The question of what makes a place meaningful has been explored by numerous scholars. In this paper, we examine two theories that propose measurable criteria for evaluating urban spaces: Christopher Alexander's theory of natural order and Maria Lewicka's theory of place essentialism versus anti-essentialism. The latter framework is grounded in the contrast between two major approaches to the meaning of place: the phenomenological and the constructivist. This paper presents findings that enable a comparison of the criteria of natural order with the essentialist and anti-essentialist features of places.
A set of more than 50 photographs representing diverse urban spaces with scores on 20 dimensions reflecting essentialist versus anti-essentialist features, was evaluated on 15 criteria of natural order, alongside measures of liking and emotional arousal. The multidimensional scaling of the 15 principles of natural order obtained in this study diverged from the hypothetical relationships among the principles as proposed by Alexander. The comparison with essentialist versus anti-essentialist place meanings revealed that some principles of natural order were closely aligned with essentialist features (e.g., Simplicity and Inner Calm, Good Shape), while others (e.g., Strong Centers) corresponded more strongly with anti-essentialist features.
An exploratory factor analysis of the principles of natural order revealed four factors, tentatively labeled Harmony, Structure, Roughness, and Boundaries. Life, as the overarching criterion of place perception, was significantly predicted by the first three factors. Liking of a place was predicted by Harmony, Structure, and Boundaries. Relaxation was more strongly associated with Harmony than with Structure, whereas the opposite was true for Excitement. The combined properties yielded three clusters, of which the most liked and most full of Life was the cluster composed of historical and well-maintained urban spaces, while the least liked and most lifeless was the cluster consisting of old, neglected, and chaotic urban spaces.
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