Pub Date : 1994-03-01DOI: 10.1080/09663699408721205
G. Rose
{"title":"Across the disciplines: What is feminist theory?","authors":"G. Rose","doi":"10.1080/09663699408721205","DOIUrl":"https://doi.org/10.1080/09663699408721205","url":null,"abstract":"","PeriodicalId":51414,"journal":{"name":"Gender Place and Culture","volume":"41 1","pages":"115-117"},"PeriodicalIF":1.8,"publicationDate":"1994-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74961894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1994-03-01DOI: 10.1080/09663699408721198
G. Pratt, S. Hanson
Abstract There is growing evidence of ‘horizontal hostilities’ among women: many women are affirming their identities along axes of class, race, sexuality, age and/or relationship to colonialism. Within recent feminist writing, geography—space, place and location—has been used as a vehicle for rethinking a feminist affinity that does not erase or undermine ‘difference’. We review contemporary uses of geographical metaphors and caution against an excessive emphasis on displacement as a metaphor for a critical feminist stance. We argue that geographies of placement must be held in tension with an ideal of displacement. We develop this point through a case study of women and work in contemporary Worcester, Massachusetts. Women in Worcester are very much rooted in place and this is a vehicle for the construction of differences across women. We argue that studies of the construction of feminine identities in particular places counteract the current tendency within feminism to rigidify differences among women a...
{"title":"Geography and the construction of difference","authors":"G. Pratt, S. Hanson","doi":"10.1080/09663699408721198","DOIUrl":"https://doi.org/10.1080/09663699408721198","url":null,"abstract":"Abstract There is growing evidence of ‘horizontal hostilities’ among women: many women are affirming their identities along axes of class, race, sexuality, age and/or relationship to colonialism. Within recent feminist writing, geography—space, place and location—has been used as a vehicle for rethinking a feminist affinity that does not erase or undermine ‘difference’. We review contemporary uses of geographical metaphors and caution against an excessive emphasis on displacement as a metaphor for a critical feminist stance. We argue that geographies of placement must be held in tension with an ideal of displacement. We develop this point through a case study of women and work in contemporary Worcester, Massachusetts. Women in Worcester are very much rooted in place and this is a vehicle for the construction of differences across women. We argue that studies of the construction of feminine identities in particular places counteract the current tendency within feminism to rigidify differences among women a...","PeriodicalId":51414,"journal":{"name":"Gender Place and Culture","volume":"22 1","pages":"5-29"},"PeriodicalIF":1.8,"publicationDate":"1994-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82097480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1994-03-01DOI: 10.1080/09663699408721199
D. Bell, J. Binnie, J. Cream, G. Valentine
Abstract In this paper we think about the performance of sexual identities in space, and try to explore the notions of transgression and parody implicit in recent queer theory, particularly in the work of Judith Butler. To do this, we take a long hard look at two current dissident sexual identities—the hypermasculine ‘gay skinhead’ and the hyperfeminine ‘lipstick lesbian’. We describe their evolution as sexual‐outlaw styles of the 1990s, and assess the effects of their performance in spaces which are, we argue, actively constructed as heterosexual. Although we are ultimately unsure and unable to agree about what kinds of trouble these identities cause, and for whom, and where, we want to share our unease, our questions, our own troubles.
