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How should the non-Indigenous speak? A discussion of decolonizing academia, positioning, and freedom of speech 非原住民应该如何说话?关于非殖民化学术、定位和言论自由的讨论
IF 1.5 3区 社会学 Q1 ANTHROPOLOGY Pub Date : 2023-07-06 DOI: 10.1080/09502386.2023.2230990
S. Sand
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引用次数: 0
Fear makes the soul: constituting whiteness through moral panics in postcolonial Germany 恐惧造就灵魂:通过后殖民德国的道德恐慌构成白人
IF 1.5 3区 社会学 Q1 ANTHROPOLOGY Pub Date : 2023-07-04 DOI: 10.1080/09502386.2023.2230967
Armanc Yıldız
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引用次数: 0
From mass popular to bastardized popular 从大众流行到低俗流行
IF 1.5 3区 社会学 Q1 ANTHROPOLOGY Pub Date : 2023-06-27 DOI: 10.1080/09502386.2023.2222758
Omar Rincón
ABSTRACT This essay acknowledges the theoretical contributions, the perspective and the practices carried out by Jesús Martín-Barbero concerning the popular in connection with the cultural industry and the acknowledgment of what is our own in Latin America. Based on the Martin-Barberian concept of mass popular and without losing his contribution, a conceptual re-invention is suggested to report on the meaning of entertainment, coolture and celebrity citizenship that define mainstream pop in the XXI century. In this re-invention, it is suggested that popular is defined from the bastardization of mixing together the pop, the popular, the territorial and the ancestral.
摘要:本文承认Jesús Martín-Barbero在文化产业中对大众的理论贡献、观点和实践,以及对我们在拉丁美洲的认可。基于马丁·巴伯的大众流行概念,在不损失其贡献的情况下,提出了一个概念上的重新发明,以报告21世纪定义主流流行的娱乐、酷和名人公民身份的意义。在这一重新发明中,有人认为流行是由流行、流行、地域和祖先混合在一起的贵族化定义的。
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引用次数: 0
Conjunctures 紧要关头
3区 社会学 Q1 ANTHROPOLOGY Pub Date : 2023-06-22 DOI: 10.1080/09502386.2023.2219471
Nabil Echchaibi, Ted Striphas
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引用次数: 0
Conjunctures 紧要关头
IF 1.5 3区 社会学 Q1 ANTHROPOLOGY Pub Date : 2023-06-22 DOI: 10.5040/9781474290586.part-002
Nabil Echchaibi, Ted Striphas
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引用次数: 0
From media to mediations: unexpected readings 从媒介到中介:意想不到的解读
IF 1.5 3区 社会学 Q1 ANTHROPOLOGY Pub Date : 2023-06-21 DOI: 10.1080/09502386.2023.2222732
Néstor García Canclini
Abstract This essay critically reviews Jesús Martín-Barbero's 1987 book, “De los medios a las mediaciones”, and its influence on Latin American cultural studies after its first decade of publication. Highlighting the work's seminal contributions, it also underscores its participation in the emergence of dialogues and interdisciplinary studies on mass and popular culture. The essay acknowledges Martín-Barbero's distinctive intellectual practices, which set him apart from other traditions in communication studies: his ability to redefine—or localize—a rebellious, yet fruitful relationship with European critical theory, the potential in the reappropriation of ideas, and the mindful transformation of his oeuvre attuned to audience reception and engagement.
摘要本文评述了Jesús Martín-Barbero 1987年出版的《媒体》一书,以及该书出版第一个十年后对拉丁美洲文化研究的影响。它强调了这项工作的开创性贡献,还强调了它参与了关于大众和流行文化的对话和跨学科研究的出现。这篇文章承认了马丁·巴伯罗独特的思想实践,这使他与传播学研究的其他传统不同:他能够重新定义或本地化与欧洲批判理论的叛逆但富有成效的关系,重新利用思想的潜力,以及他作品的用心转变,以适应观众的接受和参与。
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引用次数: 0
Sound mediations: a translocal reading of sonideros 声音调解:sonideros的跨地域解读
IF 1.5 3区 社会学 Q1 ANTHROPOLOGY Pub Date : 2023-06-20 DOI: 10.1080/09502386.2023.2222745
Camila Aschner-Restrepo
ABSTRACT In this paper, I study the case of sonideros in Mexico to explore the possibilities that aural archives and experiences can bring to the academic understanding of the modern urban sensorium. I inquire about the ways in which Latin America is built through translocal networks that traverse the aural space. Through a dialogue between theorists from the region and other parts of the global south, I attempt to bring new light to some of the most important concepts proposed by Jesús Martín-Barbero. I propose a reading of sonideros from a translocal point of view that reclaims the use of non-traditional archives in order to question hegemonic assumptions about popular culture.
