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Reconstructing narratives: The politics of heritage in contemporary Syria 重建叙事:当代叙利亚的遗产政治
IF 1.2 2区 历史学 Q1 ANTHROPOLOGY Pub Date : 2022-01-27 DOI: 10.1177/14696053221073992
Nour A. Munawar
It is predominantly known that history is written by winners. However, this statement is true when a conflict has a symmetric tendency. In the case of Syria, where the conflict has been widely considered asymmetric, history is being written by a regime/government that won the war by not losing it. This article investigates the interconnection between heritage and politics in Syria by scrutinizing heritage practices, uses, and abuses since the colonial period. First, this article examines regime/government-led post-conflict reconstruction projects in the aftermath of Syria’s current conflict. Then the article moves on and explores the creation of war narratives and the selective memorialization of Syria’s recent conflict by looking at the portrayal of contested war memories in the media and the production of oral history. I argue that heritage practices, uses, presentation, and promotion in Syria since the colonial period have produced a politicized, one-sided (hi)story influenced by political agendas. This history includes highly politicized, ongoing tangible and intangible heritage reconstruction works, freighted with cultural meaning and primarily intended to bolster the power and authority of the ruling regime.
众所周知,历史是由胜利者书写的。然而,当冲突具有对称趋势时,这种说法是正确的。在叙利亚,冲突被广泛认为是不对称的,历史是由一个赢得战争而没有输掉战争的政权/政府书写的。本文通过仔细研究殖民时期以来遗产的做法、使用和滥用,调查了叙利亚遗产与政治之间的相互联系。首先,本文考察了叙利亚当前冲突后政权/政府主导的冲突后重建项目。然后,文章继续探讨了战争叙事的创作和叙利亚最近冲突的选择性纪念,通过观察媒体对有争议的战争记忆的描述和口述历史的制作。我认为,自殖民时期以来,叙利亚的遗产实践、使用、展示和推广产生了一个受政治议程影响的政治化、片面的故事。这段历史包括高度政治化的、正在进行的有形和非物质遗产重建工程,这些工程具有文化意义,主要旨在加强统治政权的权力和权威。
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引用次数: 6
Archaeology, Indigenous erasure, and the creation of white public space at the California missions 考古学,土著抹除,以及加州传教会白人公共空间的创造
IF 1.2 2区 历史学 Q1 ANTHROPOLOGY Pub Date : 2022-01-08 DOI: 10.1177/14696053211061675
Lee M. Panich
This paper explores how the materiality of the past has been mobilized to simultaneously erase Indigenous presence and create white public space at Spanish mission sites in California. As the site of present-day Santa Clara University, Mission Santa Clara de Asís presents an important case study. The documentary record associated with more than a century of archaeology at the mission reveals its intersections with heritage-making, particularly the maintenance of public memory that privileges and valorizes whiteness. These same records further detail how the university and local residents effectively erased the heritage of the thousands of Ohlone people and members of neighboring Indigenous groups who lived, worked, and died at Mission Santa Clara. Recognizing how archaeology has contributed to the current heritage landscape at Santa Clara and other California mission sites is a necessary first step in the creation of new archaeological and heritage practices that center the experiences and persistence of Native Californian communities.