{"title":"All hyped up and no place to go","authors":"D. Bell, J. Binnie, J. Cream, G. Valentine","doi":"10.1080/09663699408721199","DOIUrl":"https://doi.org/10.1080/09663699408721199","url":null,"abstract":"Abstract In this paper we think about the performance of sexual identities in space, and try to explore the notions of transgression and parody implicit in recent queer theory, particularly in the work of Judith Butler. To do this, we take a long hard look at two current dissident sexual identities—the hypermasculine ‘gay skinhead’ and the hyperfeminine ‘lipstick lesbian’. We describe their evolution as sexual‐outlaw styles of the 1990s, and assess the effects of their performance in spaces which are, we argue, actively constructed as heterosexual. Although we are ultimately unsure and unable to agree about what kinds of trouble these identities cause, and for whom, and where, we want to share our unease, our questions, our own troubles.","PeriodicalId":51414,"journal":{"name":"Gender Place and Culture","volume":"30 1","pages":"31-47"},"PeriodicalIF":1.8,"publicationDate":"1994-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87356532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1994-03-01DOI: 10.1080/09663699408721200
Peter Jackson
Abstract During the 1980s, men's bodies began to appear with increasing frequency in television, cinema and billboard advertising. The advertisers’ preferred image of masculinity has generally been young, white, able‐bodied and staunchly heterosexual. This paper explores a partial exception to these generalisations: Ogilvy & Mather's highly successful relaunch of the soft drink, Lucozade. By using selected images of black male bodies and their popular associations with sporting and sexual prowess, Lucozade was able to shake off its long‐established associations with sickness and convalescence, becoming a popular ‘in‐health’ drink with a revitalised and revitalising image. The paper places contemporary representations of black men in British advertising in relation to wider changes in attitudes towards gender, sexuality and ‘race’, arguing that the success of the Lucozade campaign depended not so much on general associations between sport and ‘race’, manliness and muscularity, as on the reader's (socially ...
{"title":"Black male: Advertising and the cultural politics of masculinity","authors":"Peter Jackson","doi":"10.1080/09663699408721200","DOIUrl":"https://doi.org/10.1080/09663699408721200","url":null,"abstract":"Abstract During the 1980s, men's bodies began to appear with increasing frequency in television, cinema and billboard advertising. The advertisers’ preferred image of masculinity has generally been young, white, able‐bodied and staunchly heterosexual. This paper explores a partial exception to these generalisations: Ogilvy & Mather's highly successful relaunch of the soft drink, Lucozade. By using selected images of black male bodies and their popular associations with sporting and sexual prowess, Lucozade was able to shake off its long‐established associations with sickness and convalescence, becoming a popular ‘in‐health’ drink with a revitalised and revitalising image. The paper places contemporary representations of black men in British advertising in relation to wider changes in attitudes towards gender, sexuality and ‘race’, arguing that the success of the Lucozade campaign depended not so much on general associations between sport and ‘race’, manliness and muscularity, as on the reader's (socially ...","PeriodicalId":51414,"journal":{"name":"Gender Place and Culture","volume":"16 1","pages":"49-59"},"PeriodicalIF":1.8,"publicationDate":"1994-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87205556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1994-03-01DOI: 10.1080/09663699408721203
D. Reichert
Abstract The argument of this paper is based on water, i.e. on the metaphor of something that does not have a form, but is forming. Attempting to write herself without representing herself, the author invites the reader to understand her/his self without having to define it. In order to do that the question ‘What IS a woman?’ must be put in question. Then the definite existence of the IS can be turned into a paradoxical (non‐)being like that of Utopia. The space of geography is a space of what IS. Could woman feel at home in such a framework? Or does she inhabit the paradoxical space of Utopia? What would a geography of the Utopia be like? What is the space of the woman?
{"title":"Woman as Utopia. Against relations of representation","authors":"D. Reichert","doi":"10.1080/09663699408721203","DOIUrl":"https://doi.org/10.1080/09663699408721203","url":null,"abstract":"Abstract The argument of this paper is based on water, i.e. on the metaphor of something that does not have a form, but is forming. Attempting to write herself without representing herself, the author invites the reader to understand her/his self without having to define it. In order to do that the question ‘What IS a woman?’ must be put in question. Then the definite existence of the IS can be turned into a paradoxical (non‐)being like that of Utopia. The space of geography is a space of what IS. Could woman feel at home in such a framework? Or does she inhabit the paradoxical space of Utopia? What would a geography of the Utopia be like? What is the space of the woman?","PeriodicalId":51414,"journal":{"name":"Gender Place and Culture","volume":"59 1","pages":"91-102"},"PeriodicalIF":1.8,"publicationDate":"1994-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83439344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1994-03-01DOI: 10.1080/09663699408721204
L. Johnson
Drawing primarily on my own work, speculations are offered on a range of possible futures for feminist geography. It is suggested that the most likely trajectory is one of incorporation as feminist...
