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Victorian Equations 维多利亚方程
IF 1.7 2区 社会学 Pub Date : 2024-01-01 DOI: 10.1086/727657
Andrea Kelly Henderson
As familiar as the form of the mathematical equation is to us, the ostensibly simple act of equating unlike things was an achievement many centuries in the making, and one that would ultimately redefine European mathematical enquiry such that its bias toward geometry and the concrete would be displaced by a bias toward algebraic abstraction. The moment of that displacement was the nineteenth century, and its broader significance is on particularly striking display in the British context, where the implications of algebraic abstraction were the object of sustained enquiry among mathematicians, logicians, and economists. This article argues that the ascendance of the algebraic equation, and the transformation in the conception of number on which it was premised, were not simply the product of evolutionary pressures internal to mathematics; the Victorian embrace of algebra was also a response to the practical and cognitive demands of Victorian economic life, which was increasingly reliant on attenuated exchange relations and merely nominal forms of ownership. This was an economy organized around the global extension of trade and characterized by the exponential growth of financial intermediation, of what Walter Bagehot called “number abstracted from reference.” Victorian economic practices thus modeled an abstraction that helped to justify the abstractions of mathematics, and that mathematics in turn was used by economic theorists to argue for the necessity and objectivity of their models. This mutually sustaining dialogue is particularly visible in the writings of William Stanley Jevons, who applied the principles of algebra to philosophy and economic theory so as to reconceive the logic of cognitive and social life in terms of equations. This logic, for which he was merely a spokesman, continues to shape our faith in the special value of abstract, theoretical knowledge.
数学等式的形式对我们来说再熟悉不过了,但将不同的事物等同起来这一看似简单的行为却是一项酝酿了许多世纪的成就,它最终将重新定义欧洲的数学研究,使其对几何和具体事物的偏爱被对代数抽象的偏爱所取代。这种转变的时刻是 19 世纪,其更广泛的意义在英国的背景下表现得尤为突出,代数抽象的含义是数学家、逻辑学家和经济学家持续探究的对象。本文认为,代数等式的兴起以及作为其前提的数概念的转变,并不仅仅是数学内部进化压力的产物;维多利亚时代对代数的拥护也是对维多利亚时代经济生活的实践和认知需求的回应,维多利亚时代的经济生活越来越依赖于弱化的交换关系和仅仅是名义上的所有权形式。这种经济是围绕贸易的全球扩展而组织起来的,其特点是金融中介的指数式增长,也就是沃尔特-贝格霍特所说的 "从参照中抽象出来的数字"。因此,维多利亚时期的经济实践以抽象为模型,帮助证明数学的抽象是合理的,而数学反过来又被经济理论家用来论证其模型的必要性和客观性。这种相互支持的对话在威廉-斯坦利-杰文斯(William Stanley Jevons)的著作中尤为明显,他将代数学原理应用于哲学和经济理论,从而用方程重新构思了认知和社会生活的逻辑。他只是这一逻辑的代言人,而这一逻辑继续塑造着我们对抽象理论知识特殊价值的信念。
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引用次数: 0
:Pathologies of Motion: Historical Thinking in Medicine, Aesthetics, and Poetics 运动的病理学:医学、美学和诗学中的历史思维
IF 1.7 2区 社会学 Pub Date : 2024-01-01 DOI: 10.1086/727653
James Chandler
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引用次数: 0
:Nervous Systems: Art, Systems, and Politics since the 1960s :神经系统:20世纪60年代以来的艺术、系统和政治
IF 1.7 2区 社会学 Pub Date : 2023-09-01 DOI: 10.1086/726298
Ina Blom
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引用次数: 0
:What Pornography Knows: Sex and Social Protest since the Eighteenth Century :色情知识:十八世纪以来的性与社会抗议
IF 1.7 2区 社会学 Pub Date : 2023-09-01 DOI: 10.1086/726307
Gabriel Ojeda-Sague
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引用次数: 0
:Book, Text, Medium: Cross-Sectional Reading for a Digital Age 书籍、文本、媒介:数字时代的横断面阅读
IF 1.7 2区 社会学 Pub Date : 2023-09-01 DOI: 10.1086/726311
John Cayley
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引用次数: 0
What Is an Author? 什么是作者?
IF 1.7 2区 社会学 Pub Date : 2023-09-01 DOI: 10.1086/726273
Michael W. Clune
The twentieth century evolved several ways of treating literary authorship in terms of an object rather than a subject. One tradition, derived more or less distantly from late nineteenth century symbolism, identifies the source of authorship with the medium, the tradition, or language itself. Exponents of this view include writers as different as T. S. Eliot, Martin Heidegger, and Paul De Man. A second tradition, associated most closely with Michel Foucault, understands authorship in terms of impersonal social structures. Both of these traditions move the question of authorship from subject to object by bypassing the experience of the writer. I outline a third tradition, one that locates the movement from who to what within the experience of authorship itself. I enumerate key features of this model of authorship—which represents a revision of the classical concept of inspiration—through close readings of poems by Sylvia Plath and Jorie Graham.
