Glq-A Journal of Lesbian and Gay Studies最新文献

{"title":"White Trash and the Queer South","authors":"Jude Hayward-Jansen","doi":"10.1215/10642684-10740469","DOIUrl":"https://doi.org/10.1215/10642684-10740469","url":null,"abstract":"Situating itself in the crosshairs of critical whiteness studies, queer studies, and Black studies, this essay considers the literary production of the (poor) white trash subject in the intersection of two moments of racial upheaval—the civil rights era of the US South and the “focus on the family” during the culture wars of the 1980s and 1990s—in which whiteness was under siege. Taking its cue from Toni Morrison's articulation of the white imaginary and W. E. B. Du Bois's history of the (Black) and white working class, this article looks at representations of queerness in Dorothy Allison's Bastard Out of Carolina to (1) understand the ways in which poor whiteness solidifies through queer moments of “bad” sex; and (2) reveal the ways in which “bad sex” retards white subjectivity/progressivity.","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134936299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Writing “INFINITYLOOPS”","authors":"Thomas Dai","doi":"10.1215/10642684-10740442","DOIUrl":"https://doi.org/10.1215/10642684-10740442","url":null,"abstract":"Transmigration refers to movements made across, between, through, or beyond spatial, spiritual, and bodily boundaries—motions to which queer and trans studies scholars have long imputed important political and social valences. This essay tracks the many transmigrations of the silkworm Bombyx mori, the source of commercial silk, through an archive of literary and critical writings by W. G. Sebald, Jacques Derrida, Eve Kosofsky Sedgwick, and Jen Bervin. The author pays special attention to the trans-migration silkworms make through their own bodies, or metamorphosis, thus opening the way to a less anthropocentric account of transmigratory processes. This essay shows how silkworms and silk cross and recross the constructed lines dividing East and West, matter and language, natural and synthetic. In doing so, silkworms enter a broader collective of trans-migrating bodies in which certain bodies are granted free movement at the expense of other, often racialized, queer, or animal bodies. The author argues that the embodied, quotidian metamorphosis of the silkworm exemplifies an alternative mode of trans-migration that refuses transcendence and instead ties us, by silken threads, to the vicissitudes of the present moment.","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134936338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"About the Contributors","authors":"","doi":"10.1215/10642684-10773991","DOIUrl":"https://doi.org/10.1215/10642684-10773991","url":null,"abstract":"Other| October 01 2023 About the Contributors GLQ (2023) 29 (4): 515. https://doi.org/10.1215/10642684-10773991 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation About the Contributors. GLQ 1 October 2023; 29 (4): 515. doi: https://doi.org/10.1215/10642684-10773991 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsGLQ Search Advanced Search Tahereh Aghdasifar is assistant professor of women's studies at California State University, Dominguez Hills. Her research focuses on questions of sociality, opacity, and the economy.Thomas Dai is a PhD candidate in American studies at Brown University, where his work integrates queer studies with critical ethnic studies and the environmental humanities. His first book, a collection of essays on travel, place, and identity, is forthcoming from W. W. Norton. He earned his master's in fine arts from the University of Arizona and his undergraduate degree in evolutionary biology from Harvard University.Jude Hayward-Jansen holds a PhD in English and a graduate certificate in advanced feminist studies from the University of Massachusetts, Amherst. Positioned at the intersections of queer and feminist studies, South African studies, and American/Black studies, Hayward-Jansen's book project, “Save Our Children: Queer Discourse Formation in the U.S. and South Africa, 1977–2010,” examines the role of queerness in literature... You do not currently have access to this content.","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134936467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Afri-Queer Fugitivity in African Cinema","authors":"Naminata Diabate","doi":"10.1215/10642684-10740451","DOIUrl":"https://doi.org/10.1215/10642684-10740451","url":null,"abstract":"Speaking of Queer African Cinema's scope, Lindsey Green-Simms declares that her book should not be read as definitive or encyclopedic. Rather, it should be seen as a useful set of readings and a model of reading for scholars, activists, and filmmakers. Independently of that claim, the insightful study in four chapters fulfills the encyclopedic (in its erudition) function in addition to accomplishing what the author set out to do. In its curation of queer cinematic texts from both francophone and anglophone Africa, the book not only brings to light a vibrant archive but also charts innovative reading praxes that may inspire other scholars.Primarily, Green-Simms sees her examination of avant-garde films, realist dramas, popular melodramas, occult films, and a music video as demonstrating that the types of resistance the texts restage “are always multilayered, always determined by a complex entanglement of racial, gendered, and sexual identities and national politics as well as by conventions of genre and format and modes of circulation” (9). This investment in reformulating resistance as multiple and sometimes conflicting