Pub Date : 2023-01-02DOI: 10.1080/00043079.2022.2109388
A. Eastmond
Abstract Jvari, the Church of the Holy Cross, overlooking the old capital of Georgia, Mtskheta, is a building that is literally and metaphorically on the edge. It is a liminal monument that crosses borders but also creates them. The church lies at the heart of Georgia’s Christian history, but in the seventh century it lay on the frontier between the Byzantine and Sasanian empires. Architecturally it belongs to a group of churches found across the Caucasus, but it has often been promoted as an exclusively Georgian monument. Jvari is a single monument that illuminates issues in transnational history, and the changing roles of a building in the creation of identities in the early Middle Ages.
{"title":"Art on the Edge: The Church of the Holy Cross, Jvari, Georgia","authors":"A. Eastmond","doi":"10.1080/00043079.2022.2109388","DOIUrl":"https://doi.org/10.1080/00043079.2022.2109388","url":null,"abstract":"Abstract Jvari, the Church of the Holy Cross, overlooking the old capital of Georgia, Mtskheta, is a building that is literally and metaphorically on the edge. It is a liminal monument that crosses borders but also creates them. The church lies at the heart of Georgia’s Christian history, but in the seventh century it lay on the frontier between the Byzantine and Sasanian empires. Architecturally it belongs to a group of churches found across the Caucasus, but it has often been promoted as an exclusively Georgian monument. Jvari is a single monument that illuminates issues in transnational history, and the changing roles of a building in the creation of identities in the early Middle Ages.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"64 - 92"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44755194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/00043079.2022.2109382
R. Brennan
Abstract “Arabesques” (arabeschi) took shape as a term and concept in sixteenth-century Italy to describe motifs deriving from Islamic art. The formation of the concept reflects a complex interplay between art making and art theory, which played out differently across different media. In metalwork, the arabesque was conceptualized in tandem with conscious projects of imperialist appropriation, whereas in needlework it furnished a theoretical basis for a highly conflicted affirmation of female artists. In the long term, these countervailing developments laid the groundwork for increasingly racialized identifications between the arabesque and the grotesque.
{"title":"“Arabesques”: The Making and Breaking of a Concept in Renaissance Italy","authors":"R. Brennan","doi":"10.1080/00043079.2022.2109382","DOIUrl":"https://doi.org/10.1080/00043079.2022.2109382","url":null,"abstract":"Abstract “Arabesques” (arabeschi) took shape as a term and concept in sixteenth-century Italy to describe motifs deriving from Islamic art. The formation of the concept reflects a complex interplay between art making and art theory, which played out differently across different media. In metalwork, the arabesque was conceptualized in tandem with conscious projects of imperialist appropriation, whereas in needlework it furnished a theoretical basis for a highly conflicted affirmation of female artists. In the long term, these countervailing developments laid the groundwork for increasingly racialized identifications between the arabesque and the grotesque.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"9 - 36"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45546411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/00043079.2023.2139993
{"title":"Editorial Board and Information for Authors","authors":"","doi":"10.1080/00043079.2023.2139993","DOIUrl":"https://doi.org/10.1080/00043079.2023.2139993","url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"2 - 2"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42326953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/00043079.2022.2109387
Eva Miller
Abstract In the multivolume Bücher der Bibel (1908–12), Jewish artist Ephraim Mose Lilien imagined a glorious Jewish past that resonated with Zionist discourses of spiritual and artistic revival. He visualized this past in part through appropriating iconography from ancient Egypt and Mesopotamia. The significance of Lilien’s historicism must be understood in the context of a culture conflicted about the relationship between the Bible and the Middle Eastern past, at a time when an association between German imperial power and the ancient Middle East was ubiquitous in popular media and promoted at the highest levels of the state.
