Pub Date : 2023-01-01DOI: 10.5935/2179-0027.20230017
José Luiz Cordeiro Dias Tavares, E. Cardoso
: This article proposes a fifth cover for Álbum de Família by Nelson Rodrigues. We start by approaching propositions from Lejeune (2014) and Doubrovsky (2014) regarding autobiography and autofiction. We considered Colonna’s (2014) proposal about autofictional categories. We looked to Barthes (2001) and his warning about the discourse not containing tactical thoughts of reality. From Rilke (2009), we did welcome his recommendation that literary writing is a boost in the lives of those who venture into it. Supported by Lebrun (2009) who considers that the motor of an action is the object of a drive and, also, impacted by the obsessions of Nelson’s life being present in his Álbum, we speculate if in this work there would be something of instinctual order that would justify the existence of a fifth cover for this work under review.
:本文提出了Nelson Rodrigues为Álbum de Família设计的第五个封面。我们首先从Lejeune(2014)和Doubrovsky(2014)关于自传和自传体小说的命题开始。我们考虑了Colonna(2014)关于自虚构类别的建议。我们参考了巴特(2001)和他关于话语不包含现实的策略思想的警告。从里尔克(2009)中，我们确实欢迎他的建议，即文学写作对那些冒险进入它的人的生活是一种促进。在Lebrun(2009)的支持下，他认为动作的马达是驱动的对象，同时，受到纳尔逊生活中存在的痴迷的影响，在他的Álbum中，我们推测在这部作品中是否存在某种本能秩序，这将证明正在审查的这部作品存在第五个封面。
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Pub Date : 2023-01-01DOI: 10.5935/2179-0027.20230011
A. F. Christo
{"title":"Experiência e leitura literária na obra de Miguel Sanches Neto","authors":"A. F. Christo","doi":"10.5935/2179-0027.20230011","DOIUrl":"https://doi.org/10.5935/2179-0027.20230011","url":null,"abstract":"","PeriodicalId":50353,"journal":{"name":"Interfaces","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71179907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.5935/2179-0027.20230012
Aline Fatima Moi, D. Garcia
: Drawing upon the theoretical framework of Discourse Analysis, this study examines the formulation and constitution of discourse regarding the role Christian women should assume within their homes. Its objective is to analyze how a discourse on the position of these women circulates within the religious narrative and determine whether it contributes, in any way, to perpetuating formulations that violate them in this domestic space. Guided by the question, “How is discourse about the position that Christian women should occupy in their homes formulated and constituted?”, a discursive analysis will be conducted on an Instagram publication by the page Meu lar Meu altar [My Home, My Altar], which outlines specific attitudes for women to develop in their homes. Through this analysis, as demonstrated in this article, it becomes evident that the religious discourse assigns women inferior positions, burdening them with full responsibility for the family, husband, children, and home, designating them as helpers and collaborators to their husbands, and allowing for the perpetuation of violent expressions and silencing.
