Pub Date : 2026-01-22DOI: 10.1016/j.aip.2026.102425
Eva Sánchez Martz , Beatriz Calvo-Merino , Santiago Fernández González
Dance provides a rich context for examining how the motor system adapts to changing constraints, with movement variability functioning as a driver of adaptive skill rather than a performance error. This study proposes a framework for motor creativity grounded in constraint-led exploration and examines whether the Three-Constraints System practice can enhance embodied cognitive flexibility. In a pilot intervention with 11 professional dancers, tasks were structured around bodily, cognitive, and sensory constraints across a 10-hour guided practice. Quantitative questionnaire data and qualitative reflections were collected. Findings showed reductions in cognitive rigidity, psychological tension, fear of error or judgment, and automatisms, alongside increased openness, awareness, and movement fluidity. These preliminary results suggest that the Three-Constraints System practice may positively influence embodied aspects of cognitive flexibility, with potential applications beyond dance settings.
{"title":"A framework for motor creativity: Exploring cognitive flexibility using three-constraints system practice","authors":"Eva Sánchez Martz , Beatriz Calvo-Merino , Santiago Fernández González","doi":"10.1016/j.aip.2026.102425","DOIUrl":"10.1016/j.aip.2026.102425","url":null,"abstract":"<div><div>Dance provides a rich context for examining how the motor system adapts to changing constraints, with movement variability functioning as a driver of adaptive skill rather than a performance error. This study proposes a framework for motor creativity grounded in constraint-led exploration and examines whether the Three-Constraints System practice can enhance embodied cognitive flexibility. In a pilot intervention with 11 professional dancers, tasks were structured around bodily, cognitive, and sensory constraints across a 10-hour guided practice. Quantitative questionnaire data and qualitative reflections were collected. Findings showed reductions in cognitive rigidity, psychological tension, fear of error or judgment, and automatisms, alongside increased openness, awareness, and movement fluidity. These preliminary results suggest that the Three-Constraints System practice may positively influence embodied aspects of cognitive flexibility, with potential applications beyond dance settings.</div></div>","PeriodicalId":47590,"journal":{"name":"Arts in Psychotherapy","volume":"98 ","pages":"Article 102425"},"PeriodicalIF":1.5,"publicationDate":"2026-01-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146080136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2026-01-12DOI: 10.1016/j.aip.2026.102415
Estibaliz Gutierrez-Ajamil, Janire Echebarria de Dios
Aggressiveness and emotional dysregulation are common consequences of early childhood trauma. This group case study explores the importance of implementing targeted strategies and tailored materials in art therapy to address these core features of childhood trauma. The intervention is part of the R&D&I project ‘Brundibár: El proceso creativo y el arteterapia como vía de bienestar ante el trauma infantil’ [Brundibár: The Creative Process and Art Therapy as a Pathway to Wellbeing Following Childhood Trauma] (PID2020–114238RB-I00), led by the EARTDI research group (Complutense University of Madrid) in collaboration with Save the Children (STC1). This paper presents an art therapy programme conducted over 40 sessions delivered over a two-year period (2022–2024) to a group of preadolescents receiving support from STC. The findings indicate that the selected materials promoted a creative process, through which participants were able to modulate their aggressive impulses and develop emotional regulation strategies. Furthermore, the use of a shared symbolic language enabled the group to express aspects of their traumatic experiences through colour and texture, generating a visual narrative of pain and resilience. Based on the outcomes observed, this case study suggests that group art therapy for children affected by trauma provides a valuable space for fostering adaptive inter- and intrapersonal skills, thereby enhancing their cognitive, emotional, and social resources.
