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The inscitia rei publicae ut alienae in the Preface to Tacitus’ Histories Revisited 塔西佗《历史》序言中的 "公共与外来"(inscitia rei publicae ut alienae)再探讨
IF 0.2 3区 历史学 Q2 Arts and Humanities Pub Date : 2024-05-08 DOI: 10.1163/1568525x-bja10254
Zhongxiao Wang

In this article, I aim to challenge previous interpretations of the phrase inscitia rei publicae ut alienae in Tacitus’ Histories 1.1.1, offering a new reading which has been overlooked in Tacitean scholarship. I argue that this phrase reflects Tacitus’ criticism of Augustan historians, who, in distancing themselves from the state, were no longer concerned with state affairs and abandoned historical writing. I trace parallels between Hist. 1.1.1 and Ann. 1.1.2, arguing that both texts refer synchronously to imperial historiography’s decline, which suggests that the inscitia rei publicae ut alienae emerged at the midpoint of Augustus’ reign. The rules that Augustus implemented to enforce the quorum for the senatorial assembly and the penalties imposed for absenteeism in 9 BC offer compelling evidence in support of this interpretation.

本文旨在对塔西佗《历史》1.1.1 中 "inscitia rei publicae ut alienae "这一短语的前人解释提出质疑,并提供一种被塔西佗学术研究忽视的新解读。我认为,这个短语反映了塔西佗对奥古斯都时期历史学家的批评,他们远离国家,不再关心国家事务,放弃了历史写作。我追溯了 Hist.1.1.1 和 Ann.1.1.2 之间的相似之处,认为这两段文字都同步提到了帝国史学的衰落,这表明 inscitia rei publicae ut alienae 出现在奥古斯都统治的中期。公元前 9 年,奥古斯都为执行元老院会议法定人数而实施的规则以及对缺席者的处罚为支持这一解释提供了有力的证据。
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引用次数: 0
The Surprising Proposal of the Chorus in Aeschylus’ Persians (795) to Reinvade Greece 埃斯库罗斯的《波斯人》(795 年)中合唱团提出的重新征服希腊的惊人建议
IF 0.2 3区 历史学 Q2 Arts and Humanities Pub Date : 2024-05-08 DOI: 10.1163/1568525x-bja10248
Jaroslav Daneš
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引用次数: 0
Pinpointing Linguistic Emphasis in Classical Greek 确定古希腊语的语言重点
IF 0.2 3区 历史学 Q2 Arts and Humanities Pub Date : 2024-05-08 DOI: 10.1163/1568525x-bja10233
Alessandro Vatri
Emphasis is a ubiquitous notion in classical scholarship, but its vagueness has repeatedly been criticized (and its usefulness, consequently, questioned) by Greek linguists. This brief study seeks to identify (and secure) a place for this notion in the analytical toolbox for the description of Classical Greek by applying the strict but nuanced definition of emphasis in Functional Discourse Grammar (Hengeveld and Mackenzie 2008) to the identification and classification of linguistic devices in the ancient language. In particular, this study argues for a distinction between emphasis as a rhetorical effect and emphasis as a communicative intention. In the former understanding, emphasis may be produced secondarily by a number of linguistic and rhetorical devices. Conversely, linguistic emphasis stricto sensu would only be conveyed by linguistic devices used primarily to intensify linguistic entities of any level (discourse acts, propositional contents, subacts).