摘要在本文中,我研究了墨西哥的sonideros案例,以探索听觉档案和经验为学术界理解现代城市感官带来的可能性。我询问拉丁美洲是如何通过穿越听觉空间的跨地域网络建立起来的。通过该地区和全球南部其他地区的理论家之间的对话,我试图为Jesús Martín-Barbero提出的一些最重要的概念带来新的启示。我建议从跨地方的角度阅读sonideros,重新利用非传统档案来质疑对流行文化的霸权假设。
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引用次数: 0
Word and action: the many routes through Jesús Martín-Barbero 言语和行动:通过Jesús Martín-Barbero的许多路线
IF 1.5 3区 社会学 Q1 ANTHROPOLOGY Pub Date : 2023-06-15 DOI: 10.1080/09502386.2023.2222742
A. Ponce de León, Alejandro Martín Maldonado, J. Aparicio
ABSTRACT The articles in this special issue address some of the conceptual innovations and controversies raised by the late Jesús Martín-Barbero's (1937–2021) combative and generous spirit. These introductory remarks provide an overview of Martín-Barbero's academic and public intellectual contributions. Specifically, we examine his personal, political, intellectual and cultural trajectories as they lead us to a core category in his thinking: mediations. We also present the essays in this issue to show how Martín-Barbero's work is valuable and fundamental to understanding the contemporary moment in Latin America, the Caribbean and perhaps beyond.
摘要本期特刊中的文章探讨了已故耶苏斯·马丁·巴伯罗(1937–2021)好斗和慷慨的精神所引发的一些概念创新和争议。这些介绍性发言概述了马丁·巴伯罗在学术和公共知识方面的贡献。具体而言,我们考察了他的个人、政治、知识和文化轨迹,因为这些轨迹将我们引向了他思维中的一个核心类别:中介。我们还展示了本期的文章,以展示马丁·巴伯罗的作品对理解拉丁美洲、加勒比地区乃至其他地区的当代时刻是多么有价值和重要。
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引用次数: 0
Psy-drama from Martín-Barbero’s perspective 从Martín-Barbero的角度看心理剧
IF 1.5 3区 社会学 Q1 ANTHROPOLOGY Pub Date : 2023-06-15 DOI: 10.1080/09502386.2023.2222736
Vicente Caballero de la Torre
ABSTRACT In 1992, Jesús Martín-Barbero and Sonia Muñoz co-authored a book called Televisión y melodrama: géneros y lecturas de la telenovela en Colombia (Television and melodrama: genres and readings of the telenovela in Colombia). There, the authors proposed some ideas that allow us to understand the new forms of entertainment, typical of the culture of the algorithm, at the dawn of the TVIV era. This article is arranged in the following sections: first, by way of introduction, a distinction is made between soap opera and telenovela in order to show that the analysis of these authors applies to both audiovisual products, now in decline; secondly, the way the audio-visual transition from TVIII to TVIV has experienced a boost during the last years is shown; thirdly, how the authors’ insights on television melodrama find accommodation within the Mediation Theory and in the cultural context of the 1980s and 1990s is explained; finally, the article concludes by highlighting Barbero and Muñoz’s lens (on social typology of screen time and other important conceptual tools) to understand new drama series on streaming media platforms within the context of a psychologized culture.
摘要1992年,Jesús Martín-Barbero和Sonia Muñoz合著了一本名为《电视与情节剧:哥伦比亚电视小说的流派和解读》的书。在那里,作者提出了一些想法,使我们能够理解新的娱乐形式,典型的算法文化,在TVIV时代的黎明。本文分为以下几个部分:首先,通过引言的方式,对肥皂剧和电视小说进行了区分,以表明这些作者的分析适用于目前正在衰落的两种视听产品;第二,在过去的几年里,从TVIII到TVIV的视听转变得到了推动;第三,解释了作者对电视情节剧的见解如何在调解理论和20世纪80年代和90年代的文化背景下找到契合点;最后,文章强调Barbero和Muñoz的镜头(关于屏幕时间的社会类型学和其他重要的概念工具),以在心理文化的背景下理解流媒体平台上的新剧系列。
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引用次数: 0
The concept of experience in the work of Jesús Martín-Barbero: toward a positive theory of the popular 经验的概念在工作Jesús Martín-Barbero:走向一个积极的理论的流行
IF 1.5 3区 社会学 Q1 ANTHROPOLOGY Pub Date : 2023-06-13 DOI: 10.1080/09502386.2023.2222764
Iván Alvarado Castro, David del Pino Díaz
ABSTRACT This article aims to review the concept of experience, linked to the popular, proposed by Jesús Martín-Barbero. The author’s production is inscribed in the intersection between philosophy, cultural studies, and mass media. From the deductive method, we delve into the development of a theoretical journey that dialogues from the Frankfurt School and British Cultural Studies to contemporary French sociology. In the conclusions, we highlight the relational aspects of experience and its possibilities for generating changes in culture. The work of Jesús Martín-Barbero is a starting point for thinking about ourselves from the present that, nevertheless, opens a pertinent discussion: what are the limits in the experiences of popular cultures to imagine emancipation.
本文旨在回顾Jesús Martín-Barbero提出的与大众相关的经验概念。作者的作品被列入哲学、文化研究和大众传媒的交叉领域。从演绎法出发,深入探讨了从法兰克福学派和英国文化研究对话到当代法国社会学的理论发展历程。在结论中,我们强调了经验的关系方面及其在文化中产生变化的可能性。Jesús Martín-Barbero的工作是一个从现在开始思考我们自己的起点,然而,它开启了一个相关的讨论:在流行文化的经验中,想象解放的限制是什么。
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引用次数: 0
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Cultural Studies
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