Pub Date : 2022-04-06DOI: 10.1080/09502386.2022.2041682
Edward L. Cohen, M. Boler, Elizabeth Davis
ABSTRACT Responding to the Covid-19 pandemic, in ‘The Biopolitics of Pandemics,’ Ed Cohen discusses the contradictions in medical, juridical, and popular thought that conceive of both disease and immunity as things that happen to individual bodies, belying our profound interconnectedness and interdependence.
{"title":"The biopolitics of pandemics: interview with Ed Cohen","authors":"Edward L. Cohen, M. Boler, Elizabeth Davis","doi":"10.1080/09502386.2022.2041682","DOIUrl":"https://doi.org/10.1080/09502386.2022.2041682","url":null,"abstract":"ABSTRACT Responding to the Covid-19 pandemic, in ‘The Biopolitics of Pandemics,’ Ed Cohen discusses the contradictions in medical, juridical, and popular thought that conceive of both disease and immunity as things that happen to individual bodies, belying our profound interconnectedness and interdependence.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42829595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-06DOI: 10.1080/09502386.2022.2040561
Angela Davis, H. Gray, G. T. Johnson, Robin D. G. Kelley, Josh Kun
The article presents discussion on environmental degradation. Topics include understanding the devastating kind of health impacts of the pandemic of Covid-19 disproportionately attacking black and brown people;and acceleration of border closings, more barriers to asylum seekers, expanding immigrant detention.
{"title":"The fire this time: a conversation with Angela Y. Davis, Herman Gray, Gaye Theresa Johnson, Robin D. G. Kelley, and Josh Kun","authors":"Angela Davis, H. Gray, G. T. Johnson, Robin D. G. Kelley, Josh Kun","doi":"10.1080/09502386.2022.2040561","DOIUrl":"https://doi.org/10.1080/09502386.2022.2040561","url":null,"abstract":"The article presents discussion on environmental degradation. Topics include understanding the devastating kind of health impacts of the pandemic of Covid-19 disproportionately attacking black and brown people;and acceleration of border closings, more barriers to asylum seekers, expanding immigrant detention.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43363734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-06DOI: 10.1080/09502386.2022.2040560
Elizabeth Davis, M. Boler
ABSTRACT The conversations collected in this Special Section speak to the events and upheavals of 2020 and the political climate that led up to these events, particularly focusing on the shifting emphasis on emotion in politics that emerged in so-called ‘post-truth’ discourse. The Covid-19 pandemic was initially hailed as a unifying experience, but this conception quickly shattered as the unequal effects of the pandemic were made visible. At the same time, the highly publicized police murder of George Floyd and other black Americans incited mass uprisings. The conversations collected here open up a series of critical forays of thought concerning the long year of 2020 and the inequalities and crises it made undeniably visible.
{"title":"Affect, Protest, Pandemic: Conversations from the crises of 2020","authors":"Elizabeth Davis, M. Boler","doi":"10.1080/09502386.2022.2040560","DOIUrl":"https://doi.org/10.1080/09502386.2022.2040560","url":null,"abstract":"ABSTRACT The conversations collected in this Special Section speak to the events and upheavals of 2020 and the political climate that led up to these events, particularly focusing on the shifting emphasis on emotion in politics that emerged in so-called ‘post-truth’ discourse. The Covid-19 pandemic was initially hailed as a unifying experience, but this conception quickly shattered as the unequal effects of the pandemic were made visible. At the same time, the highly publicized police murder of George Floyd and other black Americans incited mass uprisings. The conversations collected here open up a series of critical forays of thought concerning the long year of 2020 and the inequalities and crises it made undeniably visible.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45287663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-30DOI: 10.1080/09502386.2022.2056221
Imre Szeman, Caleb Wellum
ABSTRACT With the publication of Carbon Democracy, Timothy Mitchell made a major contribution to the political study of energy resources that helped launch an exciting era of energy studies. Energy humanities scholars Imre Szeman and Caleb Wellum interviewed Mitchell in 2021 about the genesis, arguments, and legacies of Carbon Democracy. This wide-ranging conversation explores how the political context of the early 2000s informed the book, how the book has shaped the study of oil and energy, and the new directions Mitchell’s research has taken since the book’s publication. The conversation also includes discussion of Mitchell’s methodological approach to technopolitical subjects and where the study of energy needs to go from here.