takes seriously the queer cultural artifacts as well as the inspiriting and challenging material conditions that undergird their production, distribution, and enjoyment.As such, Queer African Cinema is a first. That firstness stems from Green-Simms's long-standing and serious engagement with the cinematic texts, their actors, producers, distributors, censors, audiences, festival organizers, activists, scholars, and sites of appearance. Her knowledge of the context, which stems from participating in conferences, attending film festivals, and interviewing different actors in numerous countries, is translated into a methodological approach—worth highlighting—that is illuminating yet subtle. For instance, complementing her formal analysis of the documentary Major! (dir. Annalise Ophelian, 2015) with the insights she gained from attending the first-ever Queer Kampala International Film Festival (QKIFF) in 2016, she shares, “When the credits rolled during the Kampala screening where I was present, there was a huge round of applause. There were a few audible ‘wows’ from the audience, and several members looked back at the screen, raised a fist, and echoed the film's call for resilience by claiming, loud enough for everyone to hear, ‘I'm still fucking here’ ” (165, my emphasis). This delicate yet notable phrase “where I was present” gives some credence to the author's experience while turning the text from mere ethnography to robust analysis. The author's experience serves equally as a forceful reminder that films are seen and engaged in the world, making the case, if need be, that formal analysis benefits from the live audience reaction, which is unmistakably mediated by the writer's biases and goals.The firstness that marks the publication of Queer African Cinema as a formative work reflects the status of most of its films, film festiva","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134978997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Queerness, Racialization, and Latinidad","authors":"Karma R. Chávez","doi":"10.1215/10642684-10740433","DOIUrl":"https://doi.org/10.1215/10642684-10740433","url":null,"abstract":"Laura Grappo's first book, Conjured Bodies: Queer Racialization in Contemporary Latinidad, is an innovative exploration of the ways that the ambiguities of Latino identity have broader implications for race politics in the United States. Grappo argues that Latinos are both excessively visible and easily erased, and that the vexed status of Latinos in US culture not only puts Latino subjects into positions of precarity but also can function to bolster whiteness and promote anti-Blackness. She also shows how gender and sexuality are active components of these processes.The book comprises four chapters, an introduction, and a conclusion. In the introduction, Grappo situates herself in ongoing conversations within Latino studies about race, racialization, and Latinidad. In addition, she offers a theoretical justification for the notion of “conjuring,” or the ways the malleability of Latino identity and brownness get deployed and marshaled for purposes that impact Latinos and other racialized groups. In the first chapter, Grappo explores the famous case of the San Antonio Four, in which four young queer Latinas were catapulted into the “satanic panic” of the late 1980s and early 1990s and ended up incarcerated for child molestation. In the chapter she explores a documentary about the case, Southwest of Salem (2016), and what happened to one of the women in the aftermath. Her smart analysis of the documentary offers an important corrective to the taken-for-granted scholarly assumption that the film does only positive representational work. Moreover, her move to analyze one of the women's advocacy work after incarceration, as situated in Texas and along the Mexico-US border, is truly original and is convincing in the way that Grappo argues for the instrumentalization of some queer Latinos in the service of state projects while still relegating so many others to death and isolation.The second chapter takes the infamous case of Lorena (Gallo) Bobbitt of penis-severing notoriety. Here, too, Grappo details the instrumentalization of Latina/o/x identity, showing how in the 1990s and again in the 2010s in the wake of #MeToo when Gallo's story returned to the public eye, Gallo's proximity to whiteness, her immigration status, and her gender performance worked together not so much to make her seem a worthy victim (although her sentence was light), but to simultaneously promote immigration policy that attended to domestic violence and bolster white feminist appeals to addressing sexual and domestic violence. The analysis in this chapter is truly innovative, as Grappo deftly moves through different time periods and sets of discourse. Although the argument about the instrumentalization of Latina immigrant womanhood is convincing, Grappo might have pulled the argument about queer racialization through more fully.Chapter 3 considers what happened to the US football player Aaron Hernandez, who in 2017 committed suicide while incarcerated for murder and was posthumous","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134936469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Can Chicana Feminists Create a Queer Mesoamerican Memory?","authors":"Pete Sigal","doi":"10.1215/10642684-10740460","DOIUrl":"https://doi.org/10.1215/10642684-10740460","url":null,"abstract":"In Queering Mesoamerican Diasporas, Susy J. Zepeda examines queer Chicana/Xicana feminists who seek a connection with Indigenous ancestors and living Indigenous peoples. This important book covers both well-known