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Queer Mapping as Decolonial Praxis 酷儿映射作为非殖民化实践
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2023-06-01 DOI: 10.1215/10642684-10437264
Preity R. Kumar
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引用次数: 0
The Ball of La Laguna 拉古纳舞会
4区 社会学 Q1 Social Sciences Pub Date : 2023-06-01 DOI: 10.1215/10642684-10437236
Diego Galdo-González
The Ball of La Laguna was an infamous cross-dressing ball that ended in a police raid, media scandal, and public uproar on the night of January 31, 1959, in Lima, Peru. Hundreds of maricón (queer) couples attended the ball sporting masculine and feminine attire — unaware of the moral panic that would soon unfold across the city. How did class, race, and gender inequalities shape La Laguna? How did they shape heteronormative reactions to the ball? How can we understand the meanings of (homo)sexuality and cross-dressing at the ball? This essay answers these questions by conducting a content analysis of five newspapers, two magazines, a cartoon, an invitation to the ball, a video advertisement, and three oral history interviews. The Ball of La Laguna reveals that the class, race, and gender inequalities that have structured Peruvian society since colonial times also structured maricón social worlds and the policing of their communities. All attendees experienced homophobic treatment in the aftermath of the ball, but Indigeneity, femininity, and a lower-class status compounded these inequalities. La Laguna enables us to describe maricón social worlds in mid-twentieth-century Lima from an intersectional class, race, and gender perspective, which contributes to the growing literature on cross-dressing practices in twentieth-century Latin America and, more broadly, to the hemispheric turn in queer studies.
1959年1月31日晚,在秘鲁利马,拉古纳舞会是一场臭名昭著的异性扮装舞会,在警察突袭、媒体丑闻和公众哗然中结束。数百对maricón(酷儿)夫妇穿着男性和女性的服装参加了舞会,他们没有意识到道德恐慌很快就会蔓延到整个城市。阶级、种族和性别不平等是如何塑造拉古纳的?他们是如何形成对球的异规范反应的?我们如何在舞会上理解(同性恋)性行为和异性扮装的含义?本文通过对五份报纸、两份杂志、一幅漫画、一份舞会邀请、一段视频广告和三次口述历史访谈的内容分析来回答这些问题。拉古纳之球揭示了阶级、种族和性别的不平等,这些不平等自殖民时代以来就构成了秘鲁社会,也构成了maricón社会世界和他们社区的治安。舞会结束后,所有参加者都经历了恐同待遇,但土著、女性和下层阶级地位加剧了这些不平等。La Laguna使我们能够从一个交叉的阶级、种族和性别的角度来描述20世纪中叶利马的maricón社会世界,这有助于20世纪拉丁美洲越来越多的异性扮装实践文献,更广泛地说,有助于酷儿研究的半球转向。
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引用次数: 0
About the Contributors 关于投稿人
4区 社会学 Q1 Social Sciences Pub Date : 2023-06-01 DOI: 10.1215/10642684-10437310
Other| June 01 2023 About the Contributors GLQ (2023) 29 (3): 425. https://doi.org/10.1215/10642684-10437310 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation About the Contributors. GLQ 1 June 2023; 29 (3): 425. doi: https://doi.org/10.1215/10642684-10437310 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsGLQ Search Advanced Search Debanuj DasGupta is assistant professor of feminist studies at University of California, Santa Barbara. Debanuj's research and teaching focus on racialized regulation of space, immigration detention, queer migrations, and the global governance of migration, sexuality, and HIV.Diego Galdo-González is a research master's student in the social sciences at the University of Amsterdam. His research interests lie at the intersection of sexual history, sexual cultures, and urban studies in Lima, Perú. He also works as a junior lecturer at the University of Amsterdam and coordinates the Amsterdam Research Centre for Gender and Sexuality.Ila Nagar is associate professor of South Asian languages and cultures at The Ohio State University. Nagar's research and teaching focus on South Asian cultures and topics in sociolinguistics situated at the nexus of language, politics, sexuality, power, and meaning.Renugan Raidoo is a lecturer in social anthropology at Harvard University. His current research focuses on race,... Issue Section: About the Contributors You do not currently have access to this content.