{"title":"Carbon Democracy at ten: an interview with Timothy Mitchell","authors":"Imre Szeman, Caleb Wellum","doi":"10.1080/09502386.2022.2056221","DOIUrl":"https://doi.org/10.1080/09502386.2022.2056221","url":null,"abstract":"ABSTRACT With the publication of Carbon Democracy, Timothy Mitchell made a major contribution to the political study of energy resources that helped launch an exciting era of energy studies. Energy humanities scholars Imre Szeman and Caleb Wellum interviewed Mitchell in 2021 about the genesis, arguments, and legacies of Carbon Democracy. This wide-ranging conversation explores how the political context of the early 2000s informed the book, how the book has shaped the study of oil and energy, and the new directions Mitchell’s research has taken since the book’s publication. The conversation also includes discussion of Mitchell’s methodological approach to technopolitical subjects and where the study of energy needs to go from here.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45275205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-28DOI: 10.1080/09502386.2022.2055096
J. Hatfield
ABSTRACT This is an article about trans suicide – a longstanding consequence of a necropolitical order that perpetuates the disposability of trans life as a strategy of social subjugation and institutional maintenance. Although having become a more widely publicized crisis in recent years, trans suicide is not a new problem. Evidence of trans suicide dates to the early twentieth century, verifying its status as a malady that victimizes both youth and adults, stretches beyond American borders, and populates a range of discourses since well before the popularization of more contemporary identity categories, such as ‘transsexual’ or ‘transgender.’ In this article, I trace the historical circulation of trans suicide, with a primary focus on its movement across U.S. public culture. I show how trans people have long shaped meanings of trans suicide using a variety of communication channels. I argue that recurrent public renderings of trans suicide accrue force as potent articulations of trans shame, which arise directly from embodied experiences of gender dysphoria and other often hidden intersecting systems of oppression that make trans lives less livable. Thus, the figural history of trans suicide is a multi-generational structure of feeling constituted by an ongoing series of moments of shame that have shifted in tandem with evolutions in media culture and changing norms of trans visibility. These moments of shame open possibilities for challenging transnormative logics of representation and dismantling the necropolitical foundations of anti-trans death worlds.
{"title":"Moments of shame in the figural history of trans suicide","authors":"J. Hatfield","doi":"10.1080/09502386.2022.2055096","DOIUrl":"https://doi.org/10.1080/09502386.2022.2055096","url":null,"abstract":"ABSTRACT This is an article about trans suicide – a longstanding consequence of a necropolitical order that perpetuates the disposability of trans life as a strategy of social subjugation and institutional maintenance. Although having become a more widely publicized crisis in recent years, trans suicide is not a new problem. Evidence of trans suicide dates to the early twentieth century, verifying its status as a malady that victimizes both youth and adults, stretches beyond American borders, and populates a range of discourses since well before the popularization of more contemporary identity categories, such as ‘transsexual’ or ‘transgender.’ In this article, I trace the historical circulation of trans suicide, with a primary focus on its movement across U.S. public culture. I show how trans people have long shaped meanings of trans suicide using a variety of communication channels. I argue that recurrent public renderings of trans suicide accrue force as potent articulations of trans shame, which arise directly from embodied experiences of gender dysphoria and other often hidden intersecting systems of oppression that make trans lives less livable. Thus, the figural history of trans suicide is a multi-generational structure of feeling constituted by an ongoing series of moments of shame that have shifted in tandem with evolutions in media culture and changing norms of trans visibility. These moments of shame open possibilities for challenging transnormative logics of representation and dismantling the necropolitical foundations of anti-trans death worlds.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41465468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-28DOI: 10.1080/09502386.2022.2056218
Corey J. Miles
ABSTRACT The Black Hip Hop tradition, specifically rap, has appropriated and rechanneled music technologies and inscribed new meanings for cultural, economic, social, and political gains, videography included. Through an ethnographic study of Hip Hop in rural northeast North Carolina, USA, this project incorporates the voices of local Hip Hop videographers and rap artists to suggest that Hip Hop videography is a form of performative Blackness that exemplifies how the visual is a site of vernacular possibility. It shows how Black artists in rural northeast North Carolina work within the specific structure of the trap subgenre, which originated in urban centres, only to rupture it with visuals of rural Blackness. By demanding audiences to ‘listen’ to images, Hip Hop artists in the area known as ‘the 252’ use local history and the visual subjectivity of the surrounding region to alter the sonic experience of songs to set forth a local identity. This research positions Hip Hop videography as a relational space where identities are inhabited, imagined, and transformed.