在话语分析的理论框架下，本研究考察了基督教妇女在家庭中应该承担的角色的话语的形成和构成。其目的是分析关于这些妇女地位的论述是如何在宗教叙事中流传的，并确定它是否以任何方式有助于在这个家庭空间中使侵犯她们的表述永久化。在这个问题的指导下，“关于基督徒妇女在家中应该占据的地位的论述是如何制定和构成的?”，将在Instagram上的Meu lar Meu altar(我的家，我的祭坛)页面上进行话语分析，该页面概述了女性在家中应养成的具体态度。正如本文所展示的那样，通过这种分析，很明显，宗教话语赋予妇女较低的地位，让她们承担对家庭、丈夫、孩子和家庭的全部责任，将她们指定为丈夫的帮手和合作者，并允许暴力表达和沉默的延续。
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Pub Date : 2023-01-01DOI: 10.5935/2179-0027.20230003
Mariana Oliveira Arantes
{"title":"Lúcio Cardoso no moderno teatro brasileiro: uma leitura do drama-da-vida na dramaturgia O escravo","authors":"Mariana Oliveira Arantes","doi":"10.5935/2179-0027.20230003","DOIUrl":"https://doi.org/10.5935/2179-0027.20230003","url":null,"abstract":"","PeriodicalId":50353,"journal":{"name":"Interfaces","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71179007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.5935/2179-0027.20230005
L. Cavalcanti
{"title":"Pedreiros e desterrados: a representação do trabalho urbano e rural nas canções de Chico Buarque","authors":"L. Cavalcanti","doi":"10.5935/2179-0027.20230005","DOIUrl":"https://doi.org/10.5935/2179-0027.20230005","url":null,"abstract":"","PeriodicalId":50353,"journal":{"name":"Interfaces","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71179072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.5935/2179-0027.20230001
Maria Cleci Venturini, M. Lachovski
,
，
{"title":"Inovação na pós-graduação em letras: o que é? como fazer?","authors":"Maria Cleci Venturini, M. Lachovski","doi":"10.5935/2179-0027.20230001","DOIUrl":"https://doi.org/10.5935/2179-0027.20230001","url":null,"abstract":",","PeriodicalId":50353,"journal":{"name":"Interfaces","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71179381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.5935/2179-0027.20230010
Leonardo Augusto Bora
: In order to question the boundaries between artistic languages and the playful character of an operatic spectacle, as suggested by Johan Huizinga, the work, transiting through the field of performing arts and theatrical theory, focuses on the design of the costumes for the La Cambiale di Matrimonio montage of the Ópera na UFRJ project, with a premiere originally scheduled for the first semester of 2020. Once the history of that project and the libretto are presented, the research and the collage movements of references that was made for the idealization of the clothes of the six characters will be debated. In the sequence, the challenges imposed by the pandemic context will be observed. It is argued, without conclusive pretensions, that the experiment, more than the “final product” itself, is a rich case for understanding how potent can be the intertwining of hybrid artistic practices with the transdisciplinarity.
根据Johan Huizinga的建议，为了质疑艺术语言和歌剧奇观的俏皮话之间的界限，该作品通过表演艺术和戏剧理论领域的过渡，专注于Ópera na UFRJ项目的La Cambiale di Matrimonio蒙太奇的服装设计，最初计划于2020年第一学期首映。一旦这个项目的历史和剧本被呈现，研究和拼贴运动的参考，是为理想化的六个人物的衣服将被辩论。在这一顺序中，将观察到大流行背景所带来的挑战。有人认为，没有结论性的主张，这个实验，而不是“最终产品”本身，是一个丰富的案例，让我们了解混合艺术实践与跨学科交织在一起是多么有力。
{"title":"Seis jogadores à procura de um tabuleiro: bonecos de papel para la cambiale di matrimonio","authors":"Leonardo Augusto Bora","doi":"10.5935/2179-0027.20230010","DOIUrl":"https://doi.org/10.5935/2179-0027.20230010","url":null,"abstract":": In order to question the boundaries between artistic languages and the playful character of an operatic spectacle, as suggested by Johan Huizinga, the work, transiting through the field of performing arts and theatrical theory, focuses on the design of the costumes for the La Cambiale di Matrimonio montage of the Ópera na UFRJ project, with a premiere originally scheduled for the first semester of 2020. Once the history of that project and the libretto are presented, the research and the collage movements of references that was made for the idealization of the clothes of the six characters will be debated. In the sequence, the challenges imposed by the pandemic context will be observed. It is argued, without conclusive pretensions, that the experiment, more than the “final product” itself, is a rich case for understanding how potent can be the intertwining of hybrid artistic practices with the transdisciplinarity.","PeriodicalId":50353,"journal":{"name":"Interfaces","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71179733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.5935/2179-0027.20230013
