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The Politics of Religious Parody 宗教恶搞的政治
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2021-04-01 DOI: 10.1215/10642684-8871733
L. Tonstad
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引用次数: 0
Evolutionary Fantasy 进化的幻想
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2021-04-01 DOI: 10.1215/10642684-8871747
Shunyuan Zhang
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引用次数: 0
“Hints That Are Revelations” “暗示是启示”
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2021-04-01 DOI: 10.1215/10642684-8871649
Davy Knittle
This article reads the transformation of urban space in US cities during and since the urban renewal of the 1950s and 1960s in dialogue with queer and disability theories of access to the social and the built environment. Knittle focuses on obsolescence as an urban planning strategy used to justify the removal of buildings and people from the present, as he explores how queer and disability studies have negotiated and advocated for access to the present and the future while refusing assimilation to normative social forms. He reads across body and city scales to consider access as dynamic and to map how the ableist expectations projected onto disabled bodies in what Alison Kafer describes as a “curative imaginary” appear on the city scale as an “urban curative imaginary.” To explore resistances to obsolescence that refuse assimilation while demanding access, Knittle reads the “window poems” of queer New York School poet James Schuyler. In these poems, Schuyler documents small and large forms of urban transformation from his Manhattan apartment during the 1950s and 1960s. Schuyler’s poems, Knittle argues, model strategies for how to identify the obsolescence of normative space rather than the obsolescence of queer and disabled bodies. He uses the poems’ focus on the queer potential of how urban spaces change to argue for a queer disability urbanism that takes the dynamism of access as a precondition for negotiating equitable forms of social participation and public life.
本文阅读了20世纪50年代和60年代城市更新期间和之后美国城市空间的转变,并与酷儿和残疾人进入社会和建筑环境的理论进行了对话。Knittle专注于将过时作为一种城市规划策略,用于证明将建筑物和人从现在移除的合理性,他探索了酷儿和残疾研究如何在拒绝同化规范社会形式的同时,协商和倡导进入现在和未来。他在身体和城市尺度上进行阅读,认为进入是动态的,并绘制出Alison Kafer所描述的“治疗想象”中投射到残疾人身体上的能人期望在城市尺度上如何表现为“城市治疗想象”,Knittle阅读纽约学派酷儿诗人James Schuyler的“窗户诗”。在这些诗中,斯凯勒记录了20世纪50年代和60年代他在曼哈顿的公寓中发生的大小形式的城市转型。Knittle认为,斯凯勒的诗歌为如何识别规范空间的过时而不是酷儿和残疾身体的过时提供了策略范本。他利用诗歌对城市空间如何变化的奇怪潜力的关注,为一种奇怪的残疾城市主义辩护,这种城市主义将进入的活力作为谈判公平形式的社会参与和公共生活的先决条件。
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引用次数: 0
“Feeling-Seeing” in Transparent 透明中的“感觉看到”
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2021-04-01 DOI: 10.1215/10642684-8871663
AJ Ripley
This article explores how Jill Soloway uses mirror imagery in the series Transparent to facilitate their version of the female gaze, particularly the tenet of feeling-seeing. By doing so, this article aims to assist ongoing efforts in both transgender studies and media studies research to stretch beyond the in/visibility debate surrounding transgender representation in popular media. It proposes that Soloway’s creative process designates open, imaginative space for audiences (both cisgender and transgender alike) to witness how gender comes to matter for Maura, both in the sense of materializing in bodily form and in a manner of meaning, and how gender also comes to re-matter for her, but perhaps also for audiences watching her transformation.
