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Corinthian Terracotta Sculpture and the Temple of Apollo 科林斯兵马俑雕塑和阿波罗神庙
IF 0.8 1区 历史学 0 ARCHAEOLOGY Pub Date : 2000-10-01 DOI: 10.2307/148383
Nancy Bookidis
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引用次数: 12
Pylos Regional archaeological project, Part III : Sir William Gell's itinerary in the Pylia and regional landscapes in the morea in the Second Ottoman period 皮洛斯地区考古项目,第三部分:第二奥斯曼帝国时期威廉·盖尔爵士在皮洛斯的行程和莫里亚地区的景观
IF 0.8 1区 历史学 0 ARCHAEOLOGY Pub Date : 2000-07-01 DOI: 10.2307/148401
J. Bennet, Jack L. Davis, F. Zarinebaf-Shahr
This article previews the study of the Second Ottoman period (1715-1821) by members of the Pylos Regional Archaeological Project. By closely comparing Sir William Gell's apparently dispassionate descriptions of the Navarino Bay area with other documentary and archaeological data, we suggest that reconstruction of settlement and land use relying solely on Gell's descriptions can result in misrepresentation. This conclusion has implications for modern Greek social and economic history, since the image that Gell sketches appears to support a commonly held belief that settlement during Ottoman occupation was concentrated in more mountainous areas, while the lowlands were largely devoid of permanent habitation.
本文概述了皮洛斯地区考古项目成员对第二奥斯曼帝国时期(1715-1821)的研究。通过将威廉·盖尔爵士对纳瓦里诺湾地区的冷静描述与其他文献和考古数据进行仔细比较,我们认为,仅仅依靠盖尔的描述来重建定居点和土地使用可能会导致歪曲。这一结论对现代希腊社会和经济史具有启示意义,因为Gell所描绘的图像似乎支持了一种普遍持有的信念,即奥斯曼帝国占领期间的定居点集中在更多的山区,而低地基本上没有永久居住。
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引用次数: 21
Eumolpos Arrives in Eleusis 尤莫波斯抵达埃柳西斯
IF 0.8 1区 历史学 0 ARCHAEOLOGY Pub Date : 2000-07-01 DOI: 10.2307/148398
E. B. Harrison
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引用次数: 7
Late Hellenistic Pottery in Athens: A New Deposit and Further Thoughts on the Association of Pottery and Societal Change 雅典晚期希腊化陶器:一种新的沉积及对陶器与社会变迁关系的进一步思考
IF 0.8 1区 历史学 0 ARCHAEOLOGY Pub Date : 2000-07-01 DOI: 10.2307/148399
Natalia Vogeikoff-Brogan
In addition to presenting an Attic ceramic deposit of the Late Hellenistic period, the author connects the increase of imported pottery and local imitations in assemblages of the late 2nd and early 1st centuries B.C. with contemporary changes in Athenian society. During this period the emerging political elite ofAthens developed strong commercial interests and foreign contacts that may have led to changes in dining practices (e.g., the introduction of foreign metal shapes). Emulation of these cosmopolitan practices may have encouraged importation of foreign pottery-presumably skeuomorphs of metal vessels-and provided the impetus for Attic ceramic imitation of imported metalware. The aim of the present paper is twofold: to contribute to the study of Attic pottery in the Late Hellenistic period by adding one more deposit to the rather small published corpus from this period and, most importantly, to view Attic Hellenistic pottery in its wider historical context. I am particularly concerned with the significance of pottery as an indicator of social and economic change in Late Hellenistic Athens.1 A LATE HELLENISTIC DEPOSIT FROM THE SOUTH SLOPE OF THE ACROPOLIS
除了展示希腊化晚期的阿提卡陶瓷沉积外,作者还将公元前2世纪末至1世纪初进口陶器和本地仿制品的增加与当代雅典社会的变化联系起来。在这一时期,雅典新兴的政治精英发展了强大的商业利益和对外交往,这可能导致了饮食习惯的变化(例如,引入外国金属形状)。对这些世界性习俗的模仿可能鼓励了外国陶器的进口——可能是金属器皿的拟像——并为阿提卡陶瓷模仿进口金属器皿提供了动力。本论文的目的是双重的:通过在这个时期相当小的出版语料库中增加一个沉积物,为晚期希腊化时期的阿提卡陶器的研究做出贡献,最重要的是,在更广泛的历史背景下观察阿提卡希腊化陶器。我特别关注陶器作为希腊化晚期雅典社会和经济变化指标的重要性。1雅典卫城南坡发现的希腊化晚期沉积物
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引用次数: 14
A New Latin and Greek Inscription from Corinth 科林斯新拉丁文和希腊文铭文
IF 0.8 1区 历史学 0 ARCHAEOLOGY Pub Date : 2000-07-01 DOI: 10.2307/148400
M. D. Dixon
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引用次数: 4
Athenian Politicians and Inscriptions of the Years 307 to 302 第307至302年的雅典政治家和铭文
IF 0.8 1区 历史学 0 ARCHAEOLOGY Pub Date : 2000-04-01 DOI: 10.2307/148444
S. Tracy
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引用次数: 9
The prehistoric remains of the acropolis at Halieis : a final report 哈利伊斯卫城的史前遗迹:最终报告
IF 0.8 1区 历史学 0 ARCHAEOLOGY Pub Date : 2000-04-01 DOI: 10.2307/148442
D. Pullen
Excavations in the 1960s and 1970s on the acropolis of Halieis in the southern Argolid revealed material of Final neolithic through Early Helladic I in deposits dating to the Archaic through Classical periods. Post-prehistoric building activities have disturbed any originally in situ prehistoric deposits. The Halieis ceramics are later than those from the nearby Franchthi cave, but compare well with ceramics collected from the surrounding region by the Southern Argolid Survey. A single radiocarbon date derived from shell yields a marine-corrected date range in the 4th millennium B.C.