本文探讨了过去的物质性是如何被动员起来的,以同时消除土著人的存在,并在加利福尼亚州的西班牙任务地点创造白人公共空间。作为现在的圣克拉拉大学所在地,圣克拉拉大学使命提供了一个重要的案例研究。与该使团一个多世纪的考古相关的文献记录揭示了其与遗产制作的交叉点,特别是对白人特权和价值的公众记忆的维护。这些记录进一步详细说明了大学和当地居民是如何有效地抹去数千名奥隆人和在圣克拉拉使命生活、工作和死亡的邻近土著群体成员的遗产的。认识到考古学是如何为圣克拉拉和其他加州任务遗址的当前遗产景观做出贡献的,这是创建新的考古和遗产实践的必要第一步,这些实践以加州原住民社区的经验和持久性为中心。
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引用次数: 1
Rwandan solutions to Rwandan problems: Heritage decolonization and community engagement in Nyanza District, Rwanda 卢旺达解决卢旺达问题的办法:卢旺达尼安扎区的遗产非殖民化和社区参与
IF 1.2 2区 历史学 Q1 ANTHROPOLOGY Pub Date : 2021-12-28 DOI: 10.1177/14696053211053974
A. Bolin, D. Nkusi
Highlighting the rural district of Nyanza in Rwanda, this article examines community relations to heritage resources. It investigates the possibilities for more ethical, engaged models of heritage management which can better deliver on agendas of decolonization and development. Our research finds that Nyanza’s heritage stakeholders highly value heritage’s social and economic roles, but communities are also significantly alienated from heritage resources. In seeking to bridge this gap, heritage professionals utilize a discourse of technocratic improvement, but community leaders emphasize ideas of ownership, drawing on higher state-level discourses of self-reliance and “homegrown solutions.” They mobilize the state’s own attempts to filter developing, decolonizing initiatives through Rwandan frameworks to advocate for communities’ right to participate in heritage. This local agency offers a roadmap for utilizing favorable aspects of existing governance to push heritage management toward community engagement and decolonization.
本文以卢旺达尼安扎的农村地区为重点,考察了社区与遗产资源的关系。它探讨了更合乎道德、更有参与性的遗产管理模式的可能性,这些模式可以更好地实现非殖民化和发展议程。我们的研究发现,Nyanza的遗产利益相关者高度重视遗产的社会和经济作用,但社区也明显疏离遗产资源。在寻求弥合这一差距的过程中,遗产专家利用了技术官僚改进的话语,但社区领导人强调所有权的观念,借鉴了更高一级的自力更生和“本土解决方案”的话语。他们动员国家自己的努力,通过卢旺达框架过滤发展,非殖民化倡议,倡导社区参与遗产的权利。这个地方机构提供了一个路线图,利用现有治理的有利方面,将遗产管理推向社区参与和非殖民化。
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引用次数: 1
Excavating Europe’s last fascist monument: The Valley of the Fallen (Spain) 挖掘欧洲最后一座法西斯纪念碑:堕落谷(西班牙)
IF 1.2 2区 历史学 Q1 ANTHROPOLOGY Pub Date : 2021-12-23 DOI: 10.1177/14696053211061486
Alfredo González-Ruibal
Since 1945, most fascist monuments have disappeared or been deactivated in Western Europe. There is one in Spain, however, that remains fully operative: the Valley of the Fallen. The complex, devised by the dictator Francisco Franco, celebrates the Nationalist victory in the Spanish Civil War (1936–1939), keeps the bodies of thousands of victims of the conflict, as well as the leading fascist ideologue and the dictator himself, and provides a material narrative that exalts the dictatorship. With the advent of democracy in 1978, the Valley remained unchanged, untouchable, and an important focus for fascist and extreme right celebrations, both national and international. However, with the new progressive government that came to power in 2018, it has become the object of an ambitious program of resignification in which archaeology has an important role to play. In this article, I describe how archaeological work undertaken at the Valley of the Fallen is contributing toward destabilizing the dictatorial narrative by opposing the monumental assemblage of fascism to the subaltern assemblage of those who built it.
