Pub Date : 2021-03-29DOI: 10.1080/10632921.2021.1901813
I. Ayala, Macarena Cuenca-Amigo, J. Cuenca
Abstract The social role of museums has long been part of the academic debate: different disciplines and fields of knowledge have explored the social shift of museums and have re-envisioned their future. However, little attention has been paid to the views of visitors on the future of museums. This article addresses this issue by adopting an audience development approach. It analyses a questionnaire administered to 685 visitors to 16 Spanish museums between October and December 2019. The findings revealed that the audience believed that museums should offer a vision that respects cultural diversity, and provide enriching and memorable experiences, while at the same time defending the classic values of cultural heritage, among others. Women and visitors that gave more importance to the practice of visiting museums than to other cultural practices were found to be the most demanding visitor segments.
{"title":"The Future of Museums. An Analysis from the Visitors’ Perspective in the Spanish Context","authors":"I. Ayala, Macarena Cuenca-Amigo, J. Cuenca","doi":"10.1080/10632921.2021.1901813","DOIUrl":"https://doi.org/10.1080/10632921.2021.1901813","url":null,"abstract":"Abstract The social role of museums has long been part of the academic debate: different disciplines and fields of knowledge have explored the social shift of museums and have re-envisioned their future. However, little attention has been paid to the views of visitors on the future of museums. This article addresses this issue by adopting an audience development approach. It analyses a questionnaire administered to 685 visitors to 16 Spanish museums between October and December 2019. The findings revealed that the audience believed that museums should offer a vision that respects cultural diversity, and provide enriching and memorable experiences, while at the same time defending the classic values of cultural heritage, among others. Women and visitors that gave more importance to the practice of visiting museums than to other cultural practices were found to be the most demanding visitor segments.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10632921.2021.1901813","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49389040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-23DOI: 10.1080/10632921.2021.1890656
María José del Barrio-Tellado, Luis César Herrero-Prieto
Abstract This work aims to evaluate cultural policies, specifically in the dance sector, an area which has received scant attention in economic literature so far. Data Envelopment Analysis is applied to evaluate public program performance and the stakeholders involved therein. We select a Spanish public policy supporting dance as case study, which includes public authorities, theaters and dance companies. The former provide the funding while the others offer the artistic idea that is taken to the audience. We find that efficiency in resource performance often runs counter to other cultural aims such as increasing audiences or extending repertoire diversity.
{"title":"Evaluating a Cultural Policy in the Dance Sector. Does Efficiency Always Mean Achieving Goals?","authors":"María José del Barrio-Tellado, Luis César Herrero-Prieto","doi":"10.1080/10632921.2021.1890656","DOIUrl":"https://doi.org/10.1080/10632921.2021.1890656","url":null,"abstract":"Abstract This work aims to evaluate cultural policies, specifically in the dance sector, an area which has received scant attention in economic literature so far. Data Envelopment Analysis is applied to evaluate public program performance and the stakeholders involved therein. We select a Spanish public policy supporting dance as case study, which includes public authorities, theaters and dance companies. The former provide the funding while the others offer the artistic idea that is taken to the audience. We find that efficiency in resource performance often runs counter to other cultural aims such as increasing audiences or extending repertoire diversity.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2021-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10632921.2021.1890656","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41492765","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-22DOI: 10.1080/10632921.2021.1900006
HwiJung Kim
Abstract The debate on the industrialization of the arts arose from a need for rationalization strategies in the creative arts field. This article examines South Korea’s industrialization of the arts initiatives and related discourse during 2004–2018. Highlighting the polarized policy development of the creative arts and cultural industries as an obstacle to the growth of arts fields, the study proposes reorienting the cultural policy from simple distributive arts policy and beyond industrial policy that considers arts a subset. An arts industries’ approach is suggested as a more inclusive policy stance that accommodates nonprofit arts fields, entrepreneurial arts businesses, and related industries.
{"title":"Reorienting Cultural Policy: Arts Industries’ Approach in South Korea","authors":"HwiJung Kim","doi":"10.1080/10632921.2021.1900006","DOIUrl":"https://doi.org/10.1080/10632921.2021.1900006","url":null,"abstract":"Abstract The debate on the industrialization of the arts arose from a need for rationalization strategies in the creative arts field. This article examines South Korea’s industrialization of the arts initiatives and related discourse during 2004–2018. Highlighting the polarized policy development of the creative arts and cultural industries as an obstacle to the growth of arts fields, the study proposes reorienting the cultural policy from simple distributive arts policy and beyond industrial policy that considers arts a subset. An arts industries’ approach is suggested as a more inclusive policy stance that accommodates nonprofit arts fields, entrepreneurial arts businesses, and related industries.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2021-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10632921.2021.1900006","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48132521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-08DOI: 10.1080/10632921.2021.1894286
Michael Rushton
Well, of course, culture is good for you, right? It helps our children and adults expand their intellectual, moral, and creative horizons, it is linked with better health and longevity, it can prov...
