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Capitalism as a Concept of Difference in the Historiography of Iran 资本主义作为伊朗史学中的差异概念
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1017/irn.2023.8
Kevan Harris
In the historiography of Iran, capitalism is commonly evoked as a “concept of difference.” By this, I mean that the term is regularly used to characterize socioeconomic phenomena as modern versus traditional, leading versus laggard, foreign versus indigenous, or hero versus villain in an assumed direction of history. As Jürgen Kocka remarked when coining the phrase, most definitions of capitalism since the nineteenth century have been used by intellectuals to distinguish experiences of their own time from either the past or the future. And it is in terms of this rhetorical function that its significance and limitations for Iranian historiography can be analyzed.
在伊朗的历史编纂中,资本主义通常被称为“差异的概念”。我的意思是,这个词经常被用来描述社会经济现象,如现代与传统,领先与落后,外国与本土,或英雄与恶棍在假定的历史方向。正如科卡(j rgen kokka)在创造这个短语时所说,自19世纪以来,大多数资本主义的定义都被知识分子用来区分他们自己时代的经验与过去或未来。正是从这种修辞功能的角度来分析它对伊朗史学的意义和局限性。
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引用次数: 0
Editor's Note 编者按
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1017/irn.2023.12
N. Rahimieh
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引用次数: 0
IRN volume 56 issue 2 Cover and Front matter IRN第56卷第2期封面和封面
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1017/irn.2023.26
H. T., Sussan Siavoshi, Kamran Scot Aghaei, N. Rahimieh
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引用次数: 0
J. T. P. de Bruijn (1931–2023) The bird of Time completes its round 时间之鸟完成了它的旅程
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1017/irn.2023.13
Asghar Seyed‐Gohrab
Johannes Thomas Pieter de Bruijn was born on 12 July 1931 in Leiden, and died on Monday, 23 January 2023, in Voorhout, the Netherlands. He studied Semitic languages, and Islam and Persian and Turkish as minors, at Leiden University. From 1954 to 1960 he collaborated in the Concordance et Indices de la Tradition Musulmane project, which was published under the auspices of the Royal Netherlands Academy of Arts and Sciences in Amsterdam. He also contributed to the editing of the English version of Jan Rypka’s History of Iranian Literature, which was published in Dordrecht in 1968. From 1960 to 1963, he was curator of the Middle Eastern department at the Dutch National Museum of Ethnology. In 1964 he joined the staff of Leiden University, where he took the chair of Persian in 1988. He built up a Persian department that included expertise on Shiism and modern Persian literature, and created a documentation center for modern Iran, under the directorship of the late Kamil Banak. De Bruijn will be chiefly known for his erudition on classical Persian poetry, especially religious poetry. His name is linked with that of the great poet Ḥakīm Sanāʾī (d. 1131), as he spent many years of his active scholarship on this epoch-making poet. He wrote a seminal monograph on Sanāʾī’s life and work, entitled Of Piety and Poetry, which has also been
Johannes Thomas Pieter de Bruijn于1931年7月12日出生在莱顿,并于2023年1月23日星期一在荷兰Voorhout去世。他在莱顿大学(Leiden University)辅修了闪族语言、伊斯兰教、波斯语和土耳其语。从1954年到1960年,他参与了在阿姆斯特丹的荷兰皇家艺术与科学学院的赞助下出版的《传统穆斯林的和谐与索引》项目。他还参与了Jan Rypka的《伊朗文学史》英文版的编辑工作,该书于1968年在多德雷赫特出版。1960年至1963年,他担任荷兰国家民族学博物馆中东部馆长。1964年,他加入莱顿大学(Leiden University), 1988年担任波斯语系主任。他建立了一个波斯语系,专门研究什叶派和现代波斯文学,并创建了一个现代伊朗文献中心,由已故的卡米尔·巴纳克(Kamil Banak)担任主任。德布鲁因主要以其对古典波斯诗歌,尤其是宗教诗歌的博学而闻名。他的名字与伟大的诗人Ḥakīm sanha ā al ā(1131年)联系在一起,因为他花了很多年的时间来研究这位划时代的诗人。他写了一本关于桑尼的生活和工作的开创性的专著,题为《虔诚与诗歌》
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引用次数: 0
World Literature and Hedayat's Poetics of Modernity. Omid Azadibougar (Singapore: Palgrave Macmillan, 2020). Pp. 203. $89.99 hardcover, paper; $69.99 e-book. ISBN: 978-981-15-1690-0. 世界文学与希达亚特的现代性诗学。奥米德·阿扎迪布加(新加坡:帕尔格雷夫·麦克米伦出版社,2020年)。203页。精装本,纸质版89.99美元;69.99美元的电子书。ISBN: 978-981-15-1690-0。
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-03-16 DOI: 10.1017/irn.2023.4
Elmira Louie
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引用次数: 0
Uncertain Cures: The Medical Marketplace in Pahlavi Iran 不确定的治疗:伊朗巴列维的医疗市场
