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Wackernagel’s Law and the Fall of the Lydian Empire 瓦克纳格尔定律与吕底亚帝国的衰亡
IF 0.4 1区 历史学 0 CLASSICS Pub Date : 2013-11-26 DOI: 10.1353/APA.2013.0015
D. Goldstein
This paper offers a novel reading of the Delphic oracle’s response to Croesus’s question of whether he should attack Persia (Herodotus 1), by focusing on a previously unacknowledged feature of the oracular answer: the preposing of the adjective μεγάλην. Preposing is a construction in which an element occurs before the start of the clause proper. In the oracle’s response, preposing serves a corrective function. As preposing creates surface exceptions to Wackernagel’s Law, it is only through an accurate understanding of the “Law” that we can even detect this construction. Working within a framework of (neo-) Gricean pragmatic theory, I detail the semantic and pragmatic contribution of preposing in the oracular response. More broadly speaking, I suggest that Gricean pragmatics can provide new insights into classical texts by offering a principled method for decoding implicit meaning.
本文以一种新颖的方式解读德尔菲神谕对克罗伊斯是否应该进攻波斯的问题的回答(希罗多德1),通过关注神谕回答的一个以前未被承认的特征:形容词μεγ α λην的介词。介词是一种结构,其中一个元素出现在子句的开始之前。在oracle的回复中,介词起到了纠正的作用。由于介词创造了瓦克纳格尔定律的表面例外,只有通过对“定律”的准确理解,我们才能发现这种结构。在(新)格里斯语用理论的框架内,我详细介绍了在神语回应中介词的语义和语用贡献。更广泛地说,我认为希腊语用学可以通过提供解码隐含意义的原则方法,为古典文本提供新的见解。
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引用次数: 1
Homer and the Epic Cycle in Ovid, Heroides 16-17 荷马与奥维德的史诗循环,希罗里德16-17
IF 0.4 1区 历史学 0 CLASSICS Pub Date : 2013-05-11 DOI: 10.1353/APA.2013.0003
E. F. Mazurek
This essay discusses the Cypria and the Iliad as important background texts for Ovid, Heroides 16-17, the correspondence of Paris and Helen. It argues that Paris and Helen offer different literary perspectives of their potential elopement and its cause—the Judgment of Paris—which reflect the Cypria and the Iliad, respectively. These letters thus dramatize a narrative cause and effect between Cypria and Iliad at the same time that they underscore stylistic and thematic contrasts between the two poems.
本文讨论了《塞浦路斯》和《伊利亚特》作为奥维德、Heroides 16-17、Paris和Helen通信的重要背景文本。它认为帕里斯和海伦对他们潜在的私奔及其原因提供了不同的文学视角——帕里斯的审判——分别反映了塞浦路斯和伊利亚特。因此,这些信件戏剧化了塞浦路斯和伊利亚特之间的叙事因果关系,同时强调了两首诗在风格和主题上的对比。
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引用次数: 3
Contesting the Lessons from the Past: Aeschines' Use of Social Memory 挑战过去的教训:艾斯钦人对社会记忆的使用
IF 0.4 1区 历史学 0 CLASSICS Pub Date : 2013-05-11 DOI: 10.1353/APA.2013.0005
B. Steinbock
Against tendencies of viewing the orators' historical allusions as empty rhetorical phrases or manipulative cover-ups for Realpolitik this study of historical paradigms in the debate over the Peace of Philocrates argues that the past constituted political capital in its own right. Using theories of social memory, it contextualizes Aeschines' and his opponents' historical examples within the Athenian memorial framework and thus tries to gauge their ideological and emotive weight. Drawing on family memories, Aeschines effectively challenged the Athenian master narrative by linking the rejection of a reasonable Spartan peace offer to the traumatic memories of total defeat and the terror regime of the Thirty.
与将演说者的历史典故视为空洞的修辞短语或对现实政治的操纵掩盖的倾向相反,对《菲洛克拉底和平》辩论中的历史范式的研究认为,过去本身就是政治资本。利用社会记忆理论,它将埃斯钦及其对手的历史例子置于雅典纪念框架中,从而试图衡量他们的意识形态和情感分量。通过对家族的回忆,Aeschines通过将斯巴达人拒绝合理的和平提议与彻底失败的创伤记忆和三十人的恐怖政权联系起来,有效地挑战了雅典人的主流叙事。
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引用次数: 4
Mutata corpora: Ovid's Changing Forms and the Metamorphic Bodies of Pantomime Dancing 变形体:奥维德的变化形式和哑剧舞蹈的变形体
IF 0.4 1区 历史学 0 CLASSICS Pub Date : 2013-05-11 DOI: 10.1353/APA.2013.0001
I. Lada-Richards
This article reads Ovid's foregrounding of the human body in the Metamorphoses side by side with the most flamboyant public discourse of Augustan Rome where the body was similarly privileged as a medium of communication, namely pantomime dancing, an expression-filled dance form predicated on the mute delineation of character and passion. Ovid's body-centered poetic vision is informed by the haunting materiality of the staged, dancing body, whose electrifying language had a searing effect on his literary imagination. Reading the Metamorphoses through the lens of pantomime dancing illuminates the profound, albeit underexplored, symbiosis of dance and poetry in Augustan Rome.
