Pub Date : 2023-06-02DOI: 10.1163/1568525x-bja10224
Claire Le Feuvre
The article argues that the Odyssean hapax ἐπιλλίζω (Od. 18.11) does not mean ‘to wink’, as traditionally assumed, but ‘to harass, to provoke’, and is the verbal base of the adverb ἐπι(λ)λίγδην ‘grazing’, said of a projectile. It belongs to the PIE root *sleig̑- ‘to rub’ (rather than ‘to slide’). The Odyssey only features the metaphoric use of the verb, but the proper meaning is preserved in Nicander’s fr. 100 ἐπιλλίζοντας ὀϊστούς. Apollonius of Rhodes uses ἐπιλλίζω in agreement with the Odyssean meaning ‘to provoke’. Later, two reinterpretations occurred. The traditional understanding of ‘to wink’ results from a synchronic etymology relating ἐπιλλίζω to ἰλλός ‘squint-eyed’: this accounts for Nicander’s use of ἐπιλλίζω (Ther. 163) and is therefore older than the 2nd c. BCE. Later on, Nicander’s ἐπιλλίζοντας (fr. 100) was erroneously related to λίγξε ‘(the bow) groaned’ by Greek grammarians, and wrongly translated ‘whizzing’.
{"title":"Ἐπιλλίζω (Od. 18.11), from ἐπι(λ)λίγδην ‘Grazing’ (Il. 17.599) to ἰλλός ‘Squint-eyed’: History of a Misunderstanding","authors":"Claire Le Feuvre","doi":"10.1163/1568525x-bja10224","DOIUrl":"https://doi.org/10.1163/1568525x-bja10224","url":null,"abstract":"\u0000The article argues that the Odyssean hapax ἐπιλλίζω (Od. 18.11) does not mean ‘to wink’, as traditionally assumed, but ‘to harass, to provoke’, and is the verbal base of the adverb ἐπι(λ)λίγδην ‘grazing’, said of a projectile. It belongs to the PIE root *sleig̑- ‘to rub’ (rather than ‘to slide’). The Odyssey only features the metaphoric use of the verb, but the proper meaning is preserved in Nicander’s fr. 100 ἐπιλλίζοντας ὀϊστούς. Apollonius of Rhodes uses ἐπιλλίζω in agreement with the Odyssean meaning ‘to provoke’. Later, two reinterpretations occurred. The traditional understanding of ‘to wink’ results from a synchronic etymology relating ἐπιλλίζω to ἰλλός ‘squint-eyed’: this accounts for Nicander’s use of ἐπιλλίζω (Ther. 163) and is therefore older than the 2nd c. BCE. Later on, Nicander’s ἐπιλλίζοντας (fr. 100) was erroneously related to λίγξε ‘(the bow) groaned’ by Greek grammarians, and wrongly translated ‘whizzing’.","PeriodicalId":46134,"journal":{"name":"MNEMOSYNE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76931083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-02DOI: 10.1163/1568525x-bja10229
Laura Marshall
Pherecydes of Syros’ work is difficult to understand because of its fragmentary nature. A previously unexplored perspective on his work is to analyze how it was understood and used in Ptolemaic Alexandria, particularly by Eratosthenes and Callimachus. Eratosthenes’ distinction between Pherecydes of Syros and Pherecydes of Athens (DL 1.119) has been used as a key piece of evidence that those two authors are, in fact, distinct. However, there has been little discussion of Eratosthenes’ interest in these authors outside of that statement. Callimachus’ interest in Pherecydes has also been ignored by both scholars of Pherecydes and scholars of Alexandrian poetry (except for brief references). Through this examination, I argue that Pherecydes of Syros was an important figure in discussions about the development of prose in Ptolemaic Alexandria.
