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Mark Katz and Junious “House” Brickhouse (Next Level, USA): in conversation Mark Katz和Junious“House”Brickhouse(下一级,美国):对话
IF 3.1 2区 社会学 Q1 Arts and Humanities Pub Date : 2023-03-22 DOI: 10.1080/09548963.2023.2183356
Jennifer L. Campbell, Jill Schinberg
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引用次数: 0
Heritage conservation and the limitation of public-private partnerships 遗产保护和公私伙伴关系的限制
IF 3.1 2区 社会学 Q1 Arts and Humanities Pub Date : 2023-03-16 DOI: 10.1080/09548963.2023.2189514
Mahmoud Abdou
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引用次数: 1
Welcome to the inner circle? Earnings and inequality in the creative industries 欢迎加入我们的核心圈子?创意产业的收入和不平等
IF 3.1 2区 社会学 Q1 Arts and Humanities Pub Date : 2023-02-25 DOI: 10.1080/09548963.2023.2181057
W. Been, Yosha Wijngaarden, E. Loots
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引用次数: 0
Co-op mode: the emancipatory potential of freelancer co-operatives in the UK videogames industry following the COVID-19 pandemic 合作模式:COVID-19大流行后英国电子游戏行业自由职业者合作社的解放潜力
IF 3.1 2区 社会学 Q1 Arts and Humanities Pub Date : 2023-02-24 DOI: 10.1080/09548963.2023.2181688
John Morton
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引用次数: 1
Russia’s cultural policy abroad as a projection of the “Russian World” 作为“俄罗斯世界”投射的俄罗斯对外文化政策
IF 3.1 2区 社会学 Q1 Arts and Humanities Pub Date : 2023-02-07 DOI: 10.1080/09548963.2023.2171771
T. Romashko
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引用次数: 0
Decolonising the cultural policy and management curriculum – reflections from practice 文化政策与管理课程的非殖民化——来自实践的思考
IF 3.1 2区 社会学 Q1 Arts and Humanities Pub Date : 2023-02-07 DOI: 10.1080/09548963.2023.2168515
A. Gaio, Avril Joffe, Javier J. Hernández-Acosta, Milena Dragicevic Sesic
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引用次数: 1
Esme Ward (Manchester Museum): in conversation 埃斯梅·沃德(曼彻斯特博物馆):在谈话中
IF 3.1 2区 社会学 Q1 Arts and Humanities Pub Date : 2023-01-23 DOI: 10.1080/09548963.2022.2151868
R. Ali
Esme Ward is the Director of Manchester Museum and has been leading the ‘hello future’ £15 million capital project to transform the Museum. Re-opening in 2023, the Manchester Museum will include a brand-new South Asia Gallery, Lee Kai Hung Chinese Culture Gallery and Belonging Gallery as well as an Exhibition Hall and more inclusive visitor facilities and spaces. This interview is part of a project led by Professor Bridget Byrne and Dr Roaa Ali at the Centre on Dynamics of Ethnicity (CoDE), University of Manchester. We have been exploring how institutional practices in cultural institutions can reproduce and mitigate ethnic inequality, and Manchester Museum has been one of our case studies.
