{"title":"Manuel Garin: El gag visual. De Buster Keaton a Super Mario","authors":"Rubén Olachea Pérez","doi":"10.1515/humor-2017-0038","DOIUrl":"https://doi.org/10.1515/humor-2017-0038","url":null,"abstract":"","PeriodicalId":51635,"journal":{"name":"Humor-International Journal of Humor Research","volume":"2 1","pages":""},"PeriodicalIF":1.3,"publicationDate":"2017-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87371753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Humorous cartoons in college textbooks: Student perceptions and learning","authors":"A. Özdoğru, R. F. McMorris","doi":"10.1515/HUMOR-2013-0008","DOIUrl":"https://doi.org/10.1515/HUMOR-2013-0008","url":null,"abstract":"","PeriodicalId":51635,"journal":{"name":"Humor-International Journal of Humor Research","volume":"12 1","pages":"135-154"},"PeriodicalIF":1.3,"publicationDate":"2013-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76449221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Characteristics of Job Burnout and Humor among Psychotherapists","authors":"Alfred J. Malinowski","doi":"10.1515/HUMOR-2013-0007","DOIUrl":"https://doi.org/10.1515/HUMOR-2013-0007","url":null,"abstract":"","PeriodicalId":51635,"journal":{"name":"Humor-International Journal of Humor Research","volume":"119 1","pages":"117-133"},"PeriodicalIF":1.3,"publicationDate":"2013-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83222273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"No laughing matter? Young adults and the “spillover effect” of candidate-centered political humor","authors":"Jody C. Baumgartner","doi":"10.1515/HUMOR-2013-0003","DOIUrl":"https://doi.org/10.1515/HUMOR-2013-0003","url":null,"abstract":"","PeriodicalId":51635,"journal":{"name":"Humor-International Journal of Humor Research","volume":"96 1","pages":"23-43"},"PeriodicalIF":1.3,"publicationDate":"2013-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75871211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Authors of written texts may mark the use of verbal irony in a variety of ways. One possibility for doing so is the use of so-called co-textual markers of irony (i.e., support strategies that open up a non-serious frame). This study aims to classify and categorize these co-textual irony markers. A content analysis of 2,042 co-textual utterances of irony across four text genres (advertisements, newspaper columns, book and film reviews, and letters to the editor) shows that three categories of support strategies could be identified: other ironic utterances, tropes and mood markers. The use of irony support strategies was positively related to the genre of newspaper columns: columns used more ironic utterances and tropes as irony support strategies than the other genres in the corpus.
{"title":"The use of co-textual irony markers in written discourse","authors":"C. Burgers, M. V. Mulken, P. Schellens","doi":"10.1515/HUMOR-2013-0004","DOIUrl":"https://doi.org/10.1515/HUMOR-2013-0004","url":null,"abstract":"Authors of written texts may mark the use of verbal irony in a variety of ways. One possibility for doing so is the use of so-called co-textual markers of irony (i.e., support strategies that open up a non-serious frame). This study aims to classify and categorize these co-textual irony markers. A content analysis of 2,042 co-textual utterances of irony across four text genres (advertisements, newspaper columns, book and film reviews, and letters to the editor) shows that three categories of support strategies could be identified: other ironic utterances, tropes and mood markers. The use of irony support strategies was positively related to the genre of newspaper columns: columns used more ironic utterances and tropes as irony support strategies than the other genres in the corpus.","PeriodicalId":51635,"journal":{"name":"Humor-International Journal of Humor Research","volume":"42 1","pages":"45-68"},"PeriodicalIF":1.3,"publicationDate":"2013-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77639881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Early maladaptive schemas, styles of humor and aggression","authors":"D. Dozois, R. Martin, Breanne Faulkner","doi":"10.1515/HUMOR-2013-0006","DOIUrl":"https://doi.org/10.1515/HUMOR-2013-0006","url":null,"abstract":"","PeriodicalId":51635,"journal":{"name":"Humor-International Journal of Humor Research","volume":"50 1","pages":"97-116"},"PeriodicalIF":1.3,"publicationDate":"2013-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76624071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Responding to current practices in the field of contemporary art, this essay is a study on humor research methodology as it pertains specifically to artistic propositions. It draws on art historical methods for visual analysis (in particular Erwin Panofsky’s iconological method and Ernst Gombrich’s psychology of perception) and on the General Theory of Verbal Humor (GTVH), developed by Salvatore Attardo and Victor Raskin in 1991 for the analysis of jokes and short humorous texts. It argues that mechanisms specific to the visual domain must be central to the study of humor in the visual arts.