强调"(emphasis)在古典语言学中是一个无处不在的概念,但其模糊性一再受到希腊语言学家的批评(其实用性也因此受到质疑)。这项简短的研究试图通过将《功能话语语法》(Functional Discourse Grammar)(Hengeveld 和 Mackenzie,2008 年)中关于强调的严格而又细致的定义应用于古希腊语中语言手段的识别和分类,为这一概念在古典希腊语的分析工具箱中找到(并确保)一席之地。特别是,本研究主张区分作为修辞效果的强调和作为交际意图的强调。在前一种理解中,强调可能是通过一些语言和修辞手段产生的。相反,严格意义上的语言强调只能通过主要用于强化任何层次的语言实体(话语行为、命题内容、子行为)的语言手段来传达。
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引用次数: 0
Seneca’s Thyestes: Ode 920-969 as an Amoibaion 塞内加的《Thyestes》:作为 Amoibaion 的颂歌 920-969
IF 0.2 3区 历史学 Q2 Arts and Humanities Pub Date : 2024-04-04 DOI: 10.1163/1568525x-bja10240
Iwona Słomak
This article aims to revise the editorial and interpretive tradition that regards Thy. 920-969 as a monody. Based on a systematic analysis of attribution differences in three selected plays by Seneca and, comparatively, in several other problematic places, it confirms earlier general findings: the A-branch of the MS tradition shows traces of conscious interpolation, while the codex Etruscus (E-branch) contains largely mechanical errors, which—in the case of Thy. 920-969—makes its attribution more plausible. The article further discusses the problematic passages of the ode that might have motivated interpolations, provides a critique of the interpretive assumptions supporting the A reading, and demonstrates that the attribution in the E-branch is correct in the light of the rules of Senecan poetics, as well as from the point of view of the internal logic of the text and the ethopoeia of the eponymous hero.
本文旨在修正将《诗经》920-969 视为单调的编辑和解释传统。920-969》是一部单曲。基于对塞内加所选三个剧本中的归属差异的系统分析,以及对其他几个存在问题的地方的比较,文章证实了之前的一般发现:MS 传统的 A 分支显示出有意识插补的痕迹,而 Etruscus 抄本(E 分支)则主要包含机械错误,这在 Thy.就 Thy.920-969 而言,这使其归属更为可信。文章进一步讨论了颂歌中可能导致插补的问题段落,对支持 A 读法的解释性假设进行了批判,并根据塞内卡诗学的规则,以及从文本的内在逻辑和同名英雄的伦理角度证明了 E 支本中的归属是正确的。
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引用次数: 0
Catullus 32: Fututiones with Ipsitilla 卡图卢斯 32:与伊普西提拉的未来论
IF 0.2 3区 历史学 Q2 Arts and Humanities Pub Date : 2024-04-03 DOI: 10.1163/1568525x-bja10262
Jennifer Ferriss-Hill
Catullus poem 32 has traditionally been read as describing an afternoon assignation with a prostitute. The reinterpretation offered here reads the poem not as a one-off piece about a figure mentioned nowhere else in Catullus, but rather as a poem that connects with those in the Lesbia-cycle as well as with Catullus’ metapoetic project more broadly. Ipsitilla, I argue, acts as a Muse-like figure analogous to Lesbia, and the fututiones she prepares for Catullus at his request represent his neoteric poetry: erotic, clever, and about the process of writing.
卡图卢斯第 32 首诗历来被解读为描写一个下午与妓女的约会。这里提出的重新诠释不是将这首诗解读为一首关于卡图卢斯诗歌中从未提及的人物的一次性作品,而是将其解读为一首与莱斯比娅诗歌以及卡图卢斯更广泛的元诗学项目相关联的诗歌。我认为,伊普西提拉是一个类似于莱斯比亚的缪斯女神,她应卡图卢斯的要求为他准备的未来诗歌代表了他的新体诗:情色的、聪明的、关于写作过程的。
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引用次数: 0
The Logic of Imitations 模仿的逻辑
IF 0.2 3区 历史学 Q2 Arts and Humanities Pub Date : 2024-03-27 DOI: 10.1163/1568525x-bja10239
Loren D. Marsh
The meaning of the term mimesis when applied to artistic works in Aristotle’s Poetics is thought to be extrapolated from its dictionary definition of ‘imitation’. I argue that a key word in the single passage directly linking mimesis to imitation has been consistently misunderstood. A correct reading could indicate mimesis has a different definition in this particular text only indirectly related to its colloquial use. I conclude that mimesis in the Poetics may be a narrower technical term that refers to a particular kind of organization or arrangement of individual imitations within an artistic work.