activists, such as Gloria Anzaldúa, Cherríe Moraga, and Laura Aguilar, and less-known contemporary queer artists. In each case, Zepeda situates the individual in a historical narrative of colonization and decolonization, weaving between the present and the past, and examining connections with Indigenous peoples of Mesoamerica, California, and the Southwest.Zepeda's sources include oral histories, archival texts, the writings of feminists, and the artwork produced by a series of queer artists. Through these texts, she shows that colonization led to what she terms detribalization, an attempt to hide Indigenous heritage, and that more recently, activists from various groups have asserted a spiritual memory of Indigenous lineage. The central argument is that from the 1970s through today, Chicana/Xicana activists have invoked the memory of a queer Indigenous past both to assert their own spiritual and ancestral connections with a matriarchal past and to project an Indigenous form of a queer future.The book's strongest point is the development of what Zepeda, building on other scholars, calls a “spirit praxis,” or an understanding of knowledge formation in which feminists of color connect with Indigenous ancestors to transform contemporary lives and develop livable futures. Through such a spirit praxis, Zepeda argues for a different form of remembering that allows feminists to “trace and remember hidden histories and silences of queer Mesoamerican Indigenous ancestries” (1).Throughout the book, Zepeda uses the phrase “Xicana Indígena,” which intentionally elides the borderlands positionality that Anzaldúa, in her Borderlands/ Frontera (1987), famously asserted for Xicana feminists, instead arguing that a spirit praxis allows Xicana feminists to connect with indigeneity. The “X” at the beginning of the term Xicana relates both to memories of the Mexica and to the “X” recently placed at the end of terms such as Latinx and Chicanx, a crossing intended to avoid the gendering of the Spanish language.The term queer similarly plays a major role in Zepeda's text, often slipping between queer as identity marker and queer as verb. Thus, we have both “queering Mesoamerican diasporas” and “queer Indígena artists.” While such slippage is at times problematic for the book and her argument, Zepeda ably navigates much of this terrain to examine the ways Xicana artists and activists promote a memory designed to establish a queer connection with Indigenous ancestors that disrupts the “norm, barriers, and borders” (24) between the present and the past and the Indigenous and the mestiza. For Zepeda, the term queer asserts a nonlinear temporality, a chance to explore indigeneity, and a positionality related to two-spirit praxis and Latina lesbian histories.Zepeda ","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134936294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Comparing the Lives of Gay Men in Hong Kong, Taiwan, and Mainland China","authors":"James Farrer","doi":"10.1215/10642684-10774005","DOIUrl":"https://doi.org/10.1215/10642684-10774005","url":null,"abstract":"Travis S. K. Kong's new book is a bold, insightful contribution to the growing literature on gay sexualities in three Chinese-speaking societies. Kong shows how the experiences of men growing up in the People's Republic of China (mostly Shanghai), the Hong Kong Special Administrative Region, and the Republic of China in Taiwan are all impacted by the rise of China. In contrast to the cultural and media studies approach dominant in the field, Kong's book uses life stories and first-hand ethnographic observations to compare young gay sexualities in these three regions. Building on the sexual storytelling method of Kong's mentor Kenneth Plummer (1995), to whom this book is dedicated, Kong's approach is sympathetic and humanistic, offering clear accounts of how young men experience growing up gay in these diverging contexts. Kong shows how men dealing with similar personal dilemmas develop distinctive attitudes and strategies under the influences of contrasting social structures and political environments. Kong thus sociologizes queer theory by paying equal attention to the social institutions and discourses key in shaping genders and sexualities. Sexuality and the Rise of China situates the study of sexuality in this politically volatile East Asian context. This is not just another study of transnational Sinophone discourses but a timely ethnography of the tense and rapidly evolving geopolitics of Chinese, Hong Kong, and Taiwanese sexualities. This focus alone makes the book an impactful contribution to sexuality studies in Asia.Kong's approach decenters Western-centric accounts of queer history by providing simultaneously transnational and local histories of the development of contemporary tongzhi identities and cultures. (Tongzhi is the Mandarin term adopted to refer to gay men across these contexts.) The book shows how the state, the market economy, and civil society (family, religion, NGOs, popular culture) shape the divergent pathways through which gay men become sexual subjects in these three societies. However, when we look at the microlevel situations of these men, commonalities also stand out. First, Kong argues that there is a double closet in all three societies characterized by the tension between heterosexuality and homosexuality and the tension between performing and not performing a traditional familial role as filial son. Influenced by patriarchal Chinese traditions, family life is the main site of struggle for most of these men. In contrast with the previous generations, the young generation generally chooses to come out