{"title":"A New Look for the Jewish Past: Historicism, Authenticity, and Fantasy in E. M. Lilien’s Bible Art","authors":"Eva Miller","doi":"10.1080/00043079.2022.2109387","DOIUrl":"https://doi.org/10.1080/00043079.2022.2109387","url":null,"abstract":"Abstract In the multivolume Bücher der Bibel (1908–12), Jewish artist Ephraim Mose Lilien imagined a glorious Jewish past that resonated with Zionist discourses of spiritual and artistic revival. He visualized this past in part through appropriating iconography from ancient Egypt and Mesopotamia. The significance of Lilien’s historicism must be understood in the context of a culture conflicted about the relationship between the Bible and the Middle Eastern past, at a time when an association between German imperial power and the ancient Middle East was ubiquitous in popular media and promoted at the highest levels of the state.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"37 - 63"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48632744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/00043079.2023.2139983
Sarah R. Cohen
{"title":"Crafting Enlightenment: Artisanal Histories and Transnational Networks, edited by Lauren R. Cannady and Jennifer Ferng; and The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV's France, by Meredith Martin and Gillian Weiss","authors":"Sarah R. Cohen","doi":"10.1080/00043079.2023.2139983","DOIUrl":"https://doi.org/10.1080/00043079.2023.2139983","url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"140 - 145"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44298857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/00043079.2023.2155100
C. Anderson
{"title":"Art History In and Outside of the Academy","authors":"C. Anderson","doi":"10.1080/00043079.2023.2155100","DOIUrl":"https://doi.org/10.1080/00043079.2023.2155100","url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"6 - 8"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46075925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/00043079.2022.2109390
L. Oliver
Abstract In the second half of the nineteenth century, the British Raj sponsored cattle competitions across India to educate peasants in responsible bovine husbandry practices to mitigate famine. Photographs of these competitions, which demonstrate the fraught convergence of economic liberalism and colonial humanitarianism, aimed to constitute model peasants and cattle of measurable self-improvement. Simultaneously, the photographs reveal traces of bovine-peasant relationships that unsettle these newly conceived colonial subjects and that speak to the manner in which cattle’s bodies were sites of competing political and affective inscription.
{"title":"Visualizing Peasant and Bovine Self-Sustenance in the Famine Tracts of Colonial India","authors":"L. Oliver","doi":"10.1080/00043079.2022.2109390","DOIUrl":"https://doi.org/10.1080/00043079.2022.2109390","url":null,"abstract":"Abstract In the second half of the nineteenth century, the British Raj sponsored cattle competitions across India to educate peasants in responsible bovine husbandry practices to mitigate famine. Photographs of these competitions, which demonstrate the fraught convergence of economic liberalism and colonial humanitarianism, aimed to constitute model peasants and cattle of measurable self-improvement. Simultaneously, the photographs reveal traces of bovine-peasant relationships that unsettle these newly conceived colonial subjects and that speak to the manner in which cattle’s bodies were sites of competing political and affective inscription.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"117 - 139"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43249246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/00043079.2023.2139987
B. Kellum
{"title":"Painting, Poetry, and the Invention of Tenderness in the Early Roman Empire, by Hérica Valladares; and Destinations in Mind: Portraying Places on the Roman Empire’s Souvenirs, by Kimberly Cassibry","authors":"B. Kellum","doi":"10.1080/00043079.2023.2139987","DOIUrl":"https://doi.org/10.1080/00043079.2023.2139987","url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"146 - 149"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43988442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/00043079.2022.2109389
Andrew Griebeler
Abstract Standard art historical narratives portray early medieval and Byzantine botanical illustration as a stagnate tradition resulting from the uncritical copying of ancient models. The Morgan Dioscorides, however, testifies to robust critical practices in Byzantine botanical illustration as early as the ninth or tenth century ce. In this article I argue that the makers of the Morgan Dioscorides critically compared variant pictures from the same manuscript tradition. They drew upon nature observation and close readings of text to create illustrations absent from the existing tradition. I further explore the theoretical and empirical underpinnings for these practices.
{"title":"Botanical Illustration and Byzantine Visual Inquiry in the Morgan Dioscorides","authors":"Andrew Griebeler","doi":"10.1080/00043079.2022.2109389","DOIUrl":"https://doi.org/10.1080/00043079.2022.2109389","url":null,"abstract":"Abstract Standard art historical narratives portray early medieval and Byzantine botanical illustration as a stagnate tradition resulting from the uncritical copying of ancient models. The Morgan Dioscorides, however, testifies to robust critical practices in Byzantine botanical illustration as early as the ninth or tenth century ce. In this article I argue that the makers of the Morgan Dioscorides critically compared variant pictures from the same manuscript tradition. They drew upon nature observation and close readings of text to create illustrations absent from the existing tradition. I further explore the theoretical and empirical underpinnings for these practices.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"93 - 116"},"PeriodicalIF":0.7,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47822224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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