CAMBRIDGE ARCHAEOLOGICAL JOURNAL最新文献

The prehistoric rock-art record of the Altai Mountains (western Mongolia) extends from the late Palaeolithic (c. 12,000 bp) through the end of the Bronze Age (c. 2800–800 bp) and into the early centuries of the Iron Age (late first millennium bce). Within that ancient tradition, the image of the elk (Cervus elaphus sibiricus) had the longest duration of any animal imagery; but over the millennia it underwent radical change. Beginning as an image reflecting a primitive, monumental realism, it was transformed into an expression of vital naturalism in the Bronze Age. By the end of the Bronze Age, the image began to shift into a highly stylized emblem of status, clan identity, or perhaps gender, finally degenerating into a wolf-like beast. Its transformations may be correlated with regional environmental change and resulting social adaptations. This essay presents the history of the elk image in Altai rock art and seeks to understand its transformation at the interface of north and central Asia. While focused on one pictorial tradition from one geographical region, this analysis demonstrates how materials derived from the expressive record of human culture offer critical insight into the manner in which societies evolve psychologically and not just archaeologically in response to extended environmental change.

The Late Neolithic and Early Bronze Age (c. 2900–1600 bc) of Central Europe are characterized by burial practices that strongly differentiate between men and women through body placement and orientation in the grave, as well as through grave goods. The osteological sex estimation of the individuals from the cemeteries of Franzhausen I and Gemeinlebarn F corresponds to the gender expressed in the funerary practice in 98 per cent of cases. In this study, we investigate the remaining minority by applying ultra-high-performance liquid chromatography–high-resolution mass spectrometry (UHPLC-HRMS) to identify sex-specific peptides in the dental enamel of 34 individuals, for which the published osteological sex estimation did not fit the gendered burial practice. The results reveal sex estimation and transcription errors, demonstrating that the chromosomal sex of the individuals usually aligns with the gendered burial treatment. We found burials with internally inconsistent gendered patterns (‘mixed-message burials’), but there is no evidence to suggest that a biologically male individual was deliberately buried as a woman or a biologically female individual was buried as a man.

Integral to the fabric of human technology, knots have shaped survival strategies since their first invention. As the ties that bind, their evolution and diversity have afforded human cultural change and expression. This study examines knotting traditions over time and space. We analyse a sample of 338 knots from 86 ethnographically or archaeologically documented societies over 12 millennia. Utilizing a novel approach that combines knot theory with computational string matching, we show that knotted structures can be precisely represented and compared across cultures. This methodology reveals a staple set of knots that occur cross-culturally, and our analysis offers insights into their cultural transmission and the reasons behind their ubiquity. We discuss knots in the context of cultural evolution, illustrating how the ethnographic and archaeological records suggest considerable know-how in knot-tying across societies spanning from the deep past to contemporary times. The study also highlights the potential of this methodology to extend beyond knots, proposing its applicability to a broader range of string and fibre technologies.