{"title":"Culture is Bad for You","authors":"Michael Rushton","doi":"10.1080/10632921.2021.1894286","DOIUrl":"https://doi.org/10.1080/10632921.2021.1894286","url":null,"abstract":"Well, of course, culture is good for you, right? It helps our children and adults expand their intellectual, moral, and creative horizons, it is linked with better health and longevity, it can prov...","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2021-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10632921.2021.1894286","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45067062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-06DOI: 10.1080/10632921.2021.1900008
Jennifer C. Lena
{"title":"The Living Legacy of W. McNeil Lowry: Vision and Voice","authors":"Jennifer C. Lena","doi":"10.1080/10632921.2021.1900008","DOIUrl":"https://doi.org/10.1080/10632921.2021.1900008","url":null,"abstract":"","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2021-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10632921.2021.1900008","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49457354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-02-24DOI: 10.1080/10632921.2021.1890655
Jill Schinberg
Abstract Hiring a consultant can be an expensive endeavor for nonprofit arts organizations and is sometimes criticized for bearing few substantive outcomes. The unique workplace culture of such organizations calls for a differentiating consulting model. This article conceptualizes a new approach to nonprofit arts management consulting work by looking at the principles of ethnography. From the perspective of both client and consultant, the author posits one possible solution which considers the consultant as an ethnographer. Approaching consulting work with an ethnographer's lens moves away from the prescriptive toward more inclusive and organic techniques. This concept article will be of particular interest to scholars and practitioners with nonprofit arts management expertise who have experience or interest in consulting work.
{"title":"Consultant as Ethnographer: Conceptualizing a New Approach to Nonprofit Arts Management Consulting","authors":"Jill Schinberg","doi":"10.1080/10632921.2021.1890655","DOIUrl":"https://doi.org/10.1080/10632921.2021.1890655","url":null,"abstract":"Abstract Hiring a consultant can be an expensive endeavor for nonprofit arts organizations and is sometimes criticized for bearing few substantive outcomes. The unique workplace culture of such organizations calls for a differentiating consulting model. This article conceptualizes a new approach to nonprofit arts management consulting work by looking at the principles of ethnography. From the perspective of both client and consultant, the author posits one possible solution which considers the consultant as an ethnographer. Approaching consulting work with an ethnographer's lens moves away from the prescriptive toward more inclusive and organic techniques. This concept article will be of particular interest to scholars and practitioners with nonprofit arts management expertise who have experience or interest in consulting work.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2021-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10632921.2021.1890655","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41918316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-02-02DOI: 10.1080/10632921.2021.1884152
Fabiola Alvarez Lorenzo, C. Gilmore
Abstract This paper explores the UK’s subsidized creative industries sector through the lens of organizational stigma literature. We argue that this theoretical lens contributes nuance and depth to an underexplored yet imperative aspect of the creative industries within the UK at a time when it needs to recover and reconfigure its value-based assessment system as it emerges into the post Covid-19 “new normal.” We bring together two separate, but interlinking studies of a national arts funder’s key stakeholders and its recipient organizations to explore the legitimacy of the funder’s value-based judgements, and the impact of these on subsidized arts organizations.
{"title":"Alternative Values and Stigmatized Agents: Communicating Legitimacy in the Creative Industries","authors":"Fabiola Alvarez Lorenzo, C. Gilmore","doi":"10.1080/10632921.2021.1884152","DOIUrl":"https://doi.org/10.1080/10632921.2021.1884152","url":null,"abstract":"Abstract This paper explores the UK’s subsidized creative industries sector through the lens of organizational stigma literature. We argue that this theoretical lens contributes nuance and depth to an underexplored yet imperative aspect of the creative industries within the UK at a time when it needs to recover and reconfigure its value-based assessment system as it emerges into the post Covid-19 “new normal.” We bring together two separate, but interlinking studies of a national arts funder’s key stakeholders and its recipient organizations to explore the legitimacy of the funder’s value-based judgements, and the impact of these on subsidized arts organizations.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2021-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10632921.2021.1884152","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46840561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-29DOI: 10.1080/10632921.2021.1878081
M. Widdersheim
This anthology presents results from the research project ALMPUB (‘The ALM-Field, Digitalization and the Public Sphere’), with participants based in Norway, Sweden, Denmark, Germany, and Hungary. The international perspective is well reflected in the anthology, where some chapters additionally cover Poland, Switzerland, Iceland, Czechia, and Slovakia. It presents as its main question: are libraries, museums and archives functioning as “democratic public spaces” in the contemporary digital age?