{"title":"Pherecydes in Alexandria","authors":"Laura Marshall","doi":"10.1163/1568525x-bja10229","DOIUrl":"https://doi.org/10.1163/1568525x-bja10229","url":null,"abstract":"\u0000Pherecydes of Syros’ work is difficult to understand because of its fragmentary nature. A previously unexplored perspective on his work is to analyze how it was understood and used in Ptolemaic Alexandria, particularly by Eratosthenes and Callimachus. Eratosthenes’ distinction between Pherecydes of Syros and Pherecydes of Athens (DL 1.119) has been used as a key piece of evidence that those two authors are, in fact, distinct. However, there has been little discussion of Eratosthenes’ interest in these authors outside of that statement. Callimachus’ interest in Pherecydes has also been ignored by both scholars of Pherecydes and scholars of Alexandrian poetry (except for brief references). Through this examination, I argue that Pherecydes of Syros was an important figure in discussions about the development of prose in Ptolemaic Alexandria.","PeriodicalId":46134,"journal":{"name":"MNEMOSYNE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85892557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1163/1568525x-bja10230
Janek Kucharski
This paper discusses the convention of off-stage cries deployed in Greek tragedy and satyr play chiefly to represent violent events. Unlike other studies dedicated to this topic, it is primarily focused on the cries themselves and to a lesser extent on their context, both dramatic and theatrical. Using the familiar distinction between word and action, it begins with a simple question: how exactly does an off-stage cry represent a violent event taking place within? Examined first as textual phenomena the voices from within are found to acquire their meaning through the discourse of the characters, and not as cries per se. The performative approach, however, also brings their auditory dimension into perspective. Although the evidence is mostly circumstantial, its cumulative weight does suggest that the vocal qualities of the off-stage cries could endow them with meanings unaccounted for in the textual perspective.
{"title":"Voices of the Dying","authors":"Janek Kucharski","doi":"10.1163/1568525x-bja10230","DOIUrl":"https://doi.org/10.1163/1568525x-bja10230","url":null,"abstract":"\u0000This paper discusses the convention of off-stage cries deployed in Greek tragedy and satyr play chiefly to represent violent events. Unlike other studies dedicated to this topic, it is primarily focused on the cries themselves and to a lesser extent on their context, both dramatic and theatrical. Using the familiar distinction between word and action, it begins with a simple question: how exactly does an off-stage cry represent a violent event taking place within? Examined first as textual phenomena the voices from within are found to acquire their meaning through the discourse of the characters, and not as cries per se. The performative approach, however, also brings their auditory dimension into perspective. Although the evidence is mostly circumstantial, its cumulative weight does suggest that the vocal qualities of the off-stage cries could endow them with meanings unaccounted for in the textual perspective.","PeriodicalId":46134,"journal":{"name":"MNEMOSYNE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81120072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1163/1568525x-12347341
A. Cain
A little over a century ago, it was discovered that Athanasius’ Life of Antony echoes Porphyry’s Life of Pythagoras in two different passages, and scholars have since debated the implications of this clear intertextual linkage. Building on these initial findings, the present article adduces a previously undiscovered third echo of the Porphyrian Life and argues that Athanasius deploys this intertext in order simultaneously to subvert Porphyry’s idealized portraiture of Pythagoras and to elevate his own hagiographic protagonist Antony.
{"title":"Porphyry’s Life of Pythagoras and Athanasius’ Life of Antony","authors":"A. Cain","doi":"10.1163/1568525x-12347341","DOIUrl":"https://doi.org/10.1163/1568525x-12347341","url":null,"abstract":"\u0000A little over a century ago, it was discovered that Athanasius’ Life of Antony echoes Porphyry’s Life of Pythagoras in two different passages, and scholars have since debated the implications of this clear intertextual linkage. Building on these initial findings, the present article adduces a previously undiscovered third echo of the Porphyrian Life and argues that Athanasius deploys this intertext in order simultaneously to subvert Porphyry’s idealized portraiture of Pythagoras and to elevate his own hagiographic protagonist Antony.","PeriodicalId":46134,"journal":{"name":"MNEMOSYNE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74587993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-25DOI: 10.1163/1568525x-bja10179
W. V. Harris
The seven books of the Hippocratic Epidemics appear to make it possible to describe the social profile of the patients who frequented Greek doctors from the mid-fifth to the mid-fourth centuries, and in particular to decide whether doctors attended mainly to the well-to-do. Previous studies have concentrated on the epigraphical evidence for the high status of many of the Thasian patients who are named in Books 1 and 3. But we need to account for the artisan occupations of some of the patients who are described in the other five books (are these patients typical?) and for the marked stylistic and other discrepancies that distinguish Books 1 and 3 from the rest. Endorsing an unconventionally early date for these books, the author suggests that the mention of artisan occupations in the other books is a sign of a degree of social democratization in the medical profession.