攻击性和情绪失调是儿童早期创伤的常见后果。本小组案例研究探讨了在艺术治疗中实施有针对性的策略和量身定制的材料的重要性,以解决儿童创伤的这些核心特征。干预是R&;D&;I项目“Brundibár: El proceso Creative y El arteterapia como vía de bienestar ante El trauma infantil”[Brundibár:创作过程和艺术治疗作为儿童创伤后健康的途径](pid2020 - 114238rp - i00)的一部分,由EARTDI研究小组(马德里康普顿斯大学)与救助儿童会(STC1)合作领导。本文介绍了一项为期两年(2022-2024)的艺术治疗计划,该计划对一组接受STC支持的前青少年进行了40多次治疗。研究结果表明,选择的材料促进了一个创造性的过程,通过这个过程,参与者能够调节他们的攻击性冲动,并制定情绪调节策略。此外,使用共同的象征性语言,使小组能够通过颜色和纹理表达他们创伤经历的各个方面,产生痛苦和恢复的视觉叙事。根据观察到的结果,本案例研究表明,对受创伤影响的儿童进行团体艺术治疗为培养适应性人际关系和人际关系技能提供了宝贵的空间,从而增强了他们的认知、情感和社会资源。
{"title":"Create, destroy, recreate: A case study of art therapy with children who have experienced early trauma","authors":"Estibaliz Gutierrez-Ajamil, Janire Echebarria de Dios","doi":"10.1016/j.aip.2026.102415","DOIUrl":"10.1016/j.aip.2026.102415","url":null,"abstract":"<div><div>Aggressiveness and emotional dysregulation are common consequences of early childhood trauma. This group case study explores the importance of implementing targeted strategies and tailored materials in art therapy to address these core features of childhood trauma. The intervention is part of the R&D&I project ‘Brundibár: El proceso creativo y el arteterapia como vía de bienestar ante el trauma infantil’ <em>[Brundibár: The Creative Process and Art Therapy as a Pathway to Wellbeing Following Childhood Trauma]</em> (PID2020–114238RB-I00), led by the EARTDI research group (Complutense University of Madrid) in collaboration with Save the Children (STC<span><span>1</span></span>). This paper presents an art therapy programme conducted over 40 sessions delivered over a two-year period (2022–2024) to a group of preadolescents receiving support from STC. The findings indicate that the selected materials promoted a creative process, through which participants were able to modulate their aggressive impulses and develop emotional regulation strategies. Furthermore, the use of a shared symbolic language enabled the group to express aspects of their traumatic experiences through colour and texture, generating a visual narrative of pain and resilience. Based on the outcomes observed, this case study suggests that group art therapy for children affected by trauma provides a valuable space for fostering adaptive inter- and intrapersonal skills, thereby enhancing their cognitive, emotional, and social resources.</div></div>","PeriodicalId":47590,"journal":{"name":"Arts in Psychotherapy","volume":"98 ","pages":"Article 102415"},"PeriodicalIF":1.5,"publicationDate":"2026-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145996551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2026-01-12DOI: 10.1016/j.aip.2026.102414
Juliet L. King , Ulrich Koch , Philip van der Wees , Nancy Gerber
Art therapy is a regulated mental health profession that integrates creative expression within a psychotherapeutic relationship. Despite a growing evidence base, broader integration into healthcare remains limited by heterogeneous evidence and the absence of mechanism-based frameworks. This study developed and evaluated a neuroscience-informed Knowledge Translation (KT) toolkit designed to bridge scientific evidence with trauma-informed art therapy practice. Using a sequential mixed-methods design, Phase 1 identified practitioner needs, Phase 2 incorporated interdisciplinary expert review, including patient representatives, and Phase 3 assessed feasibility, acceptability, and appropriateness with practicing clinicians. Findings indicated strong perceived relevance, clinical utility, and educational value, while highlighting usability improvements to enhance accessibility. The toolkit is currently at a Minimum Viable Product stage; proprietary algorithms are not disclosed. Grounded in translational science, this work contributes to neuroscience-informed art therapy and supports evidence-based clinical practice, education, and research.
