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Gentrification and the Right to the Geomedia City 绅士化与地理媒体城市的权利
IF 1 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2022-05-02 DOI: 10.1177/12063312221090600
M. Hartmann, André Jansson
This article introduces the special issue “Gentrification and the right to the geomedia city.” The aim of the special issue is to make up for the lack of research on how gentrification is shaped and underpinned by the normalization of various media platforms that currently define urban life—and what these media mean to the resistance to gentrification. Building on the seven contributions that make up the special issue, this article introduces the concept of the geomedia city as a discriminatory regime of dwelling. The geomedia city refers not only to the digital infrastructures built into urban environments—circulating and embedding data—but more crucially to the social and cultural dynamics whereby certain norms, skills, and forms of capital (and thus people) are legitimized (or marginalized) in the city. As such, geomedia constitutes a territorializing force that lubricates urban displacement processes by defining who has the right to belong where.
这篇文章介绍了特刊《绅士化与几何媒体城市的权利》。该特刊的目的是弥补对目前定义城市生活的各种媒体平台的规范化如何塑造和支撑绅士化的研究不足,以及这些媒体对抵制绅士化意味着什么。在构成本专题的七项贡献的基础上,本文介绍了几何城市作为一种歧视性的居住制度的概念。几何体城市不仅指建立在城市环境中的数字基础设施——流通和嵌入数据——更重要的是指社会和文化动态,即某些规范、技能和资本形式(以及人)在城市中合法化(或边缘化)。因此,几何体构成了一种领土化的力量,通过定义谁有权归属于哪里来润滑城市流离失所过程。
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引用次数: 3
Place, Memory, and Justice: Critical Perspectives on Sites of Conscience 地点、记忆和正义:良心场所的批判视角
IF 1 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2022-05-01 DOI: 10.1177/12063312221089207
J. Lloyd, L. Steele
In disrupting the singularity of official histories and memorials, some scholars, activists, and members of marginalized populations have approached memory as a concept that accommodates a multiplicity of subjugated experiences, knowledges, and narratives of place and event, and thus gives rise to a set of memory practices that serve as useful tools for anti-oppression and social justice activism. For these reasons, this memory work has a clear spatial dimension and focuses on place. One such movement in this vein, referred to as “Sites of Conscience,” forms the focus of this special issue. This editorial introduction to this special issue of Space and Culture takes Sites of Conscience as a prism through which to consider relations between history, memory, politics, temporality, ethics, and justice within a spatial framework. Given the increasing pressures to simplify and “purify” national narratives and to pathologize multiple forms of difference, we urgently need activist scholarship on the salient relations between place, history, memory, memorialization, and social justice.
为了打破官方历史和纪念馆的单一性,一些学者、活动家和边缘化人群将记忆视为一个概念,它包含了多种被征服的经历、知识以及对地点和事件的叙述,从而产生了一系列记忆实践,这些实践是反压迫和社会正义行动主义的有用工具。由于这些原因,这部记忆作品具有清晰的空间维度,并聚焦于地点。一个这样的运动,被称为“良心之地”,形成了本期特刊的焦点。本期《空间与文化》特刊的编辑引言将良心遗址作为一个棱镜,通过它在空间框架内思考历史、记忆、政治、时间性、伦理和正义之间的关系。鉴于简化和“净化”国家叙事以及将多种形式的差异病态化的压力越来越大,我们迫切需要关于地方、历史、记忆、纪念和社会正义之间显著关系的活动家学者。
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引用次数: 2
(Lived) Spaces of Belonging, Culture, and Gender: Spatial Practices of Home for Syrian Women in Istanbul 归属、文化和性别的(居住)空间:伊斯坦布尔叙利亚妇女的家的空间实践
IF 1 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2022-05-01 DOI: 10.1177/12063312221089213
Pınar Sezginalp Özçetin, S. Rottmann
Combining architectural and cultural anthropological approaches, this study explores the domestic lived spaces of Syrian women in Istanbul to understand how they create belonging in a new social and architectural setting and perform gender roles. We analyze data gathered from several types of dwellings according to the concept of spatial practice of Henri Lefebvre to explore how women’s daily life praxis fosters feelings of contentment and safety, and how they reflect on their previous homes in Syria through a lens of nostalgia. At the same time, we explore how houses in Syria are remembered via reflections on spatial changes. Methodologically, we rely on semi-structured interviews and mental map drawings of houses in Istanbul and reminisced houses from Syria. Ultimately, this research provides a fine-grained portrait of the (lived) space of Syrian women, showing how they reconstruct domestic lives through past/Syrian and current/Turkish spatial practices.