《地球科学通报》(2023)29(3):425。https://doi.org/10.1215/10642684-10437310引用图标引用共享图标分享Facebook Twitter LinkedIn电子邮件权限搜索网站引文关于贡献者。GLQ 1 2023年6月;29(3): 425。doi: https://doi.org/10.1215/10642684-10437310下载引文文件:Zotero参考文献管理器EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索书籍和期刊所有期刊glq搜索高级搜索Debanuj DasGupta是加州大学圣巴巴拉分校女权主义研究的助理教授。Debanuj的研究和教学重点是空间的种族化监管、移民拘留、酷儿移民以及移民、性行为和艾滋病毒的全球治理。Diego Galdo-González是阿姆斯特丹大学社会科学专业的硕士生。他的研究兴趣在于性历史,性文化和利马城市研究的交叉点,Perú。他还在阿姆斯特丹大学担任初级讲师,并协调阿姆斯特丹性别与性研究中心。伊拉·纳加尔(Ila Nagar)是俄亥俄州立大学南亚语言和文化副教授。纳加尔的研究和教学重点是南亚文化和社会语言学的主题,位于语言、政治、性、权力和意义的联系上。reugan Raidoo是哈佛大学社会人类学讲师。他目前的研究重点是种族,……问题部分:关于贡献者您目前没有访问此内容的权限。
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引用次数: 0
In Relation or Nah? A Review of Black Trans Feminism by Marquis Bey 有关系还是没有关系?马奎斯·贝的黑人跨性别女权主义述评
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2023-04-01 DOI: 10.1215/10642684-10308633
Julian Kevon Glover
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引用次数: 0
Artists in the Archives 档案馆中的艺术家
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2023-04-01 DOI: 10.1215/10642684-10308493
A. Cvetkovich
Ulrike Müller's Herstory Inventory (HI) is a collection of over one hundred works on paper by “feminist” artists who were given “drawing assignments” that began with textual prompts taken from an archival list of T-shirts that Müller discovered in the collections of the Lesbian Herstory Archives (LHA). HI has also had multiple incarnations as a staged reading/live performance, audio installation, collective art project, art exhibition, and book, and its relay across media participates in a fascination with the archive that has pervaded LGBTQ culture, resulting in a proliferation of new archives that is one manifestation of the “archival turn.” This essay focuses on how Müller's HI uses the LHA as a point of departure for a creative practice that not only opens lesbian feminist archives to new visibility and new publics but also creates a transgenerational dialogue around lesbian feminist politics and representation — both honoring and reviving its history and subjecting it to critique. HI's engagement with the LHA's lesbian feminist commitment to archival autonomy provides an interesting case history for radical archival politics, as tensions between counterarchives and archival critique get played out through the tensions between lesbian and queer feminisms. Returning to the politics of representation and visibility that have been so central and vexing in lesbian feminism, HI puts art practices in conversation with archival ones. The project approaches the archive through abstraction and drawing, both practices of representation that resist the realisms of documentary media such as film and photography, to enact a queer politics of visibility.
Ulrike Müller的Herstory Inventory(HI)收集了100多件“女权主义”艺术家的纸上作品,他们被分配了“绘画任务”,从Müler在女同性恋者历史档案馆(LHA)的藏品中发现的T恤档案列表中提取的文本提示开始。HI还多次化身为舞台阅读/现场表演、音频装置、集体艺术项目、艺术展览和书籍,其在媒体上的传播参与了对弥漫在LGBTQ文化中的档案的迷恋,导致了新档案的激增,这是“档案转向”的一种表现。“这篇文章的重点是Müller的HI如何将LHA作为一种创造性实践的出发点,这种实践不仅向新的知名度和新的公众开放女同性恋女权主义档案,而且围绕女同性恋女权主义政治和代表性创造了跨代对话 — 既尊重和复兴其历史,又对其进行批判。HI参与了LHA对档案自主性的女同性恋女权主义承诺,这为激进的档案政治提供了一个有趣的案例历史,因为反政府主义者和档案批评之间的紧张关系通过女同性恋和酷儿女权主义者之间的紧张情况来表现。回到女同性恋女权主义的核心和令人烦恼的代表性和可见性政治,HI将艺术实践与档案实践进行了对话。该项目通过抽象和绘画来接近档案馆,这两种表现手法都抵制了电影和摄影等纪实媒体的现实主义,以营造一种引人注目的酷儿政治。
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引用次数: 0
The Use and Abuse of Queer History 酷儿历史的使用和滥用
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2023-04-01 DOI: 10.1215/10642684-10308619
H. Bauer
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引用次数: 0
Unruliness, Suspension, Disorientation 任性,悬吊,迷失方向
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2023-04-01 DOI: 10.1215/10642684-10308563
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引用次数: 0
Glenway Wescott's Narratives of Queer Drift 格伦威·威斯科特的《酷儿漂流叙事
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2023-04-01 DOI: 10.1215/10642684-10308507
Patrick Kindig
Abstract:This essay argues that Glenway Wescott—an American author widely read in the early twentieth century but virtually unknown to literary scholars today—poses a problem for many of the narratives we tell ourselves about both queer identity and modernist literary history. On the one hand, the wandering, nonlinear plots of much of his fiction run counter to the narratives of urban migration, rural stasis, and ex-urban return that shape most scholarship on sexual geography. On the other, Wescott's tendency to borrow aesthetic practices from a wide range of literary schools and movements makes it difficult to locate him within the narrative of American literary history. Reading Wescott's writings—particularly those in his short story collection Good-Bye Wisconsin (1928)—as examples of what the essay terms queer drift, the author argues that Wescott's life and corpus destabilize the narratives we often use to make sense of both modern sexual identity and modernist literary aesthetics. In fact, this is why his work warrants more critical attention than it has traditionally received: it provides us with new ways of thinking about the relationship between queerness, geography, and narrative form.