{"title":"Bridging art therapy and neuroscience: A knowledge translation toolkit to support trauma-informed care","authors":"Juliet L. King , Ulrich Koch , Philip van der Wees , Nancy Gerber","doi":"10.1016/j.aip.2026.102414","DOIUrl":"10.1016/j.aip.2026.102414","url":null,"abstract":"<div><div>Art therapy is a regulated mental health profession that integrates creative expression within a psychotherapeutic relationship. Despite a growing evidence base, broader integration into healthcare remains limited by heterogeneous evidence and the absence of mechanism-based frameworks. This study developed and evaluated a neuroscience-informed Knowledge Translation (KT) toolkit designed to bridge scientific evidence with trauma-informed art therapy practice. Using a sequential mixed-methods design, Phase 1 identified practitioner needs, Phase 2 incorporated interdisciplinary expert review, including patient representatives, and Phase 3 assessed feasibility, acceptability, and appropriateness with practicing clinicians. Findings indicated strong perceived relevance, clinical utility, and educational value, while highlighting usability improvements to enhance accessibility. The toolkit is currently at a Minimum Viable Product stage; proprietary algorithms are not disclosed. Grounded in translational science, this work contributes to neuroscience-informed art therapy and supports evidence-based clinical practice, education, and research.</div></div>","PeriodicalId":47590,"journal":{"name":"Arts in Psychotherapy","volume":"98 ","pages":"Article 102414"},"PeriodicalIF":1.5,"publicationDate":"2026-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146039657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2026-01-06DOI: 10.1016/j.aip.2025.102411
Maria Riccardi , Lisa D. Hinz , Gabrielle Gingras , Joshua Kin-man Nan , Kathy Gotshall
The demand to cover extensive instructional material in art therapy supervision can affect the self-efficacy of a supervisee and supervisor. Co-creating and art-making in art therapy supervision can enhance the effectiveness, growth and depth of the supervisory relationship. We propose a novel art-based model of supervision rooted in the Expressive Therapies Continuum, which we have been using and teaching for the past several years. The supervisory approach involves mastering the Expressive Therapy Continuum model, creating artwork with the supervisee, exploring artistic preferences and aversions, and strengthening supervisory alliances. The Expressive Therapies Continuum supervision process begins with the development of a collaborative plan in which the supervisor and supervisee jointly establish goals to support professional growth. It continues with mastery of the Expressive Therapies Continuum model, including gaining an in-depth understanding of the media dimension variables and their likely impact on the therapeutic process. Finally, the model uses Expressive Therapist Self-Inquiry to support an examination of artistic preferences and aversions and their possible influences on the art therapy process and the development of professional identity. This article presents multiple practical examples of the Expressive Therapies Continuum supervisory model, including a case vignette that illustrates its application.
{"title":"Canvas of connection: An Expressive Therapies Continuum arts-based supervision approach","authors":"Maria Riccardi , Lisa D. Hinz , Gabrielle Gingras , Joshua Kin-man Nan , Kathy Gotshall","doi":"10.1016/j.aip.2025.102411","DOIUrl":"10.1016/j.aip.2025.102411","url":null,"abstract":"<div><div>The demand to cover extensive instructional material in art therapy supervision can affect the self-efficacy of a supervisee and supervisor. Co-creating and art-making in art therapy supervision can enhance the effectiveness, growth and depth of the supervisory relationship. We propose a novel art-based model of supervision rooted in the Expressive Therapies Continuum, which we have been using and teaching for the past several years. The supervisory approach involves mastering the Expressive Therapy Continuum model, creating artwork with the supervisee, exploring artistic preferences and aversions, and strengthening supervisory alliances. The Expressive Therapies Continuum supervision process begins with the development of a collaborative plan in which the supervisor and supervisee jointly establish goals to support professional growth. It continues with mastery of the Expressive Therapies Continuum model, including gaining an in-depth understanding of the media dimension variables and their likely impact on the therapeutic process. Finally, the model uses Expressive Therapist Self-Inquiry to support an examination of artistic preferences and aversions and their possible influences on the art therapy process and the development of professional identity. This article presents multiple practical examples of the Expressive Therapies Continuum supervisory model, including a case vignette that illustrates its application.</div></div>","PeriodicalId":47590,"journal":{"name":"Arts in Psychotherapy","volume":"97 ","pages":"Article 102411"},"PeriodicalIF":1.5,"publicationDate":"2026-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145926374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-12-29DOI: 10.1016/j.aip.2025.102413
Daniel Memarpour Hobbi , Loukia Bololia
The use of Tabletop Role-playing Games (TRPGs) as a therapeutic tool has seen a rise in interest and research in recent years. They are effective through their use of storytelling, role-playing, character creation and other aspects also commonly used in Dramatherapy. This study provides an autoethnographic account of the potential benefits of TRPGs within therapy analysed through the lens of an emerging Dramatherapist and TRPG player, giving rise to two main themes. Through the first theme “Personal Journey of Growth”, the author finds that playing TRPGs has evoked similar therapeutic experiences than engaging in Dramatherapy exercises suggesting there is potential for TRPGs as a valuable therapeutic tool for Dramatherapists. The second theme, “The Dramatherapist-Game Master Parallel” explores the common aspects between the tasks and responsibilities of a Dramatherapist and a Game Master in a TRPG. Correspondingly, Dramatherapists may bring fresh expertise to the emerging field of TRPG-based therapy as TRPGs contain elements and processes that Dramatherapists are already familiar with and trained in. Overall, the study finds that TRPGs can enhance the potential ways in which Dramatherapy is practiced, thus potentially reaching more people and making Dramatherapy more accessible. Furthermore, the author finds their own practice of Dramatherapy to be influenced by earlier experiences playing TRPGs. Consequently, other individuals already engaged in TRPGs may become interested training as Dramatherapists. TRPGs therefore also have the potential of bringing an influx of practitioners into the field.
