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IF 0.2 3区 艺术学 0 ART Pub Date : 2024-01-24 DOI: 10.1080/09528822.2023.2298134
Published in Third Text (Vol. 37, No. 5-6, 2023)
发表于《第三文本》(第 37 卷,第 5-6 期,2023 年)
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引用次数: 0
Contributors 贡献者
IF 0.2 3区 艺术学 0 ART Pub Date : 2024-01-19 DOI: 10.1080/09528822.2023.2298141
Published in Third Text (Vol. 37, No. 4, 2023)
发表于《第三文本》(第 37 卷第 4 期,2023 年)
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引用次数: 0
Crisis and Collectives Shaping Art Events 塑造艺术活动的危机与集体
IF 0.2 3区 艺术学 0 ART Pub Date : 2024-01-12 DOI: 10.1080/09528822.2023.2297626
Julie Ren, Charlotte Matter, Rosa Sancarlo, Virginia Marano
Art events like biennials and large-scale exhibitions typically strive to address urgent, timely issues; curatorial approaches respond to various crises from the environment and war to Indigenous r...
双年展和大型展览等艺术活动通常致力于解决紧迫、及时的问题;策展人的方法应对了从环境和战争到土著人民等各种危机。
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引用次数: 0
The Implied Who 隐含的谁
IF 0.2 3区 艺术学 0 ART Pub Date : 2024-01-11 DOI: 10.1080/09528822.2023.2297624
Mario Ulloa
This analysis applies theories of recognition explicated by Frantz Fanon, Nancy Fraser, and Pierre Bourdieu towards the semiotic analysis of Le Joli Mai (1963), The Battle of Algiers (1966), and La...
该分析将弗朗茨-法农、南希-弗雷泽和皮埃尔-布尔迪厄阐述的识别理论应用于《欢乐的小夜曲》(1963 年)、《阿尔及尔之战》(1966 年)和《...
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引用次数: 0
Anthropocene as Capitalocene 作为资本世的人类世
IF 0.2 3区 艺术学 0 ART Pub Date : 2024-01-11 DOI: 10.1080/09528822.2023.2296822
Cristian Nae
If the Anthropocene designates humanity’s environmental footprint, the Capitalocene underlines the economic and political premises of the current climate crisis, tied to long-term colonial disposse...
如果说 "人类世"(Anthropocene)指的是人类的环境足迹,那么 "资本世"(Capitalocene)则强调了当前气候危机的经济和政治前提,它与长期的殖民主义处置息息相关。
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引用次数: 0
Kang Yong Suk’sDongducheon Commemorative Portraits 姜永硕的东都纪念画像
IF 0.2 3区 艺术学 0 ART Pub Date : 2024-01-10 DOI: 10.1080/09528822.2023.2294656
Haely Chang
Dongducheon Commemorative Portraits series features the nightlife entertainment of black American GIs and Korean prostitutes in the city of Dongducheon, the home of a prominent camptown in South Ko...
Dongducheon 纪念肖像》系列以美国黑人大兵和韩国妓女在 Dongducheon 市的夜生活娱乐为主题。
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引用次数: 0
‘Since They Can’t Put Venezuela in Their Suitcase, They Take Mosaic Tiles from the Maiquetía Airport’1 因为不能把委内瑞拉装进行李箱,他们就从迈凯蒂亚机场带走马赛克瓷砖 "1
IF 0.2 3区 艺术学 0 ART Pub Date : 2024-01-10 DOI: 10.1080/09528822.2023.2296207
Natalia Sassu Suarez Ferri
In the process of displacement caused by the current political and economic crises in Venezuela, the Caracas airport has become a place of powerful significance. The floor­ of the Simón Bolívar Int...
在委内瑞拉当前的政治和经济危机所造成的流离失所过程中,加拉加斯机场已成为一个具有重要意义的地方。加拉加斯西蒙-玻利瓦尔国际机场(Simón Bolívar Int...
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引用次数: 0
‘We all came from Soros’ 我们都来自索罗斯
IF 0.2 3区 艺术学 0 ART Pub Date : 2024-01-10 DOI: 10.1080/09528822.2023.2292897
Sanja Sekelj, Željka Tonković
Focusing on the period between 1994 and 2006, this study of the Soros Foundation and its spin-offs employs a mixed-method approach to explore the structure of the visual arts scene in Croatia and t...
这篇关于索罗斯基金会及其衍生机构的研究报告以 1994 年至 2006 年间为重点,采用混合方法探讨了克罗地亚视觉艺术领域的结构和发展。
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引用次数: 0
Contributors 贡献者
IF 0.2 3区 艺术学 0 ART Pub Date : 2024-01-10 DOI: 10.1080/09528822.2023.2292431
Published in Third Text (Vol. 37, No. 3, 2023)
发表于《第三文本》(第 37 卷第 3 期,2023 年)
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引用次数: 0
Erasure 擦除
IF 0.2 3区 艺术学 0 ART Pub Date : 2023-12-18 DOI: 10.1080/09528822.2023.2290863
Federica Mirra
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引用次数: 0
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