这篇文章探讨了Jill Soloway如何在《透明》系列中使用镜像来促进他们对女性凝视的理解,特别是感觉视觉的原则。通过这样做,本文旨在帮助跨性别研究和媒体研究中正在进行的努力,超越围绕跨性别在大众媒体中的代表性的公开/可见性辩论。它提出,Soloway的创作过程为观众(无论是顺性别者还是跨性别者)指定了一个开放的、富有想象力的空间,让他们见证性别是如何对Maura产生影响的,无论是在身体形式上还是在某种意义上,以及性别对她来说是如何变得重要的,但也许对观看她的转变的观众来说也是如此。
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引用次数: 1
Susceptibility 磁化率
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2021-01-01 DOI: 10.1215/10642684-8776834
A. Crawley
Abstract:This essay argues that political theology does not interrogate the contexts of emergence for the joining of the political to the theological; it takes these concepts to have meaning without accounting for how these categories are created by racialized, gendered, sexed exclusion. What is it to be susceptible, and can such a thing be the antidote to political theology? Why would political theology need an antidote? Arguing that susceptibility is lined out in the sounds of the Hammond organ emanating from Blackpentecostal musicianship, perhaps attending to the sound and song emerging from such a space might give us a cue and clue regarding a way of life that does not take racialization and its exclusions as the grounds for thought.
摘要:本文认为,政治神学没有追问政治与神学结合的出现语境;这些概念是有意义的,而不考虑这些类别是如何被种族化,性别化,性别排斥所创造出来的。什么是易受影响,这样的东西能成为政治神学的解药吗?为什么政治神学需要解药?我们认为,从黑五行派音乐中发出的哈蒙德管风琴的声音中可以看出这种敏感性,也许关注从这样一个空间中出现的声音和歌曲可能会给我们一个线索,让我们了解一种不以种族化及其排斥为思想基础的生活方式。
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引用次数: 0
The Queer Narrator: Violence, Ethics, and Sexuality 酷儿叙述者:暴力、伦理和性
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2021-01-01 DOI: 10.1215/10642684-8776876
Vaibhav Saria
Abstract:Hijras, India's "third gender" now often translated as trans figures, have long been defined by their castrated status in colonial and postcolonial discourse, which has aimed at conflating their social and moral positions with their corporeal modification. This article juxtaposes various sets of narrative accounts to explain the theological underpinnings of liberal explanations for accommodating queer sexuality in India. First, the article looks at contemporary Bollywood films in which hijras are often inserted into the plot to bring the villains to justice, sometimes by castrating them. This seeming contradiction, in which queer personhood is made life-affirming, reveals the complex ways in which hijras have been redefined as legitimizing forms of historical queerness in South Asia. Their role, it is argued, is better understood not through an ontological notion of generosity but through the particular dramaturgical position of the sutradhar that the Hindu-Muslim theology of South Asia makes available. The sutradhar is the one who holds (dhar) the strings (sutra) of the dramatic plot. The voicing and enacting of the moral position with which queer ethics have been associated, both in film and in life, are drawn from this character. Given that the long documented history of hijras has made them quite intelligible to South Asian people without the need for translation, this article argues that debates of queer sexuality must go beyond the civilizational terms of "West and the rest" and explore the theological material available for the crafting of queer personhood and ethics.
