Journal of Lesbian Studies最新文献

Researchers from the Philippines, Mexico, Italy, Germany, Chile, Canada, Brazil, China, and the US shed new light on important questions in lesbian psychology while subverting the hegemonic status of Western scholarship. Articles part of this special issue move away from treating LGBTQ + identity as a monolith and center lesbian identity. An eclectic set of contributions explore central questions in the field of psychology, including differences between gay men's and lesbian women's mental health as well as similarities and differences between bisexual and lesbian women's sense of identity. This special issue pushes the field to consider how cultural values such as collectivism and individualism, religious affiliation, and the intersections of misogyny and homophobia configure the risk of mental health problems, intimate partner violence, and body dissatisfaction among lesbian women.

The anthology "Chicana Lesbians: the Girls Our Mothers Warned Us About" was instrumental to my writing as it bolstered my confidence to take control over my sexuality and sensuality. The text in this collection affirmed that exploring and expressing my sexuality through writing was an act of empowerment and defiance within a sexist, racist, heteronormative, and capitalist society.

This brief and personal essay discusses Ester Hernández's and Astrid Hadad's artistic relationship, which includes a beautiful friendship that spans time and space. In particular, and from an intimate vantage point, I read two of Hernández's images that feature Hadad, which the Mexican artist has displayed in her home in Mexico City, to ponder a larger question regarding contemporary cross-border feminist and genderqueer esthetics and relations. The queer kinship between these two artists, I humbly posit, extends to the fans that come out to support Hadad's shows when she performs in cities in the U.S. with large Latinx demographics, particularly in California.

This article examined the association between body satisfaction and sexual identification among lesbian and bisexual women, since these factors help to understand the cultural background of the objectification of female bodies in Latin cultures. Women who identify as lesbian (N = 239) and bisexual (N = 60) completed demographic data and measures of self-esteem, physical appearance perfectionism, lesbian and bisexual identity difficulties, and body satisfaction. We performed a three-stage hierarchical multiple regression to explore how variables relate to body satisfaction. The results suggest that self-esteem plays a key role, explaining 20.4% of the variance in body satisfaction. We discussed the psychosocial and cultural aspects involved in the relationship between the variables, and social and aesthetic pressures on women's bodies. This study contributes to discussions on psychosocial aspects associated with body satisfaction among Brazilian lesbian and bisexual women.

The Supercorp fandom refers to the platonic friendship between Kara Danvers, aka Supergirl, and her friend Lena Luthor. The term 'Supercorp' refers to an implied - yet unexplored - queer relationship created by fans of the DC/CW show Supergirl. Imagined relationships, referred to by fandoms (groups of fans) as 'shipping, tackle the unexplored chemistry between two characters who are not romantically linked. Supergirl's screenwriters were notorious for placing Kara and Lena in heteronormative relationship scenarios, effectively queerbaiting (or covert courting) the audience by suggesting a romantic relationship never explored on-screen. On November 11, 2021, fans had fun by doctoring photos of the series finale and 'showing' Kara and Lena kissing. Fans created an alternate reality where two women publicly expressed their love. Deprived of a queer 'happy ending', Supergirl fans gaslit the DC fandom (and beyond), leading many to question the reality of their initial viewing experience. The fans were gaslighting the world into questioning whether the footage was authentic. The fandom rallied in solidarity by crafting the 'reality' they wanted. Using a lens informed by psychoanalytic theory and fan studies research, this paper examines how the Supercorp fandom used the liminal space of broadcast time zones to reclaim a queer narrative which they were denied. This paper contributes to the advancement of lesbian studies by shining a light on the efforts of a marginalized segment of fandom and examining the trauma caused by queer coding - and queerbaiting - in service to a heteronormative agenda.

Research has linked feelings of safety and contentment to lower adverse mental health outcomes (e.g., stress, anxiety, depression) in the general population. The current study aimed at exploring the relationship between safe/content positive affect and minority stress (e.g., internalized sexual stigma) in lesbian and bisexual women, considering the effect of potential mediators such as identity self-awareness and identity uncertainty. An online survey was administered to 400 Italian women (220 lesbian and 180 bisexual women), aged 18-40 years (M = 25.98, SD = 6.07). The results showed that lesbian women reported lower internalized sexual stigma and identity uncertainty and higher safe/content positive affect and identity self-awareness, relative to bisexual women. Higher internalized sexual stigma predicted lower safe/content positive affect, regardless of sexual orientation. Furthermore, identity self-awareness and identity uncertainty significantly mediated the relationship between internalized sexual stigma and safe/content feelings, thus confirming the protective role of sexual identity variables on lesbian and bisexual women's positive affectivity. Finally, univariate analyses suggested that lesbian women were more resilient than bisexual women in the face of minority stressors. The results contribute to the understanding of the differences between lesbian and bisexual women in their perception of salient identity categories. In addition, the findings highlight the relevance of protective factors (e.g., identity certainty, lesbian and bisexual positive identity) in ameliorating the adverse effects of minority stress and promoting positive affect and social adjustment in lesbian and bisexual women. Research and clinical implications and directions are discussed.

