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Understanding I: The Rhetorical Variety of Self-References in College Literature Papers 理解一:大学文学论文中自我指称的修辞变化
Q1 Arts and Humanities Pub Date : 2016-06-01 DOI: 10.15781/T2610VT2B
L. Beerits
It seems only fair to start with my own first-person admission: I am personally, pedagogically, and professionally interested in how students do and do not write about themselves in their academic papers. And as a composition instructor, I have seen that students, too, are deeply concerned with understanding the "rules" for academic writing, particularly around the use of the pronoun I. Their confusion is understandable: high school teachers, college professors, and writing handbook authors-all wrestling with how best to train students to becomes successful writers in and outside of the classroom-sometimes offer conflicting guidelines and advice. Some contend that first-person pronouns make a text more readable or better highlight a writer's own contributions, while others caution that first-person references are overly informal or subjective.1Scholars, though, consistently use first-person pronouns in their own writing-though this, too, is not uncomplicated. In a survey of 240 scholarly articles from well-regarded journals across a variety of academic fields, linguist Ken Hyland found that every article in the sample contained "at least one first person reference," with scholars in the humanities and social sciences self-referencing particularly frequently ("Humble Servants" 212).2 Despite this evidence that scholars commonly use first-person pronouns, Hyland believes this practice is still at odds with traditional academic attitudes. He observes that impersonality in writing is often "institutionally sanctified" as a signal of disciplinary mastery, yet it is also "constantly transgressed" in our scholarship (209). Because of this contradiction, Hyland argues that gauging where and when self-referencing is appropriate "remains a perennial problem for students, teachers, and experienced writers alike" (208).What becomes clear from this conflict is that we have historically and ideologically conflated first-person pronoun use with more informal, personal writing. But is this conflation warranted? To examine this, I argue that we must carefully refine what we mean by "personal" and "academic" writing. For although we have spent decades discussing the appropriateness and utility of these two writing styles (often as iterations of the seminal Bartholomae/ Elbow Debate, and, more recently, in productive explorations of alternative discourses and widened disciplinary conventions), we still largely intuit our own definitions of each kind of writing.3 And too often, these definitions are used to create a good-versus-bad, academic-versus-personal binary that student writing-and our own-simply does not follow. What makes writing academic? What makes writing personal? Can writing be both academic and personal? And, most relevant to the current study, does the use of first-person pronouns necessarily signal or encourage personal writing?Individual instructors will always, of course, have different preferences around first-person pronoun use; some will welcom