publicly, although there are differences among these coming-out patterns in the three locales, with gay men in Taiwan more likely to be out actively and gay men in China still struggling between in and out. Hong Kong men seem somewhere in the middle. Second, in all three regions Kong shows the dominance of a homonormative masculinity with four features: masculinized gender performance, coupled intimacy, middle-class","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134979116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Refusing Empathy","authors":"Tahereh Aghdasifar","doi":"10.1215/10642684-10773977","DOIUrl":"https://doi.org/10.1215/10642684-10773977","url":null,"abstract":"Gelare Khoshgozaran, a Los Angeles–based multidisciplinary artist, gave her initial performance of “UNdocumentary” as part of the welcome to what we took from is the state exhibition at Queens Museum in New York City. This performance entailed a reading, by the artist and audience members, of Khoshgozaran's original declaration of asylum to the US government. When this produced empathetic and, in Khoshgozaran's words, “depressed” reactions from the audience, Khoshgozaran altered the performance, rewriting the document to reflect how she understands her life trajectory, as opposed to what queer asylum seekers are expected to produce to become subjects of and legible to empire. The next iteration of the performance is a refusal of legibility and empathy for a life narrative she, in some ways, lived, but simultaneously did not identify with. This article argues that the revised performance of “UNdocumentary” interrupts heteronormative space and time, crafting a queer otherwise world where relationality is pushed out of the realm of identification, inviting a bond forged through opacity rather than the violence of transparency.","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134979117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Abolitionist Techniques of Weathering","authors":"Hil Malatino","doi":"10.1215/10642684-10437282","DOIUrl":"https://doi.org/10.1215/10642684-10437282","url":null,"abstract":"Eric Stanley's work—up to and including Atmospheres of Violence—has focused on queer and trans lifeworlds that tarry with the effects and affects associated with living under siege, subject to myriad forms of policing, surveillance, lockdown, captivity, and isolation. Given a progressive political milieu that remains stubbornly focused on rights and inclusion, Stanley's sustained attention to structural violence and the material realities of immiseration is essential: a necessary counter that refuses to pretend that bodily autonomy and gender self-determination are extricable from the broader, saturating operations of racial capitalism. Their ongoing articulation of the necessity of abolitionist politics for the realization of trans and queer justice remains both timely and urgent. In the ongoing onslaught of transantagonism that takes the form of legislative attacks on trans people (especially trans youth), it is imperative that the abolitionist analysis Stanley articulates comes to the forefront of trans political theorizing and action. While the contemporary proposed, passed, and passing legislation (155 anti-trans bills introduced in 2022 as of October, and 131 in 2021, compared to 19 in 2018) is indeed draconian, it is crucial to recognize that even in a world wherein trans youth aren't systematically prevented from accessing affirming medical care and participating in sports, the racial and economic violence that stratifies health care, education, and access to organized extracurricular spaces of play and belonging will persist. The horizon of trans justice must not be limited to the rollback of such legislation; such rollback is necessary, but not sufficient.Stanley's work is not centered on the imagined figure of the (supported, loved, included) trans child, though it is not antagonistic to it. Rather, it focuses on the experience of those made to live a damaged life, a life that is “produced by, and not remedied through, legal intervention or state mobilizations” (39). Atmospheres of Violence examines forms of criminalization, precarity, exposure to violence, systemic misrecognition, and outright exclusion that shape experiences much more common among folks who are distant from the “booming whiteness and gender normativity of what consolidates under the sign of LGBT history” (3)—people who are poor, disabled, unhoused, trans, Black, brown, Indigenous. Coining the term near life, Stanley traces how such existences are estranged from, though “adjacent to the fully possessed rights bearing subject of modernity” (17). They think through an archive of trans/queer life and death in relation to what they call “overkill,” the kind of excessive, surplus violence that shapes many trans homicides. Overkill, for Stanley, pushes a body “beyond death” (33), attempting to end “not a specific person . . . but trans/queer life itself” (33). Specific bodies become metonymic stand-ins for unruly, ungovernable trans/queer vitalities and are punished excessi","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135937891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"\"The Queer Nuyorican\": Reading Downtown Poetry and Performance through a Queer Lens","authors":"Zorimar Rivera Montes","doi":"10.1215/10642684-10437296","DOIUrl":"https://doi.org/10.1215/10642684-10437296","url":null,"abstract":"","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":null,"pages":null},"PeriodicalIF":0.7,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49421187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}