Intimate partner violence (IPV) has been identified as a public health issue among both heterosexual and lesbian, gay, bisexual, trans, and queer (LGBTQ) populations. While attention has often been paid to IPV among heterosexual couples, there is limited research on the causes of and interventions for IPV confronting same-sex couples, especially those in non-Euro-American contexts. This article highlights the "double closet" nature of same-sex IPV, and, in particular, the triply marginalized position of lesbian victims of IPV due to their gender, sexuality, and experiences of violence in China. Extending ongoing discussions about minority stress faced by sexual minority people, it reveals how the daily stressors associated with identity concealment, coupled with relational selfhood and heteronormative institutional constraints, complicate lesbian relationships and violence in China. Focusing on the family-centered context provides an important window into the ways in which the perceived need to stay in the closet (hide one's sexual identity) and rejection from the family of origin and the state influence lesbians' experiences of IPV and inhibit many of them from disclosing violence. This article builds a dialogue between discussions of the closet and existing literature on IPV. It concludes by drawing attention to the need to break the silence around IPV and build alliances for developing culturally sensitive interventions aimed at addressing IPV.

This article explores the circulation of the terms lesbiana and queer (cuir) in Mexico City. More particularly, I discuss how de ambiente and la diversidad sexual, which capture the spirit of queer politics, predominated in the 1990s and early 2000s, to be surpassed by lesbiana in the 2010s, in lesbian communities. While the circulation of lesbiana parallels, permeates, and impregnates cuir genealogies too, I suggest here that its continuity, and stronger resurgence in the 2010s, relates to acute attention to structural violence in the region, particularly in the face of feminicides. At such moment young activists "twist" lesbiana genealogies to give place to new terms such as lesboterrorism. I pay particular attention to lesboterrorismo, a new theoretical formulation young activists developed in the midst of militarization, gore capitalism, and graphic violence against women's bodies. This paper is informed by ethnographic fieldwork I have conducted since 2000, including participant observation, 40 qualitative interviews with women participating in lesbian spaces in Mexico City, and the review of newspapers.

Drawing on interviews, autobiographies, and online ethnography, this paper explores the ways in which nonbiological lesbian parents and their family members use photographs to articulate their family relationships with their nonbiological children. Although a biogenetic link to children was perceived as unnecessary, even irrelevant, to their love for their children, nearly all the participants expressed exhilaration when the nonbiological offspring looked like or acted like the nonbiological parent. Many nonbiological parents composed and displayed photographs in ways to highlight similarity between themselves and their children. In this way, nonbiological parents "perform" consanguinity-a blood connection-for critical audiences, including themselves. Yet, the "display work" of queer family analyzed in this paper never fully masks their difference from the norm. The lesbian photography practices discussed in this paper suggest that while genetic thinking shapes family practices, they are also creating new meanings. Through photography practices, lesbian families demonstrate how doing queer kinship transforms heteronormative belonging.

With limited anthologizing of southern United States lesbian theater, the purpose of this article is twofold: to anthologize the work of Gwen Flager, self-identified southern lesbian playwright and to interpret Flager's work as intentionally disruptive to gender and sexual norms through humor and a centering of southern lesbian identity. Flager is an award-winning playwright with U.S. southern roots. Born in Oklahoma in 1950, she spent many years in Louisiana and Alabama before relocating to Houston, Texas. Member of the Scriptwriters Houston, Dramatists Guild of America, and New Play Exchange, she won the 2017 Queensbury Theater's New Works playwriting competition for her original script, Shakin' the Blue Flamingo, which premiered in 2018 after a 12-month development process. By offering a series of untold stories about and from various perspectives of U.S. southern lesbian characters who navigate southern cuisine, history, identity, race, class, nationalism, and self-realization throughout the late twentieth century, Flager positions her characters and the plays themselves as owners of the best version of southern culture, shifting the center to an oft-marginalized southern lesbian identity.