自1945年以来,西欧的大多数法西斯纪念碑已经消失或停用。然而,在西班牙有一个仍然完全有效:堕落谷。这座建筑群由独裁者弗朗西斯科·佛朗哥(Francisco Franco)设计,用来庆祝西班牙内战(1936-1939)中的民族主义胜利,保存着数千名冲突受害者的遗体,以及法西斯主义主要理论家和独裁者本人的遗体,并提供了颂扬独裁统治的物质叙事。随着1978年民主的到来,山谷保持不变,不可触及,并成为法西斯和极右翼庆祝活动的重要焦点,无论是国内还是国际。然而,随着2018年新的进步政府上台,它已成为一项雄心勃勃的辞职计划的目标,考古学在其中发挥重要作用。在这篇文章中,我描述了在堕落谷进行的考古工作是如何通过反对法西斯主义的不朽集合和建造它的人的低级集合来破坏独裁叙述的稳定。
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引用次数: 2
Domestication is not an ancient moment of selection for prosociality: Insights from dogs and modern humans 驯化不是一个古老的亲社会选择时刻:来自狗和现代人类的见解
IF 1.2 2区 历史学 Q1 ANTHROPOLOGY Pub Date : 2021-12-06 DOI: 10.1177/14696053211055475
R. Losey
Domestication is often portrayed as a long-past event, at times even in archaeological literature. The term domestication is also now applied to other processes, including human evolution. In such contexts, domestication means selection for friendliness or prosociality and the bodily results of such selective choices. Both such perspectives are misleading. Using dogs and modern humans as entry points, this paper explores why conceiving of domestication as a threshold event consisting of selection for prosociality is both incomplete and inaccurate. Domestication is an ongoing process, not a moment or an achievement. Selection in breeding, including for prosociality, is a part of many domestication histories, but it alone does not sustain this process over multiple generations. Further, much selection in domestication has little to do with human intention. Care, taming, commensalism, material things, and places are critical in carrying domestic relationships forward.
驯化经常被描绘成一个早已过去的事件,有时甚至在考古文献中也是如此。驯化一词现在也适用于其他过程,包括人类进化。在这种情况下,驯化意味着对友好或亲社会性的选择,以及这种选择性选择的身体结果。这两种观点都具有误导性。本文以狗和现代人类为切入点,探讨了为什么将驯化视为一个由亲社会性选择组成的阈值事件既不完整又不准确。归化是一个持续的过程,而不是一个瞬间或一项成就。育种中的选择,包括亲社会性的选择,是许多驯化历史的一部分,但仅靠它并不能在多代人中维持这一过程。此外,驯化中的许多选择与人类的意图几乎没有关系。关爱、驯服、共栖、物质和场所对于促进家庭关系的发展至关重要。
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引用次数: 8
A contemporary archaeology of pandemic 当代流行病考古学
IF 1.2 2区 历史学 Q1 ANTHROPOLOGY Pub Date : 2021-10-19 DOI: 10.1177/14696053211043430
M. Magnani, N. Magnani, Anatolijs Venovcevs, Stein Farstadvoll
Global crises drastically alter human behavior, rapidly impacting patterns of movement and consumption. A rapid-response analysis of material culture brings new perspective to disasters as they unfold. We present a case study of the coronavirus pandemic in Tromsø, Norway, based on fieldwork from March 2020 to April 2021. Using a methodology rooted in social distancing and through systematic, diachronic, and spatial analysis of trash (e.g., discarded gloves, sanitization products), signage, and barriers, we show how material perspectives improve understanding of relationships between public action and government policy (in this case examined in relation to the Norwegian concept of collective labor, dugnad). We demonstrate that the materiality of individual, small-scale innovations and behaviors that typified the pandemic will have the lowest long-term visibility, as they are increasingly replaced or outnumbered by more durable representations generated by centralized state and corporate bodies that suggest close affinity between state directive and local action. We reflect on how the differential durability of material responses to COVID-19 will shape future memories of the crisis.