在20世纪60年代和70年代对阿戈利德南部的哈利斯卫城的发掘中,发现了从新石器时代末期到古希腊时代早期的沉积物,可以追溯到古代到古典时期。史前后的建筑活动扰乱了任何原本在原地的史前沉积物。Halieis陶瓷比附近的Franchthi洞穴的陶瓷要晚,但与南部Argolid调查从周围地区收集的陶瓷相比,效果很好。从贝壳中提取的单一放射性碳年代得出的海洋校正日期范围为公元前4千年
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引用次数: 11
Back - Mantle and Peplos: The Special Costume of Greek Maidens in 4th - Century Funerary and Votive Reliefs 后披风和佩普洛斯:4世纪葬礼和宗教浮雕中希腊少女的特殊服装
IF 0.8 1区 历史学 0 ARCHAEOLOGY Pub Date : 2000-04-01 DOI: 10.2307/148445
Linda Jones Roccos
The distinctive costume of back-mantle and peplos appears most often on standing females on Late Classical funerary reliefs. These maidens are intentionally set apart from other females in group scenes on grave reliefs as well as in processional scenes on votive reliefs. A decree of 422/1 B.C. provides the earliest example of the costume, worn by Athena, whom the maidens appear to emulate. Mythological maidens approaching marriage, such as Hebe and Deianeira, also wear this costume. The monuments uggest that the maiden of marriageable status dressed in this costume occupied a special place within families and society in Classical Greece. In the ancient world, costume was an all-important indicator of status and social standing, for clothing signified unofficial as well as official membership in a group.1 Distinctive garments inform us not only about the characteristics of individual figures but also about the relationships among figures. The special costume-back-mantle and peplos-that identifies and characterizes Athenian maidens in the Late Classical period is the focus of this study. The consistency in the type of figures shown in this costume, as well as the high quality of the monuments on which they are depicted, indicates that these young women were easily identifiable and important to society. They are the parthenoi celebrated in myth and cult, girls just past their childhood and on the threshold of marriage. Maidens in back-mantle and peplos appear on sixty funerary monuments and eight votive reliefs. The monuments date from an important 1. It is with great pleasure that I thank the American Philosophical Society for research grants to work on this material and the American School of Classical Studies at Athens for assistance and cooperation. I also thank the anonymous reviewers for Hesperia for their useful observations. Appreciation is due to many museum staff members who enabled me to view the sculptures, often under difficult circumstances, at the National Museum and the Acropolis Museum, Athens; Archaeological Museum, Piraeus; British Museum, London; Metropolitan Museum of