结合建筑和文化人类学的方法,本研究探讨了伊斯坦布尔叙利亚妇女的家庭生活空间,以了解她们如何在新的社会和建筑环境中创造归属感,并履行性别角色。根据Henri Lefebvre的空间实践概念,我们分析了从几种类型的住宅收集的数据,以探索女性的日常生活实践如何培养满足感和安全感,以及她们如何通过怀旧的视角反思她们在叙利亚的以前的家。与此同时,我们通过对空间变化的反思来探索叙利亚的房屋是如何被记住的。在方法上,我们依赖于半结构化的访谈和伊斯坦布尔房屋的心理地图图,以及叙利亚的怀旧房屋。最终,本研究提供了叙利亚妇女(生活)空间的精细肖像,展示了她们如何通过过去/叙利亚和现在/土耳其的空间实践重建家庭生活。
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引用次数: 2
The Eroticism of Logistics 物流的色情
IF 1 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2022-04-30 DOI: 10.1177/12063312221089205
David W. Hill
This article draws attention to the reproduction of logistical power in what is identified as the eroticism of logistics. Eroticism here describes the way that transmission is understood as a seamless conveyance of goods or an intimate communication across a surface. It is first argued that this eroticism is found in attempts to define modernity as logistical that ought to be rejected in favor of a more grounded account of rerouting. It is then demonstrated that this latter account best accommodates the findings of critical logistics studies, where logistical spaces are shown to be fractious and the movement of goods far from smooth. It is finally argued that while an erotic principle of transmission lends itself to a reductive account of logistics that sustains its violence, a postal account of transmission better captures the experience of getting the goods while situating logistics within a critical space.
本文将注意力集中在物流权力的再现上,即物流的色情。色情主义在这里描述了传播被理解为货物的无缝运输或表面上的亲密交流的方式。首先有人认为,这种情色是在试图将现代性定义为逻辑性的过程中发现的,应该拒绝这种逻辑性,而支持对重新安排路线的更为接地气的描述。然后证明,后一种说法最适合关键物流研究的结果,在这些研究中,物流空间被证明是不稳定的,货物的流动也远非平稳。最后有人认为,虽然传输的色情原则有助于对维持其暴力的物流进行简化描述,但对传输的邮政描述可以更好地捕捉获取货物的体验,同时将物流置于关键空间内。
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引用次数: 0
University Spaces as Sites of Conscience 作为良心场所的大学空间
IF 1 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2022-03-16 DOI: 10.1177/12063312211065263
K. van Marle
In this article, I reflect on the idea of university spaces as potential sites of conscience. I explore how these spaces act not only as continuous reminders of past violence, marginalization, and exclusion, but as reminders also of ethical accountability and redress. The latter discloses opportunities and possibilities for a reinterpretation of such spaces, keeping in mind that the traces of the past will remain and that every attempt at erasure will be incomplete. The article considers how spaces or places that remain in the process of decolonization can be mobilized as sites of conscience. These sites/spaces/places manifest relationality also between materiality and symbol and between judgment and ethical accountability. The article focuses on issues surrounding the removal of a statue of the past president of the Republic of the Orange Free State, President M. T. Steyn at the University of the Free State (UFS) in Bloemfontein, South Africa. The university has a long and troubled history of exclusion, racism, and authoritarianism, among others. Since the early 1990s, many attempts have been made to transform, not all in vain. The statue itself was a site of contention at the UFS for many years and was removed over the last weekend in June 2020. I conclude that space that remains on the UFS campus is one of haunting that urges a certain sense of place and atmosphere that could forge learning, education, and transforming citizenship.
在这篇文章中,我反思了大学空间作为潜在的良心场所的想法。我探索这些空间如何不仅作为过去暴力、边缘化和排斥的持续提醒,而且作为道德责任和补救的提醒。后者揭示了重新解释这些空间的机会和可能性,记住过去的痕迹将保留下来,每一次擦除的尝试都将是不完整的。这篇文章探讨了如何动员仍在非殖民化进程中的空间或地方作为良心的场所。这些地点/空间/场所也体现了物质性与象征性之间、判断与伦理责任之间的关系。本文聚焦于移除位于南非布隆方丹的自由州大学(University of The Free State, UFS)前奥兰治自由州共和国总统M. T. Steyn的雕像。这所大学在排斥、种族主义和威权主义等方面有着悠久而麻烦的历史。自20世纪90年代初以来,人们进行了许多转型尝试,但并非都是徒劳的。这座雕像本身多年来一直是UFS争论的焦点,并于2020年6月的最后一个周末被拆除。我的结论是,留在UFS校园的空间是一个令人难以忘怀的空间,它敦促一种特定的地方和氛围,可以促进学习,教育和改变公民身份。
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引用次数: 1
Theorizing Otherwise: Sites of Conscience and Gendered Violence 理论化:良心和性别暴力的场所
IF 1 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2022-03-10 DOI: 10.1177/12063312211065561
M. Tumarkin
This article starts with the idea that a site of conscience is uniquely capable of keeping alive in the public imagination—as an open wound and as a call to action—the devastating persistence of gendered violence. It doesn’t seek to offer an account of how such a site might come to be imagined, let alone come into being. Instead, its focus is on the conceptual work required to make space for this kind of imagining. I argue that it is important to make and maintain a distinction between a site of memory and a site of conscience and that the category of time needs to be denaturalized and reconsidered in our conceptualization of the cultural work performed by sites of conscience.
