffa in Israel – nowadays a space of trade and recr...","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"111 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138563082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-06DOI: 10.1080/09528822.2023.2266246
Published in Third Text (Vol. 37, No. 2, 2023)
发表于《第三文本》(第 37 卷第 2 期,2023 年)
{"title":"Contributors","authors":"","doi":"10.1080/09528822.2023.2266246","DOIUrl":"https://doi.org/10.1080/09528822.2023.2266246","url":null,"abstract":"Published in Third Text (Vol. 37, No. 2, 2023)","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138690390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}