{"title":"An autoethnographic exploration of tabletop role-playing games as a therapeutic tool in dramatherapy","authors":"Daniel Memarpour Hobbi , Loukia Bololia","doi":"10.1016/j.aip.2025.102413","DOIUrl":"10.1016/j.aip.2025.102413","url":null,"abstract":"<div><div>The use of Tabletop Role-playing Games (TRPGs) as a therapeutic tool has seen a rise in interest and research in recent years. They are effective through their use of storytelling, role-playing, character creation and other aspects also commonly used in Dramatherapy. This study provides an autoethnographic account of the potential benefits of TRPGs within therapy analysed through the lens of an emerging Dramatherapist and TRPG player, giving rise to two main themes. Through the first theme “Personal Journey of Growth”, the author finds that playing TRPGs has evoked similar therapeutic experiences than engaging in Dramatherapy exercises suggesting there is potential for TRPGs as a valuable therapeutic tool for Dramatherapists. The second theme, “The Dramatherapist-Game Master Parallel” explores the common aspects between the tasks and responsibilities of a Dramatherapist and a Game Master in a TRPG. Correspondingly, Dramatherapists may bring fresh expertise to the emerging field of TRPG-based therapy as TRPGs contain elements and processes that Dramatherapists are already familiar with and trained in. Overall, the study finds that TRPGs can enhance the potential ways in which Dramatherapy is practiced, thus potentially reaching more people and making Dramatherapy more accessible. Furthermore, the author finds their own practice of Dramatherapy to be influenced by earlier experiences playing TRPGs. Consequently, other individuals already engaged in TRPGs may become interested training as Dramatherapists. TRPGs therefore also have the potential of bringing an influx of practitioners into the field.</div></div>","PeriodicalId":47590,"journal":{"name":"Arts in Psychotherapy","volume":"97 ","pages":"Article 102413"},"PeriodicalIF":1.5,"publicationDate":"2025-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145883976","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-12-21DOI: 10.1016/j.aip.2025.102412
Anne Ponstein , Helena Dorsman , Annemarie Abbing
This case report explores how anthroposophic art therapy (AAT) contributed to the reduction of obsessive-compulsive and anxiety symptoms in a woman with contamination-related OCD (“Sasha”). The case was drawn from a randomized controlled trial on art therapy for anxiety (Abbing et al., 2019) and selected for in-depth analysis, as Sasha was the only participant formally diagnosed with OCD. Quantitative data (anxiety, distress, emotion regulation, and executive functioning) and qualitative data from therapist notes and interviews were examined using a phenomenological approach. During the 10-week intervention, Sasha showed a marked reduction in compulsive behavior and anxiety. Improvements were also observed in validated measures of emotion regulation and executive functioning, domains often impaired in OCD. Qualitative findings highlighted key therapeutic elements—such as structured art exercises and a supportive, adaptive therapeutic stance—that promoted emotional awareness, self-regulation, and a more compassionate self-relation. Integrating process observations with outcome data suggests that symptom reduction did not occur in isolation, but was embedded in a broader psychological shift toward greater self-compassion. Enhanced emotion regulation appeared to play a central role in this process, supporting increased tolerance of emotional arousal and reduced reliance on avoidant and self-critical coping patterns characteristic of OCD. This case illustrates the potential of art therapy to address emotional and cognitive dimensions of OCD through experiential and compassionate processes. Further research is warranted to examine the effectiveness of AAT for OCD and to explore self-compassion as a potential mechanism of change.