这篇文章读了奥维德在《变形记》中对人体的重视与奥古斯都罗马最华丽的公共话语并列在一起,身体同样被特权为交流的媒介,即哑剧舞蹈,一种充满表情的舞蹈形式,基于对性格和激情的无声描绘。奥维德以身体为中心的诗意视野是由舞台上舞蹈的身体的令人难以忘怀的物质性所传达的,其令人兴奋的语言对他的文学想象力产生了强烈的影响。通过哑剧舞蹈的镜头来阅读《变形录》,可以揭示奥古斯都罗马时期舞蹈与诗歌的深刻共生关系,尽管这种关系尚未得到充分的探索。
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引用次数: 14
A Hero's Welcome: Homecoming and Transition in the Trachiniae 英雄的欢迎:在Trachiniae的返乡和过渡
IF 0.4 1区 历史学 0 CLASSICS Pub Date : 2013-05-11 DOI: 10.1353/APA.2013.0004
E. Kratzer
The nostos ("homecoming") of Heracles in Sophocles' Trachiniae figures as the triumphal return of a victorious athlete. Under ideal circumstances, nostos culminates in the joyous remarriage of husband and wife, but in Trachiniae, reversals that befall Heracles and Deianeira transform the hero's triumphant nostos into a spectacle of death. While the failed nostos motif heralds disaster and effects a decisively bleak atmosphere throughout the play's much-discussed ending, it also nods toward a more positive tradition concerning Heracles' end, since both vase-painting and early poetic accounts portray Heracles' apotheosis-featuring marriage to Hebe and reception into Zeus's household-as a homecoming.
在索福克勒斯的《特拉奇尼亚》中,赫拉克勒斯的“归乡”(nostos)被描绘成一个获胜的运动员的凯旋归来。在理想的情况下,诺斯托斯在丈夫和妻子的欢乐再婚中达到高潮,但在《特拉奇尼亚》中,赫拉克勒斯和黛阿涅拉遭遇的逆转将英雄的胜利诺斯托斯变成了死亡的奇观。虽然失败的怀旧主题预示着灾难,并在整个戏剧备受讨论的结局中产生了决定性的凄凉气氛,但它也指向了一个更积极的关于赫拉克勒斯结局的传统,因为花瓶画和早期的诗歌都把赫拉克勒斯的神化——与希比结婚并被宙斯接纳——描绘成一个回家的人。
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引用次数: 1
Courting the Erinyes: Persuasion, Sacrifice, and Seduction in Aeschylus's Eumenides 埃斯库罗斯《欧门尼德斯》中的求爱厄里涅斯:说服、牺牲和诱惑
IF 0.4 1区 历史学 0 CLASSICS Pub Date : 2013-05-11 DOI: 10.1353/APA.2013.0002
Nicholas Rynearson
At the end of the Eumenides, Athena draws on the discourses of propitiatory sacrifice and amatory persuasion in order to successfully persuade the Erinyes to give up their wrath and accept cult honors in Athens. Athena thus founds the cult of the Semnai with an act of rhetorical propitiation and, through the erotic element of her persuasive speech, offers the Erinyes the surprising role of beloved objects, who will be "wooed" by the Athenians in imitation of her own gentle persuasion.
在《欧门尼德斯》的结尾处,雅典娜运用了抚慰性的牺牲和情爱的劝诱话语,成功地说服厄里涅斯放弃愤怒,接受了雅典的祭祀荣誉。雅典娜因此建立了对塞姆奈的崇拜这是一种修辞上的抚慰,通过她有说服力的演讲中的情色元素,为厄里涅斯提供了一个令人惊讶的角色,她是心爱的对象,雅典人会模仿她温柔的劝说,向她“求爱”。
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引用次数: 9
The Reflections of Satire: Lucian and Peregrinus 讽刺的反思:卢西安与佩雷格里努斯
IF 0.4 1区 历史学 0 CLASSICS Pub Date : 2013-05-11 DOI: 10.1353/APA.2013.0006
Dana Fields
The Death of Peregrinus is ostensibly an attack on the eponymous sham philosopher and holy man, but when one looks more closely at how this attack is constructed, other targets emerge. This article argues that Lucian carries out his satire in terms that lead the reader back to his own authorial persona and implicate him in the same desperate striving for fame. But Lucian is not simply undermining himself nihilistically; instead the work becomes a satire on the culture of agonistic display in which both figures were so deeply invested.