{"title":"A second look at laughter: Humor in the visual arts","authors":"A. Gérin","doi":"10.1515/HUMOR-2013-0009","DOIUrl":"https://doi.org/10.1515/HUMOR-2013-0009","url":null,"abstract":"Responding to current practices in the field of contemporary art, this essay is a study on humor research methodology as it pertains specifically to artistic propositions. It draws on art historical methods for visual analysis (in particular Erwin Panofsky’s iconological method and Ernst Gombrich’s psychology of perception) and on the General Theory of Verbal Humor (GTVH), developed by Salvatore Attardo and Victor Raskin in 1991 for the analysis of jokes and short humorous texts. It argues that mechanisms specific to the visual domain must be central to the study of humor in the visual arts.","PeriodicalId":51635,"journal":{"name":"Humor-International Journal of Humor Research","volume":"105 1","pages":"155-176"},"PeriodicalIF":1.3,"publicationDate":"2013-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80692529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Joke telling, humor creation, and humor recall in children with and without hearing loss","authors":"E. Nwokah, Sandra E. Burnette, Kelly N. Graves","doi":"10.1515/HUMOR-2013-0005","DOIUrl":"https://doi.org/10.1515/HUMOR-2013-0005","url":null,"abstract":"","PeriodicalId":51635,"journal":{"name":"Humor-International Journal of Humor Research","volume":"22 1","pages":"69-96"},"PeriodicalIF":1.3,"publicationDate":"2013-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78881658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Geke D. S. Ludden, Barry M. Kudrowitz, H. Schifferstein, P. Hekkert
When information from two or more sensory modalities conflicts, this can evoke a surprise reaction as well as feelings of amusement, interest, confusion or disappointment. In concurrence to joke theory, we argue that people appreciate and enjoy appropriate incongruities that can be related back to the product, whereas they are confused by and have negative opinions towards inappropriate incongruities. This paper reports the design and the evaluation of products in two categories (rubber duckies and deodorants), with (in)appropriate sensory incongruities of three types: visual-tactual, visual-olfactory and visual-auditory. Participants evaluated the level of surprise felt and the intensity of resulting emotions. They also indicated their overall liking for the products. Both appropriate and inappropriate incongruities were evaluated as surprising as well as confusing. As expected, appropriate incongruities evoked more amusement and were generally favored. Whereas products with visualtactual incongruities showed large differences in ratings on liking and amusement between appropriate and inappropriate incongruities, these differences were smaller for products with visual-auditory and visual-olfactory incongruities. Possibly, the appropriateness of an incongruity is more conspicuous when it is brought about by a conflict between touch and vision than when olfaction or audition are involved.
{"title":"Surprise and humor in product design: Designing sensory metaphors in multiple modalities","authors":"Geke D. S. Ludden, Barry M. Kudrowitz, H. Schifferstein, P. Hekkert","doi":"10.1515/HUMOR-2012-0015","DOIUrl":"https://doi.org/10.1515/HUMOR-2012-0015","url":null,"abstract":"When information from two or more sensory modalities conflicts, this can evoke a surprise reaction as well as feelings of amusement, interest, confusion or disappointment. In concurrence to joke theory, we argue that people appreciate and enjoy appropriate incongruities that can be related back to the product, whereas they are confused by and have negative opinions towards inappropriate incongruities. This paper reports the design and the evaluation of products in two categories (rubber duckies and deodorants), with (in)appropriate sensory incongruities of three types: visual-tactual, visual-olfactory and visual-auditory. Participants evaluated the level of surprise felt and the intensity of resulting emotions. They also indicated their overall liking for the products. Both appropriate and inappropriate incongruities were evaluated as surprising as well as confusing. As expected, appropriate incongruities evoked more amusement and were generally favored. Whereas products with visualtactual incongruities showed large differences in ratings on liking and amusement between appropriate and inappropriate incongruities, these differences were smaller for products with visual-auditory and visual-olfactory incongruities. Possibly, the appropriateness of an incongruity is more conspicuous when it is brought about by a conflict between touch and vision than when olfaction or audition are involved.","PeriodicalId":51635,"journal":{"name":"Humor-International Journal of Humor Research","volume":"35 1","pages":"285-309"},"PeriodicalIF":1.3,"publicationDate":"2012-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86006132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Childhood experiences of professional comedians: Peer and parent relationships and humor use","authors":"Gil Greengross, R. Martin, G. Miller","doi":"10.1515/HUMOR-2012-0026","DOIUrl":"https://doi.org/10.1515/HUMOR-2012-0026","url":null,"abstract":"","PeriodicalId":51635,"journal":{"name":"Humor-International Journal of Humor Research","volume":"17 1","pages":"491-505"},"PeriodicalIF":1.3,"publicationDate":"2012-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82801169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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