这篇文章从这样一个观点开始:一个良知的场所是唯一能够在公众想象中保持活力的——作为一个开放的伤口,作为一个行动的呼吁——性别暴力的破坏性持续存在。它并没有试图解释这样一个网站是如何被想象出来的,更不用说如何成为现实了。相反,它的重点是为这种想象创造空间所需的概念性工作。我认为,在记忆场所和良心场所之间做出并保持区分是很重要的,在我们对良心场所所进行的文化工作的概念化中,时间的范畴需要被变性和重新考虑。
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引用次数: 1
Memory, Place, and Mobility: Kinchela Boys Home Aboriginal Corporation’s Mobile Education Centre as a Site of Conscience 记忆、地点和流动:Kinchela男孩之家原住民公司的流动教育中心作为良心的场所
IF 1 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2022-03-07 DOI: 10.1177/12063312211065556
Tiffany McComsey, A. Porter
This “postcard” examines the development of Kinchela Boys Home Aboriginal Corporation’s (KBHAC) Mobile Education Centre as a mobile “site of conscience” as well as a place of Indigenous resistance and truth-telling in White Australia. KBHAC’s Mobile Education Centre is a whole of community experiential learning facility and aims to educate children, young people, and communities (Aboriginal and non-Indigenous) through three levels of engagement drawing on a range of resources: oral testimony, archival footage and artifacts, animated film, visual images, and interactive materials including an online portal. The Mobile Education Centre represents one example of decades of advocacy of survivors to raise awareness about Kinchela Boys Home and the experiences of Stolen Generations survivors. This postcard tells the story of KBHAC’s Mobile Education Centre and situates it within the context of ongoing efforts to reclaim the former Kinchela Boys Home site, located on Dunghutti Country, Mid-North Coast, New South Wales. In doing so, this article seeks to document the story of a mobile site of conscience which seeks to educate about past harms and the intergenerational impacts of genocidal laws and policies while creating a space for truth-telling that supports the process of post-traumatic growth and intergenerational healing.
这张“明信片”考察了金切拉男孩之家原住民公司(KBHAC)移动教育中心的发展,该中心是一个移动的“良心之地”,也是澳大利亚白人抵抗和讲真话的地方。KBHAC的移动教育中心是一个完整的社区体验式学习设施,旨在利用一系列资源,通过三个层次的参与来教育儿童、年轻人和社区(原住民和非原住民):口头证词、档案录像和文物、动画电影、视觉图像和包括在线门户网站在内的互动材料。流动教育中心是几十年来倡导幸存者提高对金切拉男孩之家和被盗一代幸存者经历的认识的一个例子。这张明信片告诉了KBHAC移动教育中心的故事,并将其置于正在进行的努力的背景下,以收回位于新南威尔士州Mid-North Coast Dunghutti Country的前Kinchela男孩之家。在这样做的过程中,本文试图记录一个良心移动网站的故事,该网站试图教育人们过去的危害以及种族灭绝法律和政策的代际影响,同时创造一个讲述真相的空间,支持创伤后成长和代际愈合的过程。
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引用次数: 1
Space, Place, and Countervisuality in Montgomery: A Rhetorical Analysis of the National Memorial for Peace and Justice 蒙哥马利的空间、地点与反想象——国家和平与正义纪念馆的修辞分析
IF 1 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2022-03-06 DOI: 10.1177/12063312211066567
Patricia G. Davis
The National Memorial for Peace and Justice (NMPJ) is a site of conscience that simultaneously mobilizes and interrogates the neoliberal cityscape of its location in downtown Montgomery, Alabama, USA. The memorial is comprised of a monument commemorating the more than 4,000 documented lynching victims in the United States and a museum that provides the historical and contemporary contexts for lynching and other forms of racial violence. Located in an iconic city of the African American civil rights movement that is attempting to rebrand itself as a scene of racial reconciliation, the memorial mobilizes discourses of space and place to situate contemporary mass incarceration as the “unfinished business” of the era. This essay addresses the commemorative duality implicated in the NMPJ’s ability to marshal and contest the neoliberal assumptions activated through rhetorics of reconciliation, redemption, post-racialism—and, ultimately, American exceptionalism—to offer a countervisual reading of Montgomery’s cityscape.
