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Prelims 预考
4区 管理学 Q3 Economics, Econometrics and Finance Pub Date : 2020-11-09 DOI: 10.1108/s0742-332220200000042012
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引用次数: 0
Changing Style in Style-changing Industries: The Role of Critics as Gatekeepers in High-end Fashion 时尚行业中不断变化的风格:评论家在高端时尚中的守门人角色
4区 管理学 Q3 Economics, Econometrics and Finance Pub Date : 2020-11-09 DOI: 10.1108/s0742-332220200000042007
Paola Cillo, Joseph C. Nunes, Emanuela Prandelli, I. Scopelliti
Mastering aesthetics is a precious source of competitive advantage in creative industries. In fashion, innovation is reflected by how and how much styles change. Elite designers claim to be the only endogenous force shaping fashion innovation season by season. Yet, each season, fashion critics vet the new collections these designers introduce, assessing what is original as opposed to reworked and uninspired, in this way playing a fundamental role as gatekeepers in setting taste within the industry. In this research, we document how stylistic innovation, vis-a-vis the styles premier design houses introduced each season, is impacted, among the others, by the specific exogenous force of critics' assessments of designers' past work. Our data, which include 61 measures detailing the styles introduced by 38 prestigious Italian and French design houses over a nine-year period, suggest designers move further away from styles reviewed less favourably while adhering more closely to styles reviewed more positively. Additionally, the styles a designer introduces are shown to depend on critical assessments of competing designers' styles, revealing how design houses attend to each other's work. This work documents the strong correlation between style dynamics and critics' feedback. It also has important implications for any company trying to find a balance between independence and conformity in setting its own unique positioning into the market.
掌握美学是创意产业竞争优势的宝贵来源。在时尚界,创新体现在风格变化的方式和程度上。精英设计师声称自己是一季又一季塑造时尚创新的唯一内生力量。然而,每一季,时尚评论家都会审查这些设计师推出的新系列,评估哪些是原创的,哪些是重新设计的,哪些是缺乏灵感的,从而在确立行业品味方面发挥着看门人的基本作用。在这项研究中,我们记录了风格创新,相对于每季推出的主要设计公司,是如何受到评论家对设计师过去工作的评估这一特定外生力量的影响的。我们的数据包括61项指标,详细列出了38家意大利和法国著名设计公司在9年时间里推出的风格。数据表明,设计师们会进一步远离那些评价不佳的风格,而更密切地关注那些评价较好的风格。此外,设计师介绍的风格取决于对竞争设计师风格的批判性评估,揭示了设计公司如何关注彼此的工作。这项工作证明了风格动态和评论家反馈之间的强烈相关性。对于任何试图在独立和从众之间找到平衡的公司来说,它也具有重要的意义,因为它在市场上设定了自己独特的定位。
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引用次数: 0
Style Typologies and Competitive Advantage 风格类型与竞争优势
4区 管理学 Q3 Economics, Econometrics and Finance Pub Date : 2020-11-09 DOI: 10.1108/s0742-332220200000042001
Giovanni Formilan
The concept of style is gaining momentum in organizational research. Focussing on its implications for strategy, this paper presents a conceptual and methodological framework to make the notion of style operational and applicable to both research and practice. Style is defined here as a combinatorial, socially situated and semiotic device that can be organized into typologies – recurrent combinations of stylistic dimensions exerting a normative and semiotic function within and across contexts. The empirical analysis, situated in the field of electronic music, considers the music genres and the colour dimension of artists' appearance as components of their style. Results show how coherent style typologies normatively dominate the field and how non-conformist but coherent typologies correspond to superior creative performance. Operating as unifying device, style can transform varied and potentially confounding traits into distinctiveness and shed light on competitive market dynamics that cannot be fully explained via other theoretical constructs.
风格的概念在组织研究中越来越受到重视。本文重点讨论了风格对战略的影响,提出了一个概念和方法框架,使风格的概念具有可操作性,并适用于研究和实践。风格在这里被定义为一种组合的、社会定位的和符号学的手段,可以被组织成类型学——风格维度的反复组合在上下文中发挥规范和符号学功能。该实证分析位于电子音乐领域,将音乐流派和艺术家外表的色彩维度视为其风格的组成部分。研究结果表明,连贯的风格类型论如何规范地主导该领域,以及不墨守成规但连贯的类型论如何对应于卓越的创作表现。风格作为一种统一的手段,可以将各种可能令人困惑的特征转化为独特性,并揭示无法通过其他理论结构完全解释的竞争市场动态。
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引用次数: 2
Aesthetics and Style in Strategy 策略中的美学与风格
4区 管理学 Q3 Economics, Econometrics and Finance Pub Date : 2020-11-09 DOI: 10.1108/s0742-3322202042
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引用次数: 0
Index 指数
4区 管理学 Q3 Economics, Econometrics and Finance Pub Date : 2020-11-09 DOI: 10.1108/s0742-332220200000042010
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引用次数: 0
Employee Inter- and Intra-Firm Mobility 员工在公司内部和公司内部的流动性
4区 管理学 Q3 Economics, Econometrics and Finance Pub Date : 2020-07-15 DOI: 10.1108/s0742-3322202041
Employee mobility has significant implications for the ability of organizations to transform their capabilities and increase their competitive advantage. Research from different disciplines have examined the strategic implications of the internal employee mobility (i.e., lateral vs. promotion) and of the external employee mobility (i.e., within and between industries; move to rivals and employee entrepreneurship). However, a unifying conceptual structure within and across different disciplines will enhance our ability to gain comparative insights regarding the varying effects of the various mechanisms associated with each type of mobility.