本病例报告探讨了人智艺术疗法(AAT)如何有助于减少污染相关强迫症妇女的强迫症和焦虑症状(“萨沙”)。该病例来自一项关于焦虑艺术疗法的随机对照试验(Abbing et al., 2019),并被选中进行深入分析,因为Sasha是唯一被正式诊断为强迫症的参与者。定量数据(焦虑、痛苦、情绪调节和执行功能)和来自治疗师记录和访谈的定性数据使用现象学方法进行了检查。在为期10周的干预中,萨沙的强迫行为和焦虑明显减少。在情绪调节和执行功能的有效测量中也观察到改善,这些领域通常在强迫症中受损。定性研究结果强调了关键的治疗要素,如有组织的艺术练习和支持性的、适应性的治疗立场,这些都促进了情感意识、自我调节和更富有同情心的自我关系。综合过程观察和结果数据表明,症状减轻并不是孤立发生的,而是嵌入在更广泛的心理转变中,向更大的自我同情转变。增强的情绪调节似乎在这一过程中发挥了核心作用,支持对情绪唤醒的容忍度增加,减少对强迫症特征的回避和自我批评应对模式的依赖。这个案例说明了艺术疗法通过体验和同情的过程来解决强迫症的情感和认知维度的潜力。需要进一步的研究来检验AAT治疗强迫症的有效性,并探索自我同情作为一种潜在的改变机制。
{"title":"Improvement of compulsive behavior in an art therapeutic process addressing self-compassion: A case report","authors":"Anne Ponstein , Helena Dorsman , Annemarie Abbing","doi":"10.1016/j.aip.2025.102412","DOIUrl":"10.1016/j.aip.2025.102412","url":null,"abstract":"<div><div>This case report explores how anthroposophic art therapy (AAT) contributed to the reduction of obsessive-compulsive and anxiety symptoms in a woman with contamination-related OCD (“Sasha”). The case was drawn from a randomized controlled trial on art therapy for anxiety (Abbing et al., 2019) and selected for in-depth analysis, as Sasha was the only participant formally diagnosed with OCD. Quantitative data (anxiety, distress, emotion regulation, and executive functioning) and qualitative data from therapist notes and interviews were examined using a phenomenological approach. During the 10-week intervention, Sasha showed a marked reduction in compulsive behavior and anxiety. Improvements were also observed in validated measures of emotion regulation and executive functioning, domains often impaired in OCD. Qualitative findings highlighted key therapeutic elements—such as structured art exercises and a supportive, adaptive therapeutic stance—that promoted emotional awareness, self-regulation, and a more compassionate self-relation. Integrating process observations with outcome data suggests that symptom reduction did not occur in isolation, but was embedded in a broader psychological shift toward greater self-compassion. Enhanced emotion regulation appeared to play a central role in this process, supporting increased tolerance of emotional arousal and reduced reliance on avoidant and self-critical coping patterns characteristic of OCD. This case illustrates the potential of art therapy to address emotional and cognitive dimensions of OCD through experiential and compassionate processes. Further research is warranted to examine the effectiveness of AAT for OCD and to explore self-compassion as a potential mechanism of change.</div></div>","PeriodicalId":47590,"journal":{"name":"Arts in Psychotherapy","volume":"97 ","pages":"Article 102412"},"PeriodicalIF":1.5,"publicationDate":"2025-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145840602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-12-16DOI: 10.1016/j.aip.2025.102404
Michal Bat Or , Sigal Weber Levitzky , Noga Ariel-Galor , Miamounah Hebi
The Jewish-Arab cross-cultural encounter in therapy poses unique challenges to the therapeutic relationship, shaped by the ongoing cultural-political conflict in Israel.1 This encounter reflects the complex historical and current dynamics between the two cultures. This study explored the experiences of 22 creative arts therapists working with clients from the opposite cultural sector, focusing on their personal experiences and understanding of art's roles in cross-cultural therapy. Participants created drawings expressing their experiences, followed by semi-structured interviews. The drawings were analyzed phenomenologically, and the interviews underwent reflexive thematic analysis. Data analysis revealed three main themes: 1) "Creating a connection despite the border" – therapists' emotional experiences in cross-cultural therapy and art as a space for meeting the other; 2) Ethnocultural transference and countertransference, sometimes reflecting the political conflict; and 3) Growth of cultural competency and humility during therapy. The findings are discussed through a relational psychoanalytic lens, the concept of the racist self, and cultural competency. Limitations and future research are also addressed.