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-03-08 DOI: 10.1017/irn.2022.68
Shaherzad Ahmadi
Abstract Historians of Pahlavi Iran have demonstrated that physicians, pharmacists, dentists, and nurses were encouraged by early nation-builders to civilize patients and shepherd the masses into modernity. Medicine, however, was not only a top-down affair. Medical professionals maintained a dialogue with their patients, cognizant of the cultural mores of local communities and the threat of medical malpractice lawsuits. In fact, medicine, far from a universal science, was highly localized, inflected by traditional curatives (like herbs and spices), shortages of medical equipment and drugs, and local policing to safeguard patient rights. Through social history, scholars may examine the dialectic between patient and provider, which proved fundamental to the practice of modern medicine in Pahlavi Iran.
研究巴列维伊朗的历史学家已经证明,早期的国家建设者鼓励医生、药剂师、牙医和护士教化病人,引导大众进入现代化。然而,医学不仅仅是一件自上而下的事情。医疗专业人员认识到当地社区的文化习俗和医疗事故诉讼的威胁,与病人保持对话。事实上,医学远非一门普遍科学,而是高度地方化,受到传统疗法(如草药和香料)、医疗设备和药品短缺以及维护患者权利的地方警务的影响。通过社会历史,学者们可以考察病人和提供者之间的辩证法,这对巴列维伊朗现代医学的实践至关重要。
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引用次数: 0
Iranian Literature after the Islamic Revolution: Production and Circulation in Iran and the World. Laetitia Nanquette (Edinburgh: Edinburgh University Press, 2021). Pp. 312. $105.00 hardcover. ISBN 9781474486378 伊斯兰革命后的伊朗文学:伊朗与世界的生产与流通。Laetitia Nanquette(爱丁堡:爱丁堡大学出版社,2021)。312页。精装书105.00美元。ISBN 9781474486378
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-03-06 DOI: 10.1017/irn.2022.67
Nima Naghibi
Laetitia Nanquette ’ s Iranian Literature after the Islamic Revolution: Production and Circulation in Iran and the World is a meticulously researched, exhaustive study of the production and circulation of Iranian literature after the 1979 revolution. At the heart of the author ’ s argument is what she identifies as a division in Iranian literary production and its reception between Iran and the diaspora. In her book, she offers a detailed exploration of the specific cultural conditions in which Iranian literature in Iran and in the diaspora is produced and circulated. Nanquette is a literary scholar, but she tells us at the outset that she will not be engaging in close readings of texts; rather, her goal is to offer a comprehensive sociological study of Iranian literature published in Iran and in the diaspora. She deliberately foregoes literary analysis in favor of a broad view of the industry, although more granular textual analysis would have further enriched this important work.
Laetitia Nanquette的《伊斯兰革命后的伊朗文学:伊朗和世界的生产与流通》是对1979年革命后伊朗文学的生产与流通进行了细致、详尽的研究。作者的论点的核心是她所认定的伊朗文学作品及其在伊朗和海外侨民之间的接受上的分歧。在她的书中,她详细探讨了伊朗文学在伊朗和海外流散中产生和传播的具体文化条件。楠奎特是一位文学学者,但她一开始就告诉我们她不会细读文本;相反,她的目标是对在伊朗和散居海外的伊朗文学进行全面的社会学研究。她故意放弃对文学的分析,而倾向于对这个行业的广泛看法,尽管更细致的文本分析将进一步丰富这本重要的著作。
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引用次数: 0
Ilkhanid Wood Carvings in the Mountain Villages between Kashan and Natanz 卡尚和纳坦兹之间山村里的伊尔汗尼木雕
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-03-06 DOI: 10.1017/irn.2022.72
Mohamad Reza Ghiasian, Mohammad Mashhadi Nooshabadi
Abstract This paper surveys some wood carvings belonging to four mosques in the villages of Firizhand, Quhrud, Abyana, and Barzuk. Carved between the years 700/1300-1 and 705/1305–6, they consist of architectural elements such as doors, columns, and capitals. The recently found woodwork evidence from the demolished Jamiʿ mosque of Barzuk reveals that this building and its decorations were executed by a multiskilled artist, who was most likely a descendant of Abu Zayd. Moreover, the newly discovered columns from the Masjid-i ʿAli in Quhrud show that, in contrast to what was previously thought, the current building is not contemporary with its dated door and was erected in later centuries. Interestingly, these wooden mosques were built during the last years of Ghazan Khan's rule and witness his order to construct mosques in all the villages of the country. This woodwork offers significant insight into the artistic and cultural situation of the early fourteenth century.