20世纪出现了几种从客体而非主体的角度来看待文学创作的方法。有一种传统,或多或少来源于19世纪晚期的象征主义,将作者的来源与媒介、传统或语言本身联系起来。这种观点的倡导者包括t·s·艾略特、马丁·海德格尔和保罗·德曼等不同的作家。第二个传统与米歇尔·福柯(Michel Foucault)联系最为密切,从非个人社会结构的角度来理解作者身份。这两种传统都绕过作者的经验,将作者身份的问题从主体转移到客体。我概述了第三个传统,这个传统把从“谁”到“什么”的运动定位在作者本身的经验中。我通过仔细阅读西尔维娅·普拉斯和乔里·格雷厄姆的诗歌,列举了这种作者模式的主要特征——它代表了对经典灵感概念的修正。
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引用次数: 4
:The Romantic Rhetoric of Accumulation 《积累的浪漫修辞
IF 1.7 2区 社会学 Pub Date : 2023-09-01 DOI: 10.1086/726297
Carmen Faye Mathes
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引用次数: 0
:Emancipation after Hegel: Achieving a Contradictory Revolution 黑格尔之后的解放:实现一场矛盾的革命
IF 1.7 2区 社会学 Pub Date : 2023-09-01 DOI: 10.1086/726309
Andrew Pendakis
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引用次数: 0
Contemporary Political Adventures of Meaning: What Is Hegemony? 当代政治冒险的意义:什么是霸权?
IF 1.7 2区 社会学 Pub Date : 2023-09-01 DOI: 10.1086/726295
Catherine Malabou
This article, originally delivered as a lecture at the University of Chicago, is a critical reading of Ernesto Laclau and Chantal Mouffe’s Hegemony and Socialist Strategy: Towards a Radical Democratic Politics. Following Antonio Gramsci, their book reverses the meaning of the term hegemony. The traditional use of the term (for military or political leadership) shifts and gives birth to a new signification. Hegemony currently designates a privilege but a discursive one only. It is the privilege conferred to a certain word or category serving as a unifying symbol for different and even heterogeneous forms of political resistance. Hegemony thus understood retains an idea of direction but without any dominating intention. It just orients multiple revolt movements without reducing their differences. Such a unifying symbol appears as a specific signifier devoid of any content or reference, thus ready to bear any contextual meaning. Does this new understanding of hegemony succeed in providing a nondogmatic and nonbinding process of unification, or does it secretely reinstall the logic of commandment?
这篇文章最初是作为芝加哥大学的讲座发表的,是对埃内斯托·拉克劳和尚塔尔·墨菲的《霸权与社会主义战略:走向激进的民主政治》的批判性解读。继葛兰西之后,他们的书颠覆了霸权一词的含义。这个词(指军事或政治领导)的传统用法发生了变化,并产生了新的含义。霸权目前指定了一种特权,但只是一种话语特权。它是赋予某个词或类别的特权,作为不同甚至异质形式的政治抵抗的统一象征。这样理解的霸权保留了一种方向观念,但没有任何支配意图。它只是引导了多个反抗运动,而没有减少它们之间的差异。这样一个统一的符号表现为一个特定的能指,没有任何内容或参考,因此准备承担任何语境意义。这种对霸权的新理解是否成功地提供了一种非教条主义和非约束性的统一过程,或者它是否秘密地重新安装了戒律的逻辑?
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引用次数: 0
Schematizations, or How to Draw a Thought 图式,或如何画出一个想法
IF 1.7 2区 社会学 Pub Date : 2023-09-01 DOI: 10.1086/726275
Fredric Jameson
This article sketches the emergence of visual schematisms from Immanuel Kant to Gilles Deleuze, Michel Foucault, and Jean-François Lyotard. It demonstrates the centrality of differentiation in these visual representations, as underscored by the “bar” or so-called vinculum (a mathematical term). It ultimately concludes that the weakness or dialectical contradiction of the thus differentiated entities lies in their tendency to fold back into each other, returning to the One which it was the purpose of the schematization to exclude in the first place.
本文概述了视觉图式的出现,从康德到德勒兹、福柯和让-弗朗索瓦·利奥塔。它证明了微分在这些视觉表征中的中心地位,正如“杠”或所谓的vinculum(一个数学术语)所强调的那样。它最终得出结论,如此分化的实体的弱点或辩证矛盾在于它们倾向于相互折叠,回到最初被图式化的目的所排斥的那个实体。
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引用次数: 0
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Critical Inquiry
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