摘要:Hijras,印度的“第三性别”,现在经常被翻译为跨性别人物,长期以来一直被定义为他们在殖民地和后殖民话语中的阉割地位,目的是将他们的社会和道德地位与他们的身体改造混为一谈。本文将各种叙事叙述并置,以解释自由主义解释在印度包容酷儿性行为的神学基础。首先,这篇文章着眼于当代宝莱坞电影,在这些电影中,hijras经常被插入情节中,将恶棍绳之以法,有时甚至通过阉割他们。在这种看似矛盾的矛盾中,酷儿的人格被赋予了生命的肯定,揭示了hijras被重新定义为南亚历史酷儿合法化形式的复杂方式。有人认为,他们的角色不是通过慷慨的本体论概念,而是通过南亚印度教-穆斯林神学所提供的佛经的特殊戏剧地位来更好地理解。经师是掌握戏剧情节的琴弦的人。酷儿伦理在电影和生活中所涉及的道德立场的表达和确立,都源于这个角色。鉴于长期记录的hijras历史使南亚人在不需要翻译的情况下就能理解它们,本文认为,关于酷儿性行为的辩论必须超越“西方和其他”的文明术语,探索可用于塑造酷儿人格和道德的神学材料。
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引用次数: 0
Introduction: Queer Political Theologies 引言:酷儿政治神学
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2021-01-01 DOI: 10.1215/10642684-8776820
Ricky Varghese, Fan Wu, David K. Seitz
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引用次数: 0
Bridges of Light 光之桥
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2021-01-01 DOI: 10.1215/10642684-8777002
Roberto Strongman
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引用次数: 0
The Other Sides of Stonewall 石墙的另一面
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2021-01-01 DOI: 10.1215/10642684-8776918
Marcie Frank
New books by Roderick A. Ferguson, David K. Johnson, and Guy Davidson prompt readers to reassess Stonewall as both a significant event and a pivotal concept for queer scholarship. Ferguson aims to fit queer liberation into the vocabulary of intersectional politics by emphasizing Stonewall’s radical origins. Johnson reads Stonewall’s bourgeois preconditions in the contributions the physique entrepreneurs made to gay community networks by publishing magazines featuring nearly naked men and running adjacent ads for businesses, including photography studios, mailorder catalogues, book clubs, and penpal services aimed at gay consumers. Despite their different politics, for both Ferguson and Johnson, Stonewall remains a historical turning point, an event that organizes beforeandafter narratives and infuses them with rhetorical, affective, and political energies. To rediscover aspects of Stonewall or unearth new details about it, both Ferguson and Johnson assume its historicity. It remains a reference point for mea-
罗德里克·a·弗格森、大卫·k·约翰逊和盖伊·戴维森的新书促使读者重新审视石墙事件,认为它既是一个重大事件,也是酷儿研究的关键概念。弗格森旨在通过强调石墙的激进起源,将酷儿解放纳入交叉政治的词汇中。约翰逊从体格企业家对同性恋社区网络的贡献中读出了石墙的资产阶级前提,他们出版以近乎裸体的男性为特色的杂志,并在相邻的商业广告上刊登广告,包括针对同性恋消费者的摄影工作室、邮购目录、读书俱乐部和笔友服务。尽管他们的政治立场不同,但对弗格森和约翰逊来说,石墙事件仍然是一个历史转折点,它组织了前后的叙述,并为他们注入了修辞、情感和政治能量。为了重新发现石墙事件的方方面面,或者发掘它的新细节,弗格森和约翰逊都假定了它的历史性。它仍然是一个参考点
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引用次数: 0
Sexual Intimacies in Literatures of the Black Diaspora 散居黑人文学中的性亲密关系
IF 0.7 4区 社会学 Q1 Social Sciences Pub Date : 2021-01-01 DOI: 10.1215/10642684-8776988
T. Osinubi
Huang, Vivian L. 2018. “Whither Asian American Lesbian Feminism?” Presented at the National Women’s Studies Association Annual Conference, Atlanta, GA, November 9. Nguyen, Tan Hoang. 2014. View from the Bottom: Asian American Masculinity and Sexual Representation. Durham, NC: Duke University Press. Sedgwick, Eve Kosofsky. 1985. Between Men: English Literature and Male Homosocial Desire. New York: Columbia University Press. Sedgwick, Eve Kosofsky. 1990. Epistemology of the Closet. Berkeley: University of California Press.
黄文林。2018。“亚裔美国女同性恋女权主义何去何从?”发表于11月9日在佐治亚州亚特兰大举行的全国妇女研究协会年会上。Nguyen, Tan Hoang. 2014。从底层看:亚裔美国人的男子气概和性表现。达勒姆,北卡罗来纳州:杜克大学出版社。塞奇威克,伊芙·科索夫斯基1985。男性之间:英国文学与男性同一性社会欲望。纽约:哥伦比亚大学出版社。伊芙·科索夫斯基,塞奇威克,1990。壁橱的认识论。伯克利:加州大学出版社。
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期刊
Glq-A Journal of Lesbian and Gay Studies
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