{"title":"The Social Profile of Hippocrates’ Patients","authors":"W. V. Harris","doi":"10.1163/1568525x-bja10179","DOIUrl":"https://doi.org/10.1163/1568525x-bja10179","url":null,"abstract":"\u0000The seven books of the Hippocratic Epidemics appear to make it possible to describe the social profile of the patients who frequented Greek doctors from the mid-fifth to the mid-fourth centuries, and in particular to decide whether doctors attended mainly to the well-to-do. Previous studies have concentrated on the epigraphical evidence for the high status of many of the Thasian patients who are named in Books 1 and 3. But we need to account for the artisan occupations of some of the patients who are described in the other five books (are these patients typical?) and for the marked stylistic and other discrepancies that distinguish Books 1 and 3 from the rest. Endorsing an unconventionally early date for these books, the author suggests that the mention of artisan occupations in the other books is a sign of a degree of social democratization in the medical profession.","PeriodicalId":46134,"journal":{"name":"MNEMOSYNE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76309961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-25DOI: 10.1163/1568525x-bja10225
E. Giusti
This review article of Joseph Farrell’s 2021 monograph on Virgil’s Aeneid (Juno’s Aeneid: A Battle for Heroic Identity, Princeton and Oxford) takes the cue from Farrell’s analysis of Virgil’s intertextuality with the Homeric epics and provides a methodological re-assessment of intertextuality in Virgilian studies and Latin literature more broadly. It attempts to retrace the theoretical history and some of the main applications of Latin intertextual studies and suggests some possible ways for Latinists to engage more profoundly with deconstructive criticism and post-critique.
{"title":"Virgilian Criticism and the Intertextual Aeneid","authors":"E. Giusti","doi":"10.1163/1568525x-bja10225","DOIUrl":"https://doi.org/10.1163/1568525x-bja10225","url":null,"abstract":"\u0000This review article of Joseph Farrell’s 2021 monograph on Virgil’s Aeneid (Juno’s Aeneid: A Battle for Heroic Identity, Princeton and Oxford) takes the cue from Farrell’s analysis of Virgil’s intertextuality with the Homeric epics and provides a methodological re-assessment of intertextuality in Virgilian studies and Latin literature more broadly. It attempts to retrace the theoretical history and some of the main applications of Latin intertextual studies and suggests some possible ways for Latinists to engage more profoundly with deconstructive criticism and post-critique.","PeriodicalId":46134,"journal":{"name":"MNEMOSYNE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79076999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-25DOI: 10.1163/1568525x-bja10231
Juan García-González
{"title":"A Note on C. Cornelius Cethegus","authors":"Juan García-González","doi":"10.1163/1568525x-bja10231","DOIUrl":"https://doi.org/10.1163/1568525x-bja10231","url":null,"abstract":"","PeriodicalId":46134,"journal":{"name":"MNEMOSYNE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90162079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-22DOI: 10.1163/1568525x-bja10227
M. Segev
Strabo, in 10.3.7-23, presents an account of the music performed in initiation rites, according to which such music is used, naturally, to facilitate knowledge of divinity. I argue that, despite appearances, religious music, for Strabo, does not fulfill that function by reflecting the harmonious constitution of the cosmos—a Pythagorean-Platonic (and later, Stoic) idea that Strabo mentions but ultimately rejects. Instead, Strabo’s account is clearly influenced by Aristotelian theory, and it stresses the significance of the emotional effect (i.e., awe or astonishment) generated by religious music, which in turn is useful toward gaining knowledge of the gods, most probably because it motivates audiences to learn about them. Indeed, the affinity between Strabo’s text and Aristotle seems sufficient for Strabo’s 10.3.23, perhaps in addition to parts of 10.3.7 and 10.3.9, to count as Aristotelian ‘fragments.’
{"title":"An Aristotelian Account of Religious Music in Strabo, 10.3","authors":"M. Segev","doi":"10.1163/1568525x-bja10227","DOIUrl":"https://doi.org/10.1163/1568525x-bja10227","url":null,"abstract":"\u0000Strabo, in 10.3.7-23, presents an account of the music performed in initiation rites, according to which such music is used, naturally, to facilitate knowledge of divinity. I argue that, despite appearances, religious music, for Strabo, does not fulfill that function by reflecting the harmonious constitution of the cosmos—a Pythagorean-Platonic (and later, Stoic) idea that Strabo mentions but ultimately rejects. Instead, Strabo’s account is clearly influenced by Aristotelian theory, and it stresses the significance of the emotional effect (i.e., awe or astonishment) generated by religious music, which in turn is useful toward gaining knowledge of the gods, most probably because it motivates audiences to learn about them. Indeed, the affinity between Strabo’s text and Aristotle seems sufficient for Strabo’s 10.3.23, perhaps in addition to parts of 10.3.7 and 10.3.9, to count as Aristotelian ‘fragments.’","PeriodicalId":46134,"journal":{"name":"MNEMOSYNE","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75713356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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