似乎只有从我自己的第一人称承认开始才公平:我个人、教学和专业上都对学生在学术论文中如何写自己和不写自己感兴趣。作为一名作文指导老师,我发现学生们也非常关心学术写作的“规则”,尤其是代词“I”的使用。他们的困惑是可以理解的:高中老师、大学教授和写作手册的作者们——他们都在为如何最好地训练学生在课堂内外成为成功的作家而绞尽脑汁——有时会给出相互矛盾的指导方针和建议。一些人认为第一人称代词使文本更具可读性或更好地突出作者自己的贡献,而另一些人则警告说,第一人称引用过于非正式或主观。然而,学者们在自己的写作中一贯使用第一人称代词——尽管这也不是简单的。语言学家肯·海兰德(Ken Hyland)调查了240篇来自不同学术领域的知名期刊的学术文章,发现样本中的每篇文章都包含“至少一个第一人称引用”,人文和社会科学领域的学者尤其频繁地自我引用(《谦卑的仆人》212页)尽管有证据表明学者们普遍使用第一人称代词,但海兰认为这种做法仍然与传统的学术态度不一致。他观察到,写作中的客观常常被“制度上神圣化”,作为学科精通的标志,然而在我们的学术研究中,它也“不断被违反”(209)。由于这种矛盾,海兰德认为,衡量何时何地自我引用是合适的“对于学生、教师和经验丰富的作家来说,仍然是一个长期存在的问题”(208)。从这场冲突中可以清楚地看出,我们在历史上和意识形态上把第一人称代词的使用与更非正式的个人写作混为一谈。但这种合并有道理吗?为了检验这一点,我认为我们必须仔细地界定“个人”和“学术”写作的含义。因为尽管我们花了几十年的时间讨论这两种写作风格的适当性和实用性(通常是开创性的Bartholomae/肘部辩论的迭代,最近,在对替代话语和扩大学科惯例的富有成效的探索中),我们仍然在很大程度上凭直觉对每一种写作的定义而且,这些定义经常被用来创造一个好与坏、学术与个人的二元对立,而学生的写作——以及我们自己的写作——根本不遵循这种二元对立。是什么让写作具有学术性?是什么让写作个人化?写作可以既学术性又私人化吗?而且,与当前研究最相关的是,第一人称代词的使用是否必然暗示或鼓励个人写作?当然,个别教师对第一人称代词的使用总是有不同的偏好;一些人会欢迎它,认为它是一种增强学生声音的风格,而另一些人则会认为它在学术环境中不合适。这项研究并不是为了裁决这场辩论,我也不会用结果来宣称自我引用的整体修辞效果。相反,这项研究的目的是研究这些第一人称陈述是如何发挥作用的,欣赏它们的修辞多样性,并提供一个批判性的词汇来回应它们。除了改进我们看待第一人称引用的方式,我们还需要检查学生在学术写作中使用这些代词或引用他们个人生活的频率。一些教师报告说,他们总是在学生的论文中遇到个人回答,而不管作业提示是什么,而另一些教师则发现有证据表明,学生已经严格地内化了一种禁止使用I的禁令但除了这些相互矛盾的轶事观察之外,令人惊讶的是,我们对本科生的实际写作实践知之甚少。…
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引用次数: 3
Campus Racial Politics and a "Rhetoric of Injury". 校园种族政治与“伤害修辞”。
Q1 Arts and Humanities Pub Date : 2009-09-01 DOI: 10.2307/j.ctt163t7r9.7
H. Hoang
If college writing faculty wish to prepare students to engage in civic forums, then how might we prepare students to write and speak amid racial politics on our campuses? This article explores the college student discourse that shaped an interracial conflict at a public California university in 2002 and questions the "rhetoric of injury" informing racial accountability in the post-civil rights era. Language: en
如果大学写作教师希望让学生准备好参与公民论坛,那么我们该如何让学生在校园的种族政治背景下写作和演讲呢?本文探讨了2002年在加州一所公立大学引发种族冲突的大学生话语,并质疑在后民权时代告知种族责任的“伤害修辞”。语言:在
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引用次数: 7
Toward a New Critical Framework: Color-Conscious Political Morality and Pedagogy at Historically Black and Historically White Colleges and Universities. 走向一个新的批判框架:历史上黑人和历史上白人大学的种族意识政治道德和教育学。
Q1 Arts and Humanities Pub Date : 2009-09-01 DOI: 10.7330/9780874219258.c020
Carmen Kynard, R. Eddy
Jl' ow physically removed from the spaces of the historically black colleges and universities (HBCUs) but still politically and psychically invigorated by their historical legacy, we seek to center the radical presence of the HBCUs in definitions of and needs for critical literacy and anti-racist pedagogies at the American university (Brown and Freeman; Williams and Ashley). HBCUs have created a critical space in which the cultural identities of black college students have pedagogical consequence inside of the arenas of racial inequality in the United States (Allen; Brown and Davis; Fleming; Gasman; Ross). HBCUs have thus retooled higher education in the United States, and yet their less told stories of race and pedagogy remain under-theorized.
我们从物理上脱离了历史上的黑人学院和大学(HBCUs)的空间,但在政治上和精神上仍然受到他们的历史遗产的鼓舞,我们试图将HBCUs的激进存在集中在美国大学对批判性素养和反种族主义教学法的定义和需求中(布朗和弗里曼;威廉姆斯和阿什利)。HBCUs创造了一个关键的空间,在这个空间中,黑人大学生的文化身份在美国种族不平等的舞台上具有教学意义(Allen;布朗和戴维斯;弗莱明;送煤气;罗斯)。因此,hbcu重塑了美国的高等教育,然而,他们关于种族和教育的故事却很少被人提起,理论化程度仍然很低。
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引用次数: 20
Reinventing WAC (Again): The First-Year Seminar and Academic Literacy 重新发明WAC(再次):第一年研讨会和学术素养
Q1 Arts and Humanities Pub Date : 2005-12-01 DOI: 10.37514/per-b.2011.2379.2.14
D. Brent
I n "The Future of WAC," Barbara Walvoord argues persuasively that the WAC movement "cannot survive as Switzerland" (69): that is, in order to maintain its forward momentum and avoid schism, isolation, or atrophy, WAC must align itself with other educational movements that have national stature and staying power. She mentions a number of movements with which WAC has natural affinities: critical thinking, ethical thinking, assessment, and educational reform in general. Susan McLeod, Eric Miraglia, Margot Soven and Christopher Thaiss's recent edited collection WACfor the New Millennium, adds further weight to this argument with essays that detail WAC's relationship to related movements such as service-learning, learning communities, electronic communication, and writing-intensive courses.