国家和平与正义纪念馆(NMPJ)是一个良知之地,它同时动员和质疑位于美国阿拉巴马州蒙哥马利市中心的新自由主义城市景观。该纪念碑由一座纪念碑和一座博物馆组成,前者纪念美国4000多名记录在案的私刑受害者,后者提供私刑和其他形式种族暴力的历史和当代背景。纪念碑位于非裔美国人民权运动的标志性城市,该运动正试图将自己重塑为种族和解的场景,它动员了空间和场所的话语,将当代大规模监禁定位为这个时代的“未完成的事业”。这篇文章探讨了NMPJ有能力整理和质疑通过和解、救赎、后种族主义——以及最终的美国例外主义——的修辞激活的新自由主义假设,从而对蒙哥马利的城市景观进行反视觉解读。
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引用次数: 1
Delinquent Girls as Activists: Insider Activism and Carceral Welfare 作为激进分子的少年犯女孩:内部激进主义和监狱福利
IF 1 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2022-03-05 DOI: 10.1177/12063312211066542
Jacqueline Z. Wilson, B. Carlton
The article examines the motivation and role of the insider activism that resulted in the preservation of a major historical site of female incarceration, the Parramatta Female Factory Precinct, in suburban Sydney. For much of the 20th century the site was a “Girls’ Home,” in which children who had committed no offense were incarcerated under child welfare regulations and literally treated like criminals. Life in the institution was characterized by routine extreme maltreatment of children, many of whom have carried the psychological legacy of their time there throughout their lives. A group of survivors, moved to preserve and reclaim the space, spent many years contending with obdurate and indifferent bureaucracies before successfully having the site Heritage-listed, and it is now a member of the international Sites of Conscience. The Precinct’s significance as a site of feminist carceral history is discussed, and its place in today’s cultural landscape examined.
这篇文章探讨了内部激进主义的动机和作用,这些激进主义导致了悉尼郊区一处主要的女性监禁历史遗址——帕拉玛塔女性工厂区的保护。在20世纪的大部分时间里,该网站都是一个“女孩之家”,在那里,没有犯罪的儿童根据儿童福利条例被监禁,并被视为罪犯。该机构的生活特点是对儿童的日常极端虐待,其中许多儿童一生都背负着在那里度过的心理遗产。一群幸存者被转移到保护和回收空间,在成功将该遗址列入遗产名录之前,他们花了多年时间与顽固和冷漠的官僚机构进行斗争,现在该遗址已成为国际良心遗址的一员。讨论了警区作为女性主义尸体历史遗址的意义,并考察了它在当今文化景观中的地位。
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引用次数: 2
The Blacktown Native Institution as a Living, Embodied Being: Decolonizing Australian First Nations Zones of Trauma Through Creativity 布莱克敦土著机构作为一个活生生的、具体化的存在:通过创造力去殖民化澳大利亚第一民族的创伤区
IF 1 4区 社会学 Q2 CULTURAL STUDIES Pub Date : 2022-02-24 DOI: 10.1177/12063312211073048
Brook Andrew, L. Hibberd
In Australia, the trauma of the forced removal, institutionalization, and attempted assimilation of Aboriginal and Torres Strait Islander children under Stolen Generations policies is rarely publicly memorialized, especially at the children’s homes and missions where these things took place. Darug Nation reclamation of the former site of the Blacktown Native Institution in Western Sydney entails, however, a distinct memorialization of the land as a powerful identity through restoring ceremonial and land care cultural practices that predate invasion. The Darug activation of this place pivots on a powerful Aboriginal ethos of land as “Country”—a living being or spirit. We also contend that this relationship to land is better defined by the expansive term “zone” rather than the colonial, territorial notion of “site.” It is in this context that Darug Traditional Owners, other First Nations artists, and Stolen Generations survivors are generating remarkable artistic, communal, ephemeral, land-based, and performative approaches that empower and restore Darug bonds, with the land of the former institution as a living being.
在澳大利亚,在“偷来的一代”政策下,原住民和托雷斯海峡岛民儿童被强迫迁移、制度化和试图同化的创伤很少被公开纪念,尤其是在发生这些事情的儿童之家和传教会。Darug Nation对西悉尼Blacktown原住民机构旧址的复垦需要通过恢复入侵前的仪式和土地护理文化习俗,对这片土地进行独特的纪念,作为一种强大的身份。达鲁格对这个地方的激活取决于一种强大的土著精神,即把土地视为“国家”——一种活生生的存在或精神。我们还认为,这种与土地的关系最好用“区域”这个宽泛的术语来定义,而不是用“场地”这个殖民的、领土的概念。正是在这种背景下,达鲁格传统所有者、其他第一民族艺术家和被偷走的一代幸存者创造了非凡的艺术、公共、短暂、基于土地和表演的方法,赋予和恢复达鲁格与前机构的土地之间的联系,使其成为一个活生生的存在。
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引用次数: 6
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