{"title":"What future for feminist geography","authors":"L. Johnson","doi":"10.1080/09663699408721204","DOIUrl":"https://doi.org/10.1080/09663699408721204","url":null,"abstract":"Drawing primarily on my own work, speculations are offered on a range of possible futures for feminist geography. It is suggested that the most likely trajectory is one of incorporation as feminist...","PeriodicalId":51414,"journal":{"name":"Gender Place and Culture","volume":"8 1","pages":"103-113"},"PeriodicalIF":1.8,"publicationDate":"1994-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86533917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1994-03-01DOI: 10.1080/09663699408721202
B. Milroy, Susan Wismer
Abstract Based on a study of women's work in the Canadian community of Kitchener‐Waterloo over a century, this paper identifies community work as conceptually separate from domestic and traded work. Using case examples from the study, the paper analyses three propositions associated with public/private sphere models, drawing upon the theoretical work of Carole Pateman and others. The paper proposes a new conceptual framework for understanding the relationship between women and work which includes community work as a third sphere. It suggests that re‐theorising the relationship between women and work is necessary in order to overcome the limitations and inherent contradictions of conventional public/private formulations and in order to acknowledge the nature and extent of involvement in civil action.
{"title":"Communities, work and public/private sphere models","authors":"B. Milroy, Susan Wismer","doi":"10.1080/09663699408721202","DOIUrl":"https://doi.org/10.1080/09663699408721202","url":null,"abstract":"Abstract Based on a study of women's work in the Canadian community of Kitchener‐Waterloo over a century, this paper identifies community work as conceptually separate from domestic and traded work. Using case examples from the study, the paper analyses three propositions associated with public/private sphere models, drawing upon the theoretical work of Carole Pateman and others. The paper proposes a new conceptual framework for understanding the relationship between women and work which includes community work as a third sphere. It suggests that re‐theorising the relationship between women and work is necessary in order to overcome the limitations and inherent contradictions of conventional public/private formulations and in order to acknowledge the nature and extent of involvement in civil action.","PeriodicalId":51414,"journal":{"name":"Gender Place and Culture","volume":"275 1","pages":"71-90"},"PeriodicalIF":1.8,"publicationDate":"1994-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76517846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1994-03-01DOI: 10.1080/09663699408721201
Bénédicte Monicat
Abstract This analysis of nineteenth‐century travel literature by French and francophone women examines the various mechanisms and strategies at play in women's struggle with self‐representation within the genre of travel writing. Through the works of three women travellers, Henriette d'Angeville, Adele Hommaire de Hell and Carla Serena, four main voices are identified as representing the plurality of self‐images women writers create in their texts: conventional autobiographical voices where they present themselves in a stereotypically feminine manner; conventional ‘neutral’ scientific voices where they take on the traditionally masculine task of science writing, thus erasing the autobiographical; differentiated scientific voices where they valorize a (private) sphere of knowledge dependent upon their personal experiences and valorized as such; and finally, differentiated autobiographical voices which undermine constraining representations of women by placing them in the valued public sphere. As a result,...
{"title":"Autobiography and women's travel writings in nineteenth‐century France: Journeys through self‐representation","authors":"Bénédicte Monicat","doi":"10.1080/09663699408721201","DOIUrl":"https://doi.org/10.1080/09663699408721201","url":null,"abstract":"Abstract This analysis of nineteenth‐century travel literature by French and francophone women examines the various mechanisms and strategies at play in women's struggle with self‐representation within the genre of travel writing. Through the works of three women travellers, Henriette d'Angeville, Adele Hommaire de Hell and Carla Serena, four main voices are identified as representing the plurality of self‐images women writers create in their texts: conventional autobiographical voices where they present themselves in a stereotypically feminine manner; conventional ‘neutral’ scientific voices where they take on the traditionally masculine task of science writing, thus erasing the autobiographical; differentiated scientific voices where they valorize a (private) sphere of knowledge dependent upon their personal experiences and valorized as such; and finally, differentiated autobiographical voices which undermine constraining representations of women by placing them in the valued public sphere. As a result,...","PeriodicalId":51414,"journal":{"name":"Gender Place and Culture","volume":"97 1","pages":"61-70"},"PeriodicalIF":1.8,"publicationDate":"1994-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78520516","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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