{"title":"Listening to the video: Hip Hop videography and Rural Black Aesthetics","authors":"Corey J. Miles","doi":"10.1080/09502386.2022.2056218","DOIUrl":"https://doi.org/10.1080/09502386.2022.2056218","url":null,"abstract":"ABSTRACT The Black Hip Hop tradition, specifically rap, has appropriated and rechanneled music technologies and inscribed new meanings for cultural, economic, social, and political gains, videography included. Through an ethnographic study of Hip Hop in rural northeast North Carolina, USA, this project incorporates the voices of local Hip Hop videographers and rap artists to suggest that Hip Hop videography is a form of performative Blackness that exemplifies how the visual is a site of vernacular possibility. It shows how Black artists in rural northeast North Carolina work within the specific structure of the trap subgenre, which originated in urban centres, only to rupture it with visuals of rural Blackness. By demanding audiences to ‘listen’ to images, Hip Hop artists in the area known as ‘the 252’ use local history and the visual subjectivity of the surrounding region to alter the sonic experience of songs to set forth a local identity. This research positions Hip Hop videography as a relational space where identities are inhabited, imagined, and transformed.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46517614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-21DOI: 10.1080/09502386.2022.2052920
Sophie Chao
ABSTRACT This article explores the cultural, political, and affective significance of mourning among the Indigenous Marind communities of rural Merauke West Papua, whose intimate and ancestral relations to native plants, animals, and ecosystems are increasingly threatened by mass deforestation and monocrop oil palm expansion. Cross-pollinating Indigenous more-than-human philosophies with environmental humanities scholarship, I examine three emergent practices of ‘multispecies mourning’ on the Papuan oil palm frontier – the weaving of sago bags as a form of collective healing, the creation of songs prompted by encounters with roadkill, and the transplanting of bamboo shoots as part of customary land reclaiming activities. Multispecies mourning offers potent avenues for Marind to memorialize the radical loss of lives and relations prompted by capitalist landscape transformations. At the same time, multispecies mournings constitute forms of active resistance and creative refusal in the face of extractive capitalism’s ecocidal logic. Bringing together plants, people, and places, their dispersed sentience and materiality offer hopeful pathways for multispecies solidarities, in and against the rubble of agro-industrialism and its necropolitical undergirdings.
{"title":"Multispecies mourning: grieving as resistance on the West Papuan plantation frontier","authors":"Sophie Chao","doi":"10.1080/09502386.2022.2052920","DOIUrl":"https://doi.org/10.1080/09502386.2022.2052920","url":null,"abstract":"ABSTRACT\u0000 This article explores the cultural, political, and affective significance of mourning among the Indigenous Marind communities of rural Merauke West Papua, whose intimate and ancestral relations to native plants, animals, and ecosystems are increasingly threatened by mass deforestation and monocrop oil palm expansion. Cross-pollinating Indigenous more-than-human philosophies with environmental humanities scholarship, I examine three emergent practices of ‘multispecies mourning’ on the Papuan oil palm frontier – the weaving of sago bags as a form of collective healing, the creation of songs prompted by encounters with roadkill, and the transplanting of bamboo shoots as part of customary land reclaiming activities. Multispecies mourning offers potent avenues for Marind to memorialize the radical loss of lives and relations prompted by capitalist landscape transformations. At the same time, multispecies mournings constitute forms of active resistance and creative refusal in the face of extractive capitalism’s ecocidal logic. Bringing together plants, people, and places, their dispersed sentience and materiality offer hopeful pathways for multispecies solidarities, in and against the rubble of agro-industrialism and its necropolitical undergirdings.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46782811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-21DOI: 10.1080/09502386.2022.2042576
Alison Hearn
ABSTRACT This paper explores the force of automation and its contradictions and resistances within (and beyond) the financial sector, with a specific focus on computational practices of credit-scoring and lending. It examines the operations and promotional discourses of fintech start-ups LendUp.com and Elevate.com that offer small loans to the sub-prime consumers in exchange for access to their online social media and mobile data, and Zest AI and LenddoEFL that sell automated decision-making tools to verify identity and assess risk. Reviewing their disciplinary reputational demands and impacts on users and communities, especially women and people of colour, the paper argues that the automated reimagination of credit and creditability disavows the formative design of its AI and redefines moral imperatives about character to align with the interests of digital capitalism. The economic, social and cultural crises precipitated by the Covid-19 pandemic have only underscored the internal contradictions of these developments, and a variety of debt resistance initiatives have emerged, aligned with broader movements for social, economic, and climate justice around the globe. Cooperative lending circles such as the Mission Asset Fund, activist groups like #NotMyDebt, and Debt Collective, a radical debt abolition movement, are examples of collective attempts to rehumanize credit and debt and resist the appropriative practices of contemporary digital finance capitalism in general. Running the gamut from accommodationist to entirely radical, these experiments in mutual aid, debt refusal, and community-building provide us with roadmaps for challenging capitalism and re-thinking credit, debt, power, and personhood within and beyond the current crises.