全球危机极大地改变了人类行为,迅速影响了流动和消费模式。对物质文化的快速反应分析为灾难的发生带来了新的视角。我们根据2020年3月至2021年4月的实地调查,对挪威特罗姆瑟的冠状病毒大流行进行了个案研究。使用植根于保持社交距离的方法,并通过对垃圾(如丢弃的手套、消毒产品)、标识和障碍物的系统、历时和空间分析,我们展示了物质视角如何提高对公共行动和政府政策之间关系的理解(在本例中,结合挪威集体劳动概念dugnad进行了研究)。我们证明,代表疫情的个人、小规模创新和行为的实质性将具有最低的长期可见性,因为它们越来越多地被中央集权的国家和企业机构产生的更持久的代表所取代或超过,这些代表表明国家指令和地方行动之间有着密切的相关性。我们反思新冠肺炎材料反应的不同耐久性将如何塑造未来对危机的记忆。
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引用次数: 8
Fear of a cannibal island: Colonial fear, everyday life, and event landscapes in the Erromango missions of Vanuatu 对食人岛的恐惧:瓦努阿图埃罗曼戈使团的殖民恐惧、日常生活和事件景观
IF 1.2 2区 历史学 Q1 ANTHROPOLOGY Pub Date : 2021-08-26 DOI: 10.1177/14696053211036269
J. Flexner, Jerry Taki
Archaeological landscapes of colonial encounter were shaped to varying degrees by mutual mistrust, misunderstanding, anxiety, and the inherent terror of frontier violence. In the mission encounters of Island Melanesia, the colonial trope of “cannibalism” added a particular tinge to these fears of the colonized other. Mythologies of cannibalism both repulsed and motivated Christian missionaries who were led to places such as Erromango in the New Hebrides (now Vanuatu). Cannibalism as a practice was rare or even non-existent in these encounters, but it remained part of the European imaginary of the region. Several highly-publicized missionary martyrdoms on Erromango between 1839–1872 remain important to local social memories enacted in place. At the same time, there is a backdrop of relatively peaceful everyday life for missionary families as revealed by the archaeological record of mission houses. The structural and actual violence perpetrated by Europeans in missions and other colonial encounters are historically and currently underemphasized.
殖民地遭遇的考古景观在不同程度上受到相互不信任、误解、焦虑和边境暴力固有恐怖的影响。在美拉尼西亚岛的任务遭遇中,“食人”的殖民比喻为被殖民的另一方的恐惧增添了一种特殊的色彩。食人神话既排斥又激励了被带到新赫布里底群岛(现瓦努阿图)埃罗曼戈等地的基督教传教士。在这些遭遇中,食人行为很少见,甚至根本不存在,但它仍然是欧洲人对该地区想象的一部分。1839年至1872年间,埃罗曼戈发生了几起备受关注的传教士殉难事件,这些事件对当地的社会记忆仍然很重要。与此同时,传教房屋的考古记录揭示了传教士家庭相对平静的日常生活背景。欧洲人在执行任务和其他殖民遭遇中实施的结构性和实际暴力在历史上和目前都没有得到充分重视。
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引用次数: 1
Images of transformation in the Lower Amazon and the performativity of Santarém and Konduri pottery 亚马逊河下游的转变图像与Santarém和Konduri陶器的性能
IF 1.2 2区 历史学 Q1 ANTHROPOLOGY Pub Date : 2021-07-08 DOI: 10.1177/14696053211029759
Denise Maria Cavalcante Gomes
This article analyses Amazonian objects of the Santarém and Konduri styles (1100–1600 AD), many of them with images of beings in transformation, adopting a framework that goes beyond an emphasis on the visual to recuperate pragmatic aspects of the rituals in which the objects were involved, apprehended through the formal properties and affordances of the artifacts themselves. Different rules are identified in the construction of these artifacts, some displaying anthropomorphic beings that transmute into zoomorphic beings, others that are revealed through the manipulation of artifacts or through a change in perspective enabled by a change in viewing angle. Composite bodies also constitute an important focus of attention. While the Santarém objects are distinguished by the standardization and reproduction of their design, suggesting a social intensification of a set of practices, the chimerical Konduri figurations point to a relationship closer to the paradoxical dynamic of ritual art, which works to reveal and conceal simultaneously.