在《WAC的未来》一书中,芭芭拉·沃尔沃德(Barbara Walvoord)令人信服地指出,WAC运动“不能像瑞士那样生存”(69):也就是说,为了保持其前进的势头,避免分裂、孤立或萎缩,WAC必须与其他具有全国地位和持久力的教育运动保持一致。她提到了WAC与许多运动有着天然的联系:批判性思维、伦理思维、评估和一般的教育改革。Susan McLeod, Eric Miraglia, Margot Soven和Christopher Thaiss最近编辑的合集《新千年的WAC》进一步加强了这一论点,其中详细介绍了WAC与相关运动(如服务学习,学习社区,电子通信和写作强化课程)的关系。
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引用次数: 24
Review: What Video Games Have to Teach Us about Learning and Literacy by James Paul Gee. Co- authored with Cynthia L. Selfe and Scott Lloyd DeWitt 评论:电子游戏教我们学习和读写能力的东西(James Paul Gee)合著与辛西娅L.塞尔夫和斯科特劳埃德德维特
Q1 Arts and Humanities Pub Date : 2004-12-01 DOI: 10.2307/4140653
S. Dewitt, Cynthia L. Selfe, Pamela Takayoshi, J. Gee
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引用次数: 1
Letters from the Fair City: A Rhetorical Conception of Literacy. 来自美丽城市的信件:文学的修辞概念。
Q1 Arts and Humanities Pub Date : 2004-12-01 DOI: 10.2307/4140648
John Duffy
This article suggests that literacy development in immigrant, refugee, and other historically marginalized communities can be understood as a response to rhetorical struggles in contexts of civic life. To illustrate this "rhetorical conception of literacy:' the article examines a collection of anti-immigrant letters published in a Midwestern newspaper between 1985 and 1995 and the responses to these by a group of Southeast Asian Hmong refugee writers. The essay explores the relationships of content, form, language, and audience in the two sets of letters to show how the anti-immigrant rhetoric became the basis for new forms of public writing in the Hmong community.
这篇文章表明,在移民、难民和其他历史上被边缘化的社区中,读写能力的发展可以被理解为对公民生活背景下的修辞斗争的回应。为了说明这种“文学修辞的概念”,本文考察了1985年至1995年间在中西部一家报纸上发表的反移民信件,以及一群东南亚苗族难民作家对这些信件的回应。本文探讨了两套书信的内容、形式、语言和受众之间的关系,以展示反移民修辞如何成为苗族社区公共写作新形式的基础。
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引用次数: 21
Made Not Only in Words: Composition in a New Key 不只是文字:新调子的作曲
Q1 Arts and Humanities Pub Date : 2004-12-01 DOI: 10.2307/4140651
K. Yancey
Sometimes, you know, you have a moment. For us, this is one such moment. In coming together at CCCC, we leave our institutional sites of work; we gather together-we quite literally conveneat a not-quite-ephemeral site of disciplinary and professional work. At this opening session in particular, inhabited with the echoes of those who came before and anticipating the voices of those who will follow-we pause and we
有时候,你知道,你有那么一刻。对我们来说,这就是这样一个时刻。在CCCC,我们离开了我们的工作场所;我们聚在一起——实际上,我们聚集在一个不太短暂的学科和专业工作场所。特别是在这次开幕会议上,我们听到了前人的回音,也期待着后来者的声音
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引用次数: 299
Responses to "Education Reform and the Limits of Discourse:Rereading Collaborative Revision of a Composition Program's Textbook" 对“教育改革与话语的局限:重读某作文课程教材的合作修订”的回应
Q1 Arts and Humanities Pub Date : 2004-12-01 DOI: 10.2307/4140652
J. Hollowell, Michael P. Clark, S. Mailloux, Christine Ross
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引用次数: 1
Becoming Symbol-Wise: Kenneth Burke's Pedagogy of Critical Reflection. 成为符号智慧:肯尼斯·伯克的批判反思教育学。
Q1 Arts and Humanities Pub Date : 2004-12-01 DOI: 10.2307/4140650
J. Enoch