Thaise Maria Armelin Elias, Denise Gabriel Witzel
: Clarice Lispector, one of the greatest and most important Brazilian writers of the 20th century
克拉丽斯·利斯佩克特，20世纪巴西最伟大、最重要的作家之一
{"title":"Discurso e Estética da Existência a partir dos mistérios de Clarice Lispector","authors":"Thaise Maria Armelin Elias, Denise Gabriel Witzel","doi":"10.5935/2179-0027.20230013","DOIUrl":"https://doi.org/10.5935/2179-0027.20230013","url":null,"abstract":": Clarice Lispector, one of the greatest and most important Brazilian writers of the 20th century","PeriodicalId":50353,"journal":{"name":"Interfaces","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71179927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.5935/2179-0027.20230006
Maurício Engroff Bratz, M. S. Klein
: In this article we seek to understand the effects of meanings produced between institutional discourse and discourse in circulation, transposing the pecheuxtian metaphor to social reality. We take as object of analysis the institutional discourse of the City Hall of Porto Xavier and the discourse in circulation on the construction of the International Bridge in that city and San Javier (AR), listed from the individuals designated as porto-xavierenses. The discursive materialities analyzed are a video of
{"title":"Os efeitos de sentido entre a e b: o discurso e o imaginário sobre a Ponte Internacional na Fronteira entre Porto Xavier/San Javier","authors":"Maurício Engroff Bratz, M. S. Klein","doi":"10.5935/2179-0027.20230006","DOIUrl":"https://doi.org/10.5935/2179-0027.20230006","url":null,"abstract":": In this article we seek to understand the effects of meanings produced between institutional discourse and discourse in circulation, transposing the pecheuxtian metaphor to social reality. We take as object of analysis the institutional discourse of the City Hall of Porto Xavier and the discourse in circulation on the construction of the International Bridge in that city and San Javier (AR), listed from the individuals designated as porto-xavierenses. The discursive materialities analyzed are a video of","PeriodicalId":50353,"journal":{"name":"Interfaces","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71179082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.5935/2179-0027.20230021
Neosane Schlemmer
: In this paper, affiliated to the French matrix Discourse Analysis, we aim to reflect on the interpretative gestures invested by the subject-singers/songwriters of two versions of the children’s song “O Cravo e a Rosa”. Thus, we seek to relate the meaning with the operation of discursive memory, which enables and grounds every saying in society and history, being constitutive of language, in which meanings are (re)produced by the retaking of previous sayings. By launching our interpretative gesture on the version of “O Cravo e a Rosa” by Domínio Público/Rubinho do Vale (1998) and also on its rewriting, developed by Isaque Folha (2014), it is possible to explain that the subject-singer of the first version is inscribed in a discursive formation (FD) patriarchal and macho subject-position, which reproduces a violent discourse against women. About the reading gesture invested by the subject-singer/composer of the rereading, in which he resumes sayings already said, we consider that he ends up reinforcing what was already legitimized in the original version, without significantly changing the meanings already set
本文运用法国矩阵语篇分析的方法，对儿童歌曲《O Cravo e a Rosa》的两个版本进行主题歌手/词曲作者的解读姿态进行了反思。因此，我们试图将意义与话语记忆的运作联系起来，话语记忆使社会和历史上的每句话都成为语言的组成部分，其中意义是通过对先前话语的重新吸收而产生的。通过对Domínio Público/Rubinho do Vale(1998)的“O Cravo e a Rosa”版本以及由Isaque Folha(2014)开发的“O Cravo e a Rosa”版本的解释姿态，可以解释第一个版本的主体歌手被铭写在一种话语结构(FD)中，即父权和男子主义的主体位置，它再现了针对女性的暴力话语。关于重读的主题歌手/作曲家所投入的阅读姿态，他在其中恢复了已经说过的话，我们认为他最终加强了在原始版本中已经合法化的东西，而没有显著改变已经设定的意义
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