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Plotting against our nation: COVID-19, nationalisms, and conspiracy theories in five European countries 阴谋反对我们的国家:欧洲五国的 COVID-19、民族主义和阴谋论
IF 0.8 Q1 Arts and Humanities Pub Date : 2024-01-08 DOI: 10.1080/14608944.2023.2288970
Siniša Malešević, G. Uzelac, Sarah Carol, Lea David
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引用次数: 0
Narratives of memory and national identity; analyzing agency in contemporary Holocaust memory initiatives 记忆和民族身份的叙事;分析当代大屠杀记忆倡议中的机构
IF 0.8 Q1 Arts and Humanities Pub Date : 2024-01-08 DOI: 10.1080/14608944.2023.2291426
Rebecca Kook, Noam Tirosh
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引用次数: 0
Anthem quality. National songs – a theoretical survey Anthem quality. National songs – a theoretical survey , by Christopher (Kit) Kelen, Bristol, Intellect, 2014, 204 pp., £30.00(hardback), ISBN 978 1 84150 737 8 国歌质量。国歌--一项理论调查 国歌质量。国歌--理论调查》,克里斯托弗-凯伦(Christopher (Kit) Kelen)著,布里斯托尔,Intellect,2014 年,204 页,30.00 英镑(精装本),ISBN 978 1 84150 737 8
IF 0.8 Q1 Arts and Humanities Pub Date : 2024-01-03 DOI: 10.1080/14608944.2023.2298608
Juliane Brauer
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引用次数: 0
Teaching India-Pakistan’s relations: Teachers, attitudes, practices and agency Teaching India-Pakistan’s relations: Teachers, attitudes, practices and agency , by Kusha Anand, London: UCL Press, 2023, ix+188 pp., £40.00(hardback), ISBN 978 1 80008 045 4 教授印度-巴基斯坦关系:印度与巴基斯坦的关系:教师、态度、实践与机构》,Kusha Anand 著,伦敦:教育出版社,2011 年:Kusha Anand 著,伦敦:伦敦大学学院出版社,2023 年,ix+188 页,40.00 英镑(精装),ISBN 978 1 80008 045 4
IF 0.8 Q1 Arts and Humanities Pub Date : 2024-01-03 DOI: 10.1080/14608944.2023.2300906
Laraib Niaz
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引用次数: 0
Scottish independence: what does the diaspora think? 苏格兰独立:海外侨民怎么看?
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-12-21 DOI: 10.1080/14608944.2023.2288965
M. Leith, Duncan Sim
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引用次数: 0
‘We all just want a flag to get behind’: the politics of English national identity 我们都只想要一面可以支持的旗帜":英国国家认同政治
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-12-21 DOI: 10.1080/14608944.2023.2288968
Tabitha A. Baker
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引用次数: 0
Materialising difference: consumer culture, politics, and ethnicity among Romanian Roma Materialising difference: consumer culture, politics, and ethnicity among Romanian Roma , by Péter Berta, Toronto: University of Toronto Press, 2019, xviii+390 pp., $29.21, paperback, ISBN 978 1 4875 204 03 差异的物质化:罗马尼亚罗姆人的消费文化、政治和种族差异的物质化:罗马尼亚罗姆人的消费文化、政治和种族差异》,Péter Berta 著,多伦多:多伦多大学出版社,2019 年,xviii+390 页,29.21 美元,平装本,ISBN 978 1 4875 204 03
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-12-11 DOI: 10.1080/14608944.2023.2289326
R. Anghel
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引用次数: 0
Materialising difference: consumer culture, politics, and ethnicity among Romanian Roma Materialising difference: consumer culture, politics, and ethnicity among Romanian Roma , by Péter Berta, Toronto: University of Toronto Press, 2019, xviii+390 pp., $29.21, paperback, ISBN 978 1 4875 204 03 差异的物质化:罗马尼亚罗姆人的消费文化、政治和种族差异的物质化:罗马尼亚罗姆人的消费文化、政治和种族差异》,Péter Berta 著,多伦多:多伦多大学出版社,2019 年,xviii+390 页,29.21 美元,平装本,ISBN 978 1 4875 204 03
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-12-06 DOI: 10.1080/14608944.2023.2289325
Ana Chirițoiu
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引用次数: 0
History education and the construction of identities in divided societies: the case of Lebanon 历史教育与分裂社会中的身份构建:黎巴嫩案例