{"title":"The Jewish –Arab cross cultural encounter in creative arts therapies in Israel: The therapist's experience","authors":"Michal Bat Or , Sigal Weber Levitzky , Noga Ariel-Galor , Miamounah Hebi","doi":"10.1016/j.aip.2025.102404","DOIUrl":"10.1016/j.aip.2025.102404","url":null,"abstract":"<div><div>The Jewish-Arab cross-cultural encounter in therapy poses unique challenges to the therapeutic relationship, shaped by the ongoing cultural-political conflict in Israel.<span><span><sup>1</sup></span></span> This encounter reflects the complex historical and current dynamics between the two cultures. This study explored the experiences of 22 creative arts therapists working with clients from the opposite cultural sector, focusing on their personal experiences and understanding of art's roles in cross-cultural therapy. Participants created drawings expressing their experiences, followed by semi-structured interviews. The drawings were analyzed phenomenologically, and the interviews underwent reflexive thematic analysis. Data analysis revealed three main themes: 1) \"Creating a connection despite the border\" – therapists' emotional experiences in cross-cultural therapy and art as a space for meeting the other; 2) Ethnocultural transference and countertransference, sometimes reflecting the political conflict; and 3) Growth of cultural competency and humility during therapy. The findings are discussed through a relational psychoanalytic lens, the concept of the racist self, and cultural competency. Limitations and future research are also addressed.</div></div>","PeriodicalId":47590,"journal":{"name":"Arts in Psychotherapy","volume":"97 ","pages":"Article 102404"},"PeriodicalIF":1.5,"publicationDate":"2025-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145791063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-12-16DOI: 10.1016/j.aip.2025.102410
Eden Rose Champagne, Steven E. Mock
Many interventions have been explored which aim to support dementia caregivers. However, the traditional approaches focus on cognitive strategies to reduce negative psychological outcomes (e.g., burden). Presently, there is a lack of strengths-based programs designed to enhance positive aspects of caregiver health. Although the benefits of dance/movement therapy (DMT) have been shown with other populations, it is underexplored for caregivers apart from their loved one with dementia. For the current study, ten women participated in the first DMT program for dementia caregivers, which was evaluated with a convergent mixed-methods design. Caregiver burden and resilience was assessed at baseline and follow-up, and therapeutic factors of DMT were assessed at three time points immediately following DMT (week 3, 4, and 5). Quantitative analyses showed that caregiving burden was significantly reduced, and resilience did increase, but not significantly. Qualitative findings from journal entries and semi-structured interviews revealed that DMT enhanced coping through bolstering resilience factors such as self-efficacy and cognitive reframing. Together, these findings suggest that DMT shows promise as an intervention which can meaningfully decrease burden and enhance resilience factors for caregivers. More research is needed which measures outcomes and mechanisms of DMT for caregivers in the context of dementia care.
{"title":"The impacts of dance/movement therapy on dementia caregivers’ burden and resilience: A mixed-methods exploration","authors":"Eden Rose Champagne, Steven E. Mock","doi":"10.1016/j.aip.2025.102410","DOIUrl":"10.1016/j.aip.2025.102410","url":null,"abstract":"<div><div>Many interventions have been explored which aim to support dementia caregivers. However, the traditional approaches focus on cognitive strategies to reduce negative psychological outcomes (e.g., burden). Presently, there is a lack of strengths-based programs designed to enhance positive aspects of caregiver health. Although the benefits of dance/movement therapy (DMT) have been shown with other populations, it is underexplored for caregivers apart from their loved one with dementia. For the current study, ten women participated in the first DMT program for dementia caregivers, which was evaluated with a convergent mixed-methods design. Caregiver burden and resilience was assessed at baseline and follow-up, and therapeutic factors of DMT were assessed at three time points immediately following DMT (week 3, 4, and 5). Quantitative analyses showed that caregiving burden was significantly reduced, and resilience did increase, but not significantly. Qualitative findings from journal entries and semi-structured interviews revealed that DMT enhanced coping through bolstering resilience factors such as self-efficacy and cognitive reframing. Together, these findings suggest that DMT shows promise as an intervention which can meaningfully decrease burden and enhance resilience factors for caregivers. More research is needed which measures outcomes and mechanisms of DMT for caregivers in the context of dementia care.</div></div>","PeriodicalId":47590,"journal":{"name":"Arts in Psychotherapy","volume":"97 ","pages":"Article 102410"},"PeriodicalIF":1.5,"publicationDate":"2025-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145791064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2025-12-15DOI: 10.1016/j.aip.2025.102409
Hui-Chuang Chu , Chia-Ying Chen , Yin-Che Chen
Aims
This study aimed to develop an art-based supervision model for novice counselors and explore how this model would influence their professional development.