Art, New York; and Musee du Louvre, Paris. I thank Carol Lawton and Olga Palagia for their helpful comments after reading a draft of this work, Nancy Winter for research assistance, and especially Evelyn B. Harrison, who inspired me to finish it. Although this study is based on my 1986 New York University dissertation for the Institute of Fine Arts, "The Shoulder-Pinned Back-Mantle in Greek and Roman Sculpture," there is a large shift in emphasis here and much new material is presented. American School of Classical Studies at Athens is collaborating with JSTOR to digitize, preserve, and extend access to Hesperia www.jstor.org ® 236 LINDA JONES ROCCOS but not well-defined period of Greek art, the middle decades of the 4th century (ca. 370 to 310 B.C.). Nearly all of the monuments come from Attica-Athens, Brauron, Eleusis, and Piraeus or from places with strong ties
后披风和佩普洛斯的独特服装最常出现在晚期古典丧葬浮雕上站立的女性身上。这些少女被有意地与其他女性分开,在集体场景的坟墓浮雕,以及在游行场景的祈祷浮雕。公元前422/1年的一项法令提供了雅典娜服装的最早例子,少女们似乎都在模仿她。神话中即将出嫁的少女,如Hebe和Deianeira,也穿着这种服装。这些纪念碑表明,在古典希腊,穿着这种服装的适婚少女在家庭和社会中占有特殊的地位。在古代,服装是地位和社会地位的重要标志,因为服装象征着一个群体的非正式和正式的成员身份独特的服装不仅告诉我们单个人物的特征,也告诉我们人物之间的关系。古典晚期雅典少女特有的服饰——背披风和人物,是本研究的重点。这种服装中所展示的人物类型的一致性,以及描绘他们的纪念碑的高质量,表明这些年轻女性很容易识别,对社会很重要。她们是神话和崇拜中赞美的帕特诺伊,是刚刚度过童年、即将步入婚姻殿堂的女孩。穿着后披风和披风的少女出现在六十个丧葬纪念碑和八个祈愿浮雕上。这些纪念碑可以追溯到一个重要的世纪。我非常高兴地感谢美国哲学学会的研究资助,感谢雅典的美国古典研究学院的协助与合作。我也感谢Hesperia的匿名评论者的有用观察。我要感谢许多博物馆的工作人员,他们让我在非常困难的情况下,在国家博物馆和雅典卫城博物馆看到了这些雕塑;比雷埃夫斯考古博物馆;大英博物馆,伦敦;大都会艺术博物馆,纽约;以及巴黎卢浮宫博物馆。我要感谢Carol Lawton和Olga Palagia在阅读了本书初稿后提供的有益意见,感谢Nancy Winter在研究方面的帮助,尤其是Evelyn B. Harrison,她激励我完成本书。虽然这项研究是基于我1986年在纽约大学美术学院的论文,“希腊和罗马雕塑中肩部固定的后地幔”,但这里的重点发生了很大的变化,并且提出了许多新的材料。雅典的美国古典研究学院正在与JSTOR合作,数字化,保存和扩展对Hesperia www.jstor.org®236 LINDA JONES ROCCOS的访问,但没有明确定义的希腊艺术时期,4世纪中期(约公元前370年至公元前310年)。几乎所有的纪念碑都来自阿提卡-雅典、布劳隆、埃莱乌西斯和比雷埃夫斯,或者来自与雅典有密切联系的地方。辨认这种服装的样品很困难;早期的雕塑照片通常只显示正面的完整视图,用平坦的照明掩盖了背面的覆盖物。此外,早期的研究人员并不认为这种衣服与众不同或意义重大。不仅是玛格丽特·比伯关于希腊服装的作品,还有更近一些的作品,如乔治·洛斯菲尔德、艾尔莎·古尔伯格和阿纳斯塔西娅·佩克里杜-戈雷基的作品,都只是简单地提到了这里所考虑的服装。研究表明,当我们分离出特定服装的显著特征时,我们可以了解古希腊的社会和经济角色。伊莉莎白·沃尔特斯(Elizabeth Walters)已经证明,作为伊希斯(Isis)崇拜者的女性通过穿着埃及风格的服装与她联系在一起虽然我们不知道穿着后披风和佩普洛斯的少女是否代表了任何特定的宗教,但她们似乎与雅典娜和阿尔忒弥斯女神有联系,她们也穿着这种服装5 .克里斯汀·索尔维努-因伍德和最近的卡伦·斯泰尔斯认为,那些穿着背风斗篷和高跟鞋的年轻女性都是十几岁的少女其他学者则探讨了某些服装的仪式和宗教意义。玛格丽特·米勒(Margaret Miller)对垂坠的研究表明,在节日上佩戴垂坠是一种地位的象征例如,克勒芬画家(Kleophon Painter)画的一名年轻少女在仪式游行中骑在红色雕像上,她穿着一件垂饰Nancy Serwint认为exomis是女性运动员在奥林匹亚赫拉亚举行的入会仪式上穿的衣服。Evelyn Harrison认为,在长袍上穿肩带的人可能是忒弥斯,但Olga Palagia认为这是同一个人物,demokateia或Agathe tychea .一些作品关注于特定服装的识别性质;例如,哈里森、布吕尼德·里奇韦和朱迪思·谢弗对古代korai人的服装进行了研究。 后披风和佩普洛斯的独特服装最常出现在晚期古典丧葬浮雕上站立的女性身上。这些少女被有意地与其他女性分开,在集体场景的坟墓浮雕,以及在游行场景的祈祷浮雕。