{"title":"The collateralized personality: creditability and resistance in the age of automated credit-scoring and lending","authors":"Alison Hearn","doi":"10.1080/09502386.2022.2042576","DOIUrl":"https://doi.org/10.1080/09502386.2022.2042576","url":null,"abstract":"ABSTRACT This paper explores the force of automation and its contradictions and resistances within (and beyond) the financial sector, with a specific focus on computational practices of credit-scoring and lending. It examines the operations and promotional discourses of fintech start-ups LendUp.com and Elevate.com that offer small loans to the sub-prime consumers in exchange for access to their online social media and mobile data, and Zest AI and LenddoEFL that sell automated decision-making tools to verify identity and assess risk. Reviewing their disciplinary reputational demands and impacts on users and communities, especially women and people of colour, the paper argues that the automated reimagination of credit and creditability disavows the formative design of its AI and redefines moral imperatives about character to align with the interests of digital capitalism. The economic, social and cultural crises precipitated by the Covid-19 pandemic have only underscored the internal contradictions of these developments, and a variety of debt resistance initiatives have emerged, aligned with broader movements for social, economic, and climate justice around the globe. Cooperative lending circles such as the Mission Asset Fund, activist groups like #NotMyDebt, and Debt Collective, a radical debt abolition movement, are examples of collective attempts to rehumanize credit and debt and resist the appropriative practices of contemporary digital finance capitalism in general. Running the gamut from accommodationist to entirely radical, these experiments in mutual aid, debt refusal, and community-building provide us with roadmaps for challenging capitalism and re-thinking credit, debt, power, and personhood within and beyond the current crises.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43658757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-20DOI: 10.1080/09502386.2022.2108865
F. Mami
What if the basic emotions of colonized/decolonized subjects, including rage, jealousy
如果被殖民/非殖民化对象的基本情绪，包括愤怒，嫉妒
{"title":"The decolonization that could have been but never was","authors":"F. Mami","doi":"10.1080/09502386.2022.2108865","DOIUrl":"https://doi.org/10.1080/09502386.2022.2108865","url":null,"abstract":"What if the basic emotions of colonized/decolonized subjects, including rage, jealousy","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45104795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-17DOI: 10.1080/09502386.2022.2042582
Jake Goldenfein, Monique Mann
ABSTRACT This article explores philanthropic interactions between ‘Big Tech’ and digital rights civil society organizations (DRCSOs) to enhance understanding of the alignment and misalignment of interests between these groups. ‘Big Tech’ wields political influence by distributing cash to research and policy organizations. Academic research supporting ‘Big Tech’ business practices is marshalled to support their political lobbying efforts, while civil society policy work shapes the narrative what dimensions of these businesses should be regulated (or not). While academic work is typically presented as a cool analysis of the relevant issues, DRCSOs purport to represent the interests of individuals and groups negatively affected by those business practices. Through empirical tracking of direct financial flows, as well as an analysis of cash distributions via class action litigation settlements, we show that certain DRCSOs have long-term financial relationships with ‘Big Tech’ that trouble our understanding of the alignments or misalignments of their interests. Through that analysis, we question where and how civil society fits into automated and algorithmic cultural production and perpetuation, and the way that Big Tech uses and guards the economic capital generated through its dominance over ‘automated culture’.
{"title":"Tech money in civil society: whose interests do digital rights organisations represent?","authors":"Jake Goldenfein, Monique Mann","doi":"10.1080/09502386.2022.2042582","DOIUrl":"https://doi.org/10.1080/09502386.2022.2042582","url":null,"abstract":"ABSTRACT This article explores philanthropic interactions between ‘Big Tech’ and digital rights civil society organizations (DRCSOs) to enhance understanding of the alignment and misalignment of interests between these groups. ‘Big Tech’ wields political influence by distributing cash to research and policy organizations. Academic research supporting ‘Big Tech’ business practices is marshalled to support their political lobbying efforts, while civil society policy work shapes the narrative what dimensions of these businesses should be regulated (or not). While academic work is typically presented as a cool analysis of the relevant issues, DRCSOs purport to represent the interests of individuals and groups negatively affected by those business practices. Through empirical tracking of direct financial flows, as well as an analysis of cash distributions via class action litigation settlements, we show that certain DRCSOs have long-term financial relationships with ‘Big Tech’ that trouble our understanding of the alignments or misalignments of their interests. Through that analysis, we question where and how civil society fits into automated and algorithmic cultural production and perpetuation, and the way that Big Tech uses and guards the economic capital generated through its dominance over ‘automated culture’.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":null,"pages":null},"PeriodicalIF":1.5,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45716495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：