Pub Date : 2023-09-01DOI: 10.1215/01642472-10613773
Nicholas Mirzoeff
Abstract Seeing with Palestine was a constitutive possibility in the anticolonial way of seeing from the moment of the Nakba, meaning “catastrophe,” the destruction of Palestinian society in 1948. This article traces this way of seeing in the genealogy of visual culture that emerged in Britain in dialogue with Black British cultural studies and art practice, based on the practices of Stuart Hall, George Lamming, John Berger, and Jean Mohr. It then discusses Palestinian artist Randa Maddah, whose work Berger described as “landswept.” The conclusion speculates on how to “see in the dark” via the Palestinian artists Basel Abbas and Ruanne Abou Rahme.
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Pub Date : 2023-09-01DOI: 10.1215/01642472-10613787
Elyx Desloover, Marquis Bey
Abstract Marquis Bey's Black Trans Feminism (2022) puts forth radical gender abolition as the necessary actualization of blackness and transness toward hopeful world de/construction. An intentional, ongoing work of stepping aside from expected regimes replaces material identitary stances and aims to embrace possibility rather than hold us down. The present conversational piece, fostering critical reflection in/on kinship and interested in evading disciplinary pledges, explores underlying themes of Bey's fugitive theorization, such as undefining, opacity, queer excess, playful performativity, and the destabilization of “solid” ground. Desloover and Bey discuss the avoidance of ontological gendering violence in practice and the necessary forgoing of identities held near and dear. They touch on xenogender proliferation, which could lead not only to fracturing the oppressive binary but also to obliterating gender as colonial cis-heteropatriarchy knows it — to release the need for “making sense” and let it remake itself over and again. Bey describes the stifling experience of (en)forced embodiment of attributed/assumed privilege, claiming nonbinariness on/as the way to wider spaces that skirt required legibility. How can we run (off) from socially imposed and oppressive terrain that forecloses possible unruly existences? Yearnings for the vastness of the “not quite” that-which-is-given ripple beneath the surface of the nameable and speak ofthe elsewhere Bey desires without tying it too tightly to defining words. Playful joy from and for radically healing openness is shared and upheld here to elude the paralyzing exhaustion caused by a “cistem” that cannot possibly hold us.
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Pub Date : 2023-09-01DOI: 10.1215/01642472-10613639
Martina Tazzioli, Nicholas De Genova
Abstract This article proposes border abolitionism as both a political and an analytical framework for deepening critiques of border, migration, and asylum regimes worldwide. Abolitionist perspectives have been associated primarily with questions of criminalization and mass incarceration and thus articulated as a project of prison abolitionism. Importantly, migrant detention and deportation comprise another major pillar of the entrenchment of the carceral state. While critical migration scholarship and No Borders activism have been confronted with the increasing criminalization of immigration and a more general punitive turn in immigration enforcement, engagements with carceral abolitionist perspectives have largely been quite recent. Seemingly disparate struggles increasingly bring into sharper focus a multifaceted critique of what we call the confinement continuum. Not reducible to detention in migrant jails, the confinement continuum is the nexus of heterogeneous modes of confinement that migrants experience, from the fundamental condition of being stuck or trapped in a border zone to the consequent forms of border violence, as well as other forms of coercion that characterize the more general racialized sociopolitical condition of migrant subordination far beyond any physical border site and encompassing the full spectrum of migrant everyday life. Thus, migrants’ and refugees’ struggles and demands exceed a narrow focus on borders alone and frequently enact an incipient politics of abolitionism: migrants and refugees challenge the interlocking bordering mechanisms affecting them while always also repudiating and resisting the biopolitical constrictions that confine them to degraded conditions of life and articulating broader claims for social justice and visions of new and better ways of life.
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Pub Date : 2023-09-01DOI: 10.1215/01642472-10613653
James E. Dobson
Convolutional neural networks (CNNs) are a key technology powering the automated technologies of seeing known as computer vision. CNNs have been especially successful in systems that perform object recognition from visual data. This article examines the persistence of a mid-twentieth-century ontology of the digital image in these contemporary technologies. While CNNs are multidimensional, their ontology flattens distinctions between background and foreground, between subjects and objects, and even the relations established among the categories of information used to organize and train these models. This ontology enables the introduction and amplification of bias and troubling correlations and the transfer or slippage of learned associations between humans and objects found in the training image archives. Inspecting and interpreting what CNNs learn and index through their complex architectures can be difficult if not impossible because of how they encode and obfuscate quite human ways of seeing the world and the image repertoires used to train these algorithms that are rife with residues of prior representations.
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Pub Date : 2023-09-01DOI: 10.1215/01642472-10613759
Jean Mohr
Other| September 01 2023 Photo of Palestinian refugees in Hebron, 1950 Jean Mohr Jean Mohr Search for other works by this author on: This Site Google Social Text (2023) 41 (3 (156)): 57. https://doi.org/10.1215/01642472-10613759 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Jean Mohr; Photo of Palestinian refugees in Hebron, 1950. Social Text 1 September 2023; 41 (3 (156)): 57. doi: https://doi.org/10.1215/01642472-10613759 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsSocial Text Search Advanced Search You do not currently have access to this content.