Methods
The study involved ten novice counselors who had been practicing for less than five years, were actively engaged in individual counseling, and required supervision. These participants underwent a total of five to six sessions of art-based supervision, led by a senior licensed supervisor. Individual follow-up interviews were subsequently conducted with the participants within three weeks after the completion of the supervision process, with the interview content serving as the primary data for analysis.
Results
Using thematic analysis as the main analytical method, four core categories were identified within the art-based supervision model for novice counselors: (1) “The role and significance of artistic creation (including materials, imagery, and creative expression);” (2) “The awareness and growth of the supervisee/novice counselor;” (3) “Supervisory approaches and role implications;” and (4) “The establishment of the art-based supervisory relationship.” Additionally, the study examined the motivational experiences of novice counselors during the art-based supervision process to explore their overall dynamic state and developmental stages throughout the process.
Conclusions
Based on the findings and subsequent discussions, recommendations for practical application and future research were provided, and potential limitations were acknowledged.
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Pub Date : 2025-12-15DOI: 10.1016/j.aip.2025.102408
Vika Lis-Ron , Tami Gavron
This article presents a conceptual integrative synthesis of three previously published studies by the authors that examined the El Duende One-Canvas Process Painting (EDPP) model as a clinical supervision framework for creative arts therapists. Study 1 consisted of a heuristic art-based inquiry by the supervisor-researcher. Qualitative Study 2 conducted semi-structured interviews with 14 experienced art therapists, and quantitative Study 3 examined the perceptions of 40 creative arts therapists across six supervision groups. To conduct this integrative synthesis, a multi-layered analytic framework was applied combining cross-study synthesis and thematic triangulation. This served to identify key cross-study themes showing that EDPP supervision enhanced reflective capacity, supported mentalization, strengthened the supervisory alliance, and fostered the consolidation of professional identity. The EDPP provided a structured yet flexible framework that encouraged playfulness and clinical processing through visual and verbal integration. While the online format expanded accessibility, the embodied and sensory aspects of artmaking were best supported by in-person settings. Each methodological strand contributed unique insights which, when synthesized, shed light on the conceptual contributions of the EDPP model to art-based clinical supervision. Taken together, these outcomes suggest that the EDPP model offers a valuable, evidence-based framework for supervision and training in the creative arts therapies.
{"title":"The El Duende One-canvas Process Painting (EDPP) model in creative arts therapies supervision: An integrative synthesis","authors":"Vika Lis-Ron , Tami Gavron","doi":"10.1016/j.aip.2025.102408","DOIUrl":"10.1016/j.aip.2025.102408","url":null,"abstract":"<div><div>This article presents a conceptual integrative synthesis of three previously published studies by the authors that examined the El Duende One-Canvas Process Painting (EDPP) model as a clinical supervision framework for creative arts therapists. Study 1 consisted of a heuristic art-based inquiry by the supervisor-researcher. Qualitative Study 2 conducted semi-structured interviews with 14 experienced art therapists, and quantitative Study 3 examined the perceptions of 40 creative arts therapists across six supervision groups. To conduct this integrative synthesis, a multi-layered analytic framework was applied combining cross-study synthesis and thematic triangulation. This served to identify key cross-study themes showing that EDPP supervision enhanced reflective capacity, supported mentalization, strengthened the supervisory alliance, and fostered the consolidation of professional identity. The EDPP provided a structured yet flexible framework that encouraged playfulness and clinical processing through visual and verbal integration. While the online format expanded accessibility, the embodied and sensory aspects of artmaking were best supported by in-person settings. Each methodological strand contributed unique insights which, when synthesized, shed light on the conceptual contributions of the EDPP model to art-based clinical supervision. Taken together, these outcomes suggest that the EDPP model offers a valuable, evidence-based framework for supervision and training in the creative arts therapies.</div></div>","PeriodicalId":47590,"journal":{"name":"Arts in Psychotherapy","volume":"97 ","pages":"Article 102408"},"PeriodicalIF":1.5,"publicationDate":"2025-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145791062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}