本文分析了Santarém和Konduri风格(公元1100年至1600年)的亚马逊物品,其中许多都有转型中的存在形象,采用了一个超越视觉强调的框架,以恢复物品所涉及的仪式的语用方面,通过文物本身的形式属性和可供性来理解。在这些人工制品的构造中确定了不同的规则,一些显示了拟人化的生物,这些生物转变为动物化的生物;另一些则通过人工制品的操纵或通过视角的改变来揭示。复合体也是一个重要的关注焦点。虽然Santarém的物品以其设计的标准化和再现性而闻名,这表明一系列实践的社会强化,但嵌合的Konduri形象指向了一种更接近于仪式艺术的矛盾动态的关系,仪式艺术同时起着揭示和隐藏的作用。
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引用次数: 3
Working with huacos: Archaeological ceramics and relationships among worlds in the Peruvian North Coast 与华科斯合作:秘鲁北海岸的考古陶瓷与世界关系
IF 1.2 2区 历史学 Q1 ANTHROPOLOGY Pub Date : 2021-07-05 DOI: 10.1177/14696053211028062
Débora L Soares
This article proposes a multitemporal approach to the study of archaeological ceramics in the Peruvian North Coast through archaeological ethnography. It allows us to create a new perspective of a past that seems to be continuously brought back in the ritual practices of curanderos (shamans), and in the daily life of other subjects that interact with what archaeologists call archaeological artifacts. In the rituals of curanderos and in the practice of huaqueo, where archaeological ceramics are known as huacos, it is possible to see how these vessels come to life, performing within a complex meshwork of relationships which extend over different worlds, as well as human and other-than-human participation. This discussion provokes the reevaluation of the relationships among archaeological heritage, archaeological material, and archaeological practice itself. It also shows how past and present are related in this specific Andean context.
本文提出了一种通过考古民族志研究秘鲁北海岸考古陶瓷的多时相方法。它使我们能够对过去创造一个新的视角,这种视角似乎在巫师的仪式实践中,以及在与考古学家所称的考古文物互动的其他主体的日常生活中不断被带回。在curanderos的仪式和huaqueo的实践中,考古陶瓷被称为huacos,我们可以看到这些器皿是如何复活的,在延伸到不同世界的复杂关系网络中运行,以及人类和非人类的参与。这一讨论引发了对考古遗产、考古材料和考古实践之间关系的重新评估。它还显示了过去和现在在安第斯的具体背景下是如何联系在一起的。
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引用次数: 1
Esparto crafting under empire: Local technology and imperial industry in Roman Iberia 帝国下的西班牙工艺:罗马伊比利亚的地方技术和帝国工业
IF 1.2 2区 历史学 Q1 ANTHROPOLOGY Pub Date : 2021-06-29 DOI: 10.1177/14696053211016628
Linda R. Gosner
Drawing on scholarship in postcolonial archaeology that emphasizes the place of indigenous technology in colonial and imperial contexts, this article explores the role of local communities in esparto grass weaving and basketry in the southeast Iberian Peninsula in antiquity. Esparto crafting became essential to Phoenician and Carthaginian colonial economies of the 1st millennium BCE and, later, to the production equipment for mining and other industries under Roman imperial rule. This paper uses ethnographic studies alongside archaeological evidence of esparto objects, particularly esparto mining equipment, to reconstruct the chaîne opératoire of ancient esparto crafting. It argues that local communities developed landscape learning and tactile technical knowledge surrounding esparto crafting over many generations. In supplying equipment essential to Roman mining, these communities used their technical knowledge to maintain agency and construct their identities under imperial rule. Ultimately, understanding esparto crafting helps elucidate the relationship between resources, technology, and imperial or colonial encounters.
利用强调本土技术在殖民和帝国背景下地位的后殖民考古学的学术研究,本文探讨了古代伊比利亚半岛东南部当地社区在西班牙草编织和编织中的作用。西班牙工艺在公元前1千年的腓尼基和迦太基殖民地经济中变得至关重要,后来在罗马帝国统治下成为采矿和其他工业的生产设备。本文利用民族志研究和西班牙语物品的考古证据,特别是西班牙语采矿设备,来重建古代西班牙语工艺的cha ne opsamatoire。它认为,当地社区在几代人的时间里发展了围绕西班牙语制作的景观学习和触觉技术知识。在为罗马采矿提供必要的设备时,这些社区利用他们的技术知识在帝国统治下维持代理和构建他们的身份。最终,理解西班牙语制作有助于阐明资源、技术和帝国或殖民遭遇之间的关系。
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引用次数: 1
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Journal of Social Archaeology
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