{"title":"Libraries, Archives and Museums as Democratic Spaces in a Digital Age","authors":"M. Widdersheim","doi":"10.1080/10632921.2021.1878081","DOIUrl":"https://doi.org/10.1080/10632921.2021.1878081","url":null,"abstract":"This anthology presents results from the research project ALMPUB (‘The ALM-Field, Digitalization and the Public Sphere’), with participants based in Norway, Sweden, Denmark, Germany, and Hungary. The international perspective is well reflected in the anthology, where some chapters additionally cover Poland, Switzerland, Iceland, Czechia, and Slovakia. It presents as its main question: are libraries, museums and archives functioning as “democratic public spaces” in the contemporary digital age?","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2021-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10632921.2021.1878081","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43219554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-27DOI: 10.1080/10632921.2021.1881006
K. Chinyowa
Abstract From his in-depth study on cultural industries in Ghana and Burkina Faso, Christiaan De Beukelaer (2012) observed that the surge in digital piracy, normally regarded as a violation of intellectual property rights, had actually created new possibilities for increased distribution and consumption networks for the African music industry. Joe Karaganis (2011) further argues that digital piracy should not be regarded as a ‘crime’ but ‘a global pricing problem’. The high prices that are charged for media products such as music, film and video games do not match the low incomes of most consumers in less developed countries. This article argues for a revisiting of intellectual property rights (IPR) in contemporary African contexts, with particular focus on the question of ‘digital piracy’. If the shift toward cultural democracy is meant to promote cultural capabilities for everyone to create and express their own possibilities, then new approaches to intellectual property rights are needed.
Christiaan De Beukelaer(2012)通过对加纳和布基纳法索文化产业的深入研究发现，通常被视为侵犯知识产权的数字盗版激增，实际上为非洲音乐产业增加分销和消费网络创造了新的可能性。Joe Karaganis(2011)进一步认为，数字盗版不应被视为“犯罪”，而应被视为“全球定价问题”。音乐、电影和视频游戏等媒体产品的高价与欠发达国家大多数消费者的低收入不相称。本文主张在当代非洲背景下重新审视知识产权(IPR)，特别关注“数字盗版”问题。如果向文化民主的转变是为了促进每个人创造和表达自己的可能性的文化能力，那么就需要新的知识产权方法。
{"title":"Revisiting Intellectual Property Rights in African Contexts: A Cultural Democracy Imperative","authors":"K. Chinyowa","doi":"10.1080/10632921.2021.1881006","DOIUrl":"https://doi.org/10.1080/10632921.2021.1881006","url":null,"abstract":"Abstract From his in-depth study on cultural industries in Ghana and Burkina Faso, Christiaan De Beukelaer (2012) observed that the surge in digital piracy, normally regarded as a violation of intellectual property rights, had actually created new possibilities for increased distribution and consumption networks for the African music industry. Joe Karaganis (2011) further argues that digital piracy should not be regarded as a ‘crime’ but ‘a global pricing problem’. The high prices that are charged for media products such as music, film and video games do not match the low incomes of most consumers in less developed countries. This article argues for a revisiting of intellectual property rights (IPR) in contemporary African contexts, with particular focus on the question of ‘digital piracy’. If the shift toward cultural democracy is meant to promote cultural capabilities for everyone to create and express their own possibilities, then new approaches to intellectual property rights are needed.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10632921.2021.1881006","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46554816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-21DOI: 10.1080/10632921.2021.1879334
A. FitzGibbon
{"title":"Artists’ Voices in Cultural Policy: Careers, Myths and the Creative Profession after German Unification, by Simone Wesner.","authors":"A. FitzGibbon","doi":"10.1080/10632921.2021.1879334","DOIUrl":"https://doi.org/10.1080/10632921.2021.1879334","url":null,"abstract":"","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2021-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10632921.2021.1879334","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47721131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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