摘要:本文认为格伦威·韦斯科特——一位在20世纪初被广泛阅读,但在今天却几乎不为文学学者所知的美国作家——给我们关于酷儿身份和现代主义文学史的许多叙述提出了一个问题。一方面,他的许多小说中漂泊的、非线性的情节与城市移民、农村停滞和城市外回归的叙事背道而驰,这些叙事塑造了大多数性别地理学的学术研究。另一方面,韦斯科特倾向于从广泛的文学流派和文学运动中借鉴美学实践,这使得他很难在美国文学史的叙事中定位。阅读威斯考特的作品——尤其是他的短篇小说集《再见,威斯康辛》(1928)中的作品——作为文章所称的酷儿漂移的例子,作者认为,威斯考特的生活和语体动摇了我们经常用来理解现代性别身份和现代主义文学美学的叙事。事实上,这就是为什么他的作品比以往更值得关注的原因:它为我们提供了思考酷儿、地理和叙事形式之间关系的新方法。
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引用次数: 0
About the Contributors 关于投稿人
4区 社会学 Q1 Social Sciences Pub Date : 2023-04-01 DOI: 10.1215/10642684-10308661
Other| April 01 2023 About the Contributors GLQ (2023) 29 (2): 301–303. https://doi.org/10.1215/10642684-10308661 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation About the Contributors. GLQ 1 April 2023; 29 (2): 301–303. doi: https://doi.org/10.1215/10642684-10308661 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsGLQ Search Advanced Search Amalia L. Cabezas is associate professor of media and cultural studies at the University of California, Riverside. Her publications include Economies of Desire: Sex and Tourism in Cuba and the Dominican Republic (2009), multiple peer-reviewed journal articles, and two coedited books: Una ventana a Cuba y los estudios cubanos (2010) and The Wages of Empire: Neoliberal Politics, Repression, and Women's Poverty (2007). She is completing a book on the sex worker movement in Latin America and the Caribbean.Ann Cvetkovich is professor in the Feminist Institute of Social Transformation at Carleton University. She was previously Ellen Clayton Garwood Centennial Professor of English, professor of women's and gender studies, and founding director of LGBTQ Studies at the University of Texas at Austin. She is the author of Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism (1992); An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures (2003); and Depression: A Public... You do not currently have access to this content.
GLQ(2023) 29(2): 301-303。https://doi.org/10.1215/10642684-10308661引用图标引用共享图标分享Facebook Twitter LinkedIn电子邮件权限搜索网站引文关于贡献者。GLQ 1 2023年4月;29(2): 301-303。doi: https://doi.org/10.1215/10642684-10308661下载引文文件:Zotero参考文献管理器EasyBib Bookends Mendeley论文EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索书籍和期刊所有期刊glq搜索高级搜索Amalia L. Cabezas是加州大学河滨分校媒体和文化研究副教授。她的出版物包括《欲望经济:古巴和多米尼加共和国的性与旅游》(2009年),多篇同行评议的期刊文章,以及两本合编的书籍:《古巴的色情工作室》(2010年)和《帝国的工资:新自由主义政治、镇压和妇女的贫困》(2007年)。她正在完成一本关于拉丁美洲和加勒比地区性工作者运动的书。安·克维特科维奇(Ann Cvetkovich)是卡尔顿大学社会转型女权研究所的教授。她之前是艾伦·克莱顿·加伍德百年英语教授,女性和性别研究教授,以及德克萨斯大学奥斯汀分校LGBTQ研究的创始主任。她著有《复杂的情感:女权主义、大众文化和维多利亚时代的轰动主义》(1992);《情感档案:创伤、性和女同性恋公共文化》(2003);和抑郁症:公众……您目前没有访问此内容的权限。
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引用次数: 0
Queer Voids 酷儿空洞
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2023-04-01 DOI: 10.1215/10642684-10308577
Larissa M. Mercado-López
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引用次数: 0
期刊
Glq-A Journal of Lesbian and Gay Studies
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