《佩雷格里纳斯之死》表面上是对与他同名的假哲学家和圣人的攻击,但当人们更仔细地观察这种攻击是如何构建的,其他目标就会出现。本文认为,卢西安运用他的讽刺手法,引导读者回到他自己的作家身份,并暗示他同样不顾一切地追求名声。但卢西安不仅仅是在虚无主义地破坏自己;相反,这幅作品成为了对竞争展示文化的讽刺,这两个人物都深深投入其中。
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引用次数: 6
Inuenta est blandae rationis imago: Visualizing the Mausoleum of the Flavii
IF 0.4 1区 历史学 0 CLASSICS Pub Date : 2013-05-11 DOI: 10.1353/APA.2013.0000
Emily Pillinger
The North African mausoleum of the Flavii family hosts a remarkable verse inscription that interrogates the relationship between writing and architecture by exploring a range of spatial and temporal dynamics. The poetry invites its audience to "visualize" the monument through a process that includes viewing the building's architectural language, reading the inscribed poetry as "literature," and constructing mental images in response to both stimuli. This visualization process, which also requires the audience to imagine the voices of various different characters involved in commissioning, constructing, and commenting on the monument, enacts a powerful form of commemoration.
Flavii家族的北非陵墓中有一段非凡的诗歌铭文,通过探索一系列空间和时间动态来询问写作和建筑之间的关系。诗歌邀请观众通过一个过程来“想象”纪念碑,这个过程包括观看建筑的建筑语言,阅读作为“文学”的题诗,并根据这两种刺激构建心理图像。这个可视化的过程,也需要观众想象不同角色的声音,参与到纪念碑的委托、建造和评论中,形成了一种强大的纪念形式。
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引用次数: 1
Coins, Money, and Exchange in Aristophanes’ Wealth 阿里斯托芬《财富》中的硬币、货币和交换
IF 0.4 1区 历史学 0 CLASSICS Pub Date : 2012-11-25 DOI: 10.1353/APA.2012.0018
R. Tordoff
This essay pursues an economic and “numismatic” reading of Aristophanes’ Wealth, focusing on how the play represents exchange and coinage. While Wealth rejoices in the acquisition of vast riches and in the creation of a society in which justice and good citizen conduct meet with economic rewards, it also systematically presents coins and more “disembedded” forms of transaction in sharply negative terms. Accordingly, the play exploits and seeks to negotiate an ideological fissure between rich and poor Athenians, retailing utopian fantasy for the dispossessed with one hand, while with the other pointing towards the fantasy’s ironic deconstruction and dissolution.
本文对阿里斯托芬的《财富》进行了经济和“钱币”的解读,重点关注该剧如何代表交换和铸币。当财富为获得巨额财富和创造一个正义和良好公民行为得到经济回报的社会而高兴时,它也系统地以尖锐的负面术语呈现硬币和更多“非嵌入”的交易形式。因此,该剧利用并试图解决雅典人贫富之间的意识形态分歧,一方面向被剥夺者兜售乌托邦幻想,另一方面则指向幻想的讽刺解构和解体。
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引用次数: 2
List of Abbreviations 缩略语一览表
IF 0.4 1区 历史学 0 CLASSICS Pub Date : 2012-11-25 DOI: 10.2307/j.ctvfjcz1c.5
K. Coleman, Stephen E. Kidd, Tomislav Bilić, S. Hawkins, Stephanie Mccarter, Neil Coffee, Jean-Pierre Koenig, S. Poornima, R. Ossewaarde, Christopher W. Forstall, Sarah L. Jacobson, R. Tordoff
This article identifies and analyzes bureaucratic features in the language employed by Pliny and Trajan in Epistles 10 as an example of communication between two officials of senior but unequal status who were engaged in managing provincial affairs in the Roman empire.
本文确定并分析了普林尼和图拉真在书信10中使用的语言中的官僚主义特征,作为两个高级但地位不平等的官员之间交流的例子,他们在罗马帝国从事管理省事务。
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引用次数: 0
期刊
Transactions of the American Philological Association
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