In this essay, I analyze Kenneth Burke's Cold War pedagogy and explore the ways it connects to (and complicates) Paulo Freire's conception of praxis. I argue that Burke's theory and practice adds a rhetorical nuance to critical reflection and then envision how his 1955 educational concerns gain significance for teachers and scholars today who, like Burke, live in a time "when war is always threatening.:'
在这篇文章中,我分析了肯尼斯·伯克的冷战教学法,并探讨了它与保罗·弗莱雷的实践概念的联系(并使之复杂化)。我认为伯克的理论和实践为批判性反思增加了一种修辞上的细微差别,然后设想他1955年的教育关注如何对今天的教师和学者有意义,他们像伯克一样生活在一个“战争总是威胁的时代”。
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引用次数: 46
Language Diversity in the Classroom: From Intention to Practice 课堂语言多样性:从意图到实践
Q1 Arts and Humanities Pub Date : 2004-12-01 DOI: 10.2307/4140656
G. Smitherman, Víctor Villanueva, Suresh Canagarajah
It s no secret that, in most American classrooms, students are expected to master standardized American English and the conventions of Edited American English if they wish to succeed. "Language Diversity in the Classroom: From Intention to Practice "works to realign these conceptions through a series of provocative yet evenhanded essays that explore the ways we have enacted and continue to enact our beliefs in the integrity of the many languages and Englishes that arise both in the classroom and in professional communities.Edited by Geneva Smitherman and Victor Villanueva, the collection was motivated by a survey project on language awareness commissioned by the National Council of Teachers of English and the Conference on College Composition and Communication.All actively involved in supporting diversity in education, the contributors address the major issues inherent in linguistically diverse classrooms: language and racism, language and nationalism, and the challenges in teaching writing while respecting and celebrating students own languages. Offering historical and pedagogical perspectives on language awareness and language diversity, the essays reveal the nationalism implicit in the concept of a standard English, advocate alternative training and teaching practices for instructors at all levels, and promote the respect and importance of the country s diverse dialects, languages, and literatures. Contributors include Geneva Smitherman, Victor Villanueva, Elaine Richardson, Victoria Cliett, Arnetha F. Ball, Rashidah Jammi Muhammad, Kim Brian Lovejoy, Gail Y. Okawa, Jan Swearingen, and Dave Pruett.The volume also includes a foreword by Suresh Canagarajah and a substantial bibliography of resources about bilingualism and language diversity."
众所周知,在大多数美国课堂上,如果学生想要成功,他们就必须掌握标准化的美国英语和编辑过的美国英语的惯例。“课堂上的语言多样性:从意图到实践”通过一系列具有争议性但不偏不倚的文章来重新调整这些概念,这些文章探索了我们如何制定并继续制定我们对课堂和专业社区中出现的许多语言和英语的完整性的信念。由日内瓦·史密瑟曼和维克多·维拉纽瓦编辑的这本书是受国家英语教师委员会和大学写作与交流会议委托进行的一项关于语言意识的调查项目的启发而出版的。他们都积极支持教育多样性,讨论了语言多样化课堂中固有的主要问题:语言与种族主义、语言与民族主义,以及在尊重和颂扬学生母语的同时教授写作所面临的挑战。这些文章从历史和教学的角度探讨了语言意识和语言多样性,揭示了标准英语概念中隐含的民族主义,倡导各级教师的另类培训和教学实践,并促进了对国家多样化方言、语言和文学的尊重和重要性。撰稿人包括Geneva Smitherman、Victor Villanueva、Elaine Richardson、Victoria Cliett、Arnetha F. Ball、Rashidah Jammi Muhammad、Kim Brian Lovejoy、Gail Y. Okawa、Jan Swearingen和Dave Pruett。该卷还包括苏雷什·卡纳加拉贾的前言和大量关于双语和语言多样性的资源参考书目。”
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引用次数: 76
期刊
COLLEGE COMPOSITION AND COMMUNICATION
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