其他| 2023年9月1日希布伦的巴勒斯坦难民照片,1950年Jean Mohr Jean Mohr搜索作者的其他作品:本网站Google Social Text(2023) 41(3(156)): 57。https://doi.org/10.1215/01642472-10613759查看图标查看文章内容图和表视频音频补充数据同行评审分享图标分享Facebook Twitter LinkedIn电子邮件工具图标工具权限引用图标引用搜索网站引文让·莫尔;1950年,巴勒斯坦难民在希伯伦的照片。2023年9月1日;41(3(156)): 57。doi: https://doi.org/10.1215/01642472-10613759下载引文文件:Zotero参考文献管理器EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索书籍和期刊所有期刊社会文本搜索高级搜索您目前无法访问此内容。
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This article proposes border abolitionism as both a political and an analytical framework for deepening critiques of border, migration, and asylum regimes worldwide. Abolitionist perspectives have been associated primarily with questions of criminalization and mass incarceration and thus articulated as a project of prison abolitionism. Importantly, migrant detention and deportation comprise another major pillar of the entrenchment of the carceral state. While critical migration scholarship and No Borders activism have been confronted with the increasing criminalization of immigration and a more general punitive turn in immigration enforcement, engagements with carceral abolitionist perspectives have largely been quite recent. Seemingly disparate struggles increasingly bring into sharper focus a multifaceted critique of what we call the confinement continuum. Not reducible to detention in migrant jails, the confinement continuum is the nexus of heterogeneous modes of confinement that migrants experience, from the fundamental condition of being stuck or trapped in a border zone to the consequent forms of border violence, as well as other forms of coercion that characterize the more general racialized sociopolitical condition of migrant subordination far beyond any physical border site and encompassing the full spectrum of migrant everyday life. Thus, migrants’ and refugees’ struggles and demands exceed a narrow focus on borders alone and frequently enact an incipient politics of abolitionism: migrants and refugees challenge the interlocking bordering mechanisms affecting them while always also repudiating and resisting the biopolitical constrictions that confine them to degraded conditions of life and articulating broader claims for social justice and visions of new and better ways of life.
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Pub Date : 2023-06-01DOI: 10.1215/01642472-10383305
Lynn S. Chancer
Stanley Aronowitz was the author's professor in the PhD program in sociology at the City University of New York Graduate Center and influenced her intellectual development. This memorial essay presents reflections on the author's years working with Stanley as a student, and six ways that his influences were generalizable beyond, but also including, her particular experiences.
Stanley Aronowitz是作者在纽约城市大学研究生中心社会学博士项目的教授,并影响了她的智力发展。这篇纪念文章回顾了作者作为学生与斯坦利共事的岁月,以及他的影响在她的特殊经历之外可以概括的六种方式。
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Pub Date : 2023-06-01DOI: 10.1215/01642472-10383291
P. Clough
Remembering Stanley Aronowitz brings the author to reflect on the intersection of the personal and the political in academic departments and academic friendships. This intersection can become difficult, especially when colleagues are on the margins, politically and pedagogically, of a department and a discipline. The result can be the rupturing of friendships and the weakening of political alliances that had supported a critical stance toward the discipline and the department.
{"title":"Those Were the Days and Then","authors":"P. Clough","doi":"10.1215/01642472-10383291","DOIUrl":"https://doi.org/10.1215/01642472-10383291","url":null,"abstract":"\u0000 Remembering Stanley Aronowitz brings the author to reflect on the intersection of the personal and the political in academic departments and academic friendships. This intersection can become difficult, especially when colleagues are on the margins, politically and pedagogically, of a department and a discipline. The result can be the rupturing of friendships and the weakening of political alliances that had supported a critical stance toward the discipline and the department.","PeriodicalId":47701,"journal":{"name":"Social Text","volume":" ","pages":""},"PeriodicalIF":3.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46566913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1215/01642472-10383179
Amber Jamilla Musser
This article performs a close reading of an advertisement of Fenty Beauty's Body Lava featuring Rihanna in order to tease apart the imbrications of celebrity, sexuality, blackness, and labor by using an analytic of sweat. Since sweat is secreted by the body, this article is particularly interested in its relationship to enfleshment and what it tells us about the material aspects of black ecologies. Working through how and where sweat surfaces and doesn't in this image of Rihanna offers a way to unpack the utility of sweat as an analytic. Sweat offers insight into why shine connotes both work and sex while also giving us a way move beyond shine and toward sweating and the intimacies offered by porosity.
{"title":"Between Shine and Porosity","authors":"Amber Jamilla Musser","doi":"10.1215/01642472-10383179","DOIUrl":"https://doi.org/10.1215/01642472-10383179","url":null,"abstract":"\u0000 This article performs a close reading of an advertisement of Fenty Beauty's Body Lava featuring Rihanna in order to tease apart the imbrications of celebrity, sexuality, blackness, and labor by using an analytic of sweat. Since sweat is secreted by the body, this article is particularly interested in its relationship to enfleshment and what it tells us about the material aspects of black ecologies. Working through how and where sweat surfaces and doesn't in this image of Rihanna offers a way to unpack the utility of sweat as an analytic. Sweat offers insight into why shine connotes both work and sex while also giving us a way move beyond shine and toward sweating and the intimacies offered by porosity.","PeriodicalId":47701,"journal":{"name":"Social Text","volume":" ","pages":""},"PeriodicalIF":3.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46246286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-01DOI: 10.1215/01642472-10383263
A. Mccarthy
This is a brief personal reflection on Stanley Aronowitz's contributions to our understanding of academic labor and management.
这是对Stanley Aronowitz对我们理解学术劳动和管理的贡献的简短个人反思。
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