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-11-20 DOI: 10.1080/14608944.2023.2282479
H. Fadlallah, J. Janmaat
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引用次数: 0
Negotiating the Lebanese national imaginary on and beyond the screen: an intertextual perspective on the film adaptation Kahlil Gibran’s The Prophet 银幕内外黎巴嫩民族想象的谈判:电影改编纪伯伦《先知》的互文视角
Q1 Arts and Humanities Pub Date : 2023-11-10 DOI: 10.1080/14608944.2023.2274826
Hisham M. Ali
ABSTRACTMost research on films as sites of nation-building centers on on-screen storylines, whereas intertextual references and off-screen representations of nationhood receive less attention. This article proposes a combined approach to further explore the nation-building potential of films, using as a case study the film adaptation Kahlil Gibran’s The Prophet. Through a close reading of the film in conjunction with its intertextual references and the filmmakers’ media interviews, the article explores the construction and negotiation of Lebanese nationhood and history under Ottoman rule. Special attention is paid to how the film’s production, funding, circulation and reception are related to nation-building.KEYWORDS: Banal nationalismfilmintertextualityKahlil Gibran’s The ProphetLebanese nationalismnation-building Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 The name ‘Rahbani Brothers’ refers to both Assi Rahbani (1923–1986) and Mansour Rahbani (1925–2009) who were Lebanese composers and dramatists, best known for their work with Fairuz, Assi’s wife.2 Maronite nationalism can mean so many things that a single definition is impossible. In pre-1920 Lebanon, Maronite nationalism referred to a political ideology that advocated the autonomy of Mount Lebanon as the homeland of Maronites. Following the creation of Greater Lebanon in 1920, this strand of nationalism came to be described as ‘political Maronitism’, a term used by the Druze leader Walid Jumblatt to describe Maronite elites’ attempts to achieve ‘domination of the Lebanese system’ (Sirriyeh, Citation1998, p. 56).3 After Gibran’s demise in 1931, the copyrights to his artistic and literary production were transferred to his hometown of Bsharri where the Gibran National Committee was established to manage the copyrights. It also runs the Gibran National Museum, which features exhibits of his works and drawings.Additional informationNotes on contributorsHisham M. AliHisham M. Ali is a research fellow at KU Leuven's Research Unit of Arabic Studies in Belgium. His research interests fall at the intersection of literature, translation, media, and nationalism in the Arab world.
【摘要】大多数关于电影作为国家建构场所的研究都集中在银幕上的故事情节上,而对国家身份的互文参考和银幕外表现的关注较少。本文以纪伯伦小说《先知》的电影改编为例,提出了一种综合方法来进一步探索电影的国家建设潜力。通过对影片的细读,结合影片的互文参考和电影制作人的媒体采访,本文探讨了奥斯曼统治下黎巴嫩国家和历史的建构和谈判。特别关注的是电影的制作、资金、流通和接受与国家建设的关系。关键词:平庸的民族主义、电影、互文性、纪伯伦的《先知》、黎巴嫩民族主义、国家建设披露声明、作者未报告潜在的利益冲突。注1“拉赫巴尼兄弟”这个名字指的是阿西·拉赫巴尼(1923-1986)和曼苏尔·拉赫巴尼(1925-2009),他们是黎巴嫩作曲家和剧作家,最著名的是他们与阿西的妻子费尔鲁兹的合作马龙派民族主义可以意味着很多东西,一个单一的定义是不可能的。在1920年前的黎巴嫩,马龙派民族主义指的是一种政治意识形态,主张黎巴嫩山作为马龙派教徒的家园自治。随着1920年大黎巴嫩的建立,这种民族主义被描述为“政治马龙派主义”,德鲁兹领袖瓦利德·朱布拉特用这个词来描述马龙派精英试图实现“对黎巴嫩体系的统治”(Sirriyeh, Citation1998,第56页)1931年纪伯伦去世后,他的艺术和文学作品的版权被转移到他的家乡Bsharri,在那里成立了纪伯伦国家委员会来管理版权。它还经营着纪伯伦国家博物馆,其中展出了他的作品和绘画。希沙姆·阿里(hisham M. Ali)是比利时鲁汶大学阿拉伯研究中心的研究员。他的研究兴趣集中在阿拉伯世界的文学、翻译、媒体和民族主义的交叉领域。
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引用次数: 0
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NATIONAL IDENTITIES
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