公元前422/1年的一项法令提供了雅典娜服装的最早例子,少女们似乎都在模仿她。神话中即将出嫁的少女,如Hebe和Deianeira,也穿着这种服装。这些纪念碑表明,在古典希腊,穿着这种服装的适婚少女在家庭和社会中占有特殊的地位。在古代,服装是地位和社会地位的重要标志,因为服装象征着一个群体的非正式和正式的成员身份独特的服装不仅告诉我们单个人物的特征,也告诉我们人物之间的关系。古典晚期雅典少女特有的服饰——背披风和人物,是本研究的重点。这种服装中所展示的人物类型的一致性,以及描绘他们的纪念碑的高质量,表明这些年轻女性很容易识别,对社会很重要。她们是神话和崇拜中赞美的帕特诺伊,是刚刚度过童年、即将步入婚姻殿堂的女孩。穿着后披风和披风的少女出现在六十个丧葬纪念碑和八个祈愿浮雕上。这些纪念碑可以追溯到一个重要的世纪。我非常高兴地感谢美国哲学学会的研究资助,感谢雅典的美国古典研究学院的协助与合作。我也感谢Hesperia的匿名评论者的有用观察。我要感谢许多博物馆的工作人员,他们让我在非常困难的情况下,在国家博物馆和雅典卫城博物馆看到了这些雕塑;比雷埃夫斯考古博物馆;大英博物馆,伦敦;大都会艺术博物馆,纽约;以及巴黎卢浮宫博物馆。我要感谢Carol Lawton和Olga Palagia在阅读了本书初稿后提供的有益意见,感谢Nancy Winter在研究方面的帮助,尤其是Evelyn B. Harrison,她激励我完成本书。虽然这项研究是基于我1986年在纽约大学美术学院的论文,“希腊和罗马雕塑中肩部固定的后地幔”,但这里的重点发生了很大的变化,并且提出了许多新的材料。雅典的美国古典研究学院正在与JSTOR合作,数字化,保存和扩展对Hesperia www.jstor.org®236 LINDA JONES ROCCOS的访问,但没有明确定义的希腊艺术时期,4世纪中期(约公元前370年至公元前310年)。几乎所有的纪念碑都来自阿提卡-雅典、布劳隆、埃莱乌西斯和比雷埃夫斯,或者来自与雅典有密切联系的地方。辨认这种服装的样品很困难;早期的雕塑照片通常只显示正面的完整视图,用平坦的照明掩盖了背面的覆盖物。此外,早期的研究人员并不认为这种衣服与众不同或意义重大。不仅是玛格丽特·比伯关于希腊服装的作品,还有更近一些的作品,如乔治·洛斯菲尔德、艾尔莎·古尔伯格和阿纳斯塔西娅·佩克里杜-戈雷基的作品,都只是简单地提到了这里所考虑的服装。研究表明,当我们分离出特定服装的显著特征时,我们可以了解古希腊的社会和经济角色。伊莉莎白·沃尔特斯(Elizabeth Walters)已经证明,作为伊希斯(Isis)崇拜者的女性通过穿着埃及风格的服装与她联系在一起虽然我们不知道穿着后披风和佩普洛斯的少女是否代表了任何特定的宗教,但她们似乎与雅典娜和阿尔忒弥斯女神有联系,她们也穿着这种服装5 .克里斯汀·索尔维努-因伍德和最近的卡伦·斯泰尔斯认为,那些穿着背风斗篷和高跟鞋的年轻女性都是十几岁的少女其他学者则探讨了某些服装的仪式和宗教意义。玛格丽特·米勒(Margare
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引用次数: 20
Building Z at Kommos. An 8th-Century Pottery Sequence Kommos的Z号楼。8世纪的陶器序列
IF 0.8 1区 历史学 0 ARCHAEOLOGY Pub Date : 2000-04-01 DOI: 10.2307/148443
A. Johnston
Building Z at Kommos is built into one of the Late Minoan shipsheds of Building P; its major phase of use is in the Middle Geometric period. The pottery from the building including earlier Iron Age material and some from post-use deposition, is fully published here. The totality gives the opportunity of seeing the various contemporary products of the Mesara in fuller detail than is provided by other published sets of material. The purpose of the building is unclear, but it appears to have served a subsidiary function to that of the temple to the north.
Kommos的Z号楼被建在P号楼的米诺斯晚期船房里;它的主要使用阶段是在中期几何时期。该建筑的陶器,包括早期铁器时代的材料和一些使用后的沉积,在这里完整地公布了。整体提供了机会,看到各种当代产品的梅萨拉更全面的细节比其他出版的材料集提供。这座建筑的用途尚不清楚,但它似乎是为北面的寺庙提供辅助功能。
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引用次数: 4
Uncanonical Imperial Portraits in the Eastern Roman Provinces: The Case of the Kanellopoulos Emperor 东罗马行省中不规范的帝国肖像:卡内洛普洛斯皇帝的案例
IF 0.8 1区 历史学 0 ARCHAEOLOGY Pub Date : 2000-01-01 DOI: 10.2307/148367
L. A. Riccardi
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引用次数: 7
期刊
HESPERIA
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