Esme Ward是曼彻斯特博物馆的馆长,他一直在领导耗资1500万英镑的“你好,未来”资本项目,以改造博物馆。曼彻斯特博物馆将于2023年重新开放,包括一个全新的南亚画廊、李中国文化画廊和归属画廊,以及一个展厅和更具包容性的游客设施和空间。这次采访是曼彻斯特大学种族动力学中心Bridget Byrne教授和Roaa Ali博士领导的一个项目的一部分。我们一直在探索文化机构的制度实践如何再现和缓解种族不平等,曼彻斯特博物馆就是我们的案例研究之一。
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引用次数: 1
Towards a paradigm shift? The potential of participatory arts practices in a context of post-crisis reconstruction 走向范式转变?危机后重建背景下参与式艺术实践的潜力
IF 3.1 2区 社会学 Q1 Arts and Humanities Pub Date : 2023-01-13 DOI: 10.1080/09548963.2023.2165903
H. Dewinter, Simon Allemeersch, Lieve Bradt
From a social pedagogical perspective, the COVID-19 pandemic has (re-)raised the question of what constitutes social bonds. In this article, we focus on participatory art, as a practice that in recent decades has been put forward as a (new) pedagogical project in dealing with complex societal issues, especially in urban areas. Drawing on the connection between participatory art and the urban public realm, our purpose is to explore the potential of these practices to rethink the nature of social coherence in a context of post-crisis reconstruction. Based on a bi-monthly follow-up of 10 Brussels participatory art practices, we explore how these practices have or have not been able to cope with the pandemic, how the public realm unfolds within this process, what this entails for the (future) role of practitioners and what we might learn from these practices in terms of finding a new voice for arts and culture. [ FROM AUTHOR]
从社会教育学的角度来看,新冠肺炎大流行(重新)提出了什么构成社会纽带的问题。在这篇文章中,我们关注的是参与式艺术,这是近几十年来作为一个(新的)教学项目提出的一种实践,用于处理复杂的社会问题,尤其是在城市地区。利用参与式艺术与城市公共领域之间的联系,我们的目的是探索这些实践的潜力,在危机后重建的背景下重新思考社会一致性的本质。基于对布鲁塞尔10个参与式艺术实践的双月跟踪,我们探讨了这些实践是如何应对或未能应对疫情的,公共领域在这一过程中是如何展开的,这对从业者(未来)的角色意味着什么,以及我们可以从这些实践中学到什么,为艺术和文化找到新的声音。[来自作者]
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引用次数: 1
Artistic careers and crises. How did the pandemic affect Norwegian artists? 艺术生涯和危机。疫情对挪威艺术家有何影响?
IF 3.1 2区 社会学 Q1 Arts and Humanities Pub Date : 2023-01-11 DOI: 10.1080/09548963.2023.2167067
Per Mangset, Bård Kleppe, Marianne Heian
In this paper, we ask how the corona pandemic affected a cohort of former art school students. We have compared our findings with other studies of the consequences of the pandemic for Nordic artists. Most of our informants appeared less negatively affected by the pandemic than predicted by previous studies. None of those who responded said that they had left or considered leaving their professions, and none had experienced a disastrous loss of income because of the pandemic. Nevertheless, the pandemic affected the work and income situation of freelance actors and musicians who normally perform for live audiences. All the informants also responded that their workdays had changed substantially, and that the pandemic had negatively affected their well-being. Our qualitative study might contribute in detecting some nuances that were less easily detectable through quantitative surveys, e.g. that the pandemic did not substantially affect freelance actors in film and media. [ FROM AUTHOR]
在这篇论文中,我们询问了新冠疫情如何影响了一批前艺术学校的学生。我们将我们的发现与其他关于疫情对北欧艺术家影响的研究进行了比较。与之前的研究预测相比,我们的大多数线人似乎没有受到疫情的负面影响。没有一位回应者表示他们已经离开或考虑离开自己的职业,也没有一位因疫情而遭受灾难性的收入损失。尽管如此,疫情影响了通常为现场观众表演的自由演员和音乐家的工作和收入状况。所有线人还回应说,他们的工作日发生了重大变化,疫情对他们的健康产生了负面影响。我们的定性研究可能有助于发现一些通过定量调查不太容易检测到的细微差别,例如,疫情并没有对电影和媒体中的自由演员产生实质性影响。[来自作者]
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引用次数: 0
France and the restitution of African cultural property: a critical race theory view 法国与归还非洲文化财产:批判性种族理论视角
IF 3.1 2区 社会学 Q1 Arts and Humanities Pub Date : 2023-01-10 DOI: 10.1080/09548963.2022.2164178
Antonio C. Cuyler, Khamal Patterson
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引用次数: 0
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