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Islanders: The Making of the Mediterranean (Fitzwilliam Museum, Cambridge, UK, 24th February –4th June 2023, curated by Anastasia Christophilopoulou) 岛民:地中海的形成(菲茨威廉博物馆,剑桥,英国,2023年2月24日至6月4日,由Anastasia Christophilopoulou策展)
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2023-07-13 DOI: 10.1017/eaa.2023.22
A. Reeve
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引用次数: 0
Yannis Hamilakis, ed. The New Nomadic Age: Archaeologies of Forced and Undocumented Migration (Sheffield: Equinox Publishing Ltd, 2018, xiv and 253 pp, colour and b/w illustr., pbk, ISBN 978-1-78179-711-2 Yannis Hamilakis主编:《新游牧时代:被迫和无证移民的考古》(The New Nomadic Age:Archaeologies of Forced and Undocumented Migration)(谢菲尔德:Equinox出版有限公司,2018,xiv and 253 pp,color and b/w illustr.,pbk,ISBN 978-1-78179-711-2
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2023-07-13 DOI: 10.1017/eaa.2023.19
Rachael Kiddey
tural identities of islanders in the Mediterranean, now and in the ancient past, and comparing them to mainland experiences. This includes the production of an award-winning documentary Being an Islander (Bouras, 2023), based on anthropological and archaeological investigation of island identity and community engagement on Siphnos in the Cyclades. It is complemented by an extensive public engagement programme, and the commissioning of contemporary art, all focused on themes of insularity and identity. The edited volume produced alongside the exhibition, also titled Islanders: The Making of the Mediterranean (Christophilopoulou, 2023a), includes contributions on multidisciplinary research into Fitzwilliam’s ancient Cypriot metalwork and contemporary artistic practice. It also presents fifty-five highlight objects, though it functions less as a catalogue than as a scholarly expansion on themes introduced by the exhibition. For those whose academic interests intersect with the research programme’s topics of investigation, there is much more to engage with than the exhibition itself. Will the exhibition prompt British visitors to take a broad perspective in exploring their own island identity and their views on connection, migration, and culture? That probably depends on the ideas and attitudes they bring with them but this thoughtful consideration of ancient island pasts, carried out through a stunning array of objects, will undoubtedly make an impact. REFERENCES
地中海岛民的文化身份,现在和古代,并将其与大陆的经历进行比较。这包括制作了一部获奖纪录片《成为一名岛民》(Bouras,2023),该纪录片基于对基克拉泽斯岛上Siphnos的岛屿身份和社区参与的人类学和考古调查。除此之外,还开展了一项广泛的公众参与计划,并委托开展了当代艺术,所有这些都以孤立和身份为主题。与展览一起制作的编辑卷也名为《岛民:地中海的形成》(Christophiloulou,2023a),其中包括对菲茨威廉的古塞浦路斯金属制品和当代艺术实践的多学科研究。它还展示了五十五件亮点物品,尽管它与其说是一个目录,不如说是对展览主题的学术扩展。对于那些学术兴趣与研究项目的调查主题有交集的人来说,除了展览本身,还有更多的事情要做。展览是否会促使英国游客从广阔的视角探索自己的岛屿身份以及他们对联系、移民和文化的看法?这可能取决于他们带来的想法和态度,但这种对古代岛屿历史的深思熟虑,通过一系列令人惊叹的物体进行,无疑会产生影响。参考文献
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引用次数: 0
EAA volume 26 issue 3 Cover and Back matter EAA第26卷第3期封面和封底
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2023-07-13 DOI: 10.1017/eaa.2023.24
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引用次数: 0
Václav Smrčka and Olivér Gábor, eds. Health and Disease in the Neolithic Lengyel Culture (Prague: Charles University, Karolinum Press, 2021, 398pp., numerous tables and illustr., ISBN 978-80-246-4514-8) Václav Smrčka和Olivér Gábor编辑,《新石器时代Lengyel文化中的健康与疾病》(布拉格:查尔斯大学,卡罗林出版社,2021年,398页,多张表格和插图,ISBN 978-80-246-4514-8)
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2023-07-13 DOI: 10.1017/eaa.2023.16
E. Bánffy
Bradley, R., Watson, A., & Style, P. 2019. After the Axes? The Rock Art at Copt Howe, North-west England, and the Neolithic Sequence at Great Langdale. Proceedings of the Prehistoric Society, 85: 177–92. doi: https://doi.org/10.1017/ppr. 2019.5. Jones, A.M. & Díaz-Guardamino, M. 2019. Making a Mark. Imagery and Process in Neolithic Britain and Ireland. Oxford: Oxbow Books. Jones, A. M. & Díaz-Guardamino, M. 2022. Making a Mark: Process, Pattern, and Change in the British and Irish Neolithic. Cambridge Archaeological Journal, 32(3): 389–407. Jones, A. M., Díaz-Guardamino, M., Gibson, A. & Cox, S. 2017. The Garboldisham Macehead: its Manufacture, Date, Archaeological Context, and Significance. Proceedings of the Prehistoric Society, 83: 383– 94. doi: https://doi.org/10.1017/ppr.2017.10. Robin, G. 2010. Spatial Structures and Symbolic Systems in Irish and British Passage Tombs: The Organization of Architectural Elements, Parietal Carved Signs, and Funerary Deposits. Cambridge Archaeological Journal, 20(3): 373–418. doi: https://doi.org/10.1017/S0959774310000478.