员工流动性对组织转变能力和提高竞争优势的能力具有重要影响。来自不同学科的研究考察了内部员工流动(即横向与晋升)和外部员工流动(如行业内部和行业之间;向竞争对手转移和员工创业)的战略影响。然而,不同学科内部和跨学科的统一概念结构将增强我们获得关于与每种类型的流动相关的各种机制的不同影响的比较见解的能力。
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引用次数: 0
A Rising Tide Lifts all Boats: The Origins of Institutionalized Aesthetic Innovation 潮涌扬帆:制度化审美创新的起源
4区 管理学 Q3 Economics, Econometrics and Finance Pub Date : 2019-08-01 DOI: 10.5465/AMBPP.2019.11014ABSTRACT
M. Eisenman, T. Simons
This paper highlights that the strategic use of design, a competitive pattern typically associated with creative industries, those creating and trading meanings, also characterizes industries that ...
本文强调了设计的战略使用,这是一种典型的与创意产业相关的竞争模式,具有创造和交易的意义,也是创意产业的特征。。。
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引用次数: 1
Designing a Culture of Collaboration: When Changing Beliefs Is (Not) Enough 设计合作文化:当改变信仰是(不够的)
4区 管理学 Q3 Economics, Econometrics and Finance Pub Date : 2018-11-23 DOI: 10.1108/S0742-332220180000040001
Özgecan Koçak, P. Puranam
Organizational cultures that facilitate collaboration are valuable, but little is known about how to create them. The authors investigate the microfoundations of this problem using computational models of dyadic coupled learning. The authors find that merely altering initial beliefs about the consequence of actions (without altering the consequences themselves) can under some conditions create cultures that promote collaboration. The results of this study show why the right initial “framing” of a situation – established for instance through persuasive rhetoric, an inspiring vision, or careful recruitment choices – may under the right conditions be self-reinforcing, instead of becoming empty symbolism.
促进协作的组织文化是有价值的,但人们对如何创造这种文化知之甚少。作者使用二元耦合学习的计算模型研究了这个问题的微观基础。作者发现,在某些条件下,仅仅改变对行为后果的最初信念(而不改变后果本身)就可以创造促进合作的文化。这项研究的结果表明,为什么在正确的条件下,对一种情况的正确初始“框架”——例如通过有说服力的修辞、鼓舞人心的愿景或谨慎的招聘选择——可能会自我强化,而不是成为空洞的象征。
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引用次数: 6
Reviewing, Revisiting, and Renewing the Foundations of Organization Design 回顾、重访和更新组织设计的基础
4区 管理学 Q3 Economics, Econometrics and Finance Pub Date : 2018-11-23 DOI: 10.1108/S0742-332220180000040012
J. Joseph, O. Baumann, R. Burton, K. Srikanth
A long tradition of research has examined the determinants and consequences of organization design. Scholars in this field have mainly been concerned with the extent of empirical variation in organizational structures and the factors driving such variation (Chandler, 1962; Child, 1972; Donaldson, 2001). This stream of research has also charted the role that organization design plays in orchestrating a firm’s overall decision making and in the organizational behavior that follows (Burton & Obel, 1984; Galbraith, 1977; Mintzberg, 1979; Puranam, 2018; Simon, 1947). This extensive body of work draws its explanatory power from a variety of theories: behavioral theory of the firm, structural contingency theory, resource dependence, information processing, social networks, the knowledge-based view, and team theory. At the same time, organization design research is united as regards two key observations namely, that the central problems of design are: (1) how best to divide the organization into subunits and (2) how best to integrate or coordinate those subunits in support of the firm’s overall goals (Lawrence & Lorsch, 1967). This work accordingly acknowledges that there is no single template for “good organization,” much of which depends on the external environment and the firm’s own interdependencies (Thompson, 1967). Although the essence of design’s fundamental problems is still a touchstone in contemporary research, much is changing. Research on organization design has grown in the last decade as academics and managers have become increasingly preoccupied with the relevance of design for organizational strategy,
长期以来的研究传统一直在研究组织设计的决定因素和后果。该领域的学者主要关注组织结构的实证变化程度以及驱动这种变化的因素(Chandler,1962;Child,1972;Donaldson,2001)。这一系列研究还描绘了组织设计在组织企业整体决策和随后的组织行为中所起的作用(Burton&Obel,1984;加尔布雷思,1977年;明茨伯格,1979年;普兰南,2018年;西蒙,1947年)。这一广泛的工作来源于各种理论:企业行为理论、结构偶然性理论、资源依赖性、信息处理、社交网络、知识观和团队理论。同时,组织设计研究在两个关键观察点上是一致的,即设计的核心问题是:(1)如何最好地将组织划分为子单元;(2)如何最好的整合或协调这些子单元,以支持公司的总体目标(Lawrence&Lorsch,1967)。因此,这项工作承认,“良好组织”没有单一的模板,这在很大程度上取决于外部环境和公司自身的相互依赖性(Thompson,1967)。尽管设计基本问题的本质仍然是当代研究的试金石,但许多问题正在发生变化。在过去的十年里,随着学者和管理者越来越关注设计对组织战略的相关性,对组织设计的研究也在增长,
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引用次数: 17
Index 指数
4区 管理学 Q3 Economics, Econometrics and Finance Pub Date : 2018-11-23 DOI: 10.1108/s0742-332220180000040018
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引用次数: 0
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Advances in Strategic Management-A Research Annual
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