在亚里士多德的《诗学》中,"模仿"(mimesis)一词用于艺术作品的含义被认为是从其字典定义 "模仿 "中推导出来的。我认为,在将 mimesis 与 imitation 直接联系起来的唯一段落中,有一个关键词一直被误解。正确的解读可能表明,在这一特定文本中,mimesis 有不同的定义,只是与其口语用法间接相关。我的结论是,《诗学》中的 mimesis 可能是一个狭义的专业术语,指的是艺术作品中个体模仿的一种特殊组织或安排。
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引用次数: 0
The Toga in Military Context 军事背景下的托加
IF 0.2 3区 历史学 Q2 Arts and Humanities Pub Date : 2024-03-27 DOI: 10.1163/1568525x-bja10263
Michael J. Taylor
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引用次数: 0
The Art of Communicative Grammar 交际语法的艺术
IF 0.2 3区 历史学 Q2 Arts and Humanities Pub Date : 2024-01-29 DOI: 10.1163/1568525x-bja10274
David Christenson

This review article of the Oxford Latin Syntax (Vols. I-II, 2015 and 2021) demonstrates how the communicative approach of Harm Pinkster’s monumental grammar complements recent revivals of oral, aural, and active Latin pedagogical methods. I conclude with examples of how Pinkster’s analysis of discourse may be applied to select passages (from Plautus’ Rudens, as a productive means of explicating dramaturgical and narratological matters there) in order to illustrate the OLS’s manifold potential for exploring discursive strategies of Latin texts generally.

这篇关于《牛津拉丁语语法》(第一至第二卷,2015 年和 2021 年)的评论文章展示了哈姆-平克斯特的不朽语法的交际方法如何与最近复兴的口语、听力和主动拉丁语教学方法相辅相成。最后,我将举例说明如何将平克斯特的话语分析应用于精选段落(从普劳图斯的《鲁登斯》中选取,作为阐释其中戏剧和叙事学问题的有效手段),以说明 OLS 在探索拉丁文本的一般话语策略方面具有多方面的潜力。
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引用次数: 0
In Future Issues (in alphabetical order) 未来期刊(按字母顺序排列)
IF 0.2 3区 历史学 Q2 Arts and Humanities Pub Date : 2024-01-29 DOI: 10.1163/1568525x-12347351
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引用次数: 0
Anchoring Genealogy 锚定家谱
IF 0.2 3区 历史学 Q2 Arts and Humanities Pub Date : 2024-01-27 DOI: 10.1163/1568525x-bja10189
Joseph Zehner
The writings of both Hecataeus and Pherecydes focus on genealogies, but scholars have characterized their styles differently: Hecataeus is anti-traditional and idiosyncratic, while Pherecydes is an impartial recorder of myths. This contribution argues for a neglected side of each author: Hecataeus follows Homeric genealogical traditions, while Pherecydes constructed novel genealogies of his own. Both authors, then, used tradition to accommodate, or ‘anchor,’ their innovations in genealogical writing, a strategy which Herodotus, in turn, improves upon in his own use of genealogies.
赫卡泰厄斯和菲雷西德斯的著作都侧重于家谱,但学者们对他们的风格有不同的描述:赫卡塔乌斯反传统、特立独行,而菲雷西德斯则是神话的公正记录者。本文论证了两位作者被忽视的一面:赫卡塔厄斯遵循荷马史诗的家谱传统,而菲雷西德斯则构建了自己的新家谱。因此,两位作者都利用传统来适应或 "锚定 "他们在家谱写作中的创新,而希罗多德在使用自己的家谱时又改进了这一策略。
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引用次数: 0
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