Bradley,R.、Watson,A.和Style,P.2019。斧头之后?英格兰西北部科普特豪的岩石艺术和大朗代尔的新石器时代序列。史前学会会刊,85:177-92。doi:https://doi.org/10.1017/ppr.2019.5。Jones,A.M.和Díaz Guardamino,M.2019。做标记。新石器时代英国和爱尔兰的图像和过程。牛津:牛津出版社。Jones,A.M.和Díaz Guardamino,M.2022。留下印记:英国和爱尔兰新石器时代的进程、模式和变化。《剑桥考古杂志》,32(3):389–407。Jones,A.M.,Díaz Guardamino,M.,Gibson,A.&Cox,S.2017。Garboldisham Macehead:其制造、日期、考古背景和意义。史前学会会刊,83:383-94。doi:https://doi.org/10.1017/ppr.2017.10.Robin,G.,2010。爱尔兰和英国通道陵墓的空间结构和象征系统:建筑元素、教区雕刻标志和葬礼沉积物的组织。《剑桥考古杂志》,20(3):373–418。doi:https://doi.org/10.1017/S0959774310000478.
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引用次数: 0
Judith Muñoz Sogas. Thirsty Seafarers at Temple B of Kommos: Commercial Districts and the Role of Crete in Phoenician Trading Networks in the Aegean (Oxford: Archaeopress Publishing, 2022, 170pp, 173 colour & b/w figs, 2 tables, pbk, ISBN: 9781803273228) Judith Muñoz Sogas。Kommos神庙B的口渴海员:商业区和克里特岛在爱琴海腓尼基贸易网络中的作用(牛津:古出版社出版,2022年,170页,173色和黑白图,2表,页码,ISBN: 9781803273228)
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2023-07-13 DOI: 10.1017/eaa.2023.21
Eirini Paizi
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引用次数: 0
EAA volume 26 issue 3 Cover and Front matter EAA第26卷第3期封面和封面问题
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2023-07-13 DOI: 10.1017/eaa.2023.23
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引用次数: 0
The Feral Animal Question: Implications for Recognizing Europe's First Farmers 野生动物问题:认识欧洲第一批农民的意义
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2023-04-14 DOI: 10.1017/eaa.2023.14
K. J. Gron
The presence of domestic animals is a key feature of the Neolithic. Their earliest presence in archaeological contexts across the European continent is often interpreted as reflecting farming practices. However, domestic animals often escape, survive, and become feral. Using the comparative example of colonial North America, this article's aim is to illustrate what happens when livestock are introduced to a new, continental temperate environment. Taking a dual historical and archaeological perspective, the author reiterates and elaborates on the suggestion that feral animals were almost certainly a feature of the European Neolithization process.
家畜的出现是新石器时代的一个重要特征。它们最早出现在整个欧洲大陆的考古背景中,通常被解释为反映了农业实践。然而,家畜经常逃跑,存活下来,变成野兽。本文以北美殖民地为例,旨在说明当牲畜被引入一个新的大陆性温带环境时会发生什么。作者从历史和考古的双重角度,重申并详细阐述了野生动物几乎肯定是欧洲新石器时代进程的一个特征。
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引用次数: 0
EAA volume 26 issue 2 Cover and Back matter EAA第26卷第2期封面和封底
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2023-04-13 DOI: 10.1017/eaa.2023.13
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引用次数: 0
Abigail Baker. Troy on Display: Scepticism and Wonder at Schliemann's First Exhibition (London: Bloomsbury Academic, 2021, viii+ 280pp., 40 b/w figs, pbk, ISBN 9781350191365) 阿比盖尔·贝克。展出的特洛伊:施利曼首次展览上的怀疑与奇迹(伦敦:布鲁姆斯伯里学院,2021,viii+280页,40 b/w图,pbk,ISBN 9781350191365)
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2023-04-13 DOI: 10.1017/eaa.2023.9
J. Fitton
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引用次数: 0
Mili Rajic and Dave Howarth. Hollis Croft: A Matter of Time (Milton Keynes: Wessex Archaeology/ Internet Archaeology, 2021, 82pp. 70 illustr. in colour, pbk, ISBN 9781911137214, https://intarch.ac.uk/journal/issue56/4/comic.html)
IF 1.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2023-04-13 DOI: 10.1017/eaa.2023.11
K. Fennelly
plied here is detailed and international. One could ask where were contemporary Egyptian artists, but that would be an anachronistic question, because the reception of ancient Egypt in visual arts of modern Egypt comes mostly later, with the twentieth century ‘pharaonism’ reflected both in literature and in visual arts. Some information is recontextualised repeatedly throughout the volume: the intense ‘display’ culture of the late nineteenth century that focussed interest on visual presentation, the national(ist) agendas, the circulation of and access to the artefacts. However, that is to an advantage. The book can be read cover to cover, but thanks to its structure, it also allows for a reader’s choice of ‘dipping’, for example into the work of a particular author or a specific period of art production. Painting Antiquity is setting a new standard in the level of detail and insight; both in description of the sources and in their analysis. Most of all, it achieves its aim to marry historical analysis with the experience of art. The art that was and is to be enjoyed and understood with sensitivity to its historical context.
这里的褶裥是细致而国际化的。人们可能会问当代埃及艺术家在哪里,但这将是一个不合时宜的问题,因为现代埃及在视觉艺术中接受古埃及的时间大多较晚,20世纪的“法老主义”反映在文学和视觉艺术中。一些信息在全书中反复被重新语境化:19世纪晚期强烈的“展示”文化,关注视觉呈现,国家议程,人工制品的流通和获取。然而,这是一个优势。这本书可以从头到尾阅读,但由于它的结构,它也允许读者选择“浸入”,例如进入特定作者的作品或特定时期的艺术生产。《古代绘画》在细节和洞察力的层面上树立了新的标准;无论是对来源的描述还是对来源的分析。最重要的是,它实现了将历史分析与艺术体验结合起来的目的。这是一种艺术,过去和现在都是要欣赏和理解的,要对其历史背景敏感。
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引用次数: 0
期刊
European Journal of Archaeology
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