本文调查了Firizhand、Quhrud、Abyana和Barzuk四个村庄清真寺的木雕。它们雕刻于700/1300-1年和705/ 1306 - 6年之间,由门、柱和柱头等建筑元素组成。最近在拆毁的巴尔祖克贾米清真寺发现的木制品证据表明,这座建筑及其装饰是由一位多才多艺的艺术家完成的,他很可能是阿布·扎伊德的后裔。此外,在库鲁德清真寺新发现的石柱表明,与之前认为的相反,目前的建筑与其年代久远的门不是同时代的,而是在几个世纪后建造的。有趣的是,这些木制清真寺是在合赞汗统治的最后几年建造的,见证了他在全国所有村庄建造清真寺的命令。这些木制品为我们了解14世纪早期的艺术和文化状况提供了重要的线索。
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引用次数: 0
The Market in Poetry in the Persian World. Shahzad Bashir (Cambridge, UK: Cambridge University Press, 2021). 88 pp. $20.00 paper. ISBN 9781108948647 波斯世界的诗歌市场。Shahzad Bashir(英国剑桥:剑桥大学出版社,2021)。88页,20美元的纸。ISBN 9781108948647
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-02-13 DOI: 10.1017/irn.2022.73
Jocelyn Sharlet
of
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引用次数: 0
A Soviet View on the Assassination of the Iranian Prime Minister, Haj ʻAli Razmara, in the Context of the Early Years of the Cold War 苏联对冷战初期伊朗总理哈吉·阿里·拉兹马拉遇刺事件的看法
IF 0.3 4区 社会学 Q1 Arts and Humanities Pub Date : 2023-02-10 DOI: 10.1017/irn.2022.71
Soli Shahvar
Abstract Using Soviet foreign ministry documents found in the Russian State Archive of Socio-Political History, this article seeks to shed a new light on the identity of those behind the assassination of Haj ʻAli Razmara in 1951, and the reasons for it. In seeking a power to back his aspirations to become the ruler of Iran, Razmara hopped between the USSR and the United States, finally gambling on USSR. In spite of this, the United States was not in a hurry to get rid of him; instead, they preferred to use the Shah's fear of Razmara to secure the former's cooperation and to extract from him what they wanted, especially oil concessions in Iran. However, by then Iran was already marching rapidly toward oil nationalization, which Razmara opposed on the grounds that the USSR should be the power that produced the oil for the Iranians. This was unacceptable to the Americans, who, according to Soviet sources, decided to get rid of Razmara during the early stages of the Cold War.
本文利用在俄罗斯国家社会政治历史档案馆中发现的苏联外交部文件,试图揭示1951年哈吉·阿里·拉兹马拉被暗杀背后的人的身份及其原因。为了寻求一个力量来支持他成为伊朗统治者的愿望,拉兹马拉在苏联和美国之间跳跃,最终把赌注押在了苏联身上。尽管如此,美国并不急于除掉他;相反,他们更愿意利用国王对拉兹马拉的恐惧来确保前者的合作,并从他那里榨取他们想要的东西,尤其是在伊朗的石油特许权。然而,到那时,伊朗已经迅速走向石油国有化,而拉兹马拉反对这一点,理由是苏联应该是为伊朗人生产石油的大国。这对美国人来说是不可接受的,根据苏联的消息来源,他们决定在冷